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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Long Version]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:16Look.
00:04:16Go, go, go.
00:04:22Get here.
00:04:28Here.
00:04:34Well, you should rồi.
00:04:41Leave it here.
00:04:43I don't want to kill me.
00:04:44You fucking...
00:04:46Stay away from Lizzie!
00:04:59By order of the P.K. fucking blinders!
00:05:11Argh!
00:05:20Prenderà il treno da Napoli a Parigi
00:05:21e poi il taghetto a Londra.
00:05:29E potrà essere qui domenica, così.
00:05:55Police!
00:05:57Police!
00:06:01Officer, there are some men, they mean us hard.
00:06:04We are in danger here.
00:06:06Come and escort us to the dock.
00:06:10Please, come with me.
00:06:13Excuse me, brother.
00:06:15Have you got a light?
00:06:16We are in danger.
00:06:18We are in danger.
00:06:33Soon next time we'll be here.
00:06:34Okay.
00:06:34I will..
00:07:05Thank you, officer.
00:07:07That'll be all...
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way
00:07:24because of your sweet smile?
00:07:26I said, let him go. He's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33Is he safe?
00:07:35He's not gonna harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disobeying Tommy's orders
00:07:41just by talking to you.
00:07:43Don't push it.
00:07:45Please.
00:07:47Come with us, let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbour.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jane Greta.
00:07:58I can't do that, sorry.
00:07:59Okay, it's okay.
00:08:01Okay, listen.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in March Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14Jane Greta, there are rules.
00:08:15Your husband knows the rules.
00:08:18Come on, old man.
00:08:20No!
00:08:22Sorry.
00:08:25We're disobeying orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's orders stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Ray.
00:08:48I love you forever.
00:08:50War!
00:09:02No!
00:09:03No!
00:09:03No!
00:09:04No!
00:09:04No!
00:09:06No!
00:09:06No!
00:09:07No!
00:09:08No!
00:09:08No!
00:09:09No!
00:09:09No!
00:09:09No!
00:09:10No!
00:09:10No!
00:09:10No!
00:09:10No!
00:09:11No!
00:09:12No! No!
00:09:31Come to Tupelo
00:09:34Yonder, under horizon
00:09:38Stop the mighty river
00:09:40And set the dancing dry
00:09:43Distant thunder rumble
00:09:47Rumble hungry like the beast
00:09:50The beast it cometh, cometh down
00:09:52The beast it cometh, cometh down
00:09:54The beast it cometh, cometh down
00:09:56Tupelo bow
00:10:02Yeah
00:10:02The green come down
00:10:04The black green come down
00:10:06Water, water everywhere
00:10:09But no bird can't fly
00:10:10No fish can't swim
00:10:11No fish can't swim
00:10:13Until the king is born
00:10:15Until the girl is born
00:10:45Do you know what time it is?
00:10:47Old man
00:10:51I'll tell you
00:10:57It's after seven in the evening
00:10:59And I'm gonna keep you alive
00:11:05Until it gets light
00:11:12I'll not deliver the final cuts
00:11:16Until we can both hear the blackbirds singing outside
00:11:25It's a beautiful sound
00:11:30It's a beautiful sound
00:11:30Which my wife will never hear again
00:11:36No
00:11:47Now, of course, I'm going to have to choose carefully.
00:11:53Which part of you I cut away first?
00:12:00Open your eyes.
00:12:02Open your eyes, or I will cut away your fucking eyelids.
00:12:11Now, look at me.
00:12:14Look at me.
00:12:18This is the end.
00:12:21This is the end.
00:12:29It was your tongue that gave the order.
00:12:35I'll take your tongue first.
00:12:41And I'll take your ears.
00:12:45And I'll take your fingers.
00:12:48And your fucking toes.
00:12:51See, I'll take your balls first.
00:12:54You drain too fast like you fuckers do.
00:12:59I think tongue first.
00:13:01You've got the wrong foot.
00:13:02I won't know it.
00:13:04It will fall.
00:13:14I'll take your tongue.
00:13:16You won't be able to explain.
00:13:19And I want you to explain.
00:13:22I want you to fucking explain.
00:13:41I want you to explain.
00:13:56Come on tell me, I forgets who I am, I forgets who I am, I'm a blind and I'll take
00:14:07your fucking eyes first!
00:14:15I heard the blackbird sing.
00:14:31And we let his wife board the immigrant ship to New York.
00:14:35We didn't kill Mrs. Cangretta.
00:14:39That's alright.
00:14:44We're not those kind of men.
00:14:56Oh, and this one is for bravery.
00:15:04And this one is for me.
00:15:10And everything's a dollar in this box.
00:15:16You get rid of the body, John.
00:15:20And get rid of the house.
00:15:23For good.
00:15:29Come.
00:15:51I'm really sorry to bother you again, sir.
00:15:54But Chef insists on knowing what time the guests will arrive.
00:15:59Francis, for the last time.
00:16:02It's Johnny Dogs.
00:16:03They're gypsies.
00:16:05They're camped down by the river.
00:16:06When they're ready, they'll walk up.
00:16:08Alright?
00:16:09He says it's about preparation, sir.
00:16:12What is?
00:16:13He's us specifically.
00:16:14Will they arrive before the King's speech or after?
00:16:22He said he was new there, Chef.
00:16:26When did he join us?
00:16:28October.
00:16:33October.
00:16:36And he's fallen?
00:16:38He's Italian, sir.
00:16:40Oh.
00:16:42He's the best chef we've ever had in the house.
00:16:45No shouting or swearing or blaspheming.
00:16:48Do we owe his references?
00:16:50Yes.
00:16:53The only problem has been his assistant.
00:16:56What assistant?
00:16:57He brought an assistant with him.
00:16:59He calls him his sous chef.
00:17:05Are they still working, Francis?
00:17:07They'll be there till midnight, sir.
00:17:15All right, thank you.
00:17:16Good night.
00:17:16You can go to bed.
00:17:18Merry Christmas, sir.
00:17:22And I thought about your offer.
00:17:25I'd be happy to sit at your table.
00:17:29All right, thank you.
00:17:55Let's go.
00:18:10What's your name?
00:18:11Max, Mr Shelby.
00:18:12Max.
00:18:16It's all right, don't get up.
00:18:18Oh.
00:18:20Sorry, sorry, sorry.
00:18:25You're new on Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, gay?
00:18:41Excuse me?
00:18:43See you, chef.
00:18:45Getting potatoes.
00:18:48It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:52Late notice.
00:18:54Right.
00:18:56All right, carry on.
00:19:06Antonio.
00:19:09You're ten pound.
00:19:12The line notice.
00:19:14What?
00:19:28Yes.
00:19:30Yes.
00:19:32I'm sorry.
00:19:33Yes.
00:19:34Yes.
00:19:53You wanted to know if my guests would arrive before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:15How are you?
00:20:19Worried about tomorrow?
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months and we've not met before.
00:20:32It's my fault.
00:20:33I've been busy.
00:20:36Tell Michelle Bay.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:46Hey.
00:20:48How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting 10 pound.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:09What?
00:21:20I've been reading up on you.
00:21:22Bursterelli.
00:21:23Claridge's.
00:21:25You used to work in a place called San Marco's.
00:21:30On, er...
00:21:32On Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:45No.
00:21:47Maybe your, um, assistant...
00:21:50Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know.
00:21:59Please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:03Threatened to kill you if he didn't do it.
00:22:07You got me to dress you like a dress that fucking stag.
00:22:09Please.
00:22:13You know about me.
00:22:16Right?
00:22:17You know what I do?
00:22:21You wanted to know when my guests would arrive.
00:22:23Because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27Plan needs to kill me tomorrow.
00:22:28Huh?
00:22:33They just said to bring him here.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Virico!
00:22:51You're visiting.
00:23:22Oh.
00:23:24Che cazzo succede?
00:23:26Huh?
00:23:28No!
00:23:32No!
00:23:44You are blackhand!
00:23:46You are blackhand!
00:23:48How many came from New York?
00:23:50Hey!
00:23:50How many fucking came from New York?
00:23:52Fuck God!
00:23:56Is that a curse on a number?
00:23:58For what did he fucking say?
00:23:59What did he fucking say?
00:24:01He said, fuck you!
00:24:02Yeah?
00:24:14I can't please kill or be killed.
00:24:19You go back to London.
00:24:21You tell Derby to be unique.
00:24:23You picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28let's go for him.
00:24:29Come on.
00:24:30Go.
00:24:32Go.
00:24:33Oi!
00:24:34You tell anyone else,
00:24:36I'll come and find you.
00:25:01Go!
00:25:06Go!
00:25:19Go!
00:25:20Go!
00:25:20Go!
00:25:21Go!
00:25:22Go!
00:25:22Go!
00:25:23Go!
00:25:53Go!
00:25:53Go!
00:25:53Go!
00:25:53Go!
00:25:59Go!
00:26:02Go!
00:26:04Go!
00:26:08Go!
00:26:11Go!
00:26:15Go!
00:26:26Go!
00:26:28Go!
00:26:33Go!
00:26:33Go!
00:26:56Go!
00:26:57Go!
00:26:57Go!
00:26:59Go!
00:27:00Go!
00:27:01Go!
00:27:01Tommy said we should do it in the open.
00:27:19This is how John wanted to go, on the smoke.
00:27:24The truth is, we died together once before.
00:27:32Arthur, me, Danny Whizbang, Freddie Thorne, Jeremiah, and John.
00:27:45We were cut off from the retreat, no bullets left,
00:27:50waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited, Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared, the enemy never came, and we all agreed that everything after that was extra.
00:28:20And when our time came, we'd all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:28:42Come here. This is the place.
00:28:45Be careful.
00:28:46Leave it.
00:28:47Let's go.
00:28:47Oh.
00:28:48The bottom line.
00:28:50Yeah.
00:29:15Let's just come.
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberammergold.
00:30:40Oh, fuck.
00:30:42Now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap!
00:30:59Finn!
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You wanna know, Paul?
00:31:19Two fucking local Italians heard about the vendetta, tried to make a fucking name for themselves
00:31:24that too.
00:31:25We got word to them about the funeral.
00:31:28The where, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberammergold will do the rest.
00:31:36That's the language of vendetta.
00:31:38I take one of ours.
00:31:40We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:56Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone, anyone who wants no more part of this.
00:32:05Because this is how it's gonna be!
00:32:08Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there, lock the doors.
00:32:22You wait for me.
00:32:36Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:43Look, away from here you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelbys will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now too, Linda.
00:33:14500 each.
00:33:151,000 for the brace.
00:33:16Where do you want them?
00:33:18Charlie.
00:33:19Take them to the yard.
00:33:37And they will leave this door.
00:33:37I won't wait for your husband.
00:33:38I'll help you.
00:33:39You're a little better.
00:33:39I'll help you.
00:33:40You're a little better.
00:33:41He'll help you.
00:33:41You're a little better.
00:33:43Yeah.
00:33:49He'll help you.
00:33:50You're a little better.
00:34:18Champagne, please.
00:34:19Of course.
00:34:23Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:17This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds, and I'll ask you to spare Finn and Arthur.
00:35:35In return for what?
00:35:42Tommy Shelby.
00:35:50And why should I trust you?
00:35:55Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13You know my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38Tommy Shelby was right.
00:36:44His, uh, ruthlessness was justified.
00:36:49It's fine.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:03Listen.
00:37:06Tommy's different.
00:37:08You take Tommy.
00:37:11Spare the rest.
00:37:17You know.
00:37:20My mother used to say this about you.
00:37:24She said that Polly Gray, that child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:37Hmm.
00:37:42What do you say, hmm?
00:37:45I'll dance.
00:37:52I don't dance anymore.
00:37:56Yeah.
00:37:57That's a shame.
00:38:05Cause you're dancing with me.
00:38:22What are you doing?
00:38:27Oh, shit.
00:38:34Oh, shit.
00:38:53Where I'm from.
00:38:55Head on the bends.
00:38:57I'm lucky.
00:39:01My family.
00:39:05You say it brings death.
00:39:10Maybe.
00:39:12Maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:25Now.
00:39:31You look smart now.
00:39:36It's too late.
00:39:42It's too late.
00:39:44You're dead.
00:39:45Come on.
00:39:46I'm sorry.
00:39:51You're dead.
00:39:55I'm sorry.
00:40:00Are you sorry?
00:40:01I'm sorry.
00:40:03I'm sorry.
00:40:06and tell your mother
00:40:10we have a deal
00:40:17there's a devil inside of me
00:40:21he's sold in on
00:40:23bastards
00:40:23come on
00:40:45party, you know, is that what it is
00:40:48what is this a party, I've forgotten out of it
00:40:59I wasn't going to eat you
00:41:01that wasn't fucking nice
00:41:16don't fucking move
00:41:23fuck your fucking revolution
00:41:36I'll fucking miss
00:41:38I'll fucking miss you
00:41:39I'll fucking miss you
00:41:52I'll fucking miss you
00:41:53I'll fucking miss you
00:41:53tommf
00:41:53tommf
00:41:53tommf
00:41:59tommf
00:42:02tommf
00:42:16um
00:42:20tommf
00:42:44Oh
00:43:05Where are you guys?
00:43:07Come here
00:43:08Fucking hit man are you?
00:43:11Are you sure?
00:43:14Off the shell behind
00:43:16That's who you want to do
00:43:19What about
00:43:19What about
00:43:21Fucking
00:43:21John Shelby
00:43:23All right
00:43:51John
00:43:52John
00:43:52John
00:43:53John
00:43:54John
00:43:54Oh, my God.
00:44:39Ma che cosa?
00:44:41Sembra che ci sia un ostacolo, signor Giancretta.
00:44:57There's been an accident.
00:45:01Well, why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:12We're Americans.
00:45:14We're all in business, so...
00:45:16Well, you're going to have to wait.
00:45:19Jesus Christ, this guy...
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:38Talk about the war.
00:45:42Everything is about the war.
00:45:57Come on, let's go move it ourselves, fucking idiots.
00:46:11What's this?
00:46:12Whose wagon is that?
00:46:14They're gypsies.
00:46:15Tribe of fucking gypsies.
00:46:19Oh, we can move it, all right?
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:29Hold on another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Break it, fucking move.
00:47:13Put the guns down!
00:47:15Put the guns down!
00:47:18Get us the fuck out of here!
00:47:50Stay time!
00:47:51Stay time!
00:48:20Come on!
00:48:34Come on, come on!
00:48:39Come on, come on!
00:48:50Come on, come on!
00:49:05It's all right, love.
00:49:06It's all right.
00:49:07Come inside.
00:49:08Come inside.
00:49:08Come inside.
00:49:09This is me.
00:49:10Stay inside.
00:49:11Just knock him out.
00:49:43Do you want me to kill me?
00:49:46Come inside.
00:49:49Come inside.
00:50:21Get away from the window.
00:50:23Right, stay inside, stay down.
00:50:36Everyone stay indoors, stay down.
00:50:40Buy all of the pinky blinders.
00:50:42Come on.
00:50:42Come on.
00:51:18Come on.
00:51:35Come here.
00:51:43Come on.
00:51:45Which way?
00:51:46Which way did he go?
00:51:50I...
00:51:51You sure?
00:51:53Mm-hmm.
00:51:54Yeah.
00:51:54Yeah.
00:52:12Huh.
00:52:21He's been waiting.
00:52:23He's been waiting.
00:52:24What the fuck?
00:52:25Shit!
00:52:29Shit!
00:52:29Shit!
00:52:32Shit!
00:52:36Shit!
00:52:39Shit!
00:52:41Shit!
00:52:42Shit!
00:52:47Oh, no, no, no, no, no.
00:53:24¡Muy!
00:53:32¡Muy!
00:53:33¡Muy!
00:53:34¡Muy!
00:53:34¡Muy!
00:53:34¡Muy!
00:53:35¡Muy!
00:53:35¿Qué toca' no oas cha' strana.
00:53:36No hay geno.
00:53:38¡Ce era mung niño,
00:53:40deteníamos.
00:53:53Let's go!
00:53:55Let's go!
00:53:56Let's go!
00:54:13Let's go!
00:54:15Let's go!
00:54:18Let's go!
00:54:19Hey!
00:54:21I know you own the cops in this dirty fucking town,
00:54:25but you're gonna be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:44Yeah.
00:54:48Señor hizo,
00:54:50la manita de todo.
00:54:55Padre mío,
00:54:58guardame.
00:55:01Esta manita
00:55:04prepara pa tío.
00:55:15Oh, stop what she's doing!
00:55:17Have it done, boys!
00:55:32Oh, my God!
00:55:35Oh, my God!
00:55:36Oh, my God!
00:55:37Oh, my God!
00:55:37Oh, my God!
00:55:38I'm going to die!
00:55:39Enough! Get out! Get out of it! Get out of it!
00:55:45Enough.
00:55:46What the fuck are you doing here?
00:55:48Saving your life. Always.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty. Stopping all this!
00:56:02Three bodies. We're cleaning up.
00:56:05No. Enough.
00:56:07Tell the people who live in these houses
00:56:10that they are afraid to go about their lawful business.
00:56:15Tell them that the rule of law has been restored.
00:56:19Haven't you heard, Tommy? Eh?
00:56:23Soldiers are coming!
00:56:34Oh, I believe it!
00:56:36Where's he going?
00:56:37Get out and watch the fights, eh?
00:56:38What's her?
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:42Get out and watch the fight!
00:56:44Get out and watch the fight for the fucks!
00:56:47He got it!
00:56:49Oh, shit!
00:56:51He got it!
00:56:51Oh!
00:56:53Oh, no.
00:56:57Oh, no.
00:57:00Oh, no.
00:57:04Let's go.
00:57:35Bonnie! Bonnie! Are you okay?
00:57:43I give you two to one! Now I'm the cuckling!
00:57:47Take it away! Take it away!
00:57:54Oh, it's...
00:58:13That's it! One turn, one turn!
00:58:23Come on, Bonnie boy! Bonnie, come on, kill him!
00:58:42Come on, Bonnie!
00:58:47Come on, Bonnie!
00:58:49Come on, Bonnie!
00:58:49Where did Tommy and Arthur?
00:58:51Come on, sir!
00:58:52I don't know!
00:58:54It's here! Go on, Bonnie!
00:58:56Come on!
00:58:58Go on, Bonnie!
00:58:59Come on, Bonnie!
00:59:02Come on, Bonnie!
00:59:24Arthur!
00:59:53And, Bonnie...
00:59:56Say, go down!
00:59:59Ah!
01:00:01Yeah!
01:00:03Oh!
01:00:05Oh!
01:00:25Ah!
01:00:29Oh!
01:00:37Yeah.
01:00:44Yeah.
01:00:50Yeah.
01:00:52Yeah.
01:00:52Yeah.
01:02:02I declare Bonigo, the newly went away champion, the mid-links, the second goal!
01:02:09Yes!
01:02:11Yes!
01:02:12Bonnie!
01:02:13Tommy, what's happened?
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:32Tommy, we have the other WAP.
01:02:35Couldn't have the water in his pockets.
01:02:46Go on, Finn!
01:02:48Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:58Take his fucking eyes!
01:03:03No!
01:03:05No!
01:03:09No!
01:03:12No!
01:03:13No!
01:03:14No!
01:03:26No!
01:03:27No!
01:03:28No!
01:03:31No!
01:03:39My brother is dead.
01:03:44You hear me?
01:03:46My brother is dead.
01:04:04Come on.
01:04:06Come on!
01:04:06Come on!
01:04:15Come on!
01:04:51It's all right, let her come.
01:05:04Please, until we're finished.
01:05:25Your note talked about making terms for peace.
01:05:28But my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:48We will take everything you have.
01:05:52All your businesses signed over to us.
01:05:56You agree to this.
01:05:59Or my son will kill you all.
01:06:03One by one.
01:06:06No, that's there is one.
01:06:09That's it.
01:06:13No more killing.
01:06:16Who did you think you were, Mr. Shelby?
01:06:20That was my son of a caddy.
01:06:25Good.
01:06:41Thank you so much.
01:06:43OK.
01:06:46Yeah!
01:06:50That's all right.
01:07:15Alla, Alla Lea.
01:07:21All that's left are the peaky fucking blinders.
01:07:25All that's left.
01:08:14All that's left.
01:08:17All that's left.
01:08:21All that's left.
01:08:24All that's left.
01:08:48All that's left.
01:09:11All that's left.
01:09:15All that's left.
01:10:02All that's left.
01:10:29All that's left.
01:10:55All that's left.
01:11:15All that's left.
01:11:18All that's left.
01:11:27All that's left.
01:11:40All that's left.
01:12:07All that's left.
01:12:18All that's left.
01:12:21All that's left.
01:12:40All that's left.
01:12:43All that's left.
01:13:04All that's left.
01:13:34All that's left.
01:13:54All that's left.
01:13:54All that's left.
01:13:56All that's left.
01:13:56All that's left.
01:13:57All that's left.
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