05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50Hey.
05:50What are you going to tell me.
05:51What are you going to tell me about that?
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06You just thought you'd have it with you forever?
06:08Mm-hmm.
06:09It reminds me of you.
06:10Um...
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:15Chirping.
06:18Chirping.
06:19Chirping.
06:25Chirping.
06:25So, come on.
06:26You holding out or something?
06:28How is Jordan?
06:31Um...
06:31Well, you know...
06:34Dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um...
07:05That's...
07:06That's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So...
07:15I'm gonna have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's gonna be hard to leave all the dysentery. I totally understand.
07:31No, no, um...
07:33No, no, no, no.
07:34That...
07:34That...
07:34That...
07:34That is, uh...
07:40Big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46I know, I know.
07:47It's...
07:48It's...
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But...
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I...
08:18I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:35And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:48Oh.
09:04Here, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:34Yes.
09:35Hi.
09:52Yes.
10:01Wow
10:06Hi
10:08Sorry
10:09Ryan talks like it's an Olympic sport
10:11Oh, it's okay
10:13So, you know that hotel you wanted to go to in Arles
10:17That was so expensive
10:18It would have left us destitute for the rest of our lives
10:20Yes
10:22Well, it turns out that Brian and the owner
10:24Are on the same board for this wildlife project
10:27And Brian has called in a favor
10:30Oh my God, are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes
10:36Can we have oysters and champagne?
10:37We can do whatever you want
10:38Oh, I love you
10:42Well, I feel it's very conditional right now
10:43Oh, no, it is
10:44Oh, it is?
10:45It's completely, yes
10:57Don't
10:58Stay there
10:59It's almost over
11:11That's a bingo
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France
11:20What do you think?
11:21What do you think?
11:22Okay
11:24True income?
11:25Oh my God, no
11:26Nine
11:27For you
11:43Hi
11:44Hello
11:46Uh, sorry, I can't, I can't hear you
11:50Can you, can you repeat that?
11:51Pas de téléphone
11:57One second
11:58Yeah
11:59All right, one second
12:03You're on vacation with your husband?
12:05Ah, yeah
12:06In the salon
12:07Arl
12:08Yeah
12:10And he's not my husband, he's my boyfriend
12:39Yeah
12:42people
12:43were
12:44It's so cool
12:44We're going to go
12:45Do we have a
12:45It's so cool
12:49Yeah
12:50Yeah
12:50Be
12:51We're going to go
12:51Well, or
12:53Or
12:54Is
12:56Yeah
12:56Yeah
12:56Yeah
12:57I
12:57Yeah
12:57I
12:59I
12:59I
13:08Ladies and gentlemen, hello, our TGV train from Marseille-Saint-Charles will arrive in Avignon in a few minutes. Avignon,
13:175 minutes left.
13:38The main event is from Marseille-Saint-Charles.
13:41The main event is on the main event.
13:43The main event is on the main event.
14:04Did my boyfriend return?
14:06Did he?
14:08No.
14:10I know.
14:11He's already in.
14:13So weird.
14:15Where are you?
14:19Oh.
14:22Hi.
14:23This is Tom Parker.
14:25Show them unavailable.
14:26We've missed it.
14:26It's a job in town.
14:39Tom?
14:54Mesdames et Messieurs, notre TGV arrive en Garde Avignon dans quelques instants.
14:58Venez vous assurer de récupérer tous vos bagages, s'il vous plaît.
15:39Sous-titrage ST' 501
15:40attention.
15:52Cool!estra
15:53Coco News. A
15:54got it. Affairs
15:59the character! I
16:05have been more than once. I
16:08saw it.
16:16Tom, hey, very funny.
16:20I have been looking all over this trip.
16:22Oh, my God.
16:23I'm sorry.
16:24No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:34Excuse me.
16:36Excuse me.
16:37Excuse me.
16:38Excuse me.
16:40Did you see him walking?
16:43No.
16:52Excuse me.
16:54Il y a un problème, madame?
16:55My...
16:56Mon ami?
16:58He's gone.
16:59He's...
17:00I can't find him.
17:01He kind of...
17:02Desperue.
17:03Il est peut-être descendu à Avignon.
17:05No, we're supposed to go to Arl.
17:06Est-ce que vous avez essayé de l'appeler?
17:08Um...
17:09De l'appeler.
17:10May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against the door and maybe fell into the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK, they only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
18:02I'm sorry, I'm sorry, but what's in here?
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre le règlement, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:50Tom...
18:51I can't...
18:53Tom, come down.
18:57P �avoir...
18:59...
19:29Do you know Marseille?
19:31Uh, no. No, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Oh, do you need me to take you?
19:46No, no, I'm... You've been... You've been so helpful. Thank you. I'm just kind of... I'm, um...
19:52Where is the police station?
19:54Ah, it... You go down the hill. It's on your right. You can't miss it.
19:58But, uh, are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:12You know...
20:13If you need help... I'm Hélène.
20:19Alice. Thanks.
20:26So, good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:35Bye.
20:36Bye.
21:15Excuse me.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on a good day.
21:33Okay, well that cannot be an excuse to not help me.
21:36It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:49Just one second.
22:02I don't... I don't understand.
22:12How long have you known your boyfriend?
22:16Well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37I'm a...
22:37Do you two or you fight?
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà?
23:29He would never do that.
23:31You don't know Tom.
23:32I'm no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:09Thank you guys.
24:17Thank you very much.
25:05Sorry, thank you.
25:34Hey.
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:55Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um, that way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:54I know how to get my heart.
27:55Yeah.
28:06I know.
28:13I know how to get to the Paris.
28:14I know.
28:20I know.
28:21I know.
28:22No, you're going to go.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see the play.
28:54Let's see the play.
29:33Let's see the play.
30:20Let's see the play.
30:33Let's see the play.
30:42Let's see the play.
31:28Let's see the play.
31:43Oh my God, it's Tom.
32:12Let's see the play.
32:21Let's see the play.
33:08Let's see the play.
33:08Let's see the play.
33:31Let's see the play.
34:04Let's see the play.
34:37Let's see the play.
34:43Let's see the play.
35:00Let's see the play.
35:07Let's see the play.
35:14Let's see the play.
35:15Let's see the play.
35:18Let's see the play.
35:28Let's see the play.
35:31Let's see the play.
35:32Let's see the play.
35:38Let's see the play.
36:26Mr. Tom! Mr. Tom, I want you here!
36:30All right. Salma, Salma, one sec. Can you take these in there?
36:34Yeah. Just tell me, they need to be in the fridge right away.
36:46Hi. Who are you?
36:49I just gave Tom a lift. You broke down?
36:52Yes, he did.
36:53It's the second time this week. The man couldn't change a tire. His life depended on it.
36:58He said these need to be refrigerated.
37:00Right. I know.
37:04Wait, what's happening? Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, stop, go, go, go.
37:21Hey, hey, hey!
37:23You're not taking it! You're not taking it!
37:25You're not taking it!
37:28Oh, Adam.
37:32I'm not trying for you.
37:33What are you doing?
37:36No.
37:37You're not the best of me.
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog of a meat truck
38:48you look like you need a drink
38:53something must have happened at home before happening on
38:56i just feel like the conductor had something to do with that i mean you saw him yourself the way
39:00he
39:00was acting all shifty what do you think happened okay this is going to sound insane but
39:07i think tom was kidnapped is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money oh it's always about money
39:24what
39:32what do i do
39:38the police are either useless or correct and if you're really lucky they're both
39:45great what then what am i i'm an investigative journalist who are you an archaeologist yes you're like me
39:58you look for clues in the past to tell you about the future
40:01you know tom better than anyone so you probably know more than you realize
40:12did he mention anyone or anything who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:39i
40:47i
40:51i
40:52i
40:53i
41:05i
41:06i
41:09i
41:09i
41:09i
41:22It's Uncle Brian, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
42:23Reminds me of you, reminds me of you, reminds me of you.
43:04SOS Global, Bureau de Marseille.
43:04SOS Global, Bureau de Marseille.
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