- 3 weeks ago
Category
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CreativityTranscript
00:01The show was amazing. Okay, the singing and the choreography and the special effects and come on you you were
00:07amazing. Oh, stop. I'm so glad you all enjoyed it. I loved it. Okay, I loved every single thing about
00:14it. And before I forget, I also love the wardrobe and the sets and oh my God, we have the
00:20best designers and crew in the business. You know, the last set is up for probably a few more minutes
00:27if you want to take a closer look.
00:28Could I? Of course. Don't touch anything or they'll put you in Broadway jail. Nerded. I'll be right back.
00:39She's a keeper. I know. Got lucky. So happy that Port Charles has been so good to you. Now wait,
00:47how's the music scene there? Oh, it's very happy. My friend Trina's dad owns a club, the Savoy. They bring
00:53really great shows. I know they love to have you perform there.
00:56I love the Savoy. I love the Savoy. And you know, I love to perform. Obviously. Hey, I'll set up
01:03the gig with Trina's father. He'll contact your people. Port Charles is going to know what hit it.
01:08Come on, let's go. That's what I'm talking about, man. They're going to love you.
01:12I am delighted that our schedules aligned and we were able to meet for dinner. Yeah, me too. But just
01:21for the sake of clarity, we are both too young to make the early bird special a regular date, right?
01:30Please. Today's mealtime is purely a function of timing.
01:34Oh, thank you. Thank you so much.
01:39Um, you know what? There's something I have to take care of. I'll be right back.
01:43The first one. Yeah.
01:50Ah, Mayor Collins. Pleasure to see you as always. Here to save me from myself yet again.
01:59Well, that depends. Do you need saving?
02:10Need to ask you some questions.
02:13Oh, in that case, definitely come by anytime you want to unannounced.
02:16I already do, but you're sweet to say it out loud.
02:19Does your mother know you're here?
02:20The quid pro quo of my mother risking everything to protect you is I get to show up here and
02:28get all the information out of you that I want.
02:31Oh, so you're a glass half full person.
02:33Which is why I'm so sure you're going to tell me everything I want to know about Anna Duvain and
02:39Cesar Faison.
02:41How was your trip?
02:43It was fine.
02:44But I barely had a chance to unpack before you texted and insisted I meet you here immediately.
02:50Well, I really appreciate you coming.
02:53So let's get to it. I have a small window before jet lag takes me.
02:57What's the trouble? Is it James?
02:59Oh, no, no. James is great.
03:02He's taken up karate and he's mildly obsessed with it.
03:05God help the sensei.
03:08If not James, then...
03:10It's Anna.
03:11I'm assuming her progress has been minimal.
03:14I heard from Robin.
03:16And not only is Anna not making progress, she's getting worse.
03:34Finally.
03:35What took you so long?
03:36No.
03:38My job.
03:39We're going to case that and you texting me every hour.
03:42This is important.
03:43I'm sure it is.
03:44It usually is because you realize I don't answer to you, right?
03:48So I don't care if it will hurt your feelings or Pascal didn't make your tea the way you like
03:53it
03:54or you don't feel like working on the prototype.
03:56You can't come crying to me.
03:57What?
03:58I know Rocco's shot column.
04:24Nothing to see here, I promise.
04:28Another shirt on the table, Keltzman?
04:31With extra cherries.
04:32Please take it easy on the grenadine this time.
04:38Surprise.
04:40As you can see, I am still young at heart, therefore perfectly capable of changing my list in desirable ways.
04:49At least some of them.
04:50I really am glad to hear that.
04:54But remember what we talked about, though.
04:56You can call me if the pressure becomes too great for you and me, Shirley Temple Day, Kendall.
05:06If I have to, I will.
05:09Promise.
05:11Good.
05:14Enjoy your drink.
05:23What was that all about?
05:26And why is Ezra drinking something that looks like Hello Kitty made it?
05:32Because he's drinking a Shirley Temple.
05:37I know, I know.
05:40It's just that he had a few too many the other day at the brown dog, and I don't know,
05:46I'm still thrown out, as a matter of fact.
05:48Were there complaints filed?
05:50Were the police involved?
05:51Oh, sweetheart, I assure you, this is not a story.
05:54No.
05:55A city councilman is publicly intoxicated?
05:58It sounds like a story to me, a potentially important one.
06:01Or perhaps it's just a man who made one bad choice after another, you know?
06:06And no one was hurt.
06:08Except, of course, for him, and I think that maybe the hangover was a punishment enough.
06:14I don't get it, Mom.
06:16That guy has been nothing but a huge thorn in your side.
06:21Why are you suddenly protecting him?
06:24The doctors at the clinic were confident that rest and distance from her regular life would free Anna of her
06:32delusions.
06:34But unfortunately, that course of treatment seems to be having the opposite effects.
06:40Meaning she still convinced that Cezaya's alive and is holding her captive?
06:44Yes, her paranoia has gotten worse.
06:48She now thinks that her doctors are working for Faison and doing his bidding.
06:54She keeps trying to escape, and she's almost succeeded more than once.
07:00They beat well advice to double the guard.
07:02Anna will try again.
07:04And given her training and experience, someone may end up getting hurt.
07:09Well, that's why I wanted to meet you here.
07:14I was hoping that you could help me prevent that from happening.
07:19I'm sorry for Anna's troubles, but what can I possibly do?
07:23I've already told you everything I know about Cezaya.
07:26One of Anna's delusions is that you are part of Faison's scheme.
07:33She believes that he brought you in to give her a phlebotomy treatment and that you are still loyal to
07:42him.
07:44So, I was hoping that you and I could go to France and you could explain to her face-to
07:53-face that you are not Faison's co-conspirator and that it's all in her mind.
08:01That I cannot do.
08:05Any word on Anna?
08:06As far as I know, she's still in the hospital in France.
08:10There's no change in her condition.
08:14And there's still charges pending from her assault on that officer.
08:18What do you want to know about Anna and Faison?
08:24A little light reading?
08:26Just a little something I picked up after discovering Colum carrying it around the night of the storm at Windermere.
08:33And inside it, there was an inscription that said,
08:36For my muse, see.
08:38He was also carrying around a box of cigarrillos.
08:42Cigarrillos?
08:43Faison smoked us.
08:45So, any idea on how and why Colum would be carrying around two items so closely associated with Faison?
08:54What are you talking about?
08:56Rocco didn't shoot Colum.
08:57Jason shot Colum.
08:58You're the one who told Dante that.
09:00As good as you are at lying, it's too late.
09:03Rocco told me everything.
09:08Oh, well, that was a mistake.
09:10He wasn't supposed to tell anybody.
09:12He needed to tell someone.
09:14He's drowning in guilt.
09:16Well, if he doesn't keep his mouth shut, then feeling guilty is going to be the least of his problems.
09:21He's a kid.
09:22And he shot someone.
09:24Yes, he did it to save Jason's life.
09:26And probably mine.
09:27But now Jason is paying the price.
09:29It's a lot for him to handle.
09:30Stop it.
09:31You're not his therapist.
09:33Just worry about the work at Windermere.
09:34You let me worry about Rocco.
09:36What does that mean?
09:37That I will protect him.
09:38I'm already doing everything I can to make sure that nobody finds out what happened on the pier.
09:43Yeah, for now.
09:45But what happens when you need to score points with Colum?
09:50How do I know they're not just going to hand Rocco over on a silver platter?
09:54You really think that that's something that I would do to a 15-year-old?
09:58To Lulu's 15-year-old?
10:00Well, it's exactly what our father would do.
10:43Do you have a secret career as a Broadway dancer?
10:47Oh, yeah.
10:48Only in my dreams.
10:51In this strip.
10:54It's been a dream.
10:56Only you made it real.
10:59I'd do anything for you.
11:11You know, I've been so worried about my grandma that I haven't really had time to think about anything else.
11:19And you took my mind off of that for a little while.
11:23And I don't know how I'm ever going to thank you for such a magical night.
11:26I'll think of something.
11:29I'll think of something else.
11:52man there's like a million people waiting out there for you thank you again for the tickets
11:57and for the backstage tour I'm a girl I love meeting you hey I'm gonna get Curtis to book Michael
12:05at
12:05this point oh no that's so fun we'll see you in Fort Charles I can't wait I know that you
12:15and Anna have a
12:16complicated history but she deserves every chance to come out of this with her sanity intact you
12:24misunderstand it's not that I don't want to help Anna it's that I'm not capable of it if I go
12:32to
12:32France with you my presence would only reinforce her delusions and cause her further harm but you'd be
12:39with me she'd believe you had been co-opted by Cesar's network you say Anna claims that I'm
12:48working with the captors and that I gave her medical attention in her mind the only reason I would do
12:56that is because I'm still married to Cesar but you could find a way to prove to Anna that you're
13:03not
13:03couldn't you from what you've described she believes I'm I'm still working for a man who's so disgusted me
13:14I repudiated him years ago how can I convince her of anything when she won't believe a word I say
13:20isn't that at least worth a try Cesar I realize I'm the the latest try you're grasping in an attempt
13:27to
13:28save your friend and I commend you for your effort but if you were thinking more rationally you'd see
13:34that Anna would interpret a visit from me as another one of Cesar's manipulative tactics I'm sorry
13:41but I cannot save Anna
13:46why would Colum be carrying a copy of this book with a pack of cigarillos
13:53Colum was the WSB Faison expert maybe he's using them as an opportunity to get back in the man's head
13:59okay but what's the end game
14:01it's no secret
14:05that Anna was haunted by Faison's obsession with her
14:11Colum would have known that she was emotionally vulnerable when it came to him
14:15okay so so what you think Colum was was using these items as props to help him set Anna up
14:22yes but the timeline does not work because Colum was in town when Anna was picked up in France
14:31there is a connection but I'm not seeing it
14:35what the hell is it
14:42our father wouldn't see Rocco as a person he'd see him as leverage
14:46they wouldn't hesitate to use Rocco if it helped him achieve his desired outcome
14:50I am not our father
14:52everything that I have done since I showed up on that pier has been about shielding Rocco
14:57I am the one that took him out of a crime scene and brought him back to Lulu
15:00I am the one that made sure both of them knew in no uncertain terms that no one was to
15:06know
15:06that he picked up the gun and pulled the trigger
15:09isn't that exactly what you'd do if you wanted to use Rocco for leverage yourself
15:16get him to trust you act like you're helping him keep a secret until the time comes when you can
15:22use that information to your own advantage
15:23look I get that I don't hold a candle to Saint Nathan
15:27but do you really believe that I want Colum to know that Rocco shot him
15:33because then Colum knows that Rocco knows that he's a double agent
15:38and he will kill Rocco just like he killed Marco
15:43I don't need your gratitude for what happened on the pier or for saving your life
15:48but you need to get something in your head
15:50I will protect Rocco
15:52nothing bad will happen to him
15:53and that is a promise
15:58can you get it together please
16:01what if somebody was downstairs and had heard you
16:04if Colum has driven Anna insane by playing on her worst fear
16:08I will not stop until I have destroyed him
16:11I will put him in a padded room
16:13screaming at an audience of no one
16:15hey hey can we press pause on your revenge plan really quick
16:19because it doesn't matter why you want to bring Colum down
16:23all I care about is that you get it done
16:25and in order for you to do that you need to get a grip
16:28okay
16:30so can we start by remembering nobody can know you're here
16:35what else do you want from it
16:36I want information
16:39and not just on Colum
16:40on everybody he's working with
16:42so Sid Weld broke Marco before he was killed
16:46what about Nathan West
16:48is there any possibility that he's involved in this
16:55okay let's
16:57let's say I believe you're going to protect Rocco
17:00my next question is
17:02how are we going to make sure he stays safe
17:05we are not going to do anything
17:08I will handle this
17:09you are not keeping me out of this
17:10no you're going to keep yourself out of this
17:12because the best thing you can do for the kid
17:14is to make sure that Sid Weld and Colum are happy
17:17I'm already doing that
17:19I'm working every chance I get
17:21I just spent the whole night in the lab at Windermere
17:24and as far as Rocco goes
17:25you are going to need my help
17:27what am I going to need you for?
17:29because I found Rocco in Colum's hospital room
17:32when?
17:33what was he doing in Colum's hospital room?
17:35his community service
17:36he didn't realize it was Colum's room when he was sent in there
17:39by the time I walked in
17:40they were already talking
17:41about what?
17:43nothing
17:43but I got Rocco out before Colum could suspect anything
17:46but if I hadn't shown up
17:48who knows what would have come up
17:49so
17:50so you just
17:51you find Rocco in Colum's hospital room
17:54and you just yank him out of there
17:56and you don't think that Colum is going to find that
17:57the least bit strange?
17:59I'm not going to leave Rocco to fend for himself
18:01Rocco knows he's not supposed to tell anybody what he did
18:04so why did he tell me?
18:05I don't know
18:06well I do
18:07because Rocco is scared and traumatized and feels guilty
18:11he told me because he needs my help
18:13he doesn't need your help
18:14he needs his mother
18:15and that ain't you
18:22maybe a better place to serve is
18:24how did you even know
18:26about Ezra's vendor at the brown dog?
18:29oh Dante
18:30he stopped by my office to let me know that
18:32that he was at the brown dog
18:34well on his way to making a spectacle of himself
18:37Dante did
18:38why?
18:39because he knows how many times Ezra has exploited me
18:42he thought maybe I would want to use Ezra's bad night out to my own advantage somehow
18:48but instead of giving as good as you got
18:52you went to the brown dog to help the city's most obnoxious councilman
18:57okay well I'm not the type of politician to tear down my political opponents
19:05and besides much to my surprise
19:08I found myself feeling kind of badly for him
19:11mom
19:12that has got to stop
19:18your passion
19:19has been a constant my entire life
19:22and I had been its beneficiary in a million different ways
19:27but Ezra Boyle is a public servant
19:30and I could argue that the people of Port Charles deserve to know
19:34that a member of their town council is going off the rails
19:38I know you could
19:39you don't even have to get involved
19:41I could follow up with a bartender
19:44and I could get the story out that way
19:45yes I know you can
19:47but I really hope that you won't
19:49uh pardon the interruption
19:52but uh if you allow me
19:54I would love to pick up your tab
19:56as a small token of my thanks
19:59that's not necessary councilman
20:01your mother
20:04did me a kindness
20:06that's one way of putting it
20:08I guess
20:10keeping you off the hook for public intoxication
20:15is another
20:17I was thinking about writing the story myself
20:20to highlight my mother's good deed of course
20:24but my mother convinced me
20:26that there wasn't a story there
20:30so I'm gonna let it go
20:32just another reason
20:33you should be grateful to her
20:37I see
20:40ah well
20:41Mayor Collins
20:44I do my best
20:45to
20:46lead by example
20:48but when will you learn
20:51you have me right where you want me
20:54you have the advantage
20:57why are you not using it
20:59who says I'm not
21:10oh man
21:12so my publicist also Michael
21:15gots you a reservation
21:17at my favorite active theater spot
21:19he'll meet you out in the front
21:21and I will see you
21:23at the Ciboli
21:24thanks again man
21:25you're the best
21:26you're the best
21:28seriously
21:28this is a special night
21:30I'm never gonna forget
21:32keep that or not
21:33okay
21:35okay
21:36okay
21:39and relax
21:53so you do have something up your sleeve
21:55care to share
21:57just following your example
21:59and you are the one
22:00who told me that politics
22:01was all about
22:02trading favors
22:03I'm surprised you'd be willing
22:05to take a page from the old
22:06Ezra Boyle playbook
22:08I'm happy to learn from anyone
22:10even you
22:12and how will I be repaying you
22:15for this favor
22:16madam mayor
22:17you are going to give me
22:19100% of your support
22:22when I announce my next initiative
22:24universal pre-k for poor Charles
22:28and if I don't support you
22:30ooh
22:31I may suddenly feel the urge
22:34to do a deep dive
22:35into your patronage
22:36at the brown dog bar
22:37and your habit
22:39of spending time with escorts
22:43no need
22:45just tell me when and where
22:46and I will be there
22:47nodding and smiling
22:49I can even
22:49match my tie
22:51to whatever outfit
22:51you plan on wearing that day
22:53no
22:54don't do that
22:55ever
22:58you know
23:00it's not really a favor
23:01because your
23:02initiatives
23:03are always so
23:04sensible
23:05and popular
23:06with the voters
23:07I support you
23:08I come out
23:09smelling like a rose
23:10win-win
23:13have a
23:14funny evening ladies
23:21well played mom
23:23right back at you
23:25daughter
23:26Nathan's an eagle scout
23:28who has all his badges
23:29Nathan's an eagle scout
23:30who's been missing
23:31for seven years
23:32and then all of a sudden
23:34he turns up out of the blue
23:35unable to remember
23:36anything that happened
23:37to him
23:38yet somehow manages
23:40to pick up his life
23:41right where he left off
23:43and you think maybe
23:44you think maybe
23:44you think maybe
23:44you'd help
23:44making that happen
23:45well it's not an
23:46impossible leap
23:47right
23:47look at Brit
23:49we know what
23:50happened to her
23:51and that Faison's
23:52people were behind it
23:53why shouldn't Faison
23:55be behind Nathan's
23:56disappearance
23:56more likely than not
23:58so you agree
23:59that Nathan's
24:00hiding something
24:00not necessarily
24:01it could be
24:02that he has no memory
24:03of what happened to him
24:05I mean there are ways
24:06to manipulate
24:07the human mind
24:07I would imagine
24:08Faison's disciples
24:09know some
24:09if not all of them
24:10so either an innocent man
24:13has been returned
24:14to live his life
24:15which would make Nathan
24:16the one exception
24:17to the all Faison's
24:18are criminals rule
24:19or Nathan is just
24:21as dangerous
24:21as the rest of them
24:23and you should leave
24:24my mom
24:28it's tragic
24:29what's happened to Anna
24:30such a strong
24:31vital woman
24:32incapacitated
24:33because of a delusion
24:36better understand
24:37how it could have
24:37taken hold
24:40if anyone could
24:41return from the dead
24:44it would be Cesar
24:46do you know something
24:49I know that my children
24:50have come back to me
24:52and it gives me pause
24:53that Anna
24:56the object of Cesar's
24:59obsession
25:01is the one insisting
25:02she has seen him
25:04is there any chance
25:06that Anna's assertions
25:07are grounded in fact
25:09and that
25:09he is somehow
25:11alive
25:12I can see how you
25:13want that to be true
25:15because it would mean
25:16that your friend
25:17is saying
25:18however
25:19at the sake
25:20of my children
25:24I mean that
25:25Anna is wrong
25:28and that Cesar
25:29is long
25:31dead
25:33Colum knows
25:34that you care
25:35about him
25:35which means
25:36he can use that
25:37against you
25:38so I don't know
25:38maybe try not
25:39making things worse
25:40for the kid
25:42Rocco opened up
25:44to me
25:44it's obvious
25:45he needs someone
25:46to talk to
25:47someone he can trust
25:48and I promised him
25:49that I would fix that
25:50he doesn't need you
25:52to do that
25:53he has Lulu
25:54he has me
25:55together
25:56she and I
25:57will get him through this
25:58oh my god
25:59how dense
26:00are you
26:01there is no you
26:02and Lulu
26:03there can't be
26:12I may have eaten
26:14too much
26:14I definitely did
26:16and I blame
26:18Michael James Scott
26:19why
26:20he's the one
26:21who made that reservation
26:22well everything on the menu
26:24was incredible
26:24it's not like
26:26we could stop eating
26:27we're not robots
26:28merely humans
26:32as soon as I get up
26:33the energy
26:40I'm gonna call him
26:42and I'm gonna thank him
26:44that was incredible
26:47I thought you said
26:48you were stuffed
26:50it's our dessert
26:52hey I wasn't judging
26:54we're good
26:57you're gonna share
26:59or
27:01for sure
27:04you know
27:05if we're not planning
27:06to annihilate ourselves
27:07at every meal
27:10maybe next time
27:11we're in the city
27:11we should eat
27:12at the bus station
27:14uh first of all
27:15ugh
27:17second of all
27:18there's gonna be
27:18a next time
27:20yeah
27:20I mean I hope so
27:22I mean I don't know
27:23if I could top
27:23this adventure
27:24but
27:25Joe you don't have
27:26to top anything
27:27you are the adventure
27:31I don't know
27:31about that
27:32oh I do
27:35when I'm with you
27:36I see the world
27:36with new eyes
27:39well
27:40new years
27:41but
27:41what do you mean
27:43you see the world
27:44through new years
27:46music
27:46and
27:47sound
27:48that's a part
27:49of your soul
27:50walking down
27:51the street
27:52you know
27:52when you hear
27:53the garbage trucks
27:55and the subway
27:57I can see you
27:58taking that in
28:00trust me
28:00it's not the way
28:01that I do
28:04yeah
28:05the subway
28:06it's like a
28:08it's like a tiny
28:09orchestra
28:11right
28:14it really is
28:16like the
28:17the subway rumble
28:19oh it's like the bass
28:22and the subway horn
28:25it's like a french horn
28:27obviously
28:28naturally
28:29and the subway brakes
28:33it's like a low
28:34or maybe like a
28:35like an e-flat clarinet
28:36what about the people
28:38yeah the throne
28:42it's like
28:43it's like muted
28:44violin strings
28:48and it may be a bassoon
28:52it's a cymbal roll
28:54for sure
28:56kitchen at Bobbies
28:57oh
28:59oh man
29:01that's like the whole
29:02percussion section
29:03including
29:03the triangle
29:04ding ding
29:07and uh
29:08you opening
29:09it was deserved
29:10back
29:12angels singing
29:13from up above
29:16Gio
29:17call me
29:18Erin
29:20it doesn't matter
29:22where we go
29:24or what we do
29:28you are my whole new world
29:35how is Rocco's hand
29:38it's
29:38healing
29:39not as fast as he
29:40or anyone would like
29:41but
29:42it's getting there
29:43well I guess
29:44you can't really call
29:45yourself a cook
29:46unless you've got a
29:47scar or two to show
29:48for your time spent
29:49in the kitchen
29:49right
29:50Rocco's more of a
29:52microwaver
29:53and occasional
29:54vegetable slicer
29:55retired
29:56no
29:56oh he'll be back
29:58I hope so
30:01why do you think
30:02he won't be
30:03it's not just
30:05his hand
30:08Rocco's been
30:09distant
30:10lately
30:11I know
30:12that he's
30:12upset
30:14about
30:16Danny's
30:17situation
30:18and what
30:18happened to
30:19Jason
30:19yeah
30:20well he's
30:21not the only
30:21one
30:22and Rocco
30:23feels things
30:24so deeply
30:24especially
30:25about
30:26people
30:27who he really
30:27cares about
30:28like Danny
30:29and it is a
30:30really wonderful
30:31quality but in
30:32this case it's
30:32just taking its
30:33toll
30:34well it's an
30:35awful situation
30:36at least
30:38both boys
30:39can lean on
30:39family
30:40and I'm trying
30:41to be patient
30:42and just
30:43give him some
30:44time
30:46and I am
30:47trying my best
30:48not to hover
30:51trying
30:52it turns out
30:54that hovering
30:55is my default
30:56setting
30:56no
30:57one of the
30:58hardest things
30:59to do
30:59as a mother
31:00is to know
31:00when to take
31:01a step
31:02back
31:03and then
31:04to actually
31:04do it
31:05I know
31:06and I don't
31:07think I
31:08can do it
31:08at all
31:09if
31:11if it weren't
31:12for Nathan
31:16you know
31:17it's not
31:17right
31:17Lulu
31:18thinks she's
31:19sleeping
31:19with
31:20courageous
31:21honest
31:22loyal
31:22Nathan West
31:23and not
31:24do I know
31:24I know
31:25I know
31:25not treacherous
31:26lying
31:26Cassius
31:27well yeah
31:29look
31:30most of the time
31:31I'm not in a
31:32position to judge
31:32but I'm not in a
31:35relationship
31:36pretending to be
31:37someone else
31:38you need to put
31:39distance between you
31:40and Lulu
31:42what about James
31:44where am I supposed to
31:45distance myself from him
31:47because I'm not his real dad
31:49in a perfect world
31:50yes
31:51but it's too late
31:53with James
31:53you're already in his life
31:55as his father
31:55you made that little boy
31:57love you
31:57if you were to pull away
31:59from him now
32:00it would break his heart
32:02but Lulu is an adult
32:04most of the time
32:05you can still
32:07back away
32:08say you
32:10say you decided
32:11you couldn't betray
32:12Maxie
32:13or mess up
32:14your friendship
32:15with Dante
32:15who is also
32:16your boss
32:16take your pick
32:17Lulu will survive
32:20but you need to do it now
32:21before she
32:22really
32:23falls for you
32:26do it for Rocco's sake
32:30your concern is touching
32:31but I don't answer to you
32:33are you answering
32:34to anyone right
32:38now
32:39person I recognize
32:40your professional
32:42competence
32:42Agent Jax
32:43I do
32:44I'm not arguing
32:45with you right now
32:46as a colleague
32:47I'm arguing
32:48as a friend
32:48of your mother's
32:49I've seen it firsthand
32:51she's agonizing
32:51over you
32:53every minute
32:54of every day
32:56doesn't every parent
32:57feel that way
32:59yes I suppose
33:00that's true
33:00but this is an extreme
33:01circumstance
33:04you're in a lot of trouble
33:06I don't think
33:06you should go
33:07looking for more
33:17hello
33:20that's right
33:23great thank you
33:25I gotta go
33:26can you please tell me
33:28that you heard me
33:30I heard you
33:32but it doesn't mean
33:33I'm gonna listen
33:41Dr. Obrecht
33:47I'm so happy to see you
33:48do you have a minute
33:49to chat
33:50I'm afraid
33:51I was just leaving
33:52I've recently returned
33:53to Port Charles
33:53after a very long journey
33:55and I'm ready
33:56to go home
33:56oh well this will only take a minute
33:58perhaps we can catch up
33:59some other time
34:00last time we spoke
34:02you thought it was possible
34:04that someone was impersonating
34:05your ex-husband
34:06do you still believe that
34:08why do you ask
34:10because I think you're right
34:13do you think that someone
34:14could be your son
34:36sounds like things are going well
34:38with you and Nathan
34:41they are as tough
34:42as things have been
34:44with Rocco
34:46Nathan's been
34:47a consistent bright spot
34:49good
34:50so you feel supported
34:52by him
34:52completely
34:53good
34:54it's really easy
34:55to lean on him
34:56well that's a relief
34:58because you had
34:59misgivings about
35:00getting involved
35:01with him initially
35:02I did
35:04I think part of the reason
35:06I was able to get over them
35:10is because I know
35:11exactly
35:11who Nathan is
35:14and he's always honest
35:15with me
35:19I think he might be
35:22the best thing
35:23that's happened to me
35:24in a really long time
35:26oh sweetheart
35:30when Lulu finds out
35:31who you really are
35:32it is going to break her
35:34maybe she will put herself
35:36back together again
35:37maybe not
35:38but either way
35:39Rocco is going to suffer
35:41I hear you
35:42but okay
35:43but that's not going to happen
35:46because I'm in love
35:47with Lulu
35:50that was fast
35:51yeah
35:52and I'm going to keep
35:53being Nathan
35:54for as long as it takes
35:55to hold on to her
35:56and then what
36:00what's your long term plan
36:04that's what I thought
36:05one way or another
36:07the truth will come out
36:09it always does
36:11so if you really love Lulu
36:14you need
36:14to end it
36:17now
36:33probably not the best idea
36:34yeah
36:35your friend's already
36:36doing us a
36:37big favor
36:38by letting us
36:39stay here
36:40yeah
36:41yeah we should probably
36:43leave this couch
36:45alone
36:46yeah
36:47and you know what they say
36:49friends don't canoodle
36:50on other friends' couches
36:52mhm
36:53mhm
36:55but hey
36:56hey you did buy him
36:57some really nice
36:58olive oil though
36:59yeah
37:00yeah I mean
37:01it's the least I could do
37:02to thank him
37:02for letting us
37:04stay here
37:05and you bought Olivia
37:06some because
37:08because I love her
37:10and I want to make her happy
37:11and cook
37:12and makes her happy
37:13and
37:14I thought she could use it
37:15when she cooks
37:16and maybe if she
37:18cooked something with it
37:19she might let you
37:19try it
37:20I was planning to
37:22cut you in on
37:22whatever she made
37:23oh
37:23well then it's
37:24the perfect gift
37:27tell me the truth
37:29no regrets about
37:30not seeing your family
37:31on this trip
37:34no
37:36no
37:36we'll see them
37:37next time
37:38and that
37:39will be an adventure
37:41well I'll start
37:42preparing now
37:43and it was great
37:44meeting Michael
37:46he's a great friend
37:48I missed him a lot
37:53and you really don't
37:54miss out on all the
37:55glamour and excitement
37:56of the theater
37:57when he saw him
37:58I got all the
37:59excitement I can handle
38:01right here
38:07what is it
38:08no you
38:09you have a glitter
38:10on you
38:10from hugging Michael
38:11right here
38:11is you
38:15no
38:17no
38:18no my bad
38:19I
38:19thought you did
38:21it's just
38:24you
38:29sparkle
38:30sparkle
38:36on the next
38:37general hospital
38:38the right price
38:39you would
38:40eliminate
38:41Sidwell
38:41learn that lethal
38:43move from your
38:44father
38:45I think
38:45I think Colin
38:46played a direct
38:46role
38:47in Anna's
38:48breakdown
38:48what do you
38:49have for me
38:49your life is
38:50writing on this
38:51don't you
38:51understand
38:51the left
38:52I think
38:52you
38:53you
38:53you
38:53you
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