- 2 days ago
The Crown S02E04 [Full Movie] [Official Release]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:56The rules
00:03:58Don't tell me
00:04:15Sometimes
00:04:20Mummy said something interesting the other day, she said that the first ten years of
00:04:28marriage were just an overture, that there's often a crisis at ten years but then you work
00:04:36it out and settle in and it's only then that it really gets into its stride I suppose that's what's
00:04:49happened to us? Possibly. I was thinking perhaps we should have a big anniversary party this year
00:05:05to celebrate hitting our stride.
00:05:13All right.
00:05:21Yes? All right.
00:05:27So how was it?
00:05:31Oh it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare. Mercifully they sent a helicopter to bring us back.
00:05:44Hmm. And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married
00:05:57myself.
00:05:58What? To whom?
00:06:03Billy Wallace. Goodness. Congratulations.
00:06:10Oh. Christ.
00:06:15So if I were to accept it would be a yes from you?
00:06:23Yes, of course. An emphatic yes. And Philip and I were just discussing having a party for our tenth wedding
00:06:32anniversary. And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea. Well that's settled then. Thank you.
00:06:46My pleasure. Good night, Margaret.
00:06:48Thanks, Margaret.
00:07:02I'm coming out.
00:07:03Thanks, Margaret.
00:07:03I'm going to be doing this right now.
00:07:04I'm coming out of it.
00:07:04Let's see.
00:07:04You're going to be doing this right now.
00:07:07I mean, I've already been doing this right now.
00:07:11I'm coming out of it.
00:07:11I'm coming out of the class.
00:07:15Shout out of it.
00:07:18The Happen
00:09:52Get things back on track.
00:09:57They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you on to the station.
00:10:25Well, I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:48I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54You've done it.
00:10:54Yes, it is.
00:10:56Yes, it is.
00:10:56I'm trying to keep.
00:11:01No.
00:11:01No.
00:11:12I'm sorry.
00:11:14No.
00:11:14No.
00:11:14No.
00:11:15No.
00:11:16No.
00:11:16No.
00:11:17No.
00:11:18No.
00:11:19No.
00:11:20No.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be cecil
00:11:39beaten taking my official berkeley portrait what's wrong with cecil when it came out last
00:11:44year everyone said how pretty you look no they said how much i look like you well quite yes this
00:11:52is just
00:11:53one thing fairy tales yes but he does it so well and to me your royal highness little less chin
00:12:02and
00:12:06what do you think i asked my new lady in waiting here today your majesty to offer her opinion
00:12:14having at least one foot in the real world i think birthday portraits should evolve and mature with
00:12:20age like the subject show change in the character complexity reality
00:12:30no one wants complexity and reality from us do sit down
00:12:37people have enough of that in their own lives they want us to help them escape indeed your majesty
00:12:45imagine this if you will a young woman a commonplace creature she sits in her drab little scullery so
00:12:54much work to do so much washing up how she longs for comfort for hope and again one two three
00:13:03and flash
00:13:05she wants to believe her life has some meaning beyond chores she opens a magazine
00:13:12and she sees her royal highness's photograph for one glorious transforming moment
00:13:19she becomes a princess too she is lifted out of her miserable pitiful reality into a fantasy
00:13:32later she will step out of her house in a a new neckerchief perhaps for which she has saved
00:13:41though she will hold her head up high she is renewed and all thanks to you your royal highness
00:13:49and to the ideal which you represent and now with a one two three and flash quite marvelous
00:14:21in the 20 or so years we've known the hapless misshapen crane that is billy wallace has any woman ever
00:14:27looked at him as an object of desire i mean even remotely certainly not then how can one begin to
00:14:35explain that
00:15:06so
00:15:06ma'am lord blamford just telephoned to apologize and say that mr wallace may be indisposed this evening
00:15:11they can't be indisposed we're announcing our engagement something about an injury rather a serious injury
00:15:19so
00:15:33where is he
00:15:34where is he
00:15:49what's going on
00:15:50it's all right simpson
00:16:01what's going on
00:16:02it's our announcement this evening
00:16:05unforeseen cirques i'm afraid
00:16:07rather a dust up in the early hours
00:16:10are you drunk
00:16:12don't be like that
00:16:13i had to do something for the pain
00:16:15what happened
00:16:16wait till you hear
00:16:17you'll laugh till you spit
00:16:19your friend tenant rather took offense at something i did
00:16:23you came to blaze with colin
00:16:24i believe the word
00:16:26duel was mentioned
00:16:28a duel
00:16:30tenant issued the challenge
00:16:32a little childish in this day and age if you ask me
00:16:35but a duel is a duel so i stepped up to the mark
00:16:40that's what a gentleman does
00:16:41no
00:16:47if i'm completely honest a little drink had been taken during the night
00:16:52but we faced the dawn with clear heads and strong hearts
00:16:56yes
00:16:58now tenant wanted to motor up to glenn
00:17:00to get his father's old pistols
00:17:02would have been quite ridiculous much too far away
00:17:04so blamford offered his
00:17:06it was a bloody stupid mistake
00:17:09a duel is not just a test of marksmanship
00:17:13it's a test of character
00:17:14ten paces
00:17:17one
00:17:19two
00:17:21three
00:17:23four
00:17:25five
00:17:27six
00:17:28seven
00:17:30eight
00:17:31nine
00:17:33ten
00:17:37four
00:17:38five
00:17:38eight
00:17:39nine
00:17:39nine
00:17:40eight
00:17:41nine
00:17:42nine
00:17:43nine
00:17:46and why was he angry with you it's the strangest thing but ever since word got out about our
00:17:52engagement i've found myself quite the center of attention it's as though every good-looking
00:17:57girl on earth's taken the news as a personal challenge i'm not used to the idea of being a bow
00:18:04much less a catch seems to have gone to my head rather had a bit of a fumble at blenheim
00:18:12it's rather a beauty it's in pictures you know an actress anyway tenants got wind of it very cross
00:18:27yes with reason
00:18:32pathetic
00:18:35weak contemptible fool
00:18:39i never even wanted to marry you you were only ever an act of charity or desperation
00:18:48and now you insult me you
00:18:51people like you don't get to insult people like me you get to be eternally grateful
00:18:58leave quite the way with women
00:19:02take a look with this face a picture of disappointment and disgust
00:19:09this is the look that every woman you ever know will come to share
00:19:14this is what the next 40 years of your life will look like
00:19:16the next 40 years of your life will be right
00:19:26margaret
00:19:28margaret
00:19:35Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am, to which I could
00:20:35only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days, I imagined two people welded
00:20:49together into some sort of combined existence.
00:20:53Ten years. Ten years has taught me the secret of a successful marriage is actually to have
00:21:02different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves, and presumably they see that
00:21:24hidden part of you.
00:21:27One ends up knowing more about one's partner than they know about themselves, and it can
00:21:34be pretty tough to keep quiet about it.
00:21:37So you have to come to an accommodation, an arrangement, a deal, if you like, to take the rough with
00:21:47the smooth.
00:21:52But the extraordinary thing is, down there in the rough, in the long reeds of difficulty
00:22:00and pain, that is where you find the treasure.
00:22:09So I would like to propose a toast, in the name of love, in the name of our beloved country,
00:22:21in the name of steadfastness, in the name of another ten marvellous years.
00:22:30I give you my Betty Shoe, Lilibet, Elizabeth, the Queen.
00:22:54I give you my Betty Shoe, Lilibet, Elizabeth, and the Queen.
00:23:26Listen to her.
00:23:29She's waiting.
00:23:30She's waiting.
00:23:32She's waiting.
00:23:34She's waiting.
00:23:38She's waiting.
00:23:39You're waiting.
00:23:44I give you my Betty Shoe, Lilibet, Elizabeth, and the Queen.
00:23:48She's waiting.
00:23:48I give you two.
00:23:48I give you three.
00:23:49She's waiting.
00:23:55Oh, boy, you are my people, the laughs and the jokes on me.
00:24:14Oh, boy, you are my people, the facts are normally clear.
00:24:33Gotta find who's now not the worst.
00:24:46Am I my angel?
00:24:52Oh, where is my angel?
00:25:06Oh, boy.
00:25:11Use me while I disappear.
00:25:24Super angels.
00:25:38Angels.
00:25:39Oh, boy.
00:25:51I'm calling you to the newsroom at Alexander Palace.
00:25:54President Eisenhower has spoken warmly of the special relationship that exists between Britain and the United States.
00:26:01Prime Minister McMillan and I will do everything we can to strengthen and repair the long-term bonds which have
00:26:11bound together the...
00:26:15Blackheart.
00:26:16Blackheart.
00:26:18I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I just can't.
00:26:32I can't have him touch me, be near me.
00:26:36His weakness repels me.
00:26:40His love disgusts me.
00:26:44Since I was felt like a couple of years.ĂĽnĂĽ
00:26:45night cream for me. Good
00:27:04morning! Oh,
00:27:06darling, what a mess.
00:27:07it is the most beautiful day I bought something to cheer you up Cecil's
00:27:21magnificent work he's quite outdone himself this time I can tell you which
00:27:28one I would choose is the official birthday portrait and Cecil immediately
00:27:33agreed but of course it's for you to decide
00:28:12and with regards to Billy Wallace don't mention that name I've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand I'm never speaking to him again
00:28:24then we will find you someone else
00:28:29I don't want you to find me anyone Moritz Landsgrave of Hesse he's a distant cousin now his mother was
00:28:38a Catholic but their lands are still intact and he gives a very good show of himself on the polo
00:28:44field
00:28:44no one someone suggested Prince Christian of Hanover a descendant of Queen Victoria
00:28:52served in the Luftwaffe but we won't hold that against him
00:28:56I do know what the official duties of the lady-in-waiting are
00:28:59accompanying me on foreign trips dealing with my meal
00:29:02do you suppose it might also include helping me climb over the wall to escape
00:29:09just can't bear it anymore I'm having some people to dinner tonight
00:29:16normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:33which are that none of them breeds horses owns lend or knows my mother
00:30:10I'd like you to say hello to our guest of honor her royal highness the princess Margaret
00:30:22are you ready ma'am here come the introductions here we have Dudley on the piano
00:30:31and this here is Shilpa
00:30:36oh god
00:30:37oh god
00:30:40oh god
00:30:41oh god
00:30:41oh god
00:30:57oh god
00:30:58oh god
00:31:11rich are you feeling a little left eye
00:31:15you are thinking to yourself
00:31:18these dabblers and freaks all seem to know one another very well
00:31:22hmm
00:31:23okay
00:31:28then you'd be absolutely right now be honest can you remember any of the names
00:31:41you're not really can't remember me either not we've met we have where have we met
00:31:50perhaps it'll come to you now where to begin huh far corner the irresistible so-and-so with the
00:31:59mustard colored pearly neck irresistible oh come on a nine surely seven called jeremy he's heir to a
00:32:09chocolate fortune married to the blonde beauty opposite oh she's an eight isn't she yes they
00:32:18dazzle in public those do you don't disappoint in private either more of that another time i think
00:32:24who's next ah yes our flushed and fleshy friend in paisley his name's ken russell makes documentaries
00:32:32the bbc travels everywhere on a bus you've probably never been on a bus have you no pity you really
00:32:47do meet the best people tell me about the woman with the uh extraordinary eyes
00:32:58brownish frankenstein she played opposite boris carloff of that movie you know actress
00:33:05no one can quite make out why she loves a rather brilliant film producer for a dreary politician
00:33:13no his name's john perfumo fucking dull it's true it's true but the older gentleman beside him
00:33:23oh no no no i know who that one is that's john bitcham the poet
00:33:28um books from boots and country lanes free speech free passes
00:33:33class distinction distinction
00:33:39democracy democracy and proper dreams
00:33:45just so
00:33:50is it really true he has two wives
00:33:54i hope so
00:33:56better if he has three
00:33:59we don't want anyone conventional around here
00:34:09now tell me about you
00:34:11oh god you don't remember
00:34:13no
00:34:15i'm a photographer
00:34:18oh the wedding photographer
00:34:20ah that was a favor it's not my normal line of work
00:34:23what is
00:34:25this
00:34:31what is yours
00:34:33yes
00:34:36portraits
00:34:36i don't like that word
00:34:38it's so stuffy and traditional
00:34:41oh sorry
00:34:42what are they then
00:34:45people
00:34:46faces
00:34:47they're the most interesting subject that i've found so far
00:34:52if you can think of anything more interesting do let me know
00:34:57oh i like them
00:35:00as if there's no camera at all
00:35:03i caught them off guard
00:35:04uh it's all luck really
00:35:07made the ugliness beautiful
00:35:09i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:17is that why you took up photography
00:35:21maybe
00:35:23maybe it's just a good way to get behind closed doors
00:35:26somebody's door in particular
00:35:27just doors generally
00:35:29the facade is only useful as a
00:35:31markup or something one has to get behind or beyond
00:35:33the surface is so dreary i don't think
00:35:36what people want to show themselves
00:35:38the idealized versions of no interest to me
00:35:41what people hide
00:35:44that interests me
00:35:49but you get so close
00:35:53isn't it rather an intrusion
00:35:55it's very much an intrusion yes
00:35:57that's exactly what photography is
00:36:00i use a small leica and i think fancy and natural light which means i can prowl around
00:36:06all the while i'm getting closer and closer and in the end it's kind of like
00:36:10what's uh intrusion
00:36:17intimacy
00:36:17intimacy
00:36:38how would you feel about taking my photograph
00:36:40well i'd consider it
00:36:43on one condition
00:36:46go on
00:36:47when you come to my slum studio
00:36:49leave the titles and princess outside
00:36:52happy to
00:36:54and for the duration of the session
00:36:56do everything i saw
00:37:00don't look like that
00:37:03you're dying
00:37:03you're dying to miss
00:37:06dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:14it was the first room i've ever been to where nobody got up
00:37:22about
00:37:24curtsied
00:37:25some just carried on having conversations if i wasn't there at all
00:37:29those that did talk to me did with such
00:37:32indifference or
00:37:34nonchalance it verged on
00:37:37impertinence
00:37:38there was this one
00:37:39in particular
00:37:41tony
00:37:42anthony
00:37:43shawley
00:37:43no
00:37:44he insisted
00:37:45tony
00:37:46armstrong jones
00:37:47this is
00:37:48photographer
00:37:49mike sissor
00:37:50no
00:37:51nothing like sissor
00:37:52couldn't be less like sissor
00:37:54well maybe a bit like sissor
00:37:56he's obviously queer
00:37:57well interestingly elizabeth denies it
00:38:00elizabeth who
00:38:02cavendish
00:38:02i caught when i got home last night and interrogated her
00:38:05what are the five most important things i need to know about that man
00:38:09why five
00:38:10i don't know it felt like the right number
00:38:12why not three
00:38:14it's more interesting than three
00:38:17so what did she say
00:38:19one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:26that he has a passion for inventing things
00:38:30and he would never dream of being anything as straightforward as simply queer
00:38:34what on earth does that mean
00:38:36not all together sure
00:38:39but
00:38:41i'm also not even curious to find out
00:38:43what was number five
00:38:45that was five
00:38:47no margaret that was four
00:38:48well all right
00:38:49five is
00:38:52i liked him
00:38:54yes
00:38:55yes
00:38:55i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:04for me
00:39:06for us
00:39:08for everything we represent
00:39:14i actually think you'd like him
00:39:17that's what's so dangerous about him
00:39:21upstairs
00:39:22coming
00:39:22that's
00:39:22for me
00:39:22apartment
00:39:22i
00:39:30i
00:39:34I don't know.
00:40:00Right.
00:40:06Wait there.
00:40:12Back in a minute.
00:40:31Back in a minute.
00:40:42Back in a minute.
00:40:45Back in a minute.
00:42:52Don't smile like that.
00:42:54It's lovely, eh?
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself,
00:43:10but I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm un-cooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window.
00:43:21So I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are, either.
00:43:43The rest of us, outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:04Oh.
00:44:09Jesus.
00:44:10I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:34Yes.
00:44:41But their business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss, too.
00:45:27Easy.
00:45:38Wait.
00:45:45Cool.
00:46:03Do you miss him?
00:46:14Sometimes.
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:49So, this is home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:18Who's she?
00:47:23A friend?
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:33That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it is not.
00:47:41She's Bob Boothby's love child.
00:47:44No.
00:47:44Mm.
00:47:46Thirty years they say the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Ooh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:40Who's Tigger?
00:48:43Cleo Lear.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Mm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01And keep a diamond to the purpose.
00:49:05Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:38Beryl.
00:49:39Rhymes with peril.
00:49:47put it back
00:49:53right
00:49:55should we look at the photograph
00:49:57yes
00:50:10yes
00:50:18yes
00:50:23yes
00:50:25yes
00:50:25yes
00:50:25yes
00:50:26I don't know.
00:50:56All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Then?
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:03You, um, you want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good. Then he can follow us.
00:54:28Out.
00:54:28Well, I should have the right to give.
00:54:29Well nice.
00:54:40I'm very proud of you.
00:54:44I should be become a hero.
00:54:46Oh no, thank God.
00:54:47Your coach needs to be married to the magical baron.
00:54:51Huh.
00:54:53We also have a lot of fun.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:24It's been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32You made it to go on, rather.
00:55:34On and on and on and on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:50Come on, come on.
00:56:54Come on, come on.
00:57:02Come on, come on.
00:57:08All the stars are gone.
00:57:11Come on, come on.
00:57:16I don't know if it's cloudy or dry
00:57:20I only have eyes
00:57:30For you
00:57:40The moon is far from behind
00:57:46But I can't see a thing in the sky
00:57:55I only have eyes
00:58:03For you
00:58:15I don't know if we're in a garden
00:58:46I don't know if we're in a garden
00:58:57Come on, come on
00:58:59Maybe millions of people
00:59:01Come on, come on, come on
00:59:04I don't know if we're in a garden
00:59:16I don't know if we're in a garden
00:59:29I don't know if we're in a garden
00:59:37I don't know if we're in a garden
01:00:24There you are
01:00:37What's that?
01:00:38What is it?
01:00:56It appears she's naked.
01:01:11It appears she's naked.
01:01:38It appears she's naked.
01:02:38It appears she's naked.
01:02:38It appears she's naked.
01:02:48It appears she's naked.
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