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The Crown S02E04 [Full Movie] [Free Online HD]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I'm your old faithful
00:03:51No I'm not averse
00:03:56Oh my God
00:03:59Oh my gosh
00:04:00Oh my god
00:04:01Oh my God
00:04:03Oh my God
00:04:04Oh my God
00:04:11Oh my God
00:04:20Mummy said something interesting the other day, she said that the first ten years of
00:04:28marriage were just an overture, that there's often a crisis at ten years but then you
00:04:35will work it out and settle in and it's only then that it really gets into its stride, I suppose
00:04:49that's what's happened to us? Possibly. I was thinking perhaps we should have a big anniversary
00:05:02party this year, to celebrate hitting our stride.
00:05:13All right.
00:05:21Yes? All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal
00:05:35measure. It took forever to get there. Mummy was a nightmare. Mercifully, they sent a helicopter
00:05:43to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married
00:05:57myself. What? To whom?
00:06:03Billy Wallace.
00:06:06Goodness. Congratulations.
00:06:10Oh. Christ.
00:06:14So if I were to accept, it would be a yes from you?
00:06:23Yes, of course. An emphatic yes. And Philip and I were just discussing having a party for
00:06:31our tenth wedding anniversary. And you and Billy could use the occasion to announce your engagement,
00:06:37if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then. Thank you.
00:06:46My pleasure. Good night, Margaret.
00:06:48Good night, Margaret.
00:06:52Good night.
00:07:01Good night.
00:07:16To be continued...
00:07:46To be continued...
00:08:31To be continued...
00:08:34I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads. What's it doing
00:08:41up there?
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage. As in any marriage. There'll be ups and downs, but one must work to get
00:09:53things back on track.
00:09:54Rather than the same way that a doctor examines a patient...
00:09:58They say that listening is important.
00:10:00But this is really quite a simple...
00:10:01In any marriage.
00:10:03First try.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time.
00:10:44I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:48I'm determined to mend it.
00:10:51It's time.
00:10:52Now that you're Prime Minister.
00:10:54Yes, it is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:55Fairytales.
00:11:56Yes, but he does it so well.
00:11:59And to me, Your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:26Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:11And she sees Her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:25Into a fantasy.
00:13:32Later, she will step out of her house in a, a new neckerchief, perhaps, for which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal, which you represent.
00:13:54And now, with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36What?
00:14:36Uh-uh.
00:14:37I'm not.
00:14:38I'm not.
00:14:42I'm not.
00:14:48But here, here it is.
00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallace may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:36Oh.
00:15:41Your Royal Highness, the Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:36stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42Don't!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we face the dawn with clear heads and strong hearts.
00:16:58Now Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the centre of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:18Anyway, Tenant's got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret.
00:19:31Margaret.
00:19:33Margaret.
00:19:44Ma'am, I've been asked to tell you that that Princess Margaret will not be announcing engagement this evening.
00:19:51Our Royal Highness said she'll explain everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:20:19all right all right settle down so on my recent tour of the Pacific I was
00:20:25introduced to a man who said to me my wife is a doctor of philosophy and much more important than
00:20:31I am to which I could only reply ah yes sir we have that trouble in our family too
00:20:43you know when I imagined our marriage in the early days I imagined two people welded together
00:20:49into some sort of combined existence ten years ten years has taught me the secret of a successful
00:21:00marriage is actually to have different interests but different interests but not not not entirely
00:21:12different so it's a funny business one sees the whole of the other person you see even that part
00:21:19of them that they don't see themselves and presumably they see that hidden part of you
00:21:27one ends up knowing more about one's partner than they know about themselves and it could be pretty
00:21:34tough to keep quiet about it so you have to you have to come to an accommodation an arrangement a
00:21:42deal
00:21:45if you like to take the rough with the smooth the extraordinary thing is down there in the rough in
00:21:58the long
00:21:59reeds of difficulty and pain that is where you find the treasure so I would like to propose a toast
00:22:14in the name of love in the name of our beloved country in the name of steadfastness in the name
00:22:24of
00:22:25another ten marvellous years I give you mon petit chou
00:22:40little but Elizabeth the queen
00:22:49ready
00:22:54you
00:22:56Thank you very much.
00:24:56Oh, where is my angel?
00:25:06Oh!
00:25:09Oh!
00:25:11Oh!
00:25:39Oh!
00:25:41Oh!
00:25:43Oh!
00:26:13Oh!
00:26:14Oh!
00:26:14Blackheart.
00:26:16I can't.
00:26:18I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I know.
00:26:30I just can't.
00:26:32I can't have him touch me, be near me.
00:26:36His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know.
00:26:50I know.
00:27:03Good morning!
00:27:05Oh, darling, what a mess!
00:27:07it is the most beautiful day I bought something to cheer you up Cecil's
00:27:21magnificent work he's quite outdone himself this time I can tell you which
00:27:28one I would choose is the official birthday portrait and Cecil immediately
00:27:33agreed but of course it's for you to decide
00:28:12and with regards to Billy Wallace don't mention that name I've had him on the telephone to me
00:28:18all morning quite distraught then his mother then his grand I'm never speaking to him again
00:28:24then we will find you someone else
00:28:29I don't want you to find me anyone Moritz Landsgrave of Hesse he's a distant cousin now his mother was
00:28:38a Catholic but their lands are still intact and he gives a very good show of himself on the polo
00:28:44field
00:28:44no one someone suggested Prince Christian of Hanover a descendant of Queen Victoria
00:28:52served in the Luftwaffe but we won't hold that against him
00:28:56I do know what the official duties of the lady-in-waiting are
00:28:59accompanying me on foreign trips dealing with my meal
00:29:02do you suppose it might also include helping me climb over the wall to escape
00:29:09just can't bear it anymore I'm having some people to dinner tonight
00:29:16normal people yes they're all normal but in their own way they're all quite exceptional too
00:29:24you can go and possibly not deferential
00:29:29that's fine as long as they still meet the main requirements
00:29:33which are that none of them breeds horses owns lend or knows my mother
00:30:10I'd like you to say hello to our guest of honor her royal highness the princess Margaret
00:30:22are you ready ma'am here come the introductions here we have Dudley on the piano
00:30:31and this here is Shilpa
00:30:36oh god
00:30:37oh god
00:30:40oh god
00:30:41oh god
00:30:41oh god
00:30:57oh god
00:30:59ive
00:31:02ive
00:31:08rich
00:31:11you're
00:31:15you're thinking to yourself
00:31:18these dabblers and freaks all seem to know one another very well
00:31:22mhmm
00:31:28then you'd be absolutely right now be honest can you remember any of the names
00:31:41you're not really can't remember me either not we've met we have
00:31:48where have we met perhaps they'll come to you now where to begin
00:31:56far corner the irresistible so-and-so with the mustard colored pearly neck irresistible oh come
00:32:03on a nine surely seven called jeremy he's heir to a chocolate fortune married to the blonde beauty
00:32:12opposite oh she doesn't eat isn't she yes they dazzle in public those do they don't disappoint
00:32:21in private either more of that another time i think who's next ah yes our flushed and fleshy
00:32:28friend in paisley his name's ken russell makes documentaries the bbc travels everywhere on
00:32:34bus you've probably never been on a bus have you no pity you really do meet the best people
00:32:51tell me about the woman with the uh extraordinary eyes
00:32:57brown as frankenstein she played opposite boris carloff of that movie you know actress
00:33:04no one can quite make out why she left a rather brilliant film producer for a dreary politician
00:33:13his name's john perfumo fucking doll it's true it's true but the older gentleman beside him
00:33:23oh no no no no no i know who that one is that's don betcham the poet um books from
00:33:30boots
00:33:30and country lanes free speech free passes class distinction distinction democracy and property
00:33:49is it really true he has two wives i hope so better if he has three we don't want anyone
00:34:01conventional
00:34:01around here
00:34:10now tell me about you oh god you don't remember no i'm a photographer
00:34:18oh the wedding photographer uh that was a favor it's not my normal line of work
00:34:22what is this
00:34:31what is yours yes portraits i don't like that word it's so stuffy and traditional
00:34:41oh sorry what are they then people faces they're the most interesting subject that i've found
00:34:49so far if you can think of anything more interesting do let me know
00:34:57oh i like them as if there's no camera at all i caught them off guard uh it's all luck
00:35:05really
00:35:06you made the ugliness beautiful i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:17is that why you took up photography
00:35:21maybe maybe maybe it's just a good way to get behind closed doors somebody's door in particular
00:35:27just doors generally the facade is only useful as a markup or something one has to get behind
00:35:33or beyond the surface is so dreary i don't think what people want to show themselves the idealized
00:35:39versions of no interest to me what people hide that interests me
00:35:49but you get too close
00:35:53isn't it rather an intrusion
00:35:55it's very much an intrusion yes that's exactly what photography is
00:36:00i use a small like nothing fancy a natural light which means that i can prowl around
00:36:06all the while i'm getting closer and closer and in the end it's kind of like
00:36:13an intrusion
00:36:17intimacy
00:36:18intimacy
00:36:38how would you feel about taking my photograph well i'd consider it
00:36:43on one condition
00:36:46go on when you come to my slum studio leave the titles and princess outside
00:36:52happy to and for the duration of the session do everything i saw
00:37:00don't look like that
00:37:01don't look like that
00:37:03you're dying to miss
00:37:06dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:19it was the first room i've ever been to where nobody got up bowed curtsied
00:37:25some just carried on having conversations if i wasn't there at all
00:37:29there's no that did talk to me with such indifference or
00:37:33nonchalance it verged on
00:37:36impertinent
00:37:37there was this one in particular
00:37:41tony
00:37:42tony
00:37:43anthony shawley
00:37:43no he insisted
00:37:45tony
00:37:46armstrong jones this is photographer
00:37:49like cecil no nothing like cecil couldn't be less like cecil
00:37:54well maybe a bit like cecil he's obviously queer
00:37:57well interestingly elizabeth denies it
00:38:00elizabeth who
00:38:02cavendish
00:38:02i caught when i got home last night interrogated her what are the five most
00:38:06important things i need to know about that man
00:38:09why five
00:38:10i don't know it felt like the right number
00:38:12why not three
00:38:14it's more interesting than three
00:38:17so what did she say
00:38:19one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:26that he has a passion for inventing things
00:38:30and he would never dream of being anything as straightforward as simply queer
00:38:34what on earth does that mean
00:38:36not all together sure
00:38:39but
00:38:41i'm also not even curious to find out
00:38:43what was number five
00:38:45that was five
00:38:47no margaret that was four
00:38:48well all right
00:38:49five is
00:38:52i liked him
00:38:54yes
00:38:55yes i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:04for me
00:39:06for us
00:39:08for everything we represent
00:39:14i actually think you'd like him
00:39:17that's what's so dangerous about him
00:39:21upstairs
00:39:21up
00:39:23up
00:39:27and
00:39:28are
00:39:29y
00:39:29uh
00:39:30up
00:39:50up
00:40:06Right, wait there, back in a minute.
00:41:11Right, wait there, back in a minute.
00:41:41Right, wait there, back in a minute.
00:42:12Right, wait there, back in a minute.
00:42:39Right, wait there.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21So I know perfectly well.
00:43:22I know, not the faintest idea.
00:43:26Window.
00:43:37I know, not the faintest idea.
00:43:56Like this.
00:44:04Oh.
00:44:08Jesus.
00:44:10I'm sorry, but Cecil is a disgrace.
00:44:19Always been good for the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:34Yes.
00:44:41But they're business with Peter Townsend.
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:45:31Easy to miss, too.
00:45:44Easy to to miss.
00:45:44Easy to miss.
00:45:50Easy to miss.
00:46:03Don't do nothing.
00:46:14Sometimes.
00:46:19Got it. Right.
00:46:21Back to my place for a drink.
00:46:25Your place? Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:43I'll show you.
00:46:50So, this is home.
00:46:56It's marvellous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23A friend?
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39Word is, it's not.
00:47:42She's Bob Boothby's love child.
00:47:44No.
00:47:44Mm.
00:47:46Thirty years they say the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile, get off.
00:48:21Sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lan.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:55Hmm.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01And keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:54Shall we look at the photograph?
00:49:57Yes.
00:50:18Come on.
00:50:32It's so heavy.
00:50:32Oh, it's so heavy.
00:50:38It's too heavy.
00:50:40And I have a pair of butterflies.
00:50:40It's kinda heavy.
00:50:40It's so heavy.
00:50:42I know.
00:50:42You know.
00:50:42You might be too heavy.
00:50:43You didn't care.
00:50:43You're tired.
00:50:43You're tired.
00:50:46It's fine.
00:50:47You're too heavy.
00:50:56All right.
00:51:14First, the chemicals.
00:51:30You knew when we first met, I was sure you were queer.
00:51:44Why?
00:51:47Just the way you talk to women, understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:30But now I see you're not queer.
00:52:34Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:57Mm-hmm.
00:53:00Yeah.
00:53:07You hang her up.
00:53:21What do you think?
00:53:27It's a Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:55Sure.
00:53:57Then I must go.
00:53:59Hmm.
00:54:04You, um...
00:54:05You want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:27Good, are you?
00:54:32At pleasure.
00:54:40We are Знаid.
00:54:43Thank you so much for the program.
00:54:45No!
00:54:45Now that you're coming first, you get a secret into our temple
00:54:46We are proud to give you »,
00:54:49« Welcome back to my home your majesty.
00:54:53We're very sócical,
00:54:54We're very proud to join his congregation at the the birth of unscrew drew cur I already shared.
00:54:54He's not even done.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:24You've been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:55:36And on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:14No.
00:56:16No.
00:56:26No.
00:56:28No.
00:56:31No.
00:56:34No.
00:56:37No.
00:56:43No.
00:56:49No.
00:56:51No.
00:56:53No.
00:56:56No.
00:56:57No.
00:56:59No.
00:57:02No.
00:57:04No.
00:57:07No.
00:57:09No.
00:57:15I don't know if it's cloudy or dry
00:57:20I only have a rise
00:57:29I don't know if it's cloudy, but I can't see a thing in the sky
00:57:55I only have a rise
00:58:02For you
00:58:15I don't know if we're in a garden
00:58:24I don't know if we're in a garden
00:58:31I don't know if we're in a garden
00:58:54Tonight
00:58:54Come on, come on
00:58:58Maybe millions of people
00:59:01Come on, come on
00:59:02Come on, come on
00:59:21And I only have a rise
00:59:29For you
00:59:31Come on, come on
00:59:33Oh, gracious
00:59:48Oh, la la
00:59:50Ah
01:00:03Oh
01:00:24There you are
01:00:25Finally
01:00:36How is that?
01:00:37What is it?
01:00:56It appears she's naked
01:00:59It appears she's naked
01:01:02Oh
01:01:05Oh
01:01:05Oh
01:01:05Oh
01:01:05Oh
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