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Category
🎥
Short filmTranscript
00:50Hello.
00:52Excuse me, I'm Lee Miller. I work for Vogue.
00:54Oh, Anne Douglas, ATA.
00:57Oh, you fly.
00:59Only ferrying our bombers between bases, but yes, I do.
01:03Would you mind if I took your picture?
01:05Oh, no problem.
01:11Your work, it really lets us know what's going on out there.
01:23Let's push you back over here by the door.
01:27Let's try that.
01:31There you go.
01:33See if we can get you in the magazine.
01:35Does this sort of thing get published?
01:38Hopefully.
01:41Do you mind taking off your hat?
01:44Wonderful.
01:45There you go.
01:49There.
01:51Don't want to take any more of your time.
01:52Pleasure meeting you.
01:54Lovely to meet you, Miss Ma.
02:00Are you still staying in that shitty hotel?
02:04Not for long if I keep bringing home broken mirrors.
02:07Hmm.
02:08Well, you're welcome to stay here.
02:11We have the room.
02:13You sure?
02:14That Roland wouldn't mind?
02:16Only people who care about the men I'm sleeping with
02:19are the men I'm not sleeping with.
02:30Away?
02:32Where?
02:33The coast.
02:35Only a few hours away.
02:37For how long?
02:39A while, I expect.
02:48We're getting ready, aren't we?
02:50For the invasion of Europe.
02:52I know as much as you do, I'm afraid.
02:55I'll be disguising tanks to look like ice cream kiosks.
02:59But I didn't tell you that.
03:00Davey.
03:02Take our picture.
03:03Before he leaves.
03:07Yep.
03:15No.
03:19You won't be long.
03:22Stop.
03:27No, no, no.
03:29Not some poor woman's intimates.
03:33If Lee Miller thinks she can just waltz in...
03:35It's not about what Lee Miller thinks or doesn't think, Cecil.
03:38This is about our duty to our readers.
03:41Those of us without housekeepers or hot water
03:44care about a lot more than couture.
03:48It's not Vogue's place.
03:49It's not your place!
03:51The pants stay on the line.
03:58Lee.
04:02Cecil.
04:04I think that's what you English call getting your knickers in a twist.
04:07Ha!
04:10Only a woman could have taken these.
04:15Audrey, listen to me.
04:17When the time comes, send me to Europe.
04:20The Ministry's been very clear that when the time comes,
04:23our duty will be to do our bit.
04:25Yes, yes, yes.
04:26I know, I know.
04:28But why should the men get to decide what that is?
04:31Why can't women go to the front line?
04:33Why?
04:33As much as I admire your tenacity, and I do, Lee.
04:37It wouldn't work.
04:40You wouldn't be able to get anything back to us without military sanction.
04:43It's just fruitless.
04:45I'm sorry.
04:47Ask again.
04:53Yeah.
04:54Yeah.
04:55I'll be there.
04:58All right, so long.
05:05When do you go?
05:09Dakota leaves in the morning.
05:12You don't even speak French.
05:19Oh.
05:30Hey.
05:32Scoot over.
05:33What's going on?
05:33Are you all right?
05:36That's bullshit.
05:38It's bullshit!
05:41I know it's not your fault.
05:43But I should have the right to go as much as you do.
05:44The only reason you get to go is because you have a set of balls.
05:51I don't want to go anywhere.
05:55I'm happy right here in this bed with you.
05:59I understand.
06:00I really do.
06:01And the British and their damn rules are never going to send you.
06:04Besides, you're an American.
06:09Holy shit.
06:12Holy shit.
06:14That's right.
06:15I'm an American.
06:17I'm an American.
06:19You're a genius, Davy Sherman.
06:21You're a goddamn fucking genius.
06:24Turns out I've been barking up the wrong tree.
06:27The British were never going to send a female correspondent to a war zone.
06:30But the Americans were different.
06:33They weren't held back by tradition.
06:35You're absolutely sure you want to do this?
06:37Yes, yes, yes, yes, yes.
06:40Will you be all right?
06:43Let's hope so.
06:47Just be careful.
06:48Please.
06:49I'll try.
06:51Okay.
06:53Okay.
07:12I was born determined.
07:15And I'd never felt so alive.
07:18It was all an adventure to me.
07:20I had to be where the action was, and that was Europe.
07:24And I'd arrived, and finally had a chance to see things for myself.
07:31There's no women allowed in the press briefings.
07:34You've got to be kidding me.
07:39Is there a powder room around here?
07:58The enemy is well-trained, well-equipped, and battle-hardened.
08:04Our air offensive has reduced their strength in the air and their capacity to wage war on the ground.
08:10As you may know, we, along with our allies, have increased the target bombing over Germany over the course of
08:16the past few weeks.
08:18You will each be assigned to specific units as we continue to put the pressure on the ground attack here
08:23in France.
08:24It's pretty lively out there.
08:26Watch your backs, your fronts, eyes on the road.
08:30Dismissed.
08:46You!
08:54You must be Lee Miller.
08:56Well, it's a war zone, colonel.
08:58Just Lee is fine.
08:59Just Lee.
09:00There's no women in the press briefings.
09:02I assume you received the instruction?
09:04I guess I didn't hear correctly.
09:08Can you hear me now?
09:10Yes, sir.
09:12We don't send women to combat.
09:14Well, that's a problem, because I'm here.
09:16Which means you have to...
09:17Which means I have to deal with you.
09:23Follow me.
09:30These doctors perform over 100 procedures per day.
09:34Every day.
09:40We're away.
10:08I'm just going to cut this to you now.
10:10Excuse me.
10:11I'm going to need some scissors here.
10:16Jesus Christ.
10:18Light!
10:19I need a light over here.
10:20Here, here.
10:21Here.
10:22Over here with that.
10:23Light!
10:24Come here.
10:56Oh, yes.
11:09Even when I wanted to look away, I knew I couldn't.
11:21Roland wrote to me every week, begging me to come home.
11:29He didn't understand why I wanted to be there.
11:36There were moments when I didn't either.
12:04May I?
12:05Of course.
12:18We have to keep going.
12:28Let's go.
12:39Let's go.
12:41Let's go.
12:42How are you?
12:43Let's go.
12:44Let's go.
12:46Come.
12:46Let's go.
12:56Hey, I've seen you here.
12:59Who are you?
13:01I'm Lee, with Vogue magazine.
13:05Yeah, he's got me for models.
13:11Don't need to.
13:12I found you.
13:15What's your name?
13:17Kurt.
13:19You have beautiful eyes, Kurt.
13:21I've got my mom's eyes.
13:25Lucky boy.
13:27I tell you, I'm going home.
13:35Lee, you take my picture.
13:39When I get home, you know, handsome,
13:41I want my girl to see how brave I was.
13:46Of course.
13:58Miller.
14:02I can't make sure they print that.
14:05I promise.
14:06Mm-hmm.
14:13Grab your kit.
14:14You're going to San Malo.
14:16You can hit your eye with civil affairs.
14:19Really?
14:19Write your own obituary and send it to your editor
14:21before you leave.
14:23Stand to practice.
14:24Don't get excited.
14:26The town's pacified.
14:26Those who golpe you made.
14:27Give me him alone.
14:41Can't set your face.
14:41I want tomış.
14:43Look out!
14:44OK, give me up here.
14:47Keep my boy.
14:48Keep your unstoppable to help you!
14:51Give him!
14:52Toe the rust-
14:53Give him a Wort-
14:53Don't move him!
14:54take care of him!
14:54Colleen!
14:55Keep my hands!ke
14:55boundaries! Oh,
14:56thank you! You're
14:56Ak- cases. I
14:56a lot of them.
15:10Goddammit, get out of here! Move! What? Hey, we have to move, come on! What the hell are you doing
15:17here?
15:18You said it was pacified. No, no, you can't be here, lady.
15:24Stay there! Let's go!
15:26Eyes on me!
15:32Johnny Tree, this is Baker 1-5. Still receiving heavy fire from an enemy physician. Over!
15:40Johnny Tree, watch your corner!
16:00Come on, let me...
16:05I'd stay away from that window, Mac. They've got snipers.
16:13What the fuck was that? Jesus Christ, you again? You said to stay here.
16:19New fireman. New fireman.
16:21Downstairs, now! No, wait.
16:23Now! You want to be useful? There's a bunch of French women in the cellar.
16:27Find me one that speaks English!
16:29800. Folks, folks.
16:30C'est celle-là. C'est elle.
16:32C'est elle.
16:33Fermez-toi.
16:33C'est quoi?
16:34J'ai pas fini.
16:35T'aimerais bien qu'il vous taise, hein?
16:38C'est elle qui ne s'est pas fermé son mec.
16:40Raconte tout.
16:41Et vous, sale traîné sale...
16:43Arrêtez, madame. Ça suffit.
16:45Taisez-vous. Taisez-vous.
16:52Mademoiselle, ça va?
16:54Qu'est-ce qu'il s'est passé? Je suis pas combattante.
16:57Regardez.
17:03Il était pas comme les autres. Je vous le jure.
17:06Il était gentil. Il a dit qu'il m'aimait.
17:11Et maintenant, je... j'ai peur.
17:17Je suis pas une collaboratrice, moi, je vous jure.
17:20Il a dit qu'il m'aimait.
17:21Yeah, honey, that's what they all say.
17:23Ils disent tous les mêmes choses. C'est pas votre faute.
17:25C'est pas votre faute.
17:28Ne pleurez pas.
17:31What do you got?
17:35That evil witch says her neighbour's been tipping off the Germans about your night drops.
17:41She's just a girl who got taken advantage of.
17:44Sure she did.
17:46What did you say?
17:48That's what they all say. Private.
17:50How dare you?
17:53What the hell?
17:53They put up the white flag!
17:59Asshole.
18:23Heil Hitler.
18:25Heil Hitler.
18:54Oh, c'est bon.
19:09Oh, c'est bon.
19:13Oh, c'est bon.
19:19Oh, c'est bon.
19:24Not to be sentimental, but I'm glad you're not dead.
19:29Good to see you.
19:32Come on.
19:35So?
19:42Are you all right?
19:46Yeah.
19:48Yeah, I'm fine.
19:53Goddamn blank page.
19:56Spoken like a true writer.
19:58I want it to be good.
20:00I want it to be true, but I...
20:02I want it to be good.
20:05Worry about the true part first.
20:08Make it good later.
20:17Happy to see you.
20:18Yeah, you too.
20:22It was napalm, wasn't it?
20:25Well, we didn't know it was napalm until much later.
20:33Audrey couldn't figure out why the censors refused to print it.
20:38Never thanked her.
20:40For what?
20:42Well...
20:44For trying.
20:46Okay?
20:50Take care of me.
20:54See you later.
20:55Eat out!
20:56The gaslight.
20:58This isse me.
20:58Eat out!
21:06Eat out.
21:07Eat out.
21:10Eat out.
21:11Eat out!
21:11Eat out!
21:13What's that?
21:16It's a poem by Paul Elvoir.
21:21Who's he?
21:25He's... he's my friend.
21:43I, on my school books, on my desk, and on the trees, on the sand, on the snow, I write
21:55your name.
22:13Thank you very much.
22:25Thank you very much.
22:32Thank you very much.
22:33Thank you very much.
23:13What are they saying?
23:16She's a whore.
23:19Dirty, collaborating whore.
23:42No one can tell you what it feels like.
23:46Shame.
23:51There are different kinds of wounds.
23:57Not just the ones you can see.
24:18Liberation.
24:21The word was as joyous as it felt.
24:25People celebrated.
24:29But Paris was just one city.
24:33The war continued across Europe.
24:39Fighting was far from over.
24:44And for me, well, things were just getting going.
25:08David Sherman and Lee Miller.
25:17Any packages for Lee Miller?
25:25Merci.
25:38Another loving metaphor?
25:51God bless you, Audrey Withers.
25:59If we're heading out, do I get to shave first?
26:03That's all right.
26:04I'm, uh...
26:06I need to see a friend.
26:08I won't be long.
26:09All right.
26:10We'll find my friends.
26:13I'll grab that one more.
26:21Come here.
26:24We're going to shave.
26:25We're going to wash it.
26:32We'll take it.
26:35All right.
26:36Then we'll be moving.
26:37We'll be there when we get a friend.
26:38We'll take it because we couldn't put them down there.
26:38We'll take it.
26:38No.
26:40No.
26:42No, I didn't want to.
26:44Stop.
26:46Stop.
26:48No.
26:50But let me be quiet.
26:52No.
26:53Stop.
26:56No, but I don't want to.
26:57Let me be quiet.
26:58Shut up.
27:01Get off of her.
27:04Get away from her.
27:06Leave her alone.
27:07Jesus Christ.
27:09Asshole.
27:10Jesus Christ.
27:13I think they'd be more grateful.
27:15Get out of here.
27:17Get out of here.
27:19Go on.
27:23Dumb bitch.
27:25Fuck.
27:29You all right?
27:33Here.
27:36Next time.
27:39Cut it off.
27:50Cut it off.
27:53Oh.
27:54Oh.
27:55Oh.
27:56Oh.
28:00Oh.
28:02Oh.
28:02Oh okay.
28:03Oh oh.
28:06Oh.
28:07Oh yeah.
28:11Oh yeah.
28:13Oh yeah.
28:14tabii fatigue.
28:50Excuse me, madame, excusez-moi, madame, je cherche quelqu'un qui habite ici.
29:02Madame ? Solange ?
29:08Oui !
29:14Solange !
29:17Solange !
29:23Non !
29:29Non !
29:31Non !
29:35Non !
29:36Non !
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