#malayalammovie #newmovies
#newrelease #ott #malayalamcinema #ott #malayalam #film #hindi #tamil #hindimovie #tamilmovie #netflix #amazonprime #mohnalal #mammotty #prithviraj #horrormovies #actionmovies #romanticmovie #feelgoodmovie #adventuremovie #couple #adult #18+
#newrelease #ott #malayalamcinema #ott #malayalam #film #hindi #tamil #hindimovie #tamilmovie #netflix #amazonprime #mohnalal #mammotty #prithviraj #horrormovies #actionmovies #romanticmovie #feelgoodmovie #adventuremovie #couple #adult #18+
Category
🎥
Short filmTranscript
00:11YouForced субтитры You.
00:13Where did you get the movie?
00:13Who were you?
00:14No.
00:15No.
00:17I can't do it.
00:19A show.
00:19A show.
00:20Yes, in America you can be the hit.
00:22No, no.
00:24It's not worth it.
00:27We had to finish the cup of tea when you had made it.
00:32You have to ask your Jojama.
00:33All this process?
00:34You've got to ask some questions in the room.
00:36I'm leaving.
00:36Okay, this is fine.
00:38Did you hear the promotions?
00:42Yes, first of all.
00:44I found the news that we had lunch meeting in the police meetings.
00:48For international people, they don't have lunch at a majority.
00:53I would like to welcome you to such a cinema.
00:56I don't know. I don't know how much it is.
01:00I don't know how much it is.
01:01I don't know how much it is.
01:04I would like to generalize the national integration and patriotic.
01:12I would like to talk to them.
01:15People joining together.
01:17If we join our actors, they are symbolic.
01:20And you are the one who you want.
01:22What?
01:26You are the one who you want.
01:30You are the one.
01:33You are the one who wants to see the director.
01:36Have you seen him say he had a police officer?
01:39Yes.
01:41He is a young guy.
01:45There is a lot of sincerity.
01:50I have no reaction.
01:52No.
01:53No.
01:55I'm not going to die.
01:58I don't have to play.
01:58I'm not going to play.
02:01I'm going to play something with movies.
02:03You can play.
02:10I'll play.
02:13You can play.
02:14I'll play.
02:15I'll play.
02:15I'm going to play.
02:17I know you're going to be a man.
02:19Where are you?
02:22No.
02:23I don't think he's going to be a man.
02:25No, I don't want to be a man.
02:28I don't want to be a man.
02:30I don't want to be a man.
02:31How did you get to see me?
02:39He's like a big guy.
02:41He's like a big guy.
02:43I'm not going to be a man.
02:44Ah!
02:46He's like a man!
02:47He's like a man.
02:49He's like a man, dude.
02:51He's really brilliant.
02:53That's just a man.
02:54Yeah, he's too good.
02:56A man's ready for the whole thing.
02:57I haven't had a man.
02:58I'm more than I do.
03:01That's all good.
03:07You're not going to be a man right.
03:08You're not going to be a man.
03:10You've got a man.
03:12Ah! A Patriot!
03:14You can't press conference.
03:16No, no, no.
03:1611-11.30.
03:17What do I do?
03:19What do I do?
03:20I don't know.
03:24Petrick.
03:26It's technically beautiful.
03:29I don't know.
03:32It's not an action sequence.
03:34It's not an action sequence.
03:36It's not an action sequence.
03:38It's not an action sequence.
03:41I'm not sure.
03:44I'm not sure.
03:45I'm not sure.
03:47I'm not sure.
03:47I'm not sure.
03:49It's a short cam.
03:51What is the flight?
03:55I'm not a driver.
03:59I'm not a driver.
04:01Where is the dialogue?
04:03There's a dialogue.
04:04There's a lot of expressions.
04:05I'm not sure.
04:07I...
04:09I don't know.
04:09There's a visibility to me.
04:13I don't know.
04:15I don't know.
04:17I don't care about it.
04:17I don't care about it.
04:20In fact, generally...
04:22I'm not sure.
04:23I'm not sure.
04:25I don't know.
04:30You don't care about it.
04:31I mean, the editor is a product of value.
04:33How do you live in the crowd?
04:36No, but it's not a product.
04:39You'll see what I mean by this.
04:40I mean, the character's...
04:42I'm just a guy.
04:45I'm a man.
04:46I'm not a guy.
04:48I'm a man.
04:50I'm a man.
04:51I'm not a man.
04:53I'm a man.
04:56I'm a man.
04:57It's easy. It's easy and easy.
05:01I don't know how many directors are doing it.
05:06I'm not sure.
05:08But that is not a feeling.
05:10Actually, you have a presence.
05:11It's not a feeling.
05:13It's not a feeling.
05:16Okay.
05:17I'm having a business.
05:19I'm having a business.
05:20I'm having a trailer.
05:24There's a trailer.
05:26In fact, I don't know about the social media.
05:28Actually, I don't know about it.
05:31I don't know about it.
05:34I don't know about it.
05:35I don't know about it.
05:36I don't know about it.
05:37This is a song.
05:43It's a song.
05:44It's a three-minute song.
05:46There's a jingle.
05:49There's a musical section.
05:54There's a song.
05:55You're not singing.
05:57You're singing.
05:57I'm singing.
05:58You're singing.
06:00I'm singing.
06:02What about you?
06:07I've never seen a song.
06:12I'm a senior.
06:14I'm a senior.
06:16I'm singing.
06:17I'm singing.
06:18You're singing.
06:19You're singing.
06:20Then you're singing to me.
06:23You can sing along.
06:26Is it the listenable?
06:28I'm singing.
06:30What you can do is my name.
06:31We're singing Amangyasa.
06:31He's beating other than me,
06:33No, I don't get a name.
06:36There will be another song.
06:37That's my name.
06:38You'll sing a série.
06:39No, we didn't know about it.
06:41That's right.
06:43So, I've had a few days before.
06:45I've been on my own.
06:47I've been on my own.
06:48That's right.
06:52I've been on my own.
06:55I'm not on my own.
06:59I'll go with you.
07:01I'll go with you.
07:02Okay.
07:03Okay.
07:04You too?
07:04Do you have any questions?
07:05Yes.
07:08Do you have any questions?
07:10Yes.
07:12I've got 48 films,
07:14I've got a white shot,
07:15I've got 40 films.
07:18I've got a bunch of dialogue,
07:19I don't know.
07:21I don't know,
07:22I don't know,
07:23I don't know,
07:24I don't know,
07:25I don't know,
07:29Do you have any questions?
07:30Yes.
07:30I don't know.
07:31I'm wrong,
07:33we are on the same note.
07:38We are on the same note.
07:46You're wrong.
07:47You don't have to worry about this.
07:48I don't want to deal with it.
07:51You don't want to deal with it.
07:57I don't want to deal with it.
07:59That's why I missed you.
08:06You need coming.
08:08The form of a ranger.
08:11You should also be able to get out of the house.
08:14You should be able to get out of the house.
08:19I'm sorry.
08:27You're not going to die.
08:33No.
08:34What's that?
08:35I'm not going to die.
08:35I'm going to die.
08:36I'm going to die.
08:37I'm going to die.
08:38I'm going to die.
08:39Best.
08:42I'm not going to die.
08:44No.
08:47You're very cute.
08:50You're not going to die.
08:52Yes, you are!
08:53Guys!
08:55What's wrong?
08:57We have to die.
08:59Why?
08:59Are you looking at me?
09:00Yes.
09:01How do you say?
09:02I will.
09:04What's your name?
09:05I don't know.
09:07I'm not going to die.
09:09I'm not going to die.
09:10It's fine.
09:11You're not going to die.
09:12I don't need to die.
09:16But I don't want to die.
09:18I don't know.
09:21It's interesting. I actually had a trailer.
09:24That's right.
09:25I was like, I'm going to go to the police.
09:28But I don't know.
09:36I don't know.
09:37I don't know.
09:42I don't know.
09:43I don't know.
09:44I don't know.
09:44I don't know.
09:45I don't know.
09:46I don't know.
09:47But I don't know.
09:51I don't know.
09:52What is your concern?
09:53Mother?
09:58Mother.
10:01I don't know.
10:07Mother.
10:10Mother?
10:13Mother, another person.
10:15I guess I should go.
10:17No.
10:17No.
10:18No.
10:18It's not in the media.
10:20No.
10:21No.
10:21You've been watching a video.
10:23No.
10:23What did I get?
10:26No.
10:27No.
10:28No.
10:28That's a good question.
10:31What's the question?
10:32What's the question?
10:33No.
10:36I'm not going to ask him.
10:38I have to ask him to tell you.
10:40I'll tell you what.
10:41I'll tell him.
10:42I'll tell you.
10:42No.
10:44What's the question?
10:45Because I can't tell you anything.
10:47I make any concerns.
10:49I found that.
10:51I don't know anything about that.
10:52I don't know anything about that.
10:52Yes.
10:53My Master and I have to tell the story about this.
10:56Now, if he's speaking to my accountant,
10:58he's not getting into the potions.
11:00Yes!
11:01No.
11:02What's he getting into it?
11:04Whatever to do.
11:06No.
11:06He's getting into it.
11:06He is getting into it.
11:07He might see him.
11:10He will do that.
11:11He will do that.
11:13He will do that.
11:152 win 5 win the won.
11:17He will do that.
11:19That's how he will do that.
11:26This one is especially sharp.
11:32That can be a loop.
11:34Yes, sir.
11:35I am a song of this.
11:37I don't know why I'm so sorry.
11:38But I don't think that's the best thing to do.
11:41No, I don't know.
11:43But now I'm going to be a press conference.
11:48That's right.
11:50I don't know.
11:50I don't know.
11:52It's the same thing.
11:53You're going to be a person?
11:54You're going to be a person.
11:57You're going to be a person.
11:58I'm not a person.
11:59I'm a person who is responsible.
12:02When you say that, we will be a regular person who has a girlfriend.
12:04That's not true.
12:06But you know this guy's situation.
12:08He killed me.
12:10I killed him.
12:12He killed him.
12:12Ultimately, he killed him.
12:18He killed him.
12:19He killed him.
12:23I killed him.
12:25He killed him.
12:25I killed him.
12:28He killed him.
12:30He killed him.
12:30You don't mind, I'm coming.
12:31I'm sorry?
12:33What's that?
12:34I'm not.
12:35I'm not!
12:36Why are they waiting for us?
12:37Why are they waiting for us?
12:39I don't want to see the guy who's sitting in the room.
12:40I'm so happy.
12:43I'm not.
12:44Then I'll stop you.
12:46Stop!
12:49Why?
12:50Why didn't you try a lot?
12:52Why didn't you try to do the game?
12:53Why?
12:55Why?
12:55Why?
12:55Why did you shoot?
12:57Why did you shoot?
12:58It's the only thing I'm trying to do.
12:58He is amazing.
13:01To visit him, he is the man.
13:04About the friend of our family did not belong to him.
13:04He don't belong to him, he is the man.
13:08He doesn't belong to him.
13:13He is the man of his family.
13:14I know he is going to get some money.
13:15He is concerned about that if he is coming home.
13:20I have not just been concerned about that.
13:23He is driving a company, trying to get the guy to do it.
13:25IANT IS THAT I TO HAVE H TMZ?
13:27OR NOT.
13:27I CAN SEE THE ONLY ANG.
13:31I CAN SEE THE ONLY ANG.
13:34I CAN SEE THE ONLY ANG AND VINPTED THE CARRIER.
13:46I CAN SEE THE ONLY ANG.
13:48I'M ALMOST ANG.
13:49NO, I CAN SEE THE ONLY ANG.
13:50I'll give you the chance.
13:51Come in.
13:53I'll give you the chance.
13:55I'll give you the chance to ask everyone.
13:59That's why I've asked.
14:01What do you think?
14:03I'm just saying no.
14:04I'm not saying no.
14:07I'm not saying no.
14:09No.
14:09That's it.
14:12Is he clear?
14:14It's clear.
14:14Yes, sir.
14:17You're going to get a little bit.
14:23Yes, sir.
14:31Where are you going?
14:37Hello.
14:38Noor, I am sorry.
14:39Noor, I am sorry.
14:41You're not violated.
14:42Noor, I am sorry.
14:44Yes, sir.
14:45Now, I am sorry.
14:47Yes, sir.
14:48Yes, sir.
14:49I am.
14:50You are really a suit.
14:52Yes, sir.
14:53You are a character.
14:54Yes, sir.
14:55I am a character.
14:58Very good.
14:59I am a family member.
15:02You are acting.
15:08Is this film an ad film?
15:09Yes, it is.
15:10A big brand.
15:12A big brand.
15:13Yes, it is an American product.
15:14You are not a brand.
15:16Yes, sir.
15:18It is not a brand.
15:20Noor, sir.
15:21What did you do to me?
15:23Yes, sir.
15:24I am.
15:24In fact, I am a friend of mine.
15:27I am a friend of mine.
15:30You are not a friend.
15:31I am a friend.
15:32Yes, sir.
15:33I am a friend.
15:35You are a friend.
15:40Wow.
15:40I am a friend of mine.
15:41You are not a friend, sir.
15:48You know,
15:48I am a friend of mine.
15:49You can say,
15:51I am a friend.
15:53What do you want?
15:54I've seen a photo.
15:55It's okay.
15:57How am I?
15:58It's okay.
15:59It's a dream of a photograph.
16:00I'm going to show you something.
16:05I'm going to show you something.
16:08But I'm going to show you something.
16:08My name is Mokke.
16:10I'm going to show you something.
16:12What's that?
16:14There's many actors in the world.
16:16There's a lot of actors in the world.
16:20I'm not sure.
16:22I'm not sure.
16:23I have a career in cinema.
16:27You see, I've been looking for a lot of prominent artists.
16:32I've been looking for a lot of art in social media.
16:38Not in social media?
16:39I'm not sure.
16:40I've been looking for a lot of art.
16:42I've been looking for a lot of art in my life.
16:44Can you call me that?
16:45I am going to visit some group,
16:47I am going to find any more about this topic.
16:51I will never know what to do.
16:52Can you tell me that?
16:53Yes.
16:53What are you doing?
16:55What do you say?
16:56Can you tell me that?
16:58That'd be that feeling.
17:01It's not a lot of attention.
17:02Can you tell me what to do?
17:05What are you saying?
17:07It's not a chance.
17:08It's not a chance to have this chance.
17:08If there is a chance to have this chance,
17:09where has it been?
17:10Not a chance to have a negative reaction
17:12In the media, there is a lot of concern.
17:19Have you been sorted out?
17:22What is it?
17:23I don't know how to read it.
17:26What is it?
17:30What is it?
17:30What is it?
17:30What is it?
17:32What is it?
17:32What is it?
17:35What is it?
17:36What is it?
17:37I don't know how to treat it.
17:39I didn't have any questions.
17:41So, I would encourage you to prepare things to do?
17:44I didn't know how to treat life?
17:46Absolutely.
17:47You know what I had to do?
17:49I am sure you had some experience there.
17:50I am not sure why I am not.
17:53I am still having exposure.
17:54No, I am not sure where I am.
17:59That's the way I am.
17:59I don't have any experience to do.
18:00I am not sure how to do it.
18:01No, I am not sure how to feel it.
18:03Now, it's not just the truth.
18:06The truth.
18:07I was saying,
18:08Because I would like to show you anything about this.
18:12You can take a photo?
18:16No, I haven't.
18:18You can't do it.
18:19You can't do it.
18:21What's your job, sir?
18:23What are you talking about?
18:25What's your job?
18:28I don't know.
18:30There's no answer to it.
18:31When you have a press conference, there are no problems.
18:35It's the reason why not even through the mess.
18:38No, you're not.
18:40You're not.
18:41I am.
18:44No, you're not.
18:48They don't have to go to the show.
18:51Do you come to Bob's father?
18:55Yes, yes.
18:56Why don't you come to the show?
18:58I'm going to go to the breakfast before.
19:00I'm waiting for a few hours.
19:04Why don't you take a photo?
19:06I'm not sure.
19:08How about you?
19:09Do you see a photo?
19:12What are you talking about?
19:16Why are you talking about this?
19:18I'm talking about this.
19:20I can't see you at the top.
19:21Who knows what the film is?
19:25What are you talking about?
19:26I'm not sure.
19:26No, it's not a good idea.
19:27It's not a bad idea.
19:28It's like a tent.
19:31That's it.
19:33What's that?
19:34It's not a film.
19:35It's not a film.
19:39I...
19:43It's a light.
19:45I've never heard it.
19:46No, it's not a light.
19:47It's not a light.
19:49It's a light.
19:50I'm not a light.
19:50It's a light.
19:53That's when I talk about it.
19:54What are you talking about?
19:57What are you talking about?
19:58I don't know about sushi.
20:03Photography.
20:04It's brilliant.
20:05It's beautiful.
20:07There's a lot of different locations.
20:10What are you talking about?
20:11Dubai.
20:13Dubai, Ceylon.
20:15There's a lot of people.
20:17There's a lot of people.
20:19There's a lot of people in Delhi.
20:22I am in Delhi.
20:22It's awesome.
20:24I'm going to take a shot.
20:27I have here the way to go.
20:30I have to go cause I can't.
20:38I'm not.
20:39I'll never give up one guy.
20:41I spent one year's last draft.
20:42I was in two years.
20:44I was just one of those last drafts.
20:48What will you do?
20:49Where did you go?
20:50What's your name?
20:51That's right.
20:52Go ahead.
20:53Go ahead and take a photo.
20:56No, no.
20:58No, no.
20:59I can't take a photo.
21:01That's not true.
21:02You can't take a photo.
21:04No, you can't take a photo.
21:06No, it's not that you can take a photo.
21:09That's right.
21:11I can't collect portraits.
21:14No.
21:14Okay.
21:15Ok.
21:16Let's take a photo.
21:18Let's take a photo.
21:20You can take a photo.
21:21It's a photo.
21:23You did.
21:23We talked about it.
21:25It's like this.
21:26Let's go.
21:28Go.
21:30Go.
21:33That's right.
21:34That's right.
21:36You're doing it.
21:36That's right.
21:38Go.
21:40Go.
21:41Go.
21:44What's that?
21:46What's the question?
21:50No, you didn't know what to do?
21:54You said, why did you play the role in?
21:56No, I was going to play.
21:57I was going to play the role.
22:00I was going to play it.
22:01That is, you said,
22:02I was going to play the role in you.
22:06I was going to play the role in you.
22:08Did you think of that?
22:09Yes, I think of that.
22:11I think I'm shooting at Napao.
22:12I'm not looking for the first time and the first time.
22:17I'm not looking for the first time.
22:17You're a short champion.
22:22You're not talking about that.
22:24I am talking about the media.
22:28The press conference.
22:30The press conference should be in the press conference.
22:33I'm talking about the press conference and the press conference.
22:38What's your question?
22:41I've heard it from him.
22:43I've come here.
22:45I've said that this is a good idea.
22:47I can't tell you.
22:48I will tell you.
22:50I'm thinking about it.
22:52Tell us.
22:55I'll tell you about four years ago.
22:57There is not a feeling on four years ago.
23:01It's not four years ago.
23:05You have four years ago?
23:06No.
23:07Who is the hero?
23:09No.
23:10He is a hero.
23:10I'm not.
23:11I'm not.
23:14That's why I used a hero.
23:22Song.
23:23What is the hero?
23:25Romance.
23:27Fight.
23:28No.
23:29That's why I used this.
23:33What you doing.
23:35We're taking it.
23:35I am a hero.
23:38No.
23:39I didn't marry me.
23:41After I put this guy, she got a dialogue.
23:44He's a hero.
23:45He's an hero.
23:46Maybe you're the hero?
23:47That's why he's a hero.
23:50He's a hero.
23:51I'm not a hero.
23:52I'm not a romance or a party.
23:53You don't have a dialogue.
23:55That's how I play.
23:57What is your hero role?
23:59Do you want me to go?
24:01You want me to ask me?
24:05Where are you?
24:06No, no.
24:07You'll go to the next one.
24:08You won't have to go.
24:09That's how it's complicated.
24:15No.
24:16That's how you do it all.
24:17You'll have to talk about it.
24:18You can talk about it.
24:22There's a lot of stuff.
24:24That's how you say it.
24:28Please tell yourself.
24:28He's pretty old.
24:29Don't try it in a Sherlock.
24:31No.
24:33What are you talking about?
24:35What are you talking about?
24:37Yes.
24:39You have an expression in it.
24:42What's the difference?
24:44I was wondering why you're talking about it.
24:47How are you talking about this?
24:50No, sir.
24:51You are talking about this media.
24:55I think I am speaking a lot.
24:56I will come second, so look as Tamara.
25:00Don't you.
25:01She sent him details?
25:02Let us see the details of her place?
25:05Yes?
25:07Yes, you two.
25:08We work in social media.
25:09This is what my friends have.
25:13They've gone to America.
25:14They are too managers, theувати Yogis are too workers on Malaysia.
25:19Consistently a mayor of their seniorتي.
25:20What's this part?
25:23Yes, you will.
25:24Don't forget the fact that they take a photo.
25:26Don't forget it.
25:26That's it.
25:28It's possible.
25:28I can't believe it.
25:30I can't believe it.
25:31I want a photo.
25:33It can't be a photo.
25:36Five minutes.
25:37I'll give it to you.
25:39I'll give it to you.
25:40Very nice.
25:42What are you doing?
25:44Professor, what are you doing?
25:46What are you doing?
25:46First copy or first copy.
25:48I'm doing it.
25:49I'm doing it.
25:50Let me get it.
25:52What are you doing?
25:53I am a pet.
25:54You can see me.
25:54I will go.
25:55I will go.
25:56I will go.
25:56I will go here.
25:57I will go to Maashivu.
26:01Music has been completed.
26:03Music has been completed.
26:04Music has been completed.
26:06Music has been completed.
26:07Good fashion.
26:10Good fashion.
26:11That's the way.
26:13I'm going to play.
26:16Good.
26:18Are you here?
26:19No.
26:19No.
26:21Thank you sir.
26:22I am.
26:23I am.
26:24I am.
26:24Sir.
26:26You are my friend.
26:27I am.
26:28You are my friend.
26:32Maashivu is a student of Prakash.
26:36Maashivu is a student of Prakash.
26:40Prakashivu?
26:42Hmm.
26:44We are looking for a different issue.
26:46and then we will take a look at it.
27:16I don't think it's a mess.
27:21What do you think of him?
27:24What do you think of him?
27:25Are you kidding me?
27:27This is aObject.
27:29Is he a good person?
27:29I don't know he is a good person.
27:31What kind of a guy does he do?
27:37I am a trailer.
27:41I am so very добрated.
27:44I don't know if you have a trail.
27:45No, but not.
27:46You can't do the music and the music sessions.
27:50But you can't do it.
27:54You can't do it.
27:56You can't do it.
27:58That's what I'm doing.
27:59Yeah.
27:59You can't do it.
28:00That's right.
28:02You can't do it.
28:03You can't do it.
28:03You can't do it.
28:04You can't do it.
28:04You can't do it.
28:06That's right.
28:08Why are you doing it?
28:12He's going to get me back to the school.
28:18Please, come on.
28:20Please, come on.
28:22Please, come on.
28:22Come on.
28:23Come.
28:26I think it's safe.
28:27Do you want to open it?
28:27I don't think.
28:27Be well.
28:28Let's see if you are safe.
28:28Not where you are, do you?
28:29No, no, no.
28:29I'm a friend who has a friend.
28:31The friend is great.
28:32No, I don't.
28:35No, no.
28:36It's right.
28:37I think it's not that I should.
28:37I don't think anything.
28:38But now I will tell you about the number of three-dimensional issues.
28:42Why is this one?
28:43No.
28:45What's up with that?
28:48What's your choice?
28:50That's all.
28:52So, I'm going to get lost.
28:56I'll get to the photo.
28:59There's a lot of pictures.
29:01A lot of pictures.
29:03I want to try this.
29:05I'm getting the question from all of you.
29:07I am asking for the question now.
29:10You have to ask yourself a question.
29:10So, how did you get the picture from all of you?
29:13Oh, that's funny.
29:14Oh, that's funny.
29:19I'm feeling so much easier.
29:25That's a good time.
29:25I'm going to kick the train.
29:28I'm going to have to do this.
29:28I'm going to have to say that.
29:28I'm going to have to take a train.
29:29Do you have to train?
29:29Absolutely.
29:31In fact, what did you do now,
29:33I have never seen any of them.
29:35I have a filmmaker in my life.
29:38I have never seen any of them.
29:43Malayana cinema has many barriers.
29:48Especially in storytelling.
29:49Content.
29:52Pure cinema.
29:54That's a narrative style.
29:58There are actors.
29:59In fact, I have a trailer.
30:05Of course, I know how you understand the story and capture and narrate.
30:11That's a scale.
30:14Massive scale.
30:15That's a very strong point.
30:19There are three actors.
30:21There are a number of actors.
30:23That's exciting.
30:25So, what's the point of cinema?
30:32It's just a thought.
30:35It's not a big thing.
30:36It's not a big thing.
30:39That's a big thing.
30:40What's the point of cinema actually?
30:42Well, we are traveling to the cinema.
30:45That's right.
30:46There are a lot of people traveling.
30:49There is a guy who is trying to figure out a guy.
30:51There is no one of them.
30:53No one of them.
30:55I have to make a form.
30:56I am going to move it.
30:58I am going to move it.
31:00I am going to move it.
31:10Traveling in these days, that was Daniel James's character.
31:14Okay.
31:15So, that's what I wanted to do with my character.
31:19When I was talking about my character,
31:20there was a point where my character had doubts.
31:24It was also a screen.
31:25I was the manager.
31:27So, that's what I wanted to do with my character.
31:32So, that's why I already...
31:35No, I'm a man.
31:36I'm not a man.
31:36I'm a man.
31:38I wanted to ask you.
31:41I was allowed to ask you.
31:42I was able to ask you.
31:42I was able to ask you.
31:42So, I wanted you to ask you.
31:44So, I'm going to ask you.
31:50So, that's how I go to my father's name.
31:54How are you?
31:55Hello, Daniel.
31:57Fly for price.
31:58Hi.
32:02Fly deleted.
32:05There is no way to get there.
32:07There is no way to get there.
32:07Put it.
32:09Give it to me.
32:11I was telling you, and I was telling you,
32:17And I was telling you,
32:18I was telling you,
32:19You can tell us about something about cinema.
32:24And we used to get a budget.
32:27That's why we didn't do that.
32:29But we didn't do that.
32:32There are characters.
32:36That's why the cinema was executed.
32:40I don't know about the other producers.
32:45I don't know about it.
32:47I don't know about it.
32:49I don't know about it.
32:54I don't know about it.
32:56I don't know about it.
32:57I wasn't familiar with it.
33:00I didn't know about it.
33:01There was also a visual store where I saw that.
33:05I saw a huge cinema in the national cinema.
33:08I used to do a character actress.
33:13I was just that.
33:15There were a photo actress.
33:16I was just that opportunity.
33:16I didn't know that I was thinking about it.
33:19I think that's why people are more likely.
33:23No.
33:24No.
33:25Actually, I don't know.
33:27But I didn't think about it.
33:31I think this character is important.
33:33This character is a post stage.
33:38It's important to see this character.
33:39I feel like a trailer, a stage, a trailer, etc.
33:44Yes.
33:45But if I get a trailer, I'll be able to get a trailer.
33:47Okay.
33:48I'll be able to get a trailer.
33:50I am not an expert.
33:52I am not an expert.
33:54If you want to join in this film,
33:58you can play a thriller,
34:01a character.
34:02I am not an expert.
34:06How can you find it?
34:08It is not a example.
34:10I can't do that.
34:11I can't do that.
34:12I can't do that.
34:13I can't do that.
34:13I can't do that.
34:15These films are in this film.
34:18You can do three films.
34:22That is a film called Bond.
34:23That is not a film.
34:25That film is a film called Bond.
34:31Especially with my character.
34:33How brilliant is it?
34:36I am not a film.
34:38I am not a film.
34:40So, we are doing a character in India.
34:44Especially when we are young.
34:46We don't have any actors.
34:48We don't have any character in India.
34:50We don't have any character in India.
34:54That's very important.
34:57We are one of the most important ones.
35:00We are one of the most important ones.
35:01That's right.
35:03So, do you feel the action for me?
35:07There is no action for action.
35:10There is only an action for me.
35:11Other actions can be used to be a slap.
35:14I think it's a problem.
35:17What is the answer to this topic?
35:18We are in a local location.
35:19It has a type of area.
35:21I think there are some logistics.
35:23I think there are many people in logistics.
35:24We have to go to an airport.
35:27At that airport we have to take the permission.
35:31We have to take a security area.
35:34There are a security area.
35:35No, sir.
35:37Sir, I don't know.
35:38Airways.
35:39Airways.
35:40Airways.
35:40I have to go to a military airport.
35:42I have to go to a plane, a boat, a flight.
35:49Flight.
35:50I have to go.
35:51I have to go.
35:52I have to go.
35:53I have to go.
35:53I have to go.
35:54That is not all.
35:55In the initial stage, the thought and the train scale is not all.
36:00That is not all.
36:01I have to go.
36:02I have to go.
36:03You have to go.
36:04Do you have to go?
36:05Do you have to go?
36:05Do you have to go in front of a rocket?
36:06Yes.
36:09I am a fighter.
36:10I am a fighter.
36:11You have to go.
36:13What is this?
36:14What is this?
36:16I have to go.
36:17I have to go.
36:18There is a red switch.
36:19There is a bomb in it.
36:24That is how I am.
36:25That is how I am coming.
36:26That is how I am claustrophobic.
36:27I am playing.
36:28The sound it makes.
36:29I am playing.
36:30I am playing.
36:31For example, I saw a meeting.
36:38Bowman.
36:40Bowman.
36:41We saw a meeting.
36:42So, we saw a location where we had a meeting.
36:47I saw a meeting where we went.
36:49We saw a meeting where we saw a meeting.
36:51Yeah.
36:52We saw a meeting there.
36:52Shri, that's the first meeting.
36:55That's it.
36:56When we speak, we all have a shooting.
37:02We all have a location of shooting.
37:02We all have a location.
37:05We just don't have a location.
37:08If you have a location, we all have a location.
37:12We all have a location and facilities.
37:15We all have to do it.
37:16It is not quite a problem.
37:18It is a problem with four people.
37:19Right.
37:20In fact, it's very clear that the three characters are strong.
37:26Every character is strong.
37:27Yes, every character is strong.
37:28Every character is not a female or a female.
37:34They are defined as a character.
37:37I am a Darshan.
37:41Darshan.
37:49Darshan.
37:49I am a Relentless Pace.
37:53I am not sure if you are born identity.
37:56I am a set piece after the other.
37:59I am a Kainarash.
38:00I am in Bombay.
38:01I am in a Bambay.
38:02I am in a Bambay.
38:04I am in a Bambay.
38:05I am in a Bambay.
38:06I am in a Bambay.
38:06I am in a Bambay.
38:09That is not a Bambay.
38:13Anyway, it is not a Bambay.
38:15It is not the case.
38:16The camera is furiously shooting the beautiful film.
38:21It will be commercials.
38:22So...
38:23They are directors.
38:24They are famous directors.
38:25That is.
38:26It won't be done.
38:28Of course.
38:29But the fact is that
38:31this film is technically acting.
38:33Because I can feel it.
38:35I can start with it.
38:38But then,
38:39That's why we have a technical experience.
38:43Yeah.
38:43That's why we are also a DOP.
38:46You know what's going on there, right?
38:48I don't know what's going on there.
38:49I don't know what's going on there.
38:51That's not what I'm talking about.
38:53I'm talking about a close-up.
38:58It's very crucial that I'm talking about.
39:01When I'm talking about a DOP, I'm talking about a flyer.
39:04That's not how much I'm talking about.
39:06I'm talking about a flyer.
39:07I'm talking about the spot.
39:09So, we don't know what we're getting at it.
39:10We can get a flyer.
39:12Where I'm talking about it.
39:13They're going to put a AC or UStn.
39:17they are going to put a black chart.
39:18They are going to put black chart.
39:19They are going to put a lens on something.
39:21They are going to put it on a black chart.
39:23Now, I'm talking about it.
39:25Then, see how do I get it.
39:27Look at that.
39:28I don't see how I can take internal reflections.
39:32At that point, I think,
39:34I'm talking about it.
39:37That's why I think of the scale of these three levels.
39:43We have set everything, you know, everything is set up.
39:47So, we have to talk about dialogue, it looks like something big is happening.
39:53But, I used to feel slightly uncomfortable in front of the camera.
39:59It's not bad.
40:00I used to feel like what's happening in WhatsApp.
40:02No, that's why I think of the change.
40:06I think of many amateurs who are directing and directing and directing.
40:13So, I think that's why I'm doing this.
40:17Then slowly you get confidence.
40:19Like, I don't have any confidence.
40:23Nobody knew.
40:25Because, if you're a good person, you're a good person.
40:28You're a good person.
40:30So, you're a good person.
40:31But the way you did it was something unbelievable.
40:34I didn't have any confidence in it, Pagi.
40:38I didn't have any confidence in it.
40:41I didn't have any confidence in it.
40:43I'm very happy. I'm thoroughly injured.
40:45I'm happy to take the period of time to take this brief.
40:52I have no confidence in it.
40:55That's right.
40:56I have no confidence in it.
40:57I don't have any confidence in it.
40:59I can't get any confidence in it.
41:01I have no confidence in it.
41:03I have no confidence in it.
41:03There's a lot of people in the world.
41:05No, you don't have to do it.
41:07Act is smart.
41:08What is it?
41:10Where are the locations of the world?
41:15Where are the locations of Sri Lanka?
41:17Three countries.
41:18UK, Delhi, Azerbaijan, Dubai.
41:23They are foreign countries.
41:25Delhi, Delhi.
41:27They are here in Hyderabad.
41:28They don't have to do it.
41:29If you come in, you'll have to do it.
41:35You don't have to do it.
41:37That's not true.
41:37If you come in, you'll have to do it.
41:40If you come in, you'll have to do it.
41:44But you'll have to do it.
41:45Yes, sir.
41:47This is the Delhi Trail.
41:49It's refreshing.
41:51I am sorry.
41:54That's why I've made the section for this.
41:58It's romantic.
42:00It's refreshing.
42:03Let me see.
42:04That's right.
42:05I'm a cigarette.
42:06I'm a dragon.
42:08You're a dragon.
42:09I'm a dragon.
42:09I'm a dragon.
42:10It's a dragon.
42:11It's a dragon.
42:12You're a dragon.
42:13It's a dragon.
42:17It's a dragon.
42:20You're a dragon.
42:23But I was like,
42:24very long scene,
42:26one would hold a hand.
42:28I was like,
42:29then I would have to hold him.
42:30Yeah, of course.
42:31I would have to be in the same place.
42:32Very, very.
42:34That is,
42:35that is,
42:35wherever you are.
42:37Alla alla.
42:38That is,
42:39I think,
42:40I think it's important
42:40that the situation,
42:44I think,
42:45Fauji's introduction,
42:47is very good.
42:49I think you get him a mood.
42:50It's just a short
42:51and using an effort.
42:52That's why it's only one second
42:55That's why it's power, fear and what it is
43:02That's all
43:03That's all
43:05Fear
43:06Fear
43:06It's a low angle, it's a dynamic
43:10It's a dynamic
43:11It's a dynamic
43:18It's beautiful
43:20It's a beautiful
43:23What we have seen in Malayalam is a negative
43:28Of course, it's a negative one
43:31Especially as an audience
43:32It's a negative one, it's a grey
43:34It's a grey shade
43:35It's a grey shade
43:37It's a very positive character
43:38It's a very greedy one
43:40This is why I thought it was a negative one
43:43It's a negative one
43:46It's a grey shade
43:49It's grey shade
43:50It's a negative one
43:51That we are looking forward
43:52Isn't it?
43:54Isn't it?
43:54It's a grey shade
43:56It's a grey shade
43:58It's a grey shade
44:02It's a grey shade
44:03It's a grey shade
44:05It's a grey shade
44:08It's a grey shade
44:24It's a grey shade
44:26It's a grey shade
44:27It's a grey shade
44:27It's a grey shade
44:28It's a grey shade
44:29It's a grey shade
44:30It's a grey shade
44:31It's a grey shade
44:32It's a grey shade
44:33It's a grey shade
44:35It's a grey shade
44:39So, we had access to their jets, you know, other locations.
44:44We had a call on the call.
44:47We were able to find that if we were to be able to find our forces, we were able to
44:52find our forces.
44:52In any locations, we were able to find our forces, we were able to find our forces.
44:57But in any uniform, we were able to find our uniform.
45:00Fictional.
45:00Fictional, right?
45:01One thing is, you can't talk about it,
45:04but not talk about it, not talk about it.
45:08Aha.
45:09Beautiful.
45:10I was going to say that,
45:11I had to find out about Malayala cinema.
45:16I was not going to say anything.
45:19I was going to say,
45:20I came to say,
45:21I was going to say,
45:21I'm going to say something.
45:22You are not going to say anything.
45:29Pagash.
45:30So, why is it?
45:31That is the subject of that scale.
45:36What a beautiful way to put it.
45:38What a beautiful way to put it.
45:41I am very proud.
45:45Because I am very proud of this.
45:50This scale is very important.
45:56This is a shift.
45:58I am very proud of this.
45:59I am very proud of this.
46:04I am very proud of this.
46:07We have also broken the scale.
46:15We have also broken the scale.
46:16We have also broken the scale.
46:19That is the most important.
46:21If you have only Hollywood and Body-Vood cinema,
46:24you can't take the same way to the movie.
46:27You can take the same way to the movie.
46:28But we can take the same way to the movie.
46:32That is the scale, right?
46:34That is the content.
46:35The scale is the same way to the movie.
46:37If we don't have any scale,
46:40we can't take the same way to the movie.
46:54And we need to go.
46:54The game is at the top level.
46:56I am very proud of it.
47:00That is the station like that!
47:02That is the main track.
47:03That is the whole of the ship.
47:04That is the main track.
47:05The other captain of the ship.
47:06He is doing a boat with the boat.
47:08Even our team.
47:09Even our team.
47:10J Nu.
47:10J Nu Ibrahim.
47:11We have the two of them.
47:14They are all here and the same.
47:23I'm going to get into my head
47:24I'm going to get into my head
47:27I'm going to get into my head
47:29I'm going to get into my head
47:30I'm going to get into my head
47:31No, no, no, no
47:33This is not a experience, Sushin
47:35In fact, it is not a scale of the film
47:37Not at all easy
47:40Because it is a graph
47:42It is a graph
47:45So
47:47How do you feel?
47:48How you are satisfied and happy
47:50I was going to bounce a stage
47:56I'm going to get into my head
47:57But I'm going to get into my head
47:59That's a beautiful feeling
47:59I'm going to get into my head
48:01I'm going to get into my head
48:03I'm going to get into my head
48:08But it's a challenge
48:11It's a challenge
48:12You can make a cast
48:14It's a problem
48:15What?
48:16No, I didn't have to do it.
48:18No, I didn't have to do it.
48:20That's right.
48:22I didn't have to say that.
48:23I didn't have to say that.
48:26I didn't have to say that.
48:26Go with the characters, not the cast.
48:31I didn't have to ask that person.
48:33He's the only person.
48:37That's not the question of that person.
48:41That's one thing in Malayalam.
48:41I don't have to say that.
48:44I'm not sure how to say that.
48:46I'm not sure how to say that.
48:48I'm not sure how to say that.
48:49I'm not sure how to say that.
48:51But it's rare to say that.
48:54I'm not sure how to say that.
48:55How did you manage to pull off?
48:57That's right.
48:59Looking forward, I'm sure.
49:00Shushin actually,
49:02I think that's interesting score.
49:06But it's not art.
49:07It's not art.
49:08I don't know how to say that.
49:09It's not art.
49:12I'm not sure how to say that.
49:12I'm sure how to say that.
49:14Yes, it's true.
49:16There are people.
49:17They're very few.
49:18Actually,
49:20there are four things
49:21that are important.
49:23I don't know.
49:24I don't know.
49:24I don't know.
49:24I don't know.
49:25I don't know.
49:27I don't know.
49:32I don't know.
49:32I don't know.
49:34Climax there.
49:36That's beautiful.
49:37I don't know.
49:39I want to say that.
49:41I want to say that.
49:42I want to say that.
49:42I want to say that.
49:44Photography.
49:45Photography.
49:45Manush.
49:47Manush.
49:49Manush actually,
49:50Batchmaker.
49:50Batchmaker.
49:52That chemistry is great.
49:54I do.
49:54That is the big director.
49:56In about 20 years.
49:58I have been doing a shoot project,
50:01I have seen a shoot project,
50:02and then you shoot some.
50:03Oh, there's a shooting.
50:07The same as the scale,
50:08but you don't have a camera operator.
50:09Camera.
50:10It's a camera camera on camera.
50:14There's a camera camera.
50:15It's a toy.
50:17There's a toy.
50:18It's real.
50:18The most easy experience.
50:21I can say that.
50:22There is a scale, there is a scale
50:24We have a question
50:26That is very important, you are partners
50:28Which is your D.O.P.
50:30That is very important
50:32We have a lot of people
50:34We have a lot of tension
50:36Sir is our super senior
50:37Sir is our super senior
50:39We have a lot of people
50:42We have a lot of people
50:43We have a great
50:49We have a great
50:52So we have a lot of people
50:53Thank you
50:55Please
50:55You can tell me
50:56I'm not only going to act
50:59But you can move
51:02We have a lot of people
51:04You can come back
51:06I'm not going to act
51:09This is me
51:10Oh you
51:13I want to talk to you
51:14Who?
51:15Who is there?
51:16Who is there?
51:18The film is very good.
51:19Super. Very good.
51:21The film is very good.
51:22The film is very good.
51:25Who is the better man?
51:31He is better for me.
51:34The film is so beautiful.
51:37So beautiful.
51:39Looking forward.
51:40Excited.
51:41That's a good film.
51:44But in America.
51:46It is a good film.
51:47It is a good film.
51:49It is a good film.
51:50But it is a good film.
51:54You can do it in America.
51:55It is a good film.
51:57It is a good film.
51:58It is a good film.
52:01Look at it.
52:05Looking forward.
52:06All the best congratulations.
Comments