#malayalammovie #newmovies
#newrelease #ott #malayalamcinema #ott #malayalam #film #hindi #tamil #hindimovie #tamilmovie #netflix #amazonprime #mohnalal #mammotty #prithviraj #horrormovies #actionmovies #romanticmovie #feelgoodmovie #adventuremovie #couple #adult #18+
#newrelease #ott #malayalamcinema #ott #malayalam #film #hindi #tamil #hindimovie #tamilmovie #netflix #amazonprime #mohnalal #mammotty #prithviraj #horrormovies #actionmovies #romanticmovie #feelgoodmovie #adventuremovie #couple #adult #18+
Category
🎥
Short filmTranscript
00:28Transcription by CastingWords
00:47CastingWords
01:07CastingWords
01:58CastingWords
02:28CastingWords
02:36CastingWords
03:04We have to move! Come on!
03:07Bombs blasted. Soldiers were shot.
03:12Yes, I expect those things would happen in a war.
03:14Well, if you know, then no reason for me to keep answering your questions.
03:20Did you answer one? You must have missed it.
03:27What do you expect to get from this?
03:30Get from this?
03:32If you think that's a difficult question, you might want to reconsider your future in journalism.
03:38I'm curious.
03:40Never bodes well.
03:42Well, maybe for you.
03:49You're making a big deal out of nothing. You're just pictures.
03:52I don't believe that. There must be stories behind them.
03:56Why does it matter?
03:59They should be heard.
04:03Don't you want the world to know about you?
04:08Well, isn't that why you went there?
04:13You think I went to war so people would know my name?
04:17I didn't say that.
04:18I think you did.
04:19I'm not trying to interrogate you.
04:21All interviews are interrogations.
04:23The good ones, anyway.
04:27Were all of these published?
04:29Some were.
04:31But not all.
04:37What do I get?
04:39What do you mean?
04:40I tell you about these pictures.
04:42I give you all my stories.
04:44What do I get in return?
04:50Does it have to be so transactional?
04:53Well, that's what life is.
05:08I'll tell you a story about me if you tell me a story about you.
05:16Fine.
05:24I'd been the model.
05:25I'd been the muse.
05:26I'd been the ingenue.
05:28But I was done with all that.
05:31I was good at drinking, having sex, and taking pictures.
05:34And I did all three as much as I could.
05:38Life was fun.
05:53Beautiful.
05:54Beautiful.
05:55Oh, that's great.
05:56That's great.
06:27I'm happy.
06:28It's okay.
06:29I'm more hungry.
06:29And I'll sing on my path.
06:36How many arguments do you think they've had since we met?
06:40You think they actually got out of bed?
06:43Hello?
06:45No, he's not a lunatic.
06:47He's calculated, evil, and he won't last.
06:51But the Germans seem to love him.
06:53Well, the French do not.
06:54Lunch is served.
06:56Thank you, sir.
06:58Come on.
06:59Good morning.
07:19When you're here, we're going to send out a satch party.
07:23The English love to brag about saving the day.
07:25It helps that you usually wait until the last second.
07:28Very good.
07:29Mon amour, laissez-t'a place à Roland.
07:31Hi.
07:32Roland, hi.
07:33Roland, welcome.
07:34Was it a hideously long journey?
07:36Roland, ça va.
07:37On casisse.
07:38From London, of course.
07:39I got stuck behind a farmer.
07:41You know Roland, don't you?
07:42If I did, would I like him?
07:44He's quite charming.
07:46So I won't get bored if we continue with this introduction.
07:49I doubt it.
07:50His art gallery is selling your tits and ass.
07:54How much?
07:55Oh, I get to speak for myself.
07:58Well, clearly not priced high enough.
08:01Sold far too quickly.
08:03I'd like to have held on to them longer.
08:06So it's me.
08:07Never did like to hang around.
08:10Haven't you heard?
08:11That's what all ex-models do.
08:13Travel the world and pretend to be someone interesting.
08:20What about you?
08:21Why don't I know you?
08:23Well, I'm not particularly important.
08:25I just peddle their wares.
08:27If you're not that important, maybe you should cut your commission.
08:31I work night and day for you, my dear man.
08:33You don't look like someone who works night and day.
08:37And there's paint on your hand, so I assume you're also an artist.
08:41I see you don't watch it off.
08:44Is that because you want people to know?
08:46Or to leave it there because you need to convince yourself that you are?
08:51And you poured your own wine before asking the host if you could.
08:56I'll bet the members of any major family in England know your name before you walk through the door.
09:02You're part of the establishment and you hate that.
09:06Am I right?
09:10My lot are Quakers.
09:11Not exactly establishment.
09:16But otherwise...
09:17She can see us all.
09:20Can I have a go?
09:22Please.
09:25Good luck with that.
09:28Hmm.
09:31You grew up staunchly middle class.
09:33Which means you were poor for the rich people and rich for the poor people.
09:37So you feel you never fitted in either.
09:41You're used to people getting distracted just by looking at you.
09:44You've learned to use that.
09:46Which makes you cleverer than most.
09:49You dislike anyone who questions you.
09:54Especially when you know you're wrong.
09:58And you have secrets.
10:01Many.
10:03That you'll never share.
10:07I'm never wrong.
10:10That's early.
10:11And I can pour my own wine too.
10:16Salud.
10:16Salud.
10:17Salud.
10:18Salud.
10:24I've known you almost as long as I've known Jean.
10:28And I love you nearly as much.
10:32We miss you.
10:34Come back to Paris with us.
10:38I don't know who I am in Paris anymore.
10:43The question is.
10:46Who do you want to be now, Vinita?
10:49And what are you going to do about that?
11:03You can just pull up them out.
11:04The sun is green and pepper.
11:07Okay.
11:15Here's the light.
11:16We need a little more.
11:16We'll be using the light.
11:16You can just throw them out there.
11:20There you go.
11:22Come on to the light.
11:41I've seen your work, you know?
11:45Tits and ass.
11:47I remember.
11:49No, I mean your real work.
11:53Photographic, look.
11:55You're really very impressive.
12:00I'd rather take your picture than be one.
12:12Would you mind if I come in?
12:15You've known me for four hours.
12:19Just imagine what I could know after five.
12:22Oh.
12:49Roland?
12:55Roland?
12:56Roland?
13:00Roland?
13:16Oh, my God.
13:32Oh, my God.
13:39Hello.
13:41No name.
13:47We were taking bets on what time we'd see you today.
13:50Oh.
13:51Who won?
13:52I guess.
13:54Well, he's much less square than I would have thought.
13:57Oh, my God.
14:02Oh, he lives.
14:04There, Lou.
14:06Morning.
14:07Morning.
14:14May I?
14:16Please.
14:24I look here.
14:33If I fall down these steps and die, be sure to say nice things about me.
14:39Don't let Man Ray go on one of his rants.
14:42I think you lived as you looked, frivolously with adventure.
14:46I'm not frivolous.
14:49I'm not.
14:51Where should we go from here?
14:56Well, certainly not back down there.
15:01I leave tomorrow.
15:06Come with me to London?
15:12When was the last time you spent longer than a few months in one place?
15:17How can you possibly know all there is to know if you stay in the same place all the time?
15:23You find enough purpose in that?
15:25Well, maybe I haven't found anything interesting enough to keep me around.
15:30Anything or anyone?
15:54Don't run.
15:55Don't run.
16:03Oh, Jesus.
16:14This little lady at the shoe and leather fair is showing off dainty footwear for policemen.
16:18But the serious side of the show has some very pretty things for you to look at.
16:21And you can look at the shoes, too.
16:26Going from one extreme to the other.
16:28When Hitler has his 48th birthday, they make a show of it in a big way.
16:32In fact, over there, the recipe for successful birthday parties seems to be something like,
16:36to a few hundred men on parade, present a few dozen colors, clapping in the breeze.
16:40Jesus, look at them all.
16:42Idiots.
16:44Dangerous.
16:46They're all brainwashed.
16:48Not everyone can believe this. Surely they can see what he is.
16:51But they don't. Look at them.
16:54This is not an act.
16:55The only saying response to tyranny is to paint.
16:58To create.
16:59And drink.
17:00And write.
17:01And dance.
17:06Merci.
17:09Merci.
17:09Merci.
17:10Merci.
17:35I still don't understand how none of you saw it coming.
17:39It happened so slowly.
17:43Yet kind of overnight.
17:45We woke up one morning and Hitler was the most powerful man in Europe.
17:51Even as it was happening, it didn't feel real.
17:56So what did you do?
18:02I got on with my life by then. Europe was at war. But it all seemed a long way from
18:10London.
18:11Roland, as an artist and conscientious objector, had been hired to develop camouflage techniques for the war effort.
18:18And we felt safe.
18:21Roland?
18:22Darling, you're back.
18:25Holy hell.
18:27Your turn.
18:30Please let me start dinner.
18:32Come on, I've had a breakthrough.
18:34You promised.
18:36I didn't promise.
18:37I make it a point never to promise anything.
18:40All right.
18:42How was town?
18:44Horrible.
18:45Took forever to find a cab.
18:50Where do you want me?
18:51Right here, please.
18:57You ready?
19:00You ready?
19:04All right.
19:05Make me invisible.
19:06If I can make you invisible, then I can hide anything.
19:16Be quick, I'm starving.
19:18Cues were dreadful.
19:20But I did find us some butter today.
19:22And they had chili powder at Portnum's.
19:24So if we have to eat rats, at least they'll be well-spiced.
19:39Want some drink?
19:41That's quite hard to do.
19:51Oh, Jesus.
20:08Don't be territorial, Audrey.
20:12Editorial, I think you'll mean.
20:14Excuse me, Miss Withers.
20:16There's a Lee Miller to see you.
20:18THE Lee Miller?
20:19What's she doing in London?
20:20Goodness, just show her in.
20:22Maud.
20:23Do you come in?
20:30Cecil Beaton.
20:31Hello.
20:32Well, well.
20:35Something to say.
20:39Lee Miller.
20:41I hear you're the woman to see about a job.
20:43Audrey Withers.
20:44Yes, I am.
20:46Please do sit down.
20:50May I?
20:51We don't hire older models.
20:54Oh, don't blow a gasket.
20:55I'm not a model anymore.
20:57Oh, dear.
20:58So what exactly are you then?
21:00Cecil.
21:01Would you give us a moment?
21:04Please.
21:05I'll be back to fix this disaster.
21:12I don't apologize for Cecil.
21:14He can be a bit of a monster.
21:17No.
21:18He never could hide his disappointment when the women get old.
21:21That's true.
21:23And not entirely unique to men in fashion.
21:25But he is irritatingly talented, so I manage.
21:37Where was this taken?
21:39That's, uh, Syria.
21:41Um, my studio work is right here.
21:47Um.
21:50I mean, these really are rather spectacular.
21:54But Cecil is right, I'm afraid.
21:57I'm not hiring at the moment.
21:59To be frank, what with all that's going on,
22:01we're not sure how much longer the letters keep at it.
22:04Let me get through the next issue,
22:07see where we stand, and we'll talk again.
22:10How does that sound?
22:12She didn't say no.
22:14She didn't say yes.
22:16You're looking at this the wrong way.
22:18Oh, please.
22:19You weren't there.
22:21I just want to do my part.
22:23How hard can it be?
22:25You'll find something, my love.
22:26God, that is so patronizing.
22:35Tell me, I need to tell you something.
22:37What?
22:39I heard that people in Paris are going underground.
22:43What do you mean?
22:44It's getting dangerous.
22:48Paul, Luge, Solange, Jean.
22:51They'll all be in hiding from the Nazis.
22:55Why didn't you go back to Paris?
22:58I couldn't.
23:00Not then.
23:02Paris was occupied by the Nazis.
23:04Britain was all alone.
23:06And we were totally cut off.
23:10So...
23:11What else was that to know?
23:13Oh, Platy.
23:14You know, while my friends were living under occupation,
23:16even they were doing something.
23:18Paul and Noosh had joined the resistance.
23:22But I didn't know that then.
23:25And I had no way of reaching them.
23:28No.
23:30And then everyone started doing their bit.
23:32Roland was out most nights being an area warden,
23:35and I felt useless.
23:36And the more depressed I got, the smaller my ass got,
23:39which is usually the opposite.
23:42Well, did she end up giving you the job?
23:44Oh, yeah. She caved pretty quickly.
23:46And she realized that wrangling Cecil Beaton
23:50would be a lot more fun with another woman around.
23:56Cecil Beaton.
24:04Is everyone all right?
24:06Mercifully, yes.
24:07Where's Audrey?
24:10It's actually not as bad as it looks.
24:11The structure is sound,
24:12but we will need to move into the basement for a while.
24:15Are we out of business?
24:16I see why we should be.
24:17I spoke to the Ministry this morning.
24:19We have our paper ration.
24:20Well, that's a relief.
24:21We also have a mission.
24:23To encourage the women of Britain to do their duty.
24:27Might I borrow these for a moment?
24:30Certainly.
24:33Come with me.
24:37Would you care to join us?
24:38She's so creative.
24:40Just hold it into vision with this ridiculous strap thing.
24:43I can't see a thing.
24:44Oh, my God.
24:46Here.
24:47Sit here.
24:48Right here.
24:49Here we go.
24:50There.
24:51There.
24:53There.
24:54That's it.
24:55Oh, goodness.
24:56Maude, you can sit right there.
24:58All right.
24:58Here we go.
24:59Pay no attention to the burning building over my shoulder.
25:03The Blitz turned houses inside out, streets upside down, and created chaos for the people of London.
25:13But everyone carried on, and I did what I could to capture it.
25:20Men were sent off to fight.
25:22The wives were left behind, caring for their children.
25:26Without that responsibility, we were able to be single-minded.
25:30We worked all hours.
25:33Anything to get the next issue out.
25:38The months rolled by.
25:40The bombs rained down.
25:42It became part of daily life.
25:46There were times we froze our asses off, but we just kept going.
25:51Audrey was a terrific boss.
25:53And we became friends.
25:56There wasn't much more to it than that.
25:59Oh, Audrey.
26:04Children?
26:05Oh, God, no.
26:07You?
26:08Oh, God, no.
26:13May I?
26:20So you never actually wanted children?
26:25Well, I never thought I could.
26:32I was never cut out for mothering.
26:38Why are you asking an old woman so many questions?
26:42Come on.
26:43You're not that old.
26:44Oh.
26:46Well, isn't that like a man?
26:48First I'm not young enough, then I'm not old enough.
26:51I'm just trying to understand.
26:55What?
26:56I'm trying to understand you.
27:08I was ambitious.
27:10I was good at shooting on my own.
27:14Maybe form a line.
27:16In my experience, working partnerships were tricky.
27:19And there can only be one boss.
27:23Evening, ladies.
27:24But then Davey Sherman from Life Magazine showed up.
27:28Hello.
27:29I...
27:31Not exactly the place I thought I'd find another yank.
27:34Uh-huh.
27:36It's a little bit dark.
27:38I know.
27:39May I?
27:43Suddenly it wasn't a competition.
27:46We were a team.
27:47It felt easy.
27:51Left it low?
27:52Yes, ma'am.
27:54Say blitz.
27:55Blitz!
28:02You're welcome.
28:24I'm afraid this is as far as you can get now.
28:26No, I'm with Vogue Magazine.
28:28She's with me.
28:30You need military accreditation beyond this point.
28:32Okay.
28:34The publications were informed, ma'am.
28:36Only non-military access for women.
28:38Please make your way over toward the mess block.
28:44Jeez.
28:45I think they let up after I spent hours in that goddamn car.
28:51Yeah.
28:56Last year my friend...
28:59No like that.
29:05Alright.
29:11That's right.
29:12Just like that's a mystery.
29:13No, no.
29:13All night.
29:13No.
29:14No.
29:14No.
29:16No.
29:17No.
29:17No.
29:19No.
29:20It's Halloween.
Comments