- 7 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [Full Episodes]Full EP - Full
Category
🎥
Short filmTranscript
00:28Transcription by CastingWords
00:45CastingWords
01:03CastingWords
01:04CastingWords
01:07CastingWords
01:14CastingWords
01:15Oh my God, she's done it.
01:19She's done it.
01:21My name's Margo.
01:22You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32Look, he's saying his good hand.
01:33He won't come now.
01:34He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gungerev to a vacant term.
01:46I said I knew you were watching.
01:50I'd like to keep working with this one.
01:53The other child?
01:54Nothing I can do for the other child.
02:13I'll never tell you.
02:35I'll never give up again.
02:40I love you.
03:10Oh, I could make you confused.
03:13I could give you something to lose.
03:15I'mma wake you up in the morning
03:17in the bathroom singing the blues.
03:19I won't clean up your place, yeah.
03:21Got my hair all in your face, yeah.
03:23Did you break that?
03:25They do like an inventory, babes.
03:27I'm never gonna hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared. I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like...
03:45Greek.
03:48Who the fuck are you?
03:52I'm Feeny.
03:55I'm your new best friend.
03:57You drug me.
03:59You undressed me.
04:00Uh-uh. You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Gotta burn them, I'm afraid.
04:09Mostly because it's like...
04:11Procedure.
04:12But also, well...
04:13They're kinda horrific, babes.
04:15Oh!
04:15Coffee's ready!
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:29Look how cute these wee cups are.
04:34I don't understand.
04:35If you have questions.
04:37When I land on the scene, everyone's full of this.
04:40I couldn't be dealing with that last night.
04:43So you stuck a syringe in my neck.
04:44I'm gonna move on from this syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had shit to do.
04:52I made an executive decision.
04:54Now will you please just sit down and have some coffee and a wee tiny gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she gonna do to us in a confined space with loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake.
05:41Linda, what are you doing, lovely?
05:43The, uh, locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks, Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something?
05:59I'll do that really quick.
06:01It's...
06:02Er...
06:03It...
06:04It...
06:05It's our mother's ashes.
06:07Yeah.
06:07Yeah.
06:08Of course, lovely.
06:14Right.
06:15Let's get you three a drink.
06:17Linda!
06:18Linda!
06:18Linda!
06:20Linda!
06:22Linda!
06:33Linda!
06:44Tell us about that in order.
06:45Let's go!
06:53Linda!
07:04licensed VOSub
07:09Hey, Saoirse, it's me, eh, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working at me.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margo.
07:32She didn't know anything about Jodie Poirot, or so she says, but she did tell me something which was a
07:37bit...
07:38I don't believe this.
07:40Me again.
07:41Anyway, I spoke to Margo.
07:43She told me when she was pregnant she was reading this book.
07:46The author was a psychiatrist she admired.
07:48Greta Gancala.
07:49So she, Margo that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book, and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:15We'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39Sure she hated getting her hair wet.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always gave her bad advice to seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, occurring for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:18So, so, so, skin nervous.
09:22Woo!
09:25You know you want to do it.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should say I've had
09:38a few proseccles.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat off.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52And where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit.
10:10Look.
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:32Okay.
10:35Wait.
10:37Come on.
10:38Come on.
10:48Hello.
10:49Hello.
10:50All right, pups.
10:53Thank you, Dre.
10:54Right.
10:55Come on.
10:55Come on.
10:56Come on.
11:20this person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the night of this month
11:41did they greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything
12:00well she would have been a teenager when he went missing
12:05around the same age as your daughter perhaps my daughter yes what do you know about my daughter
12:10well i i tried your house you went in but she was and i briefly leave my daughter out of
12:17this
12:17sorry i mean whatever this is you leave my daughter no i didn't even speak to her mother has just
12:21died
12:22my wife has just died i didn't i didn't mean and you come in here with this insane story it's
12:29not a
12:29story inspector o'neill it's a fact someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps i can wait
13:16yeah
13:20anything i can help with no
13:25no it's it's fine
13:46maybe it's time we talk to the guards maybe we should just tell them everything yeah but you
13:58your phone's fucked oh shit mine's clean oh robin's works for fuck's sake jim i don't remember his
14:05number why's jim ringing me i don't know robin me because he's your husband and the father of your
14:09children hiya love how's things great yeah all under control here
14:14ryan sweden darling how is portugal hey baby let the free birds fly
14:20yeah a lot of a lot of irish here
14:24what in the name of i've got to go deal with this
14:26ryan we need to focus girls okay what do we actually know what are the facts okay so we know
14:31that this
14:32thing belongs to jody we know that jody and gretta grew up together we know that they were connected
14:36what was the name of the town again come on tashban tashban that's right why are you talking about
14:42narnia what tashban it's from the chronicles of narnia yeah jack's reading it forgot how messed up it is
14:49that lion is a nurse i i gotta go love okay right bye bye bye bye yeah love you bye
15:00jesus christ what was it he was right what are you talking about yeah they couldn't have come from
15:07tashban because tashban doesn't actually exist girls every single thing she told us was a lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself the truth is you don't
15:40have to do that
15:41much what's that thing they say about lying a good lie stays close to the truth like with your name
15:49i always think it's best to go for something that sounds similar that way when someone calls you
15:54or you have to sign something it's less of a leap like psychologically so i'm thinking
16:02grania grania i think it's suchy babes i honestly do you
16:06grania it's like an echo of the person you once were i like that like a ghost of yourself that's
16:14actually quite profound that's me babes no the surname we have less freedomless we have to work
16:21off a list that's been cleared what i must have left it upstairs let me run and grab it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you it's just better
16:35safe than sorry type thing and i've been stung before people are like i just want to talk to my
16:41mother or sister or son or springer fucking spaniel just once just do you hear their voice
16:50like i get it babes but now you've thrown the whole operation and i'm starting to decide
16:55with whoever it is the one she did
16:59you're on the other side of things now i guess what's that well earlier you said that you were
17:05evaporated too oh right yeah but i was so young how young 13. yeah my parents they were both god
17:23i still
17:23have them find a better way of putting us like they were kind of murdered babes i'm so sorry you
17:33don't need to know all the details trust me it will kill the crack overnight my environment became
17:41well not the safest and booker heard what happened and she decided to help me
17:50booker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common
18:05what is well you were young too when that marco woman stepped up i mean
18:16you know about that you know what happened with my mother we know everything babes
18:24uh
18:49i'm
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:02We'll be back in the morning tonight!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:39Run!
19:51It's supposed to be fun!
19:58Come on!
20:04This is what's happening!
20:07But I tell you what to do!
20:15And talk to the lady's gonna go around me so I'm Gotcha!
20:17Get her on again!
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:09I'm sorry.
21:09Great man, St Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No way, not the English.
21:16Snakes.
21:17Jim, that's two mates.
21:18What do you know, Donald?
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I glassed one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:43Okay, well...
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh...
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But...
22:03Anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:40Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:02Come here.
24:27If this is how it ends, if I die today,
24:35then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay, at some point, we need to address the fact
24:47that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04I just dropped the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27And her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my fandango.
25:47What's your fandango doing out?
25:48Can everybody just keep their fandangos under wraps, please?
25:55Shh.
25:56What's that?
26:14Grab a weapon, quick.
26:15Oh, come on, come on, come on, come on, come on, come on, come on, come on, come on, are
26:28we ready for a fucking exorcism, maybe?
26:34She, girls, is she playing at night?
26:47Moving on to seat 32A, let's have cast on set in five minutes, please.
27:03Please.
27:09I feel like an eating mess. Terrible. It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, crucial, people, crucial.
27:19So, I'm not sure if you remember me.
27:23Cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:49Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:59It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:05Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse's storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that, and I promise, you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed,
30:27what will it be?
30:45Let me do it.
30:47I am.
30:57Ah!
31:00Ah!
31:03Ah!
31:03Ah!
31:28Why didn't you come inside?
31:31I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
32:00That's so cute.
32:02We chart a shop number.
32:04You've got to get the balance right with this stuff.
32:06It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:20They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:28Too soon.
32:29It was my understanding that when I'm settled to my daughter, she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39I mean, it's a timeframe.
32:39You're giving me cause for concern here, babes.
32:43You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A timeframe!
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter, and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are about to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:28She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:41There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wound for every miserable year.
34:16Oh, don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:45I wish you should recall somebody.
34:48All right, love.
34:49You okay?
34:50You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I still need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48For what?
35:49The Late Late Show.
35:50Oh, my God. The Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16Uh, we don't have tickets because these are the competition owners.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Typical.
36:30No, aye.
36:31Well, tell me that you at least have some house seats back.
36:34Yeah, of course, always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30 Rocks.
36:43You've yet to watch one episode of my show.
36:46Show's not funny.
36:47How would you know?
36:49We're just down the end there.
36:50Sorry, thanks.
36:59We should be okay.
37:01We'll be back.
37:01We'll be back.
37:03We'll be back.
37:32We'll be back.
37:35We'll be back.
37:40We'll be back.
37:40We'll be back.
37:41We'll be back.
37:41Hello, good evening.
37:41Welcome to the Late Late Show.
37:43Thank you for our band, folks.
37:46Look at Jonathan there.
37:47Hi.
37:48Would you ever turn that bollocks off?
37:51And...
37:52Happy St. Patrick's Day!
37:56Happy St. Patrick's Day.
37:58Happy St. Patrick!
38:00Also on the show tonight,
38:01he went viral this week
38:03when he rescued a blind sheep
38:05stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly!
38:14Ah! Good man yourself, Sean!
38:16What a strange show.
38:20She plays Detective Emma Fierce
38:22in the smash-hit multi-award-winning
38:24television series murder code let's have a huge welcome for the one and only marnie mullins
38:36isn't that those three belfast ages we questioned god i think you're right are you sure sure i'm
38:43sure i'd recognize your one anywhere this thing's still alive right oh god yeah so you cannot whack
38:49it no the show has such a huge following should we all love a bit of murder code
38:57when you first read the scripts did you know it was going to be such a massive hit do you
39:00know
39:00what paddy here we go no i actually struggled to see what the big deal was but then i realized
39:07it was the audience's attachment to my character emma my character emma that was the big pull
39:15so i made a few suggestions the tag more to make her relatable and the scripts were definitely
39:23elevated after that i mean we did a lot of work on them we and after all that i think
39:27we knew we'd
39:28made something truly special well special is right i mean what was it something like 10 million viewers
39:34tuned in to see you catch the elusive carrier killer in your own home actually actually uh a lot of
39:44that
39:44scene was improvised that is it that is it
39:53oh my god that's our writer searsha shaw surprise searsha shaw writer of murder code ladies and
40:05let's get her down here look look mommy's on tv she really is our lads will just stop your mom's
40:22in
40:22portugal so saoirse patrick patty patrick patty katie pk patty mr you take a breath yes jesus jesus
40:39so tell us uh tell us uh tell us this where do you get your inspiration all these complicated plots
40:46and twists and turns i guess i i lots of things inspire me books yeah look seb just calm down
40:55i'm just
40:55loading up now give me a second yeah got it films news stories uh history uh
41:06oh what the fuck is she doing how many of those bloody pills did she take oh for god's sake
41:18let's talk about that okay give us an example well oh maybe i shouldn't say that go on i don't
41:27be a tease
41:31when we were young my my friends and i we did this pretty terrible thing
41:37but only because we were we were trying to protect someone go on oh i'll get in trouble here sure
41:46is that what live tv is for
41:47i think this is a bad idea patrick kilty tell us
42:06well turns out the person we were trying to protect she was lying
42:13so now we've done this terrible thing but we don't even we don't even know why if this
42:25was it's a bad idea but i suppose well i suppose emma would realize that she's overlooked something
42:34small something that she initially thought was insignificant
42:40but it turns out that it was the key to unlocking the case the key to unlocking the box
42:52she had it all alone i had it she already knew the answer i already know the answer of course
43:00you do
43:02you've seen it where have you seen it i don't know think
43:13i don't remember i can't remember picture picture picture picture a painting a painting
43:28i've got it it was actually a pretty challenging shoot i assume i had these sort of panic attacks
43:34but i had someone i really must have had some media training back at five don't go anywhere now
43:39roll it there
43:45big panic at work right hello let's go we gotta get you let's go
43:49i saw patrick again we all saw patrick too
43:51but keep going keep going what is he like what is he like
43:55let's go come on jesus seriously those things could kill a horse you're such a liability
44:02i think i solved it we solved it me and patrick keithy i love patrick keithy
44:16we already saw the answer we had it right in front of us
44:23what symbol in portugal did you take a picture
44:28okay wait um was there a number on it yes yes there was a number it's a date i'll call
44:42it out um
44:43two five zero one nine seven
45:03oh my god
45:21what happened to her
45:35what the hell is going on here girls
45:38it's actually quite difficult to know where to start charles samson start there what do you know
45:44about charles samson
45:45what's going on here
45:52holy shit step out of the car
46:24what do you want
46:24what do you want
46:41what do you want to do
46:58you keep going there telling you to stop
46:59what do you want to do
47:01because
47:02uh
47:06gotta be
47:07uh
Comments