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The Crown S01E09 [Full Movie] [Full Storyline]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no.
00:02:12Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Oh.
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:40It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:20It was only you.
00:03:34It was only a 想像了的。
00:03:40It's only two names that were done.
00:03:43There's no time.
00:03:43It's the same house that I've ever used on.
00:03:43It's okay.
00:03:51What did I do?
00:03:52It's okay.
00:03:54I've just kept them on the phone.
00:03:55It's okay.
00:03:55I'm très content.
00:03:55It's okay.
00:03:56I'll wait until you're close.
00:03:57I'm pretty keen.
00:03:58It's okay.
00:04:03I have to go.
00:04:10I need a bit.
00:04:38I need a bit.
00:05:05I need a bit.
00:05:34I need a bit.
00:05:35I need a bit.
00:05:36I need a bit.
00:05:37I need a bit.
00:05:38I need a bit.
00:05:39I need a bit.
00:06:27I need a bit.
00:06:41I need a bit.
00:07:05I need a bit.
00:07:25I need a bit.
00:07:59I need a bit.
00:08:27I need a bit.
00:08:50I need a bit.
00:09:02I need a bit.
00:09:12I need a bit.
00:09:44I need a bit.
00:10:31I need a bit.
00:11:01Good morning.
00:11:08I need a bit.
00:11:21I need a bit.
00:11:54I need a bit.
00:12:31I need a bit.
00:12:37I need a bit.
00:12:48I need a bit.
00:13:03I need a bit.
00:13:05I need a bit.
00:13:14I need a bit.
00:13:30I need a bit.
00:13:38I need a bit.
00:13:47I need a bit.
00:14:01I need a bit.
00:14:03I need a bit.
00:14:04Even the socialists acknowledge you saved the country.
00:14:08Through gritted teeth.
00:14:10I have the protective instincts of a loving wife,
00:14:13and I can tell you this one is not an assassin.
00:14:16Whoa, whoa, whoa, whoa!
00:14:17The last of the world is like the last of the powers of one,
00:14:20Cathy O'Rourke, the 50th of the game,
00:14:23the first four galleries we go,
00:14:25and let the poor Sorrel one.
00:14:52It's so clever.
00:14:56Oh, I know.
00:15:09What a champion.
00:15:11What a champion.
00:15:12Oh, hello.
00:15:26I remember getting the phone call from your father
00:15:29when he was born.
00:15:31By Hyperion, out of Angelola.
00:15:33Yes, we gave him his first milk, remember?
00:15:38Watching him grow up,
00:15:39everyone thought his elder brother would be the star.
00:15:40Your clever papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it is his favourite horse.
00:15:53So, what's next, Rajan?
00:15:56Well, we've received an invitation to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what, four?
00:16:08Already at the older end of the spectrum.
00:16:10Hmm.
00:16:10If you were asking my opinion.
00:16:12Well, that is why I asked for you today.
00:16:16My honest advice?
00:16:18I'd consider retiring him now.
00:16:20At the top of his game.
00:16:22The best middle-distance horse in Europe
00:16:24with a sky-high market value.
00:16:27Let him earn you some proper money as a star.
00:16:30Well, I'm surprised to hear you
00:16:32turning down the opportunity of going to America.
00:16:37Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:42Fiancée.
00:16:44Fiancée?
00:16:45Goodness.
00:16:49Who is she?
00:16:51Money, I hope, so you can keep up the stables.
00:16:53Actually, she's a portsmann.
00:16:55Dear, so no money.
00:16:56Some money.
00:16:57But horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:07If you promise you won't scare her.
00:17:09Why would I scare her?
00:17:10You're the queen.
00:17:12Only some of the time.
00:17:13All the time.
00:17:14That makes you terrifying.
00:17:16And she's heard a lot about you.
00:17:19From whom?
00:17:20From me.
00:17:22Some of it nice, too.
00:17:29For now.
00:17:47For now.
00:17:57And she's heard a lot of people.
00:17:59I miss her.
00:17:59And she's out for her.
00:18:03the one you let get away what he was carried a torch for you
00:18:09what is she nonsense he told me himself one night while in his cups
00:18:18that doesn't count when a man's had a drink that's when the truth comes out
00:18:24no that's when the nonsense comes out besides we have interests in common
00:18:29forces aren't an interest for you they're a passion a passion your husband doesn't share
00:18:34he has other passions so i hear
00:19:12the foreign secretary is here sir shall i show him in no not here
00:19:32sorry to keep you waking as apposite as ever i didn't mean it like that
00:19:44there's ugliness in the air anthony i have nothing of beauty to say
00:19:50and then say what you must deposit your ugliness and go
00:19:54i have more important things to do
00:20:01very well
00:20:07at some point
00:20:09every leader must ask himself whether by staying in office
00:20:14he is giving to the country or taking from it helping or harming
00:20:23and i would suggest that for some time now you have been taking and harming and
00:20:32therefore i come to you in the name of the party and of the country for the very last time
00:20:38winston to bid you to stand down i will in good time at the right time
00:20:45the right time was nine years ago when you lost us the election and i have since
00:20:50avenged that defeat by winning us the last election
00:21:01people voted conservative in the clear expectation that you would give way to me
00:21:07that is such rubbish they voted conservative because they couldn't stomach socialism
00:21:12inflation is out of control and with every misjudgment with every miscalculation with every utterance you make
00:21:23that appetite to return to the left is growing
00:21:25be careful anthony
00:21:27too much excitement is not good for one so soon after an operation
00:21:31spoken by a man who only two months ago was effectively dead
00:21:35which makes two of us
00:21:37i have recovered
00:21:38that's not what i hear
00:21:40i hear you're a shadow of your former self
00:21:44that when you walk the pills rattle around inside of you
00:21:47i have something that you will never see again
00:21:52a clean bill of health
00:21:55a stallion said the same
00:21:57he died robbering on the floor
00:22:01mr sutherland is here
00:22:03hello anthony
00:22:05anthony was just leaving
00:22:08hello
00:22:10yes i was
00:22:14just
00:22:15steaming
00:22:17here we are
00:22:18morning
00:22:21this is my wife kathleen
00:22:23she assists me sometime
00:22:26hope you don't mind
00:22:27she
00:22:27and
00:22:37also
00:22:46on
00:22:52as
00:22:55you
00:22:56people
00:22:57dumping
00:22:57that
00:22:57than
00:22:59Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10Yeah, but which kind?
00:23:144B or 6B or something. I'm not sure.
00:23:18It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:23I paper heavyweight cotton, cold-pressed, decal-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband complete in a year, Mrs Sutherland?
00:23:413 or 4.
00:23:44Would you care to guess how many I average?
00:23:4710?
00:23:4915?
00:23:5160!
00:23:53Of course, I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Not a major artist like your husband.
00:24:03Taking his time.
00:24:07Over here.
00:24:09Why's he pounded with sas?
00:24:18Why do you need an anesthetics?
00:24:26Where'd you go?
00:24:28What do you think of this, your comfortable name?
00:24:33Huh?
00:24:38I did a little reading about you, Mr. Sutherland, after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah, but in your search for your metier, you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Yeah, I quite understand.
00:25:27How is it, Mrs. Sutherland?
00:25:32It has truth.
00:25:35Am I to be allowed a peek?
00:25:37No.
00:25:38Why not?
00:25:40I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find in general people who have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:02Certainly.
00:26:02The good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy.
00:26:18Freedom.
00:26:18the highest ideals of government and leadership.
00:26:22Just remember that.
00:26:35yes
00:26:39thank you
00:26:42porty
00:26:42what a palaver
00:26:45getting through to you
00:26:46I picked up the phone to you
00:26:48just after nine this morning
00:26:50it's now gone midday
00:26:51don't exaggerate but yes I know
00:26:54it is infuriating
00:26:56you asked me to come to some figures for you
00:26:58with regard to aureole although I'm
00:27:00numerically dyslexic runs in the
00:27:02family I'm afraid like the high forehead
00:27:04I have done the sums
00:27:06see if this helps you with your decision
00:27:08in the course of his lifetime as a racehorse
00:27:10aureole has made you just over 40,000
00:27:12pounds
00:27:13goodness
00:27:15but if you were to put him out to stud he could make you far more
00:27:18he's a recognised champion
00:27:19with a top-notch pedigree you could stand him at Wolferton's stand for top dollar
00:27:26well
00:27:28that's the decision then
00:27:30good
00:27:32and in the meantime
00:27:33I'll ask if I can get you a direct line
00:27:36to you
00:27:37yes to me
00:27:38why
00:27:39or is there anyone else you wanted to speak to here
00:27:42no
00:27:47what is it
00:27:48top dollar
00:27:50I need numbers
00:27:52400
00:27:52a pot
00:27:53a shot
00:27:56sorry I'm trying to find a less onomatopoeic expressive
00:27:58what is ultimately
00:27:59I know what it is
00:28:00a shag
00:28:01a cover
00:28:02a cover
00:28:03yes that's the correct term
00:28:05for a horse hump
00:28:08yes
00:28:11so what might you earn then over the course of the year
00:28:14well
00:28:15in one year alone
00:28:16aureole might cover
00:28:1740 mares
00:28:20making about 16,000 pounds
00:28:22good for him
00:28:24in the course of his lifetime at the stud
00:28:25he might sire
00:28:27500
00:28:27600 foals
00:28:29making me
00:28:30over 200,000 pounds
00:28:31creating an entire generation of offspring
00:28:34yes
00:28:36father to all the foals in our stables
00:28:38and any other stable that could afford him
00:28:40yes
00:28:42oh I see
00:28:42so in time
00:28:43every horse out there
00:28:45could somehow
00:28:46be related
00:28:48to aureole
00:28:49yes I suppose so
00:28:53like old man Carnarvon
00:28:56who?
00:28:58your friend Porchy's father
00:29:00Porchy?
00:29:02no
00:29:02like I said
00:29:03his father
00:29:04yes they're both called Porchy
00:29:06wasn't that the rumor?
00:29:08what rumor?
00:29:10oh
00:29:10that he'd had so many affairs
00:29:12an entire generation of British aristocrats
00:29:15was related to him
00:29:16an illegitimate Porchy
00:29:19in every great house in the land
00:29:23high foreheads everywhere
00:29:26and numerical dyslexia
00:29:28what?
00:29:30nothing
00:29:31what?
00:29:33nothing
00:29:37Michael
00:29:38dear boy
00:29:45good night
00:29:47good night
00:29:50let me have a look here
00:29:53marvellous
00:29:53shall we?
00:29:54come on
00:29:54you look beautiful
00:29:56mm-hmm
00:30:00you know
00:30:04you
00:30:05oh
00:30:05oh
00:30:05yeah
00:30:13come on
00:30:20me
00:30:24come on
00:30:26for me
00:30:26Let's go.
00:30:56Let's go.
00:31:26Let's go.
00:31:28Yes.
00:31:30How is it?
00:31:31Too proud, sir.
00:31:32This way.
00:31:46Morning.
00:31:47Morning.
00:32:00Your wife this time?
00:32:03You know, I asked her not to come.
00:32:11Since this is to be our final session,
00:32:15they wanted us to be all alone.
00:32:21In silence, preferably.
00:32:23Yes, yes.
00:32:25I'll be a good boy.
00:32:33I quite understand the need for concentration.
00:32:37Painting the picture is like fighting a battle, a bloody battle.
00:32:42In the gladiatorial fight to the death, the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:16Are there any works that you're referring to in particular?
00:33:21I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond?
00:33:28Why the pond?
00:33:29It's just a pond.
00:33:31It's very much more than that,
00:33:32as borne out by the fact that you've returned to it again and again, more than 20 times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:40It eludes me.
00:33:43Well, perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water, the play of light, the trickery, and the fish down below.
00:33:59I think all our work is unintentionally revealing, and I found it especially so with your pond.
00:34:04Beneath the tranquillity and the elegance and the light playing on the surface,
00:34:08I saw honesty and pain, terrible pain.
00:34:12The framing itself indicated to me that you wanted us to see something beneath all the muted colors deep down
00:34:22in the water.
00:34:25Terrible despair, hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:42Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:49Hmm.
00:34:50It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:55With all that gnarled and twisted wood, those great ugly dabs of black, I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was, uh, it was a very dark time.
00:35:18My, uh, my son, John, passed away, eight to two months.
00:35:30Oh, my.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:58You have five, yes?
00:36:01Four.
00:36:03Marigold was the fifth.
00:36:07She left us at age...
00:36:09Two years, nine months.
00:36:11Septicemia.
00:36:13I'm so sorry.
00:36:14I had no idea.
00:36:19We settled on the name Marigold on account of her wonderful golden curls, the most extraordinary color.
00:36:29Uh, regretfully, though perhaps mercifully, I, I, I was not present when she died.
00:36:39When I came home, Clemmie roared like a wounded animal.
00:36:51Well...
00:36:55We bought Chant, well, a year after Marigold died.
00:37:01We...
00:37:02Well, that was when I put in the...
00:37:08The pond.
00:37:34The pond.
00:37:37Yeah. Thank you.
00:37:54Oh. Thank you.
00:37:58It's a pleasure.
00:38:06I look forward to seeing it.
00:38:08I look forward to seeing it.
00:38:49Hello.
00:38:51Hello.
00:38:53Shall we?
00:38:55Yes.
00:39:00Well, given this is Oriel's debut, we want to leave nothing to chance, I've called up three different mayors.
00:39:06Very rarely does a forced tryst make a fruitful tryst.
00:39:10One wants the perfect foe, one needs to be prepared to wait for the perfect pair.
00:39:14Shall we?
00:39:16Meet Neocracy.
00:39:17Oh, the Aga Khan's.
00:39:19Recently retired, with a good record as a winner.
00:39:22Lovely temperamental.
00:39:24My only concern would be, is she perhaps a little too...
00:39:28Special.
00:39:29I worry that if we left least two to it, nothing would ever happen.
00:39:33Which is why I've also called up Turkish blood.
00:39:36As you can see, an altogether different proposition.
00:39:40Strong, willful, with a terrific track record herself.
00:39:43She really would be breeding the best with the best.
00:39:46I'm sensing a barge.
00:39:48From memory, your Oriel is something of a sensitive soul.
00:39:51That hit him to be intimidated or come unstuck when faced with a fiery warrior like this.
00:39:56That's very considerate of your portrait.
00:39:58Which is why I have a good feeling about our third candidate.
00:40:01Feast your eyes on Temple Bar.
00:40:03The hot thoroughbred with the winning streak herself.
00:40:06There's a little on the young side, perhaps.
00:40:09Just three.
00:40:10We don't mind that.
00:40:11Do we?
00:40:17Immediate engagement.
00:40:18Yes.
00:40:19I must say, I do like this one.
00:40:22What a pair of the feeling is mutual.
00:40:26No.
00:40:29Telegrams have been pouring into Dining Street today to wish Sir Winston Churchill a happy 80th birthday on this, the
00:40:3730th of November.
00:40:38They come from all parts of the globe.
00:40:44Happy birthday, that darling old pug.
00:40:47Made there's one!
00:40:53I bet you!
00:40:55Happy birthday!
00:40:58Happy birthday to you.
00:41:02Happy birthday to you!
00:41:05Happy birthday to you, my dear sister!
00:41:07Happy birthday to you!
00:41:13Happy birthday to you!
00:41:42Oh, is it time?
00:41:43It is, Paul.
00:41:44Right.
00:41:53I'll boost it down, Michael.
00:41:54Thank you, Paul.
00:41:55Westminster Hall, silent witness of nearly a thousand years of history, was the scene of the birthday presentations to Sir
00:42:02Winston.
00:42:32I'll see you next time.
00:42:56I am deeply honoured to be here today.
00:43:01No politician has ever received such an honour before, and I am deeply grateful.
00:43:10I am aware, however, that after having served my country for 54 of my 80 years, resignation is a word
00:43:28that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it.
00:43:36The stage is set, and the audience is assembled all ready for a grand valediction.
00:43:46There's only one problem. The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:44:02When your political colleagues are kind enough to present you with a portrait by an ambitious modernist,
00:44:14one has to ask oneself, is it a gift, or is it a curse?
00:44:27Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved, that his portrait was not just of me, but of the office I
00:44:46represent, indeed, of our entire system of government.
00:44:51So, at long last, I look forward to unveiling this painting.
00:44:58Thank you very much.
00:45:31Divine patriotic piece of modern art.
00:46:10Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting. It's a humiliation.
00:46:22How shall I paint him today?
00:46:25Ah! Sitting on a chair, producing a stool.
00:46:30A broken, sagging, pitiful creature, squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is. And I will not accept it.
00:46:41I don't think it's wise to reject it. It was commissioned by the members of the joint houses of parliament
00:46:46as a sign of respect.
00:46:47But then they should have commissioned an artist who is respectful, instead of a Judas wielding his murderous brush.
00:46:54Look at it. It is a betrayal of friendship and an unpatriotic, treacherous, cowardly assault by the individualistic left.
00:47:06As regards to the friendship?
00:47:07Clearly, there is none.
00:47:11I accepted this commission because I admired you, and I came through the experience of admiring you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22It's art. It's not personal.
00:47:25You are a lost soul.
00:47:28A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact. Give it time.
00:47:36I showed the sketches to your wife throughout the process. She remarked on how accurate they were.
00:47:40That is the whole point. It is not a reasonably truthful image of me.
00:47:46It is, sir.
00:47:47It is not. It is cruel.
00:47:49Age is cruel.
00:47:57If you see decay, it's because there's decay. If you see frailty, it's because there's frailty.
00:48:04I can't be blamed for what is.
00:48:06And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something, then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:48:40You should say you should do.
00:48:42You should do.
00:48:50You should do.
00:49:00You should do.
00:49:22he's right what i am that man in the painting
00:49:31wretched and decaying and i cannot go on you've said that before
00:49:43and this time i mean it i'm tired
00:49:49you've had enough
00:49:52i have my love
00:49:59this time i really have
00:50:00good
00:50:07you
00:50:08you
00:50:10you
00:50:11you
00:50:11you
00:50:22you
00:50:23you
00:50:24you
00:50:26you
00:50:26you
00:50:27you
00:50:28you
00:50:29you
00:50:30you
00:50:30you
00:50:30you
00:50:34you
00:50:35you
00:50:47of course i knew it was coming
00:50:50if i'm being frank there were
00:50:53one or two moments when i might have even hoped for it too
00:50:57prayed no doubt
00:51:05you
00:51:07you
00:51:28you
00:51:29you
00:51:29you
00:51:29you
00:51:34you
00:51:34you
00:51:35you
00:51:46you
00:51:47you
00:51:47you
00:51:47you
00:51:52you
00:52:10you
00:52:11you
00:52:11you
00:52:12you
00:52:12you
00:52:12you
00:52:17you
00:52:21you
00:52:21you
00:52:21you
00:52:21you
00:52:30you
00:52:31you
00:52:32you
00:52:39you
00:52:42you
00:52:50you
00:53:12you
00:53:23you
00:53:25you
00:53:33you
00:53:39you
00:53:46you
00:53:55you
00:54:06you
00:54:07you
00:54:17you
00:54:18you
00:54:19you
00:54:21you
00:54:26you
00:54:28you
00:54:30you
00:54:31you
00:54:31you
00:54:32you
00:54:32you
00:54:33you
00:54:34you
00:54:40I mean if I were a stallion
00:54:44would I fancy her
00:54:45attraction isn't so much about looks
00:54:48smell
00:54:49and but I mean if I can tell you?
00:54:50so note that she smells good
00:54:50I see
00:54:51well does she smell good?
00:54:52well we'll see
00:54:53well we'll see
00:54:55go on
00:55:02rather like us darling
00:55:04when we were courting
00:55:05when we were courting
00:55:06shh
00:55:06will you please be quiet
00:55:10ll
00:55:11yeah look
00:55:11here we go
00:55:12All right.
00:55:13You all right?
00:55:16Hold her steady.
00:55:19Ready?
00:55:22All right.
00:55:24I see.
00:55:28Over there.
00:55:31Back off.
00:55:34Good guy.
00:55:38Good boy.
00:55:41Is that it?
00:55:442,000 guineas for that.
00:55:46As long as he's done what he needs to do, and it bears fruit, I don't mind.
00:55:50Well done, Porchy.
00:55:54Yes, indeed.
00:55:56Well done, Porchy.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:02Porchy, so he can call straight in.
00:56:04I know only because I tried to get one for Mike and was refused.
00:56:07Yes.
00:56:09On account of him not being a family member.
00:56:12Porchy is like family.
00:56:14Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:19Well, as long as you don't sit on him many times too.
00:56:26Yes.
00:56:27That.
00:56:29Take the straight out.
00:56:31Oh.
00:56:34Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:39You all right?
00:56:43Mm.
00:57:08Can you leave us now, please?
00:57:10Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portchy is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration, the only person I have ever loved is you.
00:58:04And can you honestly look me in the eye and say the same?
00:58:16Can't you?
00:58:18Yes, ma'am.
00:58:32Pray silence for Her Majesty the Queen.
00:58:44My lords.
00:58:46Ladies and gentlemen.
00:58:48Dear Winston.
00:58:50And Lady Churchill.
00:58:56My confidence in Sir Anthony is complete.
00:59:00And I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he or any of those successors who may one day follow
00:59:13him in office
00:59:14will ever, for me, be able to hold the place of my first Prime Minister.
00:59:21To whom my husband and I owe so much.
00:59:26And for whose wise guidance during the early years of my reign,
00:59:30I shall always be so profoundly grateful.
00:59:34I shall always be so profoundly grateful.
00:59:40I will remember you always, your magnanimity, your courage at all times.
00:59:55And for your unfailing humour, founded in your unrivalled mastery of the English language.
01:00:05I take comfort from the fact that in losing my constitutional advisor,
01:00:13I gain a wise counsellor.
01:00:19To whom I shall look for help and support in the days which lie ahead.
01:00:33May there be many of them.
01:00:34May there be many of them.
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