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Calamar (Guri Guri) Capitulo 2
Los protagonistas de esta historia están unidos por un sólo afán: encontrar las tres partes de un medallón cuyo portador tendrá acceso a una inimaginable fortuna.
Los protagonistas de esta historia están unidos por un sólo afán: encontrar las tres partes de un medallón cuyo portador tendrá acceso a una inimaginable fortuna.
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TVTranscripción
00:28Thank you!
00:58Thank you!
01:15Thank you!
01:57Thank you!
02:00Thank you!
02:01Azalea!
02:02From the Canvas!
02:02Thank you!
02:03Thank you!
02:29Thank you!
02:29named Serafín, and his sister, who have just arrived in the village?
02:35No, I don't know those people.
02:38Then I was wrong. Sorry.
02:42Hey, Martina! What's up with the beer and food? Come on!
02:46They're going!
02:47But it really is one's own.
02:49I can't stay with you.
02:51You are in charge of the azalea in Los Angeles.
02:53If the mistress doesn't serve her food, if she locks her up or harms her in any way,
02:57I hold you responsible. Is that clear?
03:00Yes, wait. Where are you going? How can I find you?
03:04What did he say his name was?
03:07Generous.
03:09I have chili peppers.
03:11Caracol is presenting Calamar.
03:14Caracol is presenting Calamar.
03:43You play like the gods, my beautiful claramanta.
03:47Please continue.
03:49I will simply listen to you and look at you.
03:53What are you doing here?
03:54Yes. It's too early for visitors.
03:59If you would allow me, I would visit you 12 out of 24 hours a day.
04:04And if you were to accept to be my wife, I would be by your side 24 hours a day.
04:11You'll never get bored of insisting on the same thing.
04:14He's been doing that for about three years.
04:17Is it your fault?
04:19You could have said yes to me three years ago.
04:24But I still say no.
04:27Don't go.
04:29Are you going to let me go or should I start screaming?
04:33Why are you like this, claramanta?
04:34Don't you realize you're a fool?
04:37It's as if you didn't know who Artemio Leguizamón is.
04:40Someone else in your place.
04:41I would have prepared the wedding dress three years ago.
04:47I warned him.
04:50My sister and I are deeply grateful to you and Geronimo for your hospitality.
04:55If it hadn't been for you and Don Artemio, who sent us here.
04:58We would have had to spend the night in the infirmary.
05:01How awful!
05:03Oh, Artemio!
05:05Good morning, Geronimo.
05:07Good morning, Mr. Barrancas.
05:10I was passing by and it occurred to me to find out about the guests I sent you last night.
05:16And last night, precisely because of the rush, I didn't have the opportunity to introduce him to my daughter.
05:21Claramanta, come.
05:25I present to you Mr. Serafín Barrancas.
05:28He and his sister will be our guests here in our house for as long as they wish.
05:33We'll leave very soon so as not to cause you too much trouble.
05:38Nice to meet you, miss.
05:41Nice to meet you.
05:43You have a very beautiful daughter.
05:45And if she was the one playing the piano, she played it beautifully.
05:48You are a liar.
05:49I play it very badly.
05:51Claramanta.
05:52And I play it very badly because I hate playing the piano.
05:56I don't like horses.
05:57Claramanta, please apologize to the gentleman.
06:01Why do I play the piano badly, or why do I dislike horses?
06:05I apologize because I play the piano very badly and I don't like horses.
06:12Claramanta, come here.
06:16This young girl has become intolerable.
06:19And stubborn, Jerónimo, very stubborn.
06:22And stubbornness eventually makes even the most patient person impatient.
06:28Did you have a good night, Mr. Barrancas?
06:31Did you sleep well?
06:33Wonderfully.
06:34And her sister?
06:35So wonderfully that he's still sleeping.
06:39Let's take advantage of the fact that he's still asleep to have him tell us a little about you and her.
06:44Does that sound good to you, Jerome?
06:46Whatever you want, Eternity.
06:48Understand our curiosity.
06:52Every day, strangers arrive at the Chiriguaino's consolation.
06:56And for seven of them to show up all at once, well, that's quite an event for us.
07:02But I don't see where we are, to be honest.
07:05Good.
07:06That freckled horse back there is yours.
07:08Mine and yours, Miss Claramanta.
07:11Can I borrow it?
07:12Claramanta, please, what audacity!
07:15Do you think it's presumptuous of me to ask to borrow your horse?
07:18No, no, of course not.
07:20So, will you lend it to me or not?
07:22Sure, sure.
07:24Use it whenever you want.
07:26It's less hateful than I thought.
07:30Claramanta, where are you going?
07:31Just for breakfast!
07:39I don't know what to do with this girl anymore.
07:42Not so young, Jerónimo.
07:47Returning to our conversation,
07:50Why doesn't he tell us about his sister?
07:53From you?
07:55From the servants who accompany them?
07:59And what brings them here?
08:24How did you know they had arrived?
08:27As if this were a novel.
08:29Purely by chance.
08:31But the point is that they are here.
08:33Once again, they're behind us, just like in the last two years.
08:37Are we doomed to never be free of the princess?
08:41Let's not think about her for now.
08:43But let us not forget their presence.
08:46What did you do this morning?
08:47Ah, I wondered who in the village knows everyone in the village.
08:52And I answered myself, the village priest.
08:55So I went to see the priest.
08:57Nobody named Florelli?
09:02It turns out that the priest doesn't know everyone in the town because he just arrived.
09:06We need to look for clues elsewhere.
09:08Then let's not waste any time, Longford.
09:10Oh, hold it!
09:11We need to take precautions.
09:13We will try not to be seen, but I want to start the search today.
09:16Okay, let's leave Guriguri hanging around the house and go, Longford.
09:21Oh, no, no, no.
09:22The cleaning lady must be arriving soon and wouldn't understand Guriguri.
09:26A woman?
09:27Which woman?
09:28Ah, we needed someone to take care of this mess.
09:31And I found the right person.
09:33I hired her and her grandson.
09:36Oh, and there's a grandson too.
09:39It must be them.
09:40I'm going to open it.
09:45There are still people in the house, Guriguri.
09:47So, mute.
09:48Here is the woman and her grandson.
09:50Please go ahead, ma'am.
09:51Well, I'm here now, gentlemen.
09:56I'm here, gentlemen, with everything I need to clean this house.
10:07Excuse me, please.
10:11Why her?
10:14Well, last night I was at the Camarón Azul and I asked them about someone who could take care of the cleaning.
10:19And she offered herself very kindly and for very little money.
10:22If you're going to treat our things the way you treated Lea de los Ángeles, you're not the right person.
10:27Alejandro, she's the boss at the tavern.
10:30In this house, you are the boss.
10:32She pays there, you pay here.
10:36Do you trust her?
10:38I have never distrusted a woman who has to support a grandchild.
10:48Those trunks are going to my room, which is that one.
10:53And those suitcases go to Mr. Lomfellow's room, which is the back room.
11:01And this trunk, don't touch it.
11:04Leave it as it is.
11:06Luckily, we don't have to move it because it looks very heavy.
11:09In addition to cleaning, I would like her to take care of getting some food.
11:14Bread, milk, grain, vegetables.
11:17Spend whatever it takes.
11:19Sir, with this I can buy food for an entire regiment.
11:24As long as it's enough to feed Mr. Lomfellow, that's fine.
11:28Oh, one more thing.
11:30If we haven't returned when the time comes to leave,
11:33Make sure that the doors and windows are properly closed.
11:35Go in peace, sir.
11:37Have a great day, gentlemen.
11:39And, and, and, and may God take them safely and bless them.
11:48We did it.
11:50And much easier than we expected.
11:55There are no Moors on the coast, Lomfellow.
11:57Neither Moors, nor anyone else.
12:03What a lonely town.
12:07Where do you want to start?
12:09I think we'll start with Don Jerónimo Suárez de Figueroa.
12:14Uh-huh.
12:15That seems very good to me.
12:17But who are we going to ask where Don Jerónimo Suárez de Figueroa's house is located?
12:22If you don't see a soul.
12:25We'll find someone to ask.
12:27Man of little faith.
12:42We need to find out everything we can about them to inform the skeleton.
12:47Find out where they keep the currency so we can inform them.
12:51And lay hands on it?
12:53And lay hands on it?
12:56I don't know why, but this trunk sounds very interesting to me.
13:00Cortico, I'm going to put the suitcases where they said.
13:03Why me?
13:04Because I'm going to take care of the trunk.
13:06Come on, come on, come on, come on, come on.
13:12Cute little trunk.
13:14What a surprise I'll get when I open the door.
13:19I don't quite understand, Mr. Barrancas.
13:23He says that you and your sister are touring the region for pleasure.
13:28And they've been doing that for almost three years just for pleasure?
13:31My sister is a very special person.
13:36She gets bored and desperate when she has to spend more than a week in the same place.
13:43Ah, so Chiriguay's consolation prize will be here in a week.
13:49Or less, Don Artemio.
13:51It all depends.
13:54Depends on what, if I may say?
13:57According to my sister's wishes, of course.
14:01In other words, out of boredom.
14:05When will I have the pleasure of meeting her?
14:07Today.
14:08Tomorrow.
14:09One day, Don Jerónimo, I felt sorry to bother him and he forgave my rudeness,
14:14But I haven't had breakfast and I'm starving.
14:17Oh, please, Mr. Barrancas.
14:19Forgive me.
14:20Actually, you should excuse me.
14:21The thing is, since I always have breakfast at dawn,
14:24not that I take into account that other people are not the same as me.
14:27Anatolia!
14:29Anatolia, come on!
14:31Yes, it's coming.
14:32I also have breakfast at dawn.
14:34The thing is, I was so tired from yesterday's long trip.
14:38Anatolia, accompany Mr. Barrancas to the dining room
14:40and make sure they receive a good breakfast.
14:42Many thanks again for your hospitality, Don Jerónimo.
14:46And to you too, Don Artemio, for sending us to this beautiful house
14:50with this beautiful family.
14:52Permission.
14:53Mr. Barrancas.
14:58I never leave my house without my Bademecun fully charged.
15:09Would you do me a favor?
15:16All vices at last
15:18either they are pleasing or they are profitable
15:20more lies are made than is taken out
15:23but infamy and contempt.
15:26What does this mean?
15:30We should ask Pedro de Alarcón.
15:35Good morning, Mr. Barrancas.
15:44He's a guy...
15:47Strange, Mr. Barrancas, isn't he?
15:50Uh-huh.
15:51What is the sister like?
15:54A black thing.
15:58Is the sister a black thing?
16:01Last night when they arrived and gave me your note
16:04I ordered that their rooms be fixed up.
16:06She refused to get out of her car until they were ready.
16:11And when he came down it was...
16:13It was someone covered in black cloaks
16:17who said good night
16:18and locked himself in his room.
16:20I couldn't tell if she was pretty, ugly, old, or young.
16:24Last night when the man came to see me
16:26He didn't get out of the car,
16:28I didn't see it either.
16:29Neither her nor her three servants.
16:32His three servants.
16:35Your three servants are quite strange.
16:38Because?
16:39Well, I also sent them to prepare their room
16:42But they didn't sleep there.
16:44One slept in the hallway
16:45next to the door of her employer's room,
16:47The other one slept here in the living room
16:48and the third one slept in the garden.
16:51What are you thinking about, Artemio?
16:55I think
16:57I don't know what to think.
17:01We went years without receiving any visitors.
17:03and suddenly at the same time
17:04The town is becoming full of strangers.
17:06The Englishman and his friend, and now these guys.
17:10Do you know something?
17:12It could be a coincidence.
17:14but the coincidences
17:15They only happen in novels,
17:17never in real life.
17:21Do you think I could extend my greetings to him?
17:24to your strange guest?
17:25Well, I don't know.
17:28I don't think he's gotten up yet.
17:32At some point, he'll have to do it.
17:34I'm not in a hurry and I can wait.
17:39And while we wait
17:42We could talk about a pleasant topic
17:44or unpleasant, depending on how you look at it.
17:49Your daughter, Claramanta.
17:52Artemio, we've been together for three years.
17:55speaking of the same topic.
17:56And we're not going to spend another three years on it.
17:59For the only one for whom patience knew no bounds
18:02It was for the holy Job.
18:04Look at me closely.
18:06Do you think I look like you in any way?
18:08to the holy Job?
18:09Caracol is presenting Calamar.
18:13Caracol is presenting Calamar.
18:17We could have rented a horse-drawn cart.
18:20Hiding a truck is less easy
18:22that we hide from each other.
18:23Or buy a donkey.
18:25Don Jerónimo's house
18:26It's in hell by far.
18:28Exercise is good for the body
18:29And for the spirit, Lomfelo.
18:32According to your list,
18:33the most suitable person
18:34to visit first
18:36It is to Don Jerónimo Soaren de Figueroa.
18:39Do you want to visit him?
18:41Or do you want to see it again?
18:43to her beautiful daughter?
18:45Get down on the ground, Lomfelo.
18:52Because?
18:54Look at those people.
18:57Where?
18:58About three kilometers away.
19:02There's no need to take risks.
19:03She could be the princess.
19:04Oh, Christ.
19:05Oh.
19:27We'll wait for it to pass.
19:30According to the priest,
19:32Don Jerónimo Soaren de Figueroa
19:34has lived his whole life
19:35in Consolación del Chirigüey.
19:37Yes, that's what he told the priest, yes.
19:39So,
19:40whether Florelia was or is here,
19:43It is very possible
19:44that Don Jerónimo knows about her.
19:47I hope so.
19:49so that it ends
19:51this pilgrimage of so many years.
19:53I'm starting to feel tired,
19:56Don Jerónimo.
19:58Over my parents' fresh grave
20:00I solemnly swore
20:02that I would find my sister
20:04and the person responsible for his disappearance.
20:07If you like,
20:08You can leave me,
20:09I won't reproach you for it.
20:10Oh.
20:10But I will keep going.
20:12until I fulfill my oath.
20:14You know I will never abandon you,
20:17my son.
20:18That's what I promised my wife,
20:20my poor Elizabeth,
20:22on his deathbed.
20:24Thank you, Dad.
20:27At your service, son.
20:30Wake me up
20:30when the road is clear.
20:46Longfellow.
20:47Do we have company?
20:50Have.
20:51You have me
20:53And I have you.
20:56Look.
21:01It's an abandoned horse.
21:04No,
21:05not so abandoned.
21:07There is someone in the sea.
21:13She is a woman
21:14and he's drowning.
21:16How can you see that?
21:17I don't even see the woman.
21:19This is a job for...
21:21No,
21:21I wouldn't have time.
21:22Alexander,
21:23What are you going to do?
21:24A human being is drowning
21:25and I must save him.
21:26Who do you think you are?
21:28Is the farmer generous?
21:29I am a generous countryman,
21:30Longfellow.
21:31Sorry.
21:32Anyway,
21:33with that dress
21:34You can't go into the sea.
21:36You taught me
21:37that happiness
21:38It consists of doing
21:38a good deed every day
21:39and save a human being
21:41It's a good deed.
21:42In that you do have
21:43You're absolutely right.
21:44And it makes me very happy.
21:46Don't forget
21:47of my teachings.
21:49I could never forget them
21:50because thanks to them
21:52I am what I am.
21:54I owe everything to you,
21:55to you and our dear Elizabeth.
22:07Alexander,
22:08I think that
22:10if you want to save
22:10to that woman who is drowning
22:12You're losing
22:13too long.