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Vida y Obra de René lavand. Quién realiza sus ilusiones con la única ayuda de su mano izquierda
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00:10Music
00:49Music
01:02I am an illusionist; I have traveled across five continents with a deck of cards.
01:08And thanks to the magic of television, here is my story
01:16René Laval is the last living exponent of a breed of classy magicians
01:21an illusionist who only aims to add beauty to wonder
01:28Illusionism is an art that has gone through different stages
01:32even Robert Juden, a British magician who performed back in 1870
01:38Magicians only performed in circuses or fairs.
01:42This magician left behind his sorcerer's disguise and donned a tailcoat to bring his art to the palaces.
01:49Magic returned to the salons, illusionism came back to life among the arts
02:00It's not irreverent that I'm drinking a good wine that my friends brought me as a gift.
02:06I don't think so, I think it's actually interesting because when the wine goes in, the secret comes out
02:13And I'm here to open up with an orange in front of the Argentine television camera.
02:19and let go of everything I have inside
02:21He was born on September 24, 1928 in Buenos Aires
02:26In 1935, at the age of 7, he glimpsed the feeling of wonder for the first time
02:35The Panamanian magician Chan was touring Buenos Aires with his show.
02:41I was 7 years old and I went holding the hand of an aunt who was already quite old
02:48And he took me to the Avenida theater to see him there, which was flooded with dragons and kimonos.
02:55the entire Avenida de Mayo, in that whole block
02:59And well, it impressed me a lot, I remember
03:03I had an obsession at that age
03:08I regretted that my father hadn't been Sean
03:11He was my ideal father.
03:13so I could be there behind the scenes and learn something from my father
03:18But my father had nothing to do with this.
03:21And there was no one in my family who had it.
03:24I had learned a game at the age of 7
03:27a friend of my father
03:28That shocked me.
03:32and at 2 years old, 9
03:35the accident
03:38I enter a state of paranoia
03:40which increases over the years
03:43that slight mental imbalance
03:46caused by an evident inferiority complex
03:52And I'm going back to that game.
03:56which is the same thing I'm doing now
03:59Well, not the same.
04:00It grew up with me
04:0568 years old
04:06René was dazzled by the display of magic
04:10And for the first time, he thought about his future.
04:12two years later
04:14in 1937
04:16in the town of Coronel Suárez
04:19A terrible accident marked his life forever.
04:22playing carnival as a boy at age 9
04:27I was hit by a car
04:28It severed me
04:31hand against cord
04:34and well
04:37this
04:38And I remember a friend who was right in front of me
04:42told me
04:44René
04:47You will only be able to carry one bucket
04:50the rest of your life
04:52two buckets never
04:55And I thought
04:57If I put my brain here on this green cloth
04:59and my heart
05:01in public
05:04I'll be able to pay someone else
05:06so that he can take the two buckets with him
05:10its meat
05:13thank you
05:17very kind
05:21Truly impressive, isn't it?
05:23Manolo Summers
05:23I could ask Mr. Lavan
05:25because?
05:26because?
05:27He used only one hand
05:31Well, I lost my right hand.
05:32in a car accident
05:34at age 9
05:37That's the reason
05:38thank you so much
05:40We hope to see you.
05:40Thanks for being here.
05:43Almost 20 years have passed
05:46And I remember when on that first occasion
05:49He came to Spain
05:49and it was such a huge success
05:51on that television
05:53that they saw her every night
05:5530 million viewers
05:5730 million
05:58and without the sword of Damocles
06:00of the audience
06:00pushing us to do things
06:02tremendous
06:03It was so successful
06:05that I can't resist
06:06to tell him
06:08to many of you
06:09who were probably tiny
06:10And I say to you
06:12that I know him
06:13for so long
06:15who are lucky
06:16to be able to contemplate
06:17to one of the legends
06:18of magic
06:19to one of the living legends
06:20of magic
06:21So me too
06:22I got my ticket
06:23And I'm going to sit there.
06:24quickly to see him
06:25and enjoy
06:26And when I'm even older
06:28to be able to tell it
06:29to my children
06:30and tell him
06:31I was with René Lavallano
06:32Let's give it a try
06:34a big hug
06:36in the form of applause
06:36to René Lavallano
06:37And let's enjoy it
06:38with hope
06:41How nice!
06:43How nice!
06:46How nice!
06:46How nice!
06:47Thank you all so much!
06:49Thank you all so much!
06:53Thank you so much!
06:56No teacher
06:57I could teach him illusionism
06:59for one hand
07:00there was for him
07:02a single exit
07:04break the rules
07:06create your own technique
07:08if they fail to do so
07:09It would be a failure
07:11But if I succeeded
07:13It would be different from everyone else's
07:15There is no book
07:16There is no book
07:17in the world
07:17nor any teacher
07:18in history
07:19of the universe
07:21Let me explain
07:22prestidigitation
07:23and techniques
07:23for one hand
07:25My experience was one thing
07:26very atypical
07:28and well
07:29thanks to those
07:31those winds
07:33we arrived
07:34to these storms
07:35No?
07:36my life was
07:37an adaptation
07:38permanent in everything
07:41and creativity
07:43permanent
07:44and totally obligated
07:45No?
07:46absolutely obligated
07:47Sometimes dreams
07:49they seem impossible
07:50René never believed
07:53in impossible
07:53with an obstacle
07:55traveled a path
07:57painful
07:57towards their dreams
07:58reinvented an art
08:00just so that
08:01He could handle it
08:03I think I had to
08:04prove to myself
08:06that could
08:07That was the
08:08prove mine
08:10What would you say to him/her?
08:10to a person
08:11that's how it happened
08:13a problem
08:13losing an arm?
08:15I would tell him
08:21that if destiny
08:22It destroys you
08:23an arm
08:25There's one other arm left.
08:27that collects
08:28wheat
08:29That's what I would tell him.
08:34and it might be useful
08:39his father
08:40I couldn't imagine
08:42one more thing
08:43than a frustrated son
08:44I had no support
08:46No
08:46I had an impulse
08:48an impulse
08:50that didn't stop him
08:52not even
08:52my father
08:53whose gesture
08:55memory
08:56I permanently
08:57not permanently
08:58I remember it
08:59indelibly
09:01No?
09:02a face of
09:04unrest
09:05upon seeing that never
09:06I could
09:06do what was
09:08really trying
09:10and luckily
09:12He was wrong
09:12my old man
09:13No?
09:14He was wrong
09:15It could have been
09:16today
09:17Hector René
09:18the flag
09:19is considered
09:20one of the most
09:21great magicians
09:22of history
09:22of magic
09:23He lives in Tandil
09:25He is 77 years old
09:27and continues to practice
09:28his job
09:29everywhere
09:30of the world
09:30your recognition
09:32It's worldwide
09:33has written
09:35five books
09:36of techniques
09:36for one hand
09:37and several videos
09:39edited
09:39only in the United States
09:42real stories
09:43and some
09:45breaded
09:46for the beautiful
09:48and subtle
09:48lie
09:49of art
09:50which authorizes us
09:52to lie
09:54He expressed that
09:55the genius
09:56of the last century
09:56Picasso
09:57He recently appointed him
09:58like no one else
09:59the only mission
10:01by the artist
10:02is to convince
10:03to the world
10:03of the truth
10:05of his lie
10:08clear
10:09Did you notice?
10:10how they lie
10:10the poets
10:11What liars they are!
10:13But that's great!
10:15who lie
10:18well yes
10:19in the year
10:201943
10:21my parents
10:22they brought me
10:23at 14 years old
10:24to this beautiful city
10:26And it was this
10:27the first house
10:28in which we live
10:30that's why
10:31stop here
10:31It means me
10:33the emotion
10:34to revive
10:35I like
10:37I like
10:46and Tandil
10:47adopted me
10:47and I adopted her
10:49to Tandil
10:50She's so beautiful
10:52the match
10:53from Tandil
10:54is found
10:55to the southeast
10:55of the province
10:56from Buenos Aires
10:57this city
10:58hidden in its name
11:00a strange meaning
11:01according to the language
11:03Mapuche
11:04so
11:04means to beat
11:06and tell
11:07equivalent to rock
11:08Tandil
11:09would mean
11:10throbbing stone
11:11in reference
11:13to the stone
11:13movable
11:14a huge block
11:16granite
11:16that remained
11:17for decades
11:18in a curious
11:20balance
11:20oscillating
11:21until
11:21in 1912
11:23fell into the void
11:24and it broke
11:25in pieces
11:26well, and my mother
11:28told me
11:28that morning
11:29No
11:30watching me play
11:30the letters
11:31me at 22 years old
11:32the awkward age
11:33she said
11:34that everyone
11:35We had a good time
11:36Okay, son.
11:37that thing about the playing card
11:38it's very nice
11:39But we have to think
11:40in doing something
11:40in this life
11:41No
11:42luckily
11:43He was wrong
11:44the old
11:45Well, but
11:46in the end
11:48I obliged her
11:49because I went in
11:50to the Nations Bank
11:50in the year 50
11:52and I was
11:53click there
11:54until the year 60
11:56and I arrived
11:58to retire
11:58look
11:59by Banco Nación
12:00then I arrived
12:01contributing to the self-employed
12:02and I got to retire
12:03until one day
12:05They offered me
12:05the opportunity
12:06of a debut
12:07And so I did
12:09And it was a triple debut.
12:11Pinocchio show
12:13Tabariz
12:14and National Theatre
12:15and then
12:16just a little bit
12:18just time
12:19He left
12:20nor Johnny Carson
12:20so barely
12:22I passed through Buenos Aires
12:23to do I
12:25television
12:26from the United States
12:28I think that
12:29it favored me
12:30luck
12:32Well
12:33no luck
12:34no luck
12:35and not luck
12:36and misfortune
12:37and everything
12:37and everything
12:39It's like
12:39What happiness!
12:40there is no happiness
12:41There are congratulations
12:44with luck
12:45The same thing happens
12:47many stars
12:48of music
12:49and the show
12:50they began
12:51they began their career
12:52on the show
12:52by Ed Sullivan
12:53Elvis
12:54The Beatles
12:56Mick Jagger
12:57and Jim Morrison
12:59this program
13:00television
13:00It was a gigantic
13:02window
13:02to get there
13:03in one fell swoop
13:04to the whole town
13:05American
13:06René Laval
13:07is the only one
13:08Argentinean
13:09who delivered that blow
13:10conquering
13:11the heart
13:12of audiences
13:12from all over the world
13:15I arrive in New York
13:16at 27 years old
13:17and all the nervousness
13:19the load
13:20of responsibilities
13:21that made me tremble
13:23to do
13:23Ed Sullivan
13:24for 50 million
13:25of souls
13:26then we did it
13:27for a billion
13:28but I was
13:28more temperate
13:29I
13:30This was 15 years ago
13:3110 or 12
13:32my mother reached
13:34to see me
13:35would remain
13:35very pedantic
13:37if I say
13:37with some successes
13:38my father no
13:40My father passed away
13:41before
13:41and stayed
13:42with what
13:44What are you going to do?
13:45this one with the slit
13:47change
13:48the destination
13:48fundamentally
13:49It's clear.
13:50change
13:51my destiny
13:51I believe it
13:52Yeah
13:53and my mother
13:54It's already started
13:55to accept
13:56the thing
13:58to such an extent
13:59that I bought
14:00a house
14:00to my mother
14:01three months
14:01work
14:02No?
14:04so that he would deliver
14:05a house
14:06that was
14:07she renting
14:08I was already
14:10married
14:11firstly
14:13nuptials
14:15the Faradists
14:15We need to talk like this.
14:18and every divorce
14:20It was like dying a little.
14:22was happening
14:23I remember
14:23in Tandil
14:24moments
14:24terrible
14:25to such an extent
14:26that they called me
14:26the friends
14:26to tell me
14:27that he was depressed
14:28that he didn't want to go out
14:28of the house
14:29with those crises
14:30that they have
14:30the great actors
14:31I went to Tandil
14:33flying
14:33I found it alone
14:34at night
14:35in the living room
14:36from his house
14:37making the mixture
14:39fake
14:39mixed
14:39and it mixed
14:40I sat down
14:41in front of him
14:42We were drinking wine
14:44and I told him
14:45look
14:45I've spent my life
14:46this
14:47watching you act
14:48on stage
14:50today we are
14:51in an instance
14:52different
14:52I'd like to see something
14:53that you never did
14:54on stage
14:58I'm going to show you
14:59something I can't
14:59do on stage
15:00a little because of the angles
15:02and a little
15:02because I keep it
15:03for
15:03for the big moments
15:05a number I keep
15:06to fall in love
15:06either
15:07for other things
15:10this
15:11look
15:11told me
15:11Hold the paper cutter for me
15:13because it was opening
15:14a letter
15:14He gave me the paper cutter
15:15which was a penknife
15:17and showed me
15:19a lot
15:19of things
15:22which actually
15:23They didn't make a scene
15:24some rosehips
15:25impressive
15:26what are you doing
15:26taking the card
15:27with two fingers
15:28playing card of this size
15:30which seems impossible
15:30to be able to handle
15:31in a rosette
15:32taking them
15:33with a slowness
15:34infuriating
15:35one thing
15:36never saw
15:37when it ended
15:39I was fascinated
15:41really
15:41told me
15:41will you give me back
15:42the penknife
15:43the paper cutter
15:44I told him
15:45I opened my hand
15:47I had felt it
15:48all the time
15:48the hand
15:49when I opened my hand
15:49There was no paper cutter
15:51had
15:5220 or 30
15:52penknife
15:53little ones
15:54so colorful
15:54less than one centimeter
15:56as he did
15:57how distracted I was
15:58I know him.
15:59a lot
16:00a lot
16:00I really don't know.
16:01truly wonderful
16:03But what is true
16:03I rescue
16:05of that night
16:05It's like
16:05It turned back on
16:07when
16:07instead of a reflector
16:09I turned on the bedside lamp
16:09and I was able to get him to work
16:11that night
16:12art came looking for him
16:13He paid the commitment
16:15around 1982
16:17the Argentinian
16:18I was passing through a
16:19of the transitions
16:20most important
16:21of its history
16:22the way was opening up
16:24towards democracy
16:26René was passing by
16:27one of the worst
16:27moments of his life
16:28until he meets
16:30Nora
16:31look
16:32what I remember
16:34Now it makes me laugh
16:34We were talking
16:35of you
16:36We didn't use the informal "tú" form with each other.
16:38and it was difficult for me
16:40to use the informal "tú" form.
16:40specifically
16:41but this
16:42Well
16:42of topics
16:43of the day
16:44You think it was
16:45in the year 1982
16:46so this
16:47Well
16:47this
16:48It was a time
16:50very special
16:50with projects
16:52with perspectives
16:54this
16:55with possibilities
16:56of a new democracy
16:58the truth
16:59that I wear
16:5950 years
17:01married
17:01only that in
17:03three stages
17:04and with some
17:05months of discount
17:06not many
17:10Everything has to end
17:11in humor
17:12all
17:14but fate
17:17plays a role
17:18fundamental
17:19who observes it
17:21when it appears
17:21a woman
17:22in our life
17:22a woman
17:24that hides from us
17:26his past
17:26a woman
17:28which shows us
17:29a future
17:31a woman
17:32that hides from us
17:34their failures
17:35a woman
17:37which shows us
17:37an illusion
17:39a woman
17:40that ignores
17:42that ignores
17:43their truths
17:44a woman
17:45that gives us
17:46his passion
17:46a woman
17:48that disguises
17:48his lies
17:49a woman
17:50Well
17:50as there was
17:51almost always
17:52in life
17:53of almost all
17:54a woman
17:55of virtues
17:56hidden
17:56made-up figurine
17:58cardboard
17:58virtues that made us believe
18:00virtues we believed
18:01accidentally
18:02but fate
18:04It shows us
18:04that the virtues
18:06hidden
18:07they were only
18:08a costume
18:09and also
18:11It shows us
18:12the destination
18:15that the virtues
18:17apparent
18:18they were only
18:19delusion
18:20as it is
18:21the beautiful
18:23comedy
18:24musical
18:24of
18:25Pygmalion
18:31thank you
18:32very badly
18:32I knew he was an illusionist
18:34that was all I knew
18:35and well
18:37we agreed
18:38in seeing each other
18:38next time
18:40no
18:40it didn't take long
18:41many days
18:42neither
18:42three or four days
18:44and well
18:44we continue watching
18:45and we didn't separate
18:46anymore
18:47next time
18:49who invited me
18:50dinner
18:51He played a game on me
18:51of knives
18:53beautiful
18:54very special
18:55and the truth
18:56that shocked him
18:57very strong
18:59then I thought
19:00yes
19:00who had defended me
19:01in the war of love
19:02with weapons
19:02that had
19:04and it seemed to me
19:06that game
19:07upon conquering
19:08to my wife
19:08Nora
19:09He had already given it to me.
19:10all
19:12and I abandoned him
19:16Okay
19:16as an anecdote
19:17He is stunning.
19:19he is
19:20this
19:20he
19:21It has a force
19:22very special
19:23so
19:24this
19:24Yeah
19:25I think that
19:25I didn't think about it
19:27not at all
19:28but
19:29with the running
19:29weather
19:30I think so
19:31which had already impressed me
19:32enough
19:33It's difficult.
19:34very difficult
19:35since Nora arrived
19:37in his life
19:37Things have changed
19:39these last few years
19:40they have been quite
19:41more affable
19:42simpler
19:43Nora was
19:45providential
19:46in the literal sense
19:47of the word
19:48Providence brought her
19:49in a time
19:50very difficult
19:50very conflictive
19:51by René
19:52I think that at the beginning
19:54and yesterday
19:55and today
19:55and tomorrow
19:56Lives for René
19:58that's all
20:00It's quite a
20:02It's quite a task
20:03and it's all a desire
20:04And that's all.
20:05a power
20:07René Lavand
20:08It's been years
20:09in art
20:10to generate illusions
20:11a trade
20:12that practices
20:13in an unprecedented way
20:14cinema
20:16also magical
20:17he noticed him
20:18when Adrián Caetano
20:20He invited him to participate
20:21as an actor
20:22in A Red Bear
20:23the One-Armed Man's Bar
20:24look for
20:25Do you know him?
20:26You, the one-armed man?
20:27Yeah
20:28It appears that they were taken
20:29a couple of bags
20:30with the mayor
20:31and a good teak was made
20:32and moved there
20:34They called me
20:35and I cheered up
20:35for the support
20:36which meant to me
20:37a great director
20:39and a major protagonist
20:42so
20:42I had my experience
20:43I was nominated
20:45as
20:45first supporting actor
20:47I didn't win the prize
20:48But I was nominated
20:50And I was very satisfied.
20:51very satisfied
20:52Yeah
20:53It had to be done
20:54a villain role
20:56and it came naturally to me
20:58That must be why.
20:59that I was satisfied
21:00with what I did
21:01I suppose you won't think
21:02do
21:03Remix driver
21:04your whole life
21:05No?
21:05You don't believe that.
21:06neither you
21:06if you plan to feed
21:10to your family
21:11with 600 prawns
21:13only
21:14that your wife
21:14keep another male
21:16as soon as this comes out
21:18I'll give it back to you
21:18all the money
21:19bye
21:20Greetings to your family
21:22I know they are living
21:23in San Justo
21:23near a cousin of mine
21:25You have to take care
21:26with that town
21:26It's kind of messed up
21:27They're always shooting each other.
21:28like in the Farway
21:29Well, I never went to any school
21:31theatrical
21:32But I paid close attention
21:35to everything I was doing
21:36in this regard
21:37I paid close attention
21:38Yeah
21:40Yeah
21:41Breaks are essential
21:43and dangerous
21:45They need to be handled
21:47very balanced
21:48what one is
21:49doing and saying
21:51saying and doing
21:52which is my task
21:57this preparation of mine
22:00because
22:01I don't give him homework.
22:03We don't give him work
22:04to what I do
22:05We'll play it
22:07And did everything turn out alright?
22:10good
22:17Oh!
22:18son of a bitch!
22:20Oh!
22:22in 1992
22:24without knowing it beforehand
22:26René was hired
22:28by the Cali cartel
22:30an Argentine intermediary
22:32He fixed everything
22:33with the utmost discretion
22:35in Cali
22:36They were waiting for him at a hotel.
22:38five stars
22:39an exorbitant fee
22:41and ignorance
22:42most absolute
22:43in respect of
22:44who organized
22:45the party
22:45to which he had been invited
22:47my four nights
22:49in Cali
22:49They took me to work
22:52for 40 people
22:53It was a
22:55very decent money
22:56very important money
22:57for me
22:58I said
22:59How much money do these people have?
23:01and when it fell there
23:02were the gases
23:02Well, there was cocaine.
23:04on top of the table
23:05and I didn't know
23:05where to put
23:06nor where
23:07shoot
23:08But we had to dance
23:09We were already at the dance
23:10No?
23:11So it was an experience
23:13extremely important
23:14and me
23:16It strengthened me a lot
23:21I never hugged my wife
23:23like the night of return
23:25in Tandil
23:30How eager
23:31I went back home
23:32after seeing all that
23:34No?
23:35a drug trafficker nicknamed
23:37the chess player
23:38He was waiting sitting down
23:39on a table
23:41between champagne
23:42cocaine
23:43and women
23:43He did his show
23:45with feigned poise
23:46of someone who knows how to handle themselves
23:48in those environments
23:49He was brave
23:50the other artists
23:51were hired
23:55some didn't work
23:56and those who worked
23:58They did it trembling
23:59the comedian
24:00It didn't make anyone laugh.
24:01I even heard
24:03the comment
24:03of a gangster
24:04what he said
24:05to this comedian
24:06We would have to send it
24:08to Medellín
24:08and I felt afraid
24:09But I hid it very well.
24:11I hid it very well.
24:13to the point
24:13that they told me
24:14a cocaine office
24:15of the best
24:15me too
24:15instead of doing it like this
24:17down
24:18because he was touched by terror
24:18to those things
24:20this
24:21and
24:22and the
24:23he
24:24he
24:24the top boss
24:26to the
24:27seeing my reaction
24:28noticed
24:29and said
24:30Leave it, leave it
24:30if you don't want to
24:31Leave it, leave it
24:32from all over the world
24:34They are approaching Tandil
24:35young people who want to learn
24:37how beauty is created
24:39in wonder
24:39René
24:41He is very selective.
24:42and not many have
24:43the privilege
24:44to be his disciples
24:45René
24:47It has given me a lot
24:52Let's not forget
24:53that
24:54after a while
24:55of
24:56to begin
24:57at the academy
24:59we started to
25:00to write a book
25:01a few months later
25:03of
25:03to start learning
25:04some emerged
25:05new techniques
25:06that
25:07they became that
25:09never existed
25:10then it was necessary to
25:11learn them
25:11They had to be written
25:13and then
25:14The book thing came up
25:15and well
25:15and who writes it
25:16and we get along well
25:17and we work hours
25:18laboratory
25:19together
25:20and
25:21and well
25:22And that was it.
25:24then a product
25:24so beautiful
25:26how was it
25:26the book
25:27which is called
25:27The beauty of wonder
25:28what word
25:30teacher
25:31it would seem
25:32of young people
25:32it seemed to us
25:33what it's like to be a teacher
25:34was
25:35a higher category
25:37No
25:38to be a teacher
25:41It involves much more.
25:44the professor
25:45teaches
25:46what he learned
25:46from another teacher
25:47what gave him
25:49from a book
25:50the teacher
25:51has to
25:54attempt
25:55teach life
25:58transmit love
25:59above all
26:01René doesn't carry
26:02a deck of cards
26:03in the pocket
26:04me neither
26:05I never did it
26:06I'm not saying it's right.
26:08or what is wrong
26:08I'm saying that forces you
26:10to talk about other things
26:11and talk about other things
26:13it is often
26:14stop talking
26:15of illusionism
26:16or magic
26:16or illusionists
26:18and of magicians
26:18to begin talking
26:19from other people
26:20which are also
26:21transcendent
26:22and who are artists
26:23and that they belong to them
26:24of those we have
26:25what to learn
26:26such as
26:27listen to Beethoven
26:27in the car
26:29very good
26:29We come from the center
26:31from Tandil
26:31to Milagro Verde
26:33to the laboratory
26:34because it occurred to us
26:34an idea
26:35but we came
26:36not speaking
26:37of magic
26:38or illusionism
26:39we've been talking
26:41from an idea
26:42of a concept
26:43from a literary phrase
26:44that's coming
26:47adorning
26:47with music
26:49by Beethoven
26:50and becomes
26:51in what is
26:52the story
26:52of the war
26:53by René
26:53with which
26:54closes the show
26:56had ended
26:57the war
26:59the patrol
27:00in retreat
27:01a soldier
27:03request permission
27:04to his captain
27:05to return
27:06to the battlefield
27:07in search
27:07from a friend
27:08he is denied
27:10the permit
27:10It's useless for me to go
27:12He is dead
27:12the soldier
27:14disobeys
27:15the order
27:15and returns
27:16to the countryside
27:16battle
27:17by his friend
27:18go back to him
27:19in arms
27:19dead
27:22I told you
27:24It was useless
27:25that you were
27:27No, my captain.
27:29It was not useless
27:32when I arrived
27:33to a state
27:33alive
27:35and only
27:36said
27:38knew
27:39that you were
27:39that you were
27:39to come
27:42me too
27:43I put my soul into it
27:44here
27:44me
27:45It tires me
27:46a lot more
27:46a class
27:47one hour
27:47a disciple
27:48neither
27:49I tell him, student
27:51I call him disciple
27:52It exhausts me a lot
27:53more than a performance
27:54an hour and a half
27:54in theater
27:57It exhausts me much more
27:59because we need to convey
28:00a series of questions
28:03not only
28:04put your finger here
28:05and the other little finger over there
28:06That's manual technique.
28:09We need to convey
28:10everything else
28:11which is a world
28:12of things
28:12but in the world
28:13René has revolutionized
28:15the art of illusion
28:16because many people
28:17before René
28:21they didn't know
28:23what did it mean
28:24carry
28:24to the public
28:26to an experience
28:27through
28:28an amount
28:29of emotions
28:30and of situations
28:31Yeah
28:32illusionism
28:34would be up to the task
28:35of what it is
28:36literature
28:37of what it is
28:38the music
28:38For example
28:39we would talk
28:40by Piazzolla
28:41we would talk
28:43of Atahualpa
28:44and Piazzolla
28:45like tango
28:45and Piazzolla
28:46as folklore
28:47short
28:48Tassar
28:49as literature
28:50and René Lavant
28:51as the ambassador
28:52of illusionism
28:54Argentinean
28:54René surpasses
28:56to the great masters
28:57of magic
28:58because what's important
28:59in his art
29:00It is the alchemical formula
29:02of illusionism
29:03with a posture
29:04acting
29:04several bunches
29:06of poetry
29:06and a pinch
29:08of music
29:08but a tear
29:10on the face
29:10from a spectator
29:11It is the triumph
29:12de Lavant
29:13on the stages
29:14I can't compare
29:16to René
29:17with David Berno
29:18and with Slaidini
29:20because for me
29:21It's like comparing
29:22to a dictionary
29:23with a literary work
29:26high quality
29:27It's true
29:28that all the letters
29:30that make up
29:31a literary work
29:32classic
29:32They are in a dictionary
29:34and the words
29:34also probably
29:35but one has
29:37a value
29:38that the other one doesn't have
29:40a work has value
29:41that the other one doesn't have
29:42René has the admiration
29:44of all the magicians
29:45of the world
29:45everyone at some point
29:47have practiced
29:49a technique
29:49of his invention
29:50even David Copperfield
29:52it is declared
29:53as a fan
29:54de Lavant
29:56He came to see me
29:57work
29:58me
29:58to the Sanzu family
30:00interested
30:01because of the case
30:03and well
30:04I had it for 12 minutes
30:05that my show lasted
30:08He on the left
30:09a lady on the right
30:12and well
30:13he told me
30:15which had become
30:16in my fan
30:17I feel for him
30:19respect
30:19a man who walked
30:21to magic
30:23that's what he calls him
30:23throughout the world
30:25with category
30:26with level
30:28achieving
30:29all kinds of success
30:30No?
30:31What's the difference?
30:32you taste bad
30:33Copperfield
30:34travels with 3 tons
30:36luggage
30:36I travel
30:38with
30:3940 grams
30:42he has
30:43$2 million
30:45inside devices
30:47that deck
30:48now
30:49$5
30:51There are differences
30:52very large
30:53what do they do
30:55that does not have
30:56nothing
30:56what to see
30:57what he does
30:58with what I do
30:58and vice versa
31:00he does
31:01large devices
31:02grandiose effects
31:04and mine
31:05It is based
31:06in beauty
31:07of the simple
31:10It's difficult.
31:11which is arriving
31:11to the simple
31:12in this life
31:13No?
31:14Well
31:14I have tried
31:15always
31:16to try
31:17to get to the simple
31:18I think in the crumbs
31:19of bread
31:20I've done it
31:21and in some
31:21other things
31:22also
31:22There was a Chinese man
31:24called
31:24Lip Po
31:26century
31:27room
31:28A.D
31:30The man is already dead
31:31Hey?
31:33what they say
31:33was playing with 3 crumbs
31:35of bread
31:37while reciting
31:38his own poems
31:39I don't know
31:40I don't know how I would do it
31:41the man
31:41but I presume
31:42which would be something like this
31:42No?
31:43nothing new
31:43under the sun
31:44I don't know
31:45one sometimes believes
31:45that has created something
31:46and it was already created
31:48No?
31:50Do you know what it said?
31:51The Chinese?
31:52It said like this
31:54I take a bottle
31:55of wine
31:56And I'm going to drink it.
31:57among the flowers
31:58There are always 3 of us
32:01counting
32:02to my shadow
32:03and to my friend
32:04the moon
32:05when I sing
32:07the moon
32:07He hears me
32:08when I dance
32:08my shadow
32:10she also dances
32:11the party is over
32:12The guests
32:14They must leave
32:15I don't know
32:17that sadness
32:18when I march
32:20towards my house
32:21There are always 3 of us
32:22I am accompanied by
32:24the moon
32:24and he follows me
32:25my shadow
32:26She's pretty
32:28the question
32:28She's pretty
32:30She's pretty
32:31with everyone
32:33the end
32:35very kind
32:36thank you
32:36the end of poetry
32:37that they didn't listen to him
32:38then to see
32:39yet to be discovered
32:40or to enjoy the game
32:41each one agrees
32:43to whatever you want
32:43and desire and feel
32:44No?
32:44because there are both types
32:45of the public
32:46But the end of poetry
32:48No?
32:48Pay attention when they say
32:50And it's true.
32:51the party is over
32:53The guests
32:54They must leave
32:55I don't know
32:57that sadness
32:59when I march
33:00towards my house
33:01There are always 3 of us
33:03I am accompanied by
33:04to the moon
33:05you can turn around
33:06If you want
33:06I don't care
33:08and he follows me
33:09my shadow
33:11and he follows me
33:12my shadow
33:13and he follows me
33:14my shadow
33:17thank you so much
33:18very kind
33:19Rolando Chirico
33:21It's the letter
33:22that is hidden
33:23back
33:23of the voice
33:24of the band
33:24He is a lawyer
33:26and has written
33:27several of his stories
33:28He used to tell me stories
33:30really
33:31that had lived
33:31most
33:32of the stories
33:32are real
33:33They barely have
33:33a nuance
33:35of
33:36of ayornament
33:37let's say
33:38But these are true stories.
33:39on my first trip to Spain
33:4020 years ago or more
33:42I met one
33:43And it was in Bilbao.
33:44It wasn't in Andalusia
33:45the gypsy Antonio
33:47a short gypsy
33:48robust
33:49sallow
33:50lightning eyes
33:52he stole coins
33:54to tourists
33:55playing the musket
33:56that we call it
33:57to the threshing floor
33:58the three-card game
33:59with Spanish cards
34:01not with this obviously
34:02He was astonished
34:03with the gypsy
34:04He believed that the gypsy
34:05ultimately
34:06He was the man
34:07most honest in the world
34:08I didn't know
34:09if they guessed
34:10reciprocally
34:11And if they were pretending
34:12that could not be guessed
34:13so as not to be discovered
34:14slowly placed
34:16the king of swords
34:17so on the back
34:20and very slowly
34:21said
34:22Sir
34:23king
34:25indifferent letter
34:26and a handicap
34:27that I give him
34:28not precise
34:29handicap
34:30Gypsy
34:31is here
34:31No sir.
34:33He was wrong
34:33is here
34:36fantastic
34:39can
34:40You can repeat
34:42yes sir
34:43this time
34:43I place the king
34:44in the middle
34:44one moment
34:46Gypsy
34:46I want to see
34:47if it's in the middle
34:49and showed me
34:51that the king
34:52it was in the middle
34:53and more slowly
34:56still
34:58said
34:58letter
35:01king
35:02and handicap
35:04not precise
35:05handicap
35:05is here
35:06No sir.
35:06He was wrong
35:07is here
35:12You can repeat
35:14Gypsy
35:14I told him
35:15yes sir
35:15this time
35:16I promise
35:17that I'm going to leave
35:17to the king
35:18permanently
35:20under his control
35:22and more slowly
35:25still
35:25said
35:27indifferent letter
35:29king
35:30and indifferent letter
35:34covered with the king
35:36one of the two letters
35:38and he told me
35:39Where is the king?
35:40Sir
35:41upstairs I told him
35:42sure
35:43He was wrong
35:44Sir
35:45not gypsy
35:47if you turn it around
35:47now it is
35:48below
35:51No sir.
35:52the van
35:52He was wrong
35:53because it's not there
35:54nor above
35:55nor down
35:56is here
36:04and well
36:05this idea
36:05hand in hand
36:06who returns to take revenge
36:06in oriental literature
36:08It is also very
36:08very common
36:09There were some stories
36:11of a gentleman
36:12who lived
36:12with his hand
36:13cut
36:14he pampered her
36:14but the hand
36:15then it came to life
36:16I did it to him
36:17a thousand perversities
36:18It drove him crazy
36:19but I thought
36:20Why a hand
36:22He's coming back
36:22necessarily
36:23to get revenge
36:24and not
36:25return
36:25to meet again
36:26with its owner
36:28darling
36:28if its owner
36:28is loved
36:29and this hand
36:30by René
36:31It's a hand
36:31who wants it
36:32Well
36:32so
36:33I do it
36:34return
36:34in a rescue
36:34that's how it was born
36:35the idea
36:44The legend tells
36:47than an old man
36:48oriental magician
36:49lost
36:50his arm
36:51right
36:51at the height of their fame
36:54suffered
36:55a lot
36:56with the
36:57had delighted
36:58thousands
36:59and thousands
36:59of children
37:00and of great
37:02one day
37:04he cursed
37:05to the gods
37:05of chance
37:06and was convicted
37:08He was convicted
37:09to live
37:10in a dungeon
37:11that he could only
37:13open
37:14with his hand
37:15right
37:15years passed
37:16very cruel
37:18but one day
37:20unexpectedly
37:21It opened
37:22the door
37:23left
37:24crying
37:25with joy
37:25thinking
37:26that finally
37:27had been
37:28forgiven
37:29but it remained
37:31paralyzed
37:31the doorknob
37:34of the door
37:34hung
37:36over there
37:36his hand
37:38from those
37:39indebted
37:40memories
37:41from the past
37:41she
37:42his hand
37:43loss
37:44had come
37:46to rescue him
37:49next
37:51and making use of
37:53of magic
37:54from television
37:56Go for it, you guys.
37:58a
37:59counterpoint
38:01between both hands
38:10the left hand
38:12offers you
38:15to the right
38:21the opportunity
38:23of an elegant
38:26counterpoint
38:27carpentry
38:31the right hand
38:32is surprised
38:33But she feels safe.
38:35of herself
38:35and accept the challenge
38:37the right hand
38:38is being prepared
38:39think
38:43discerns
38:46sculpts
38:49creates
38:50and offers
38:51on the left
38:53the opening
38:56of the duel
38:56this
38:57for the purposes
38:58to prevail
38:59entry
39:00and for that reason
39:01about what
39:02the one who hits
39:02first
39:03sticks twice
39:04performs
39:05an effect
39:06fiaoso
39:15knows that
39:16has touched
39:17thoroughly
39:18right hand
39:19and hands it over
39:21the deck
39:21the right hand
39:24accuses
39:24the blow
39:25but
39:26taking advantage
39:27of the ones with hearts
39:28counterattacks
39:29this way
39:34this
39:35he goes on guard
39:37The letters interlock.
39:44online
39:53and emulating Serrano
39:56arrives
39:57by hand
39:59left
40:02in depth
40:04accurate
40:07and it was
40:09on the left
40:12the left hand
40:13She is injured
40:14but it is known
40:16sinister
40:17and it is not delivered
40:18only with
40:20six cards
40:21three red ones
40:23and three black ones
40:24It can't be done
40:26Slower
40:27black
40:29here
40:30black
40:31here
40:32and black
40:34here
40:34correct
40:36red
40:38red
40:40and red
40:41red
40:43black
40:45red
40:46black
40:47red
40:48and black
40:51It can't be done
40:53It can't be done
40:54Slower
40:54the right hand
40:56he gets restless
40:57but
40:59without changing
41:00thematic
41:02just change
41:04of technique
41:04a black letter
41:06here
41:07another black card
41:09further
41:09here
41:10it will not be possible
41:11nor do
41:12Slower
41:13and another letter
41:14black
41:15further
41:15here
41:16red
41:16red
41:17red
41:19black
41:22red
41:23black
41:25red
41:26and black
41:27it can't be done
41:29do
41:29Slower
41:30the left hand
41:32reply
41:34in a true
41:35challenge
41:36this time
41:37with some cards
41:39face up
41:40and others face down
41:42because
41:43because there is nothing
41:45more bewildering
41:47that the truth
41:51red
41:52black
41:54red
41:55black
41:57red
41:58black
42:00it can't be done
42:02do
42:03evil
42:03the right hand
42:08searching
42:10a crescendo
42:12He does it
42:14with all
42:15the letters
42:16face up
42:16black
42:17red
42:20black
42:21red
42:22black
42:22and red
42:24it can't be done
42:26do
42:26evil
42:26and without giving
42:29truce
42:31taking advantage
42:33the colors
42:34separated
42:34of the
42:36immobility
42:37total
42:40inserts
42:41the colors
42:43So
42:44one
42:46to one
42:49the left hand
42:51is irreversibly
42:54loss
42:55but he knows
42:56that nothing is easy
42:58on the path of art
43:00and that there are no stories
43:03of lazy artists
43:07release all the blood
43:11shows the intercrossing
43:13of the letters
43:14in a mixture
43:15perfect
43:16but fate
43:18that sometimes
43:20so cruelly
43:22It takes away from us
43:22and sometimes
43:23so generously
43:24it gives us
43:26awards
43:28to the left hand
43:32definitely
43:36definitely
43:40and it couldn't be done
43:42Slower
43:54heartfelt wish
43:55I hope you liked it
43:57this illusion
43:59if that were not the case
44:02will be valid
44:03at least
44:03for me
44:05for two reasons
44:07first
44:07because thanks
44:08to magic
44:09from television
44:10I have found myself again
44:12with my right hand
44:13and second
44:15because the public
44:17of the world
44:17They are for me
44:20the key
44:22that opened
44:23my dungeon
44:24forever
44:34what I highlight most
44:36is what he has done
44:37is creating a language
44:38without realizing it
44:40has created a language
44:41if one takes
44:42a basic definition
44:44of language
44:44as a system
44:45of symbols
44:46that represent
44:47everyday objects
44:48and that is used
44:48to communicate
44:50one notices immediately
44:51that he created a language
44:52to talk
44:53of the aesthetic phenomenon
44:54fairly
44:54natural languages
44:56this
44:57spoken language
44:57written language
44:58They're useless
44:59Heidegger said
45:00when one wants to talk
45:01of the good
45:01of beauty
45:02the words
45:03I can't say
45:04How beautiful is an opera
45:05I can't say
45:06How lovely is a melody
45:07I have to live
45:08the emotion
45:09the intensity
45:09Moore said
45:10look
45:11to understand
45:11the artistic phenomenon
45:12one must have
45:12the present object
45:14the right experience
45:15and critical knowledge
45:16and Heidegger
45:17I would have told him
45:18look
45:18Moore with this
45:19He knows nothing
45:20Heidegger said
45:21we went over
45:2220 centuries
45:22talking about values
45:23without advancing
45:24one step
45:26because we are using
45:27to talk about values
45:27this natural language
45:28everyday language
45:31we are trapped
45:32Heidegger said
45:32in the cage of language
45:33that prevents us
45:34to talk about aesthetic value
45:35and prevents us from speaking
45:36of moral values
45:37Well, René opened the door
45:39from that cage
45:39Chupanqui told me one day
45:41We artists don't work
45:43fellow countrymen René
45:44We artists prepare ourselves
45:47yes indeed
45:48permanently
45:49for entertainment
45:51amuse
45:51thrill
45:53those who work
45:54to the public
45:55I think he was right
45:57I liked it a lot
45:58at least the concept
45:59I think that
46:00at recess
46:02of the public
46:03There we are
46:04the artists
46:05But be prepared.
46:06That's why I don't like it
46:07call it
46:08the work
46:08what I do
46:09I want to be remembered
46:11as a person
46:13normal
46:13What stupid ambition
46:15mine
46:16I don't have any of that
46:19Well
46:19like a
46:21good father
46:22in the essentials
46:23like a good husband
46:24in the essentials
46:25and like a friend
46:27a noble friend
46:28in the essentials
46:30That's how I want to be remembered
46:31if the magic of video
46:33It makes me remember
46:35the artistic part
46:36Well
46:37It will be a postponement
46:39of artist
46:40which allows me
46:41this wonderful technique
46:43from television
46:44this opportunity
46:45that you
46:45They're offering me now
46:48thank you
47:17thank you
47:18thank you