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Young Sherlock S01E04 [Full Movie] [Ranked]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait!
02:29Run!
02:33Sherlock!
02:48shall we take the floor
02:55no i never was very good at this you did try to teach me
03:00you always had two left feet still do
03:03one two three one two three one two three one two three
03:08look at me mother just us
03:10you me and the music
03:42you're coming out
03:50See how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:14Hey son, I'm looking forward, you're aiming backwards, I'm sure I'm sure.
04:23Have you had enough?
04:25Are you feeling rough?
04:28Thought you'd start hard, well if you'd walk.
04:36I'm waiting.
04:39Right here now, I'm waiting.
04:43For so long, for so long, for so long, to take me, to take me over.
04:52Please, days I've forgotten, now we're so lonely, should be forgotten, how did you feel?
05:19You've got an appointment, princess.
05:49Next side, lads!
05:51Your neck won't snap, and then you'll be left slowly choking.
05:55It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
05:59Eckstein, I'd guess. Seven foot, ten inch drop.
06:03Did you know that the first account of execution by hanging is in Homer's Odyssey?
06:08No, I did not know that, sir.
06:09Is this supposed to intimidate me?
06:12No, it's supposed to kill you.
06:13I know about British justice.
06:15You're not allowed to play both judge and executioner.
06:19Shall we go?
06:25In five, in four...
06:29Are you counting down?
06:30Why are you killing my scientists?
06:34In three...
06:35Handler!
06:37I work for a handler.
06:40And he works for?
06:41Not my place to ask, only my place to light the fuse, so walk away.
06:45In two...
06:47I receive instructions.
06:49I'm a hired gun, that is all.
06:52Then you're of no further use to me, in one.
06:54What the hell are you doing?
06:56I think you'll find I don't answer to you, Mycroft.
06:58We don't torture prisoners, sir.
07:01There are rules, protocol.
07:03This woman is trying to destroy me, and I will have my satisfaction.
07:08And you have every right, sir.
07:10Every right, but consider this, if you would.
07:14You're out of favor with the foreign secretary, are you not?
07:17Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
07:22May I remind you, she is our only link to whoever is killing your scientists, sir.
07:31I was merely endeavouring to loosen her lips.
07:33But we are Englishmen.
07:35It has to mean something.
07:37And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
07:41Your absurd sense of fair play.
07:48Loosen the ropes.
07:53Loosen the ropes.
08:46Loosen the ropes.
09:00I'm afraid there's going to have to be some changes around here.
09:04I'm needed abroad, on an expedition, by Croft.
09:10I've arranged a government clerkship for you in London.
09:13Thank you, Father.
09:16Sherlock.
09:19I know you're not going to want to hear this, but your mother and I think it's best if you
09:24went to boarding school.
09:31I know you're not going to.
09:31I don't want to leave.
09:34I don't want to leave.
09:35Be strong, my boy.
09:48mother
09:50my hair
09:52oh
09:54oh you brought me home
10:11you're safe now
10:25yes let's get you sat down and i'll light the fire
10:27oh no mother mother this is james james moriarty he's a friend of mine
10:32hello
10:33oh i'm so glad
10:35darling charlotte never had any friends
10:38oh really
10:41well it's a pleasure to meet you mrs holmes
10:44darling
10:46can you hear that music
10:48oh that sound
10:53that's you
11:04you
11:05be
11:05oh beatrice
11:08oh my darling
11:29why are you running away from me
11:33bee
11:34where are you running off to
11:38i want to crown you
11:41i want to crown you
11:43come
11:50beatrice
11:51bee
11:53beatrice
11:55perhaps
11:57perhaps we should sit down for a moment mother
12:01all right
12:01let's uh let's take a seat
12:15she is absolutely exhausted
12:17will you like her she needs warmth rest and food
12:20yes
12:20charlotte where is your father in all of this
12:23this shouldn't all be on your shoulders
12:25he's in vienna
12:26he's a busy man
12:27it's all right
12:28i'm here
12:30and i'm dealing with this
12:32what
12:32by breaking her over to the asylum
12:36they were recording her in there james
12:38they were listening to every single word she said
12:40i had no choice
12:40and shuan knew about
12:42there's a man with a bird's claw
12:43he's coming back for me
12:46how did she know
12:51charlotte
12:54mother
12:57mother
13:01mother
13:18mother
13:19mother
13:20mother
13:20mother
13:26mother
13:28I have to find her!
13:31She's not him!
13:32She's not him!
13:33She's not him!
13:36She's not him!
13:49Well done.
13:50Let's get you warm and dry.
13:57Stop right there!
13:58You are not taking a...
13:59Master Holmes!
14:01Crowell.
14:03I do apologize.
14:04I heard the commotion.
14:06Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11You too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell. I rather need his help.
14:25Yeah, of course.
14:32For your head.
14:39What?
14:40What trouble is his worth?
14:42The electric shock has clearly fried your faculties, Philpott.
14:47No Cordelia Holmes.
14:49No money.
14:51I rather like money.
14:54Do you follow?
14:59Find her.
15:02And quickly.
15:05As you wish.
15:08Sir.
15:16Razor talons.
15:18Razor talons.
15:19Sharp as knives.
15:20So vivid.
15:24Sweetheart.
15:25There is nothing you can do.
15:27He is coming back for me.
15:28The man with the bird's claw.
15:30Who is it you talking about?
15:31Mrs. Holmes.
15:34Right, stand by, please.
15:35Let's, um, not grab a patient.
15:40Hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry, we're going to get you brighter's reign.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else.
16:00Something to clear the fog a little.
16:02It's all right, Mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:07I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:16Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better.
16:23Yes, I believe that she will, but that's not what I'm referring to.
16:27Sue Ann knows about those recordings.
16:29Now, we don't know whether she's responsible for them,
16:31but either way, this does connect your mother to the murders in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person, hmm?
16:51Bird's claw.
16:52It's a phrase, or a place, or a thing.
17:03Perhaps it's some sort of crest. The bird's claw.
17:06Good, good.
17:07Good.
17:07So whose crest?
17:09Someone at the asylum?
17:11Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:39The best thing in nature.
17:43For drowning your sorrows.
17:48Or raising your joy.
18:00God knows a wonder.
18:21I've seen it somewhere.
18:22Where am I seeing it?
18:26I don't know.
18:28I don't know.
18:28I don't know.
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane.
18:42Yes.
18:43Has a bird's claw.
18:45All right.
18:47Bravo.
18:49So if I am correct, if it is Malik, what's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:08I've got to be hungry after the night you've had.
19:11Yes.
19:11Thank you, Mrs. Crow.
19:12That's very, very thoughtful.
19:14But we need to pop into town for a few hours, so I'll need you to look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:38Thank you, Mrs. Crow.
19:39Thank you, Malcolm.
19:40Thank you, Mrs. Crow.
19:41Thank you, Mrs. Crow.
19:42Stolen.
19:45Or road.
19:46Lovely.
19:48From the asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a power-croy from a pocket watch.
20:01Oh!
20:03Would you stop creeping up on me?
20:07Well, what is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29I can't imagine what Father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Hm?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane.
20:46The man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance she's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolish.
21:15Witless was the word I used.
21:16I then went and checked with Father.
21:17And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a half-wit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malick has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malick now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:16There.
22:21Ten minutes.
22:24With Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:36Mr. Patton!
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft.
22:46What's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very... intense.
23:00Hmm.
23:03How was he like, as a small boy?
23:07Well...
23:08Growing up in the same house.
23:12Yes, I can only imagine.
23:19No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:30Wars, famine, that sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid.
23:43Without you.
23:44You mind if I sit?
23:45Please.
23:46Take the royal throne.
23:50Thank you, princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:12First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malik.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw.
24:38Clearly a reference to his walking cane.
24:41That was Malik.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm worrying all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house.
24:59Do you think it's possible Malik is still there?
25:02Imagine if we combined our talents.
25:06You want Malik?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:16You, on the other hand, want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malik works for me.
25:46Why am I thrilled he be at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malik's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:03Professor Malik.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22Of Her Majesty's Empire.
26:24Don't take the Empire for granted.
26:28Remain. Live to regret it.
26:30Sharing your speech, sir.
26:32I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fella had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malik had a conveniently life-saving desire to urinate,
26:49I think it fair to say he knew the bomb would go off a date.
26:52If he is in this safe house, sir, and if he is indeed working against your interests,
26:57wouldn't you rather know?
27:00Let's go, Councilman.
27:02Front and back doors are sealed with plate metal.
27:05Bars on the windows half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:21And you can find Malik yourself.
27:40Why are you doing this?
27:42Because there's a chance it keeps me alive.
27:45No, why are you after Malik?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:04The code is Hydras.
28:07Seventeen stars in the southern sky.
28:21Well I think it's the same path as an officer.
28:27You know what's your charge?
28:27Gee, I'll drink hang hang hang hang hang
28:40of se knsomething movies.
28:40Fairness is he is the same way ever.
28:42It's Jakarta.
28:42You know I think it's not that easy.
28:42There she haseld.
28:43Now what does it mean?
28:43You know I am that again.
28:44There shears in there.
28:46You know I have to fear.
28:48You know I don't get it.
28:53don't force my hand
28:57right come on
29:00thank you
29:01no thank you
29:05Malik
29:19I love you
29:20my lord
29:22my lord
29:24my lord
29:24my lord
29:25my lord
29:25my lord
29:27my lord
29:27my lord
29:28my lord
29:29my lord
29:29my lord
29:30my lord
29:35may i present to you
29:37the real princess shua
29:40your highness sir
29:41bucephalus hodge
29:42i only wish that our first meeting
29:44had been under more
29:45celibrious circumstances
29:47trust me when i tell you that i have spent no expense in my search for you
29:51roche
29:52send a wire immediately to the foreign secretary
29:55roche
29:57be sure to tell him i found her
29:59yes sir
30:00this is where i saw professor Malik listening
30:08sherlock
30:10your mother
30:12all of her recordings
30:13thanks
30:26i had a little pony
30:28his name was dapple gray
30:30i lent him to a lady
30:31to ride a mile
30:32she ripped him
30:34and she slashed him
30:35my sin
30:37my sin
30:38my sin
30:38my sin
30:39my sin
30:40my sin
30:42my sin
30:52i am so sorry
30:55why would anybody want to do this while you were detained by these nefarious individuals did you
31:01by any chance happen to see this man no you say i knew he would never have been embroiled in
31:13this
31:13unsavory business mycroft you see unlike you professor malik understands the meaning of
31:18yes you recognize his name yes they mentioned him perhaps you miss her i did not
31:23only yesterday they talked of visiting him your highness did they say where at abton behind the
31:32locks that's all i heard
31:39sherlock all of these are transcripts of the recordings
31:44her entire life is laid out in here this is a record of her visitors myself my brother my father
31:55there's a lawson jaggers a lawyer is that someone you know no when did jaggers last
32:01visit friday august 11th 10 o'clock that page has been torn out of the transcriptions august
32:20mr. jaggers here to see you this is her name so charming to see you again i'll leave you two
32:29to talk
32:34new rooms i see very nice now perhaps you might continue with our our previous matter of business
32:52it's been scratched the cylinder it's sabotaged someone must have been rather keen to make sure
32:57we don't find out what's on them ah sherlock what's all this
33:08the recordings of our mother all of them
33:18well why would someone do this to our sherlock we are working on that we have a lead on the
33:24potential
33:24whereabouts of professor malik um obviously hodge wants to pursue it himself but no you find professor
33:31malik right you find out why he's been doing this mycroft you have my word and we will pay a
33:36visit
33:36to this lawson jaggers fellow and see what business he's had with our mother wait where is she
33:49she she was here just a moment ago damn you herms if she's escaped you'll be held personally
33:54responsible well i have men and all the doors there's no way she could have got out
33:57how could she have possibly slipped wait
34:01i say consider yourself my hunting hand don't bring her back
34:22this is why she brought us here you're an idiot holmes she duped you
34:26get out of the way
34:28hey stop
34:46stop right there
35:18there is no
35:19abdon on the map she said behind the locks now could it be somewhere on the canal
35:24would abdon be the name of the boat we keep a register of boats and vessels somewhere where
35:29is o'shea we hasn't reported back yet sir this is becoming a bloody fiasco find professor malik
35:35damn it man thinks he can betray me or rip his bloody head off might i ask exactly what the
35:40princess said sir she said they were meeting professor malik at abdon behind the locks
35:47abdon and senon they're ancient catholic martyrs if i may there's a ruined medieval abbey not far from
35:56oxford it was once dedicated to them behind the locks the locks of marion an old relic believed to have
36:04been
36:04been kept at the abbey according to legend it was the hair of mary mother of jesus
36:10well i never edie how did you know this my father encouraged me to read sir
36:16why don't you know this my cross
36:18oh a little scratchy on my esoteric christian martyrs sir
36:25where is this ruined abbey
36:28there sir
36:28shuan's making a good habit of beating you
36:31nonsense
36:33as a matter of fact i think you'll find i helped her to regain her liberty
36:37oh i see so you knew about the passenger you knew she was going to escape
36:41i simply decided the world was a more interesting place with her in it
36:45mm-hmm
36:47a lot of shite
36:55ah
36:56last of jaggers i swear
37:07smells interesting
37:08smells interesting
37:21are you all ready
37:27there's more than one way to skin a cat james
37:30well
37:31this is how i like to skin my cats
37:52oh dear lord
37:55mr larson jaggers the square
37:57this is how
37:58it's not charming to see you
38:05that blood
38:08sign of a struggle
38:11he got in the scrap
38:17so someone erases his conversations with my mother
38:20and then he finds himself unceremoniously erased
38:23a rather convenient suicide
38:25don't you think
38:28diaries
38:29i tell you what business he had with your mother
38:31i am going to report this
38:33to the police
38:34yes
38:35do their jobs for them
38:36because i have been suspected of murder before and i would rather it didn't happen again
38:40syndica says the problem with this life is not that it's short
38:45it's that we waste an awful lot of a dick in a boat
38:48please
38:49yes
38:49yes
38:49yes
38:58yes
38:59yes
39:20I'd like to report a death Lawson Jaggers solicitor for Alba Lane and you
39:28are Sherlock Holmes Holmes we have a wire for you sure
40:00requires help she needs to be somewhere she can be cared for I'm so sorry Sherlock I was only gone
40:04for a moment don't you worry Crow they won't be taking her anyway I believe you'll find I have
40:09jurisdiction over her and I believe you'll find I have jurisdiction over this
40:21is the double barrel 12-bore hammer gone not persuasive enough for you
40:27let her go thank you we're only acting in her best interests
40:34you knew didn't you you knew about the recordings about Professor Malik
40:40why did he do it you'll have to ask him I was merely paid to look the other way
40:47I am so sorry mother I'm so sorry I should never have loved you
40:53can I respectfully suggest that you'll fuck off
41:17you're quite sure this is the place quite sure sir
41:28Mr. Stroud I wanted on the record that I was the one who blew this case wide open
41:32yes of course sir
41:36I think I saw movement by the church sir
41:46I wish to be the one to apprehend him
41:48very good sir
42:41What day to Becephalus?
42:43Kishore Malik.
42:45Oh, it's true.
42:47Oh, my very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't quote the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, will be forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:56Take your hand out of your pocket, man.
44:10Hodge.
44:11Hodge!
44:17Right, stand out!
44:18Man, it can't have gone far!
44:21Hodge!
44:22Hodge!
44:23Has he been shot?
44:26There's, there's, there's no blood.
44:30There's no bullet hole, nothing.
44:33Serbiussepolis?
44:34Oh.
44:37He's not, he's not breathing.
44:43He's dead.
44:50Gons and hot tuddies.
44:52Jesus, you're a woman after my own heart, Mrs. Crow.
44:56Mrs. Crow, thank you.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:07Oh, James.
45:10It was such a tonic.
45:13So what now?
45:17We're still no closer to figuring out why you were involved in any of it.
45:24The likelyest explanation is always discipline.
45:27He's coming back.
45:28Our previous matter of business is.
45:30I was merely paid to look the other way.
45:41Done.
45:47Sherlock, my boy, I heard you had a spot of bother.
45:55There's a man going round, taking names, and he decides who to free and who to blame.
46:05Everybody will be treated all the same.
46:10There will be a golden ladder reaching down.
46:16When the man comes around, the hairs on your arm will stand up at the terror in each sip and
46:30in each suck.
46:32Will you partake of that last offered cup or disappear into the potter's ground when the man comes around?
46:47The whirlwind is in the thorn tree.
46:52It's hard for thee to kick against the pricks.
46:57In measured a hundred weight and penny pounds.
47:03When the man comes around when the man comes around.
47:16And I heard a voice in the midst of the four beasts.
47:32And I heard a voice in the midst of the two beasts.
47:32I heard a voice in the midst of the two-lap.
47:32In the midst of the two-lap.
47:33In that way, it's hard for you to core and stun.
47:49But I think it's hard to control the other one.
47:50For me to be careful with the top of the two-lap.
47:50The fear of a birdle, the person who's on one-ponding, one-ponding, one-ponding, one-ponding, one-ponding, one
47:55-ponding, two-ponding, two-ponding, two-ponding, one-ponding, two-ponding, two-ponding.
48:00And after that one thing we were projected on,
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