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Young Sherlock S01E04 [Full Movie] [Latest Version]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait!
02:29Run!
02:33Sherlock!
02:34Come on.
02:37Come on.
02:39Come on.
02:40Come on.
02:41Come on.
02:42Come on.
02:43Come on.
02:44Come on.
02:45Come on.
02:48Shall we take the floor?
02:54Now, I never was very good at this.
02:57You did try to teach me.
03:00You always had two left feet.
03:02Still do.
03:03One, two, three.
03:04One, two, three.
03:06One, two, three.
03:07One, two, three.
03:08Look at me, Mother.
03:09Just us.
03:11You, me, and the music.
03:17Oh, my God.
03:50I see how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:09One, two, three.
04:11One, two, three.
04:12One, two, three.
04:13One, two, three.
04:14Hey, son.
04:16I'm looking forward.
04:18You're aiming backwards.
04:21Of course I'm sure.
04:23Have you had enough?
04:25Are you feeling rough?
04:28Thought you started.
04:30Well, it feels wrong.
04:31If you're so warm.
04:36I'm willing.
04:40I'm willing.
04:40Right here now.
04:41I'm willing.
04:43For so long.
04:45For so bad.
04:47To take me, to take me over
04:51These days I've forgotten
04:58Now we shall go there
05:03To be forgotten
05:06How did you disappear?
05:19You've got an appointment, Princess
05:42Two butchers
05:44What?
05:45Your wine
05:46Just approximate
05:48To the drop
05:50Because if the rope's too short then your neck won't snap and then you'll be left slowly choking
05:55It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
05:59Einstein, I'd guess
06:00Seven foot ten inch drop
06:03Did you know that the first account of execution by hanging is in Homer's Odyssey?
06:08No, I did not know that, sir
06:10Fascinating
06:10Is this supposed to intimidate me?
06:12No, it's supposed to kill you
06:13I know about British justice
06:15You're not allowed to play both judge and executioner
06:18Here we go
06:25In five
06:28In four
06:29Are you counting down?
06:30Why are you killing my scientists?
06:33In three
06:35Handler
06:37I work for a handler
06:40And he works for?
06:41And he works for?
06:41Not my place to ask
06:42Only my place to light the fuse and walk away
06:45In two
06:47I receive instructions
06:49I'm a hired gun
06:50I'm a hired gun
06:50That is all
06:52Then you're of no further use to me
06:53In one
06:54What the hell are you doing?
06:56I think you'll find I don't answer to you, Mycroft
06:58We don't torture prisoners, sir
07:01There are rules
07:02Protocol
07:03This woman is trying to destroy me and I will have my satisfaction
07:08And you have every right, sir
07:10Every right
07:11But consider this if you would
07:14You're out of favour with the foreign secretary, are you not?
07:17Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
07:22May I remind you, she is our only link to whoever is killing your scientists, sir
07:30I was merely endeavouring to loosen her lips
07:33But we are Englishmen
07:35It has to mean something
07:37And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
07:41Your absurd sense of fair play, hm?
07:48Loosen the ropes
08:15Loosen the ropes
08:26Alas
08:26Paul Leon
08:29I am near for a shift
09:00I'm afraid there's going to have to be some changes around here.
09:04I'm needed abroad on an expedition by Croft.
09:09I've arranged a government clerkship for you in London.
09:13Thank you, Father.
09:18Sherlock, I know you're not going to want to hear this,
09:21but your mother and I think it's best if you went to boarding school.
09:31I don't want to leave!
09:35Be strong, my boy.
09:48Mother?
09:51Where are you?
09:54Oh.
10:02Oh, you've brought me home.
10:11You're safe now.
10:25Yes, let's get you sat down and I'll light the fire.
10:27Oh, who's that?
10:28No, mother, mother.
10:29This is James, James Moriarty.
10:31He's a friend of mine.
10:32Hello.
10:33Oh, I'm so glad.
10:35Darling, Sherlock never had any friends.
10:38Oh, really?
10:41Well, it's a pleasure to meet you, Mrs. Holmes.
10:45Darling, can you hear that music?
10:48Oh, that sound.
10:53That's you!
11:05Oh, Beatrice.
11:10Oh, my darling.
11:13Oh, my darling.
11:29Why are you running away from me?
11:33Bea!
11:35Where are you running off to?
11:38I want to crown you.
11:41I want to crown you.
11:43Come!
11:47Come on, me, mummy.
11:50Beatrice!
11:51Bea?
11:53Beatrice?
11:56Perhaps...
11:57Perhaps we should sit down for a moment, mother.
12:01All right.
12:02Let's, uh, let's take a seat.
12:07Ah.
12:15She is absolutely exhausted.
12:17Will you like her?
12:18She needs warmth, rest, and food.
12:20Yes, Sherlock, where is your father in all of this?
12:23This shouldn't all be on your shoulders.
12:25He's in Vienna.
12:26He's a busy man.
12:28It's all right.
12:29I'm here.
12:30And I'm dealing with this.
12:32What?
12:33By breaking her over to the asylum?
12:36They were recording her in there, James.
12:38They were listening to every single word she said.
12:40I had no choice.
12:41And Shuan knew about it.
12:42There's a man with a bird's claw.
12:44He's coming back for me.
12:46How did she know?
12:51Sherlock.
12:54Mother!
13:02Mother!
13:02Mother!
13:18Mother!
13:20Mother!
13:26Mother!
13:28Mother!
13:28I have to find her!
13:31She's not him!
13:32She's not!
13:34She's got him!
13:36I need to break her!
13:48Well done. Let's get you warm and dry.
13:57Stop right there! You are not taking a-
13:59Master Holmes!
14:01Crowell.
14:03I do apologize.
14:04I heard the commotion.
14:05Yes.
14:07Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11You too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell. I rather need his help.
14:25Yeah, of course.
14:33For your head.
14:40What?
14:41What trouble is she's worth?
14:42The electric shock has clearly fried your faculties, Philpott.
14:47No Cordelia Holmes, no money.
14:51I rather like money.
14:54Do you follow?
14:59Find her.
15:02And quickly.
15:05As you wish.
15:08Sir.
15:16Razor talons.
15:18Sharp as knives.
15:20So vivid.
15:24Sweetheart.
15:25There is nothing you can do.
15:27He is coming back for me.
15:28The man with the bird's claw.
15:30Who is it you talking about?
15:31Mrs. Holmes.
15:34Right.
15:34Stand by, please.
15:35Let's, um, not grab a patient.
15:40Hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry.
15:48We're going to get you bright as rain.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else.
16:00Something to clear the fog a little.
16:02It's all right, mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:07I want you to take
16:08two of these with some water, please.
16:13Here we go.
16:15Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better?
16:23Yes, I believe that she will.
16:25But that's not what I'm referring to.
16:27Julian knows about those recordings.
16:29Now, we don't know whether she's responsible for them.
16:31But either way, this does connect your mother to the murders in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person, hmm?
16:51Bird's claw.
16:52It's a phrase, or a place, or a thing.
17:03Perhaps it's some sort of crest.
17:05The bird's claw.
17:06Good.
17:07Good.
17:07So whose crest?
17:09Someone at the asylum?
17:10Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:39The best thing in nature.
17:43For drowning your sorrows.
17:48Or raising your joy.
18:00God knows a wonder.
18:21I've seen it somewhere.
18:22Where am I seeing it?
18:26I don't know.
18:28I don't know.
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane.
18:42Yes.
18:43Has a bird's claw.
18:45All right.
18:47Bravo.
18:48Oh.
18:49So if I am correct.
18:50If it is Malik.
18:51What's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:08I thought you'd be hungry after the night you've had.
19:11Yes.
19:11Thank you, Mrs. Crow.
19:12That's very, very thoughtful.
19:14But we need to pop into town for a few hours.
19:16So I'll need you to look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford police station.
19:32James?
19:34A man can't think on an empty stomach.
19:38Thank you, Mrs. Crow.
19:39Thank you, Mrs. Crow.
19:40Thank you, Mrs. Crow.
19:41Thank you, Mrs. Crow.
19:42Stolen.
19:44Poor road.
19:46Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a flower cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:06Well?
20:08What is it?
20:12You did what?
20:13Mycroft.
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29I can't imagine what father's going to say.
20:30I would imagine he'd be pleased.
20:31That one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Hmm?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane.
20:46The man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance she's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolish.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:17And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the Tarantella.
21:23And you called me a half-wit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding onto a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:41She's mentioned the man with the bird's claw.
21:44Professor Malik has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malik now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:16There.
22:22Ten minutes.
22:24With Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:36Mr. Patton.
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very...
22:59intense.
23:00Hmm.
23:03How was he like, as a small boy?
23:07Well...
23:08Growing up in the same house.
23:12Yes, I can only imagine.
23:19No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:31That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit,
23:41life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please.
23:46Take the royal throne.
23:52Princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22What?
24:22The recordings.
24:25You had access to them.
24:26Oh.
24:27Lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw?
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51They're worrying all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house?
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand,
25:18want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here
25:40until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why am I through to be at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22For her majesty's empire.
26:24Don't take the empire for granted.
26:28We may live to regret it.
26:30During your speech, sir.
26:32I thought it odd at the time.
26:33Why would anyone leave my speech?
26:36I assumed the poor fella had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malick had a conveniently life-saving desire to urinate,
26:49I think it fair to say he knew the bomb would go off a date.
26:52If he is in this safe house, sir,
26:54and if he is indeed working against your interests,
26:57wouldn't you rather know?
27:00Let's go, councilman.
27:02Front and back doors are sealed with plate metal.
27:05Bars on the windows half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:22And you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:04The code is Hydras.
28:0717 stars in the southern sky.
28:20You don't trust me.
28:23You don't trust me.
28:24You don't trust me.
28:24That's a 잘못icman.
28:24Why are you doing this?
28:25You don't trust me.
28:26I don't trust him, but you don't trust me this way.
28:27Maybe he's trying to fit her.
28:27I don't trust you.
28:30You don't trust me.
28:34You don't trust him.
28:39You don't trust me.
28:47All yours.
28:53Don't force my hand.
28:57Right, come on.
29:02No, thank you.
29:05Malik.
29:17No, no, no, no, no.
29:21Se comme, pas de neuf.
29:24Sonia foule neuf.
29:26Sonia foule neuf, sonia fuoule neuf.
29:30Moïse ...
29:33Moïse ...
29:35May I present to you the real Princess Shua.
29:40Your Highness Sir Bucephalus Hodge,
29:42I only wish that our first meeting had been under more celibrious circumstances.
29:47Trust me when I tell you that I have spent no expense in my search for you.
29:51Roche, send a wire immediately to the Foreign Secretary.
29:56Roche, be sure to tell him I found her.
30:00Yes, sir.
30:00This is where I saw Professor Malik listening.
30:08I can't believe it.
30:10Your mother.
30:12All of her recordings.
30:26I had a little pony.
30:28His name was Dapple Grey.
30:30I lent him to a lady to ride a bike.
30:32She ripped him, and she slashed him, and she raped him.
30:37The biggest!
30:52I'm so sorry.
30:55Why would anybody want to do this?
30:58While you were detained by these nefarious individuals, did you by any chance happen to see this man?
31:09No.
31:10You say I knew he would never have been embroiled in this unsavory business, Mycroft.
31:15You see, unlike you, Professor Malik understands the meaning of loyalty.
31:18Yes.
31:19You recognize his name?
31:21Yes, they mentioned him.
31:22Perhaps you misheard.
31:23I did not.
31:24Only yesterday they talked of visiting him.
31:27Your Highness, did they say where?
31:30At Abdon.
31:31Behind the locks.
31:34That's all I heard.
31:39Sherlock, all of these are transcripts of the recordings.
31:44Her entire life is laid out in here.
31:48This is a record of her visitors.
31:50Myself, my brother, my father.
31:55There's a Lawson Jaggers, a lawyer.
31:58Is that someone you know?
31:59No.
32:00When did Jaggers' last visit?
32:03Friday, August 11th, 10 o'clock.
32:06Sherlock, that page has been torn out of the transcriptions.
32:09August 11th?
32:1110 o'clock?
32:12Yes.
32:20Mr. Jaggers here to see you.
32:24This is Holmes.
32:27You're charming to see you again.
32:28I'll leave you two to talk.
32:32Hmm.
32:34New rooms, I see.
32:36Very nice.
32:38Now, perhaps you might continue with our previous matter of business.
32:43Yes.
32:44Yes.
32:45Yes.
32:45Yes.
32:46Yes.
32:46Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:48Yes.
32:48Yes.
32:48Yes.
32:48Yes.
32:48Yes.
32:52It's been scratched.
32:53The cylinder.
32:54It's sabotaged.
32:55Someone must have been rather keen to make sure we don't find out what's on them.
32:58Ah, Sherlock.
33:00What's all this?
33:08The recordings.
33:10Of our mother.
33:13All of them.
33:18Well, why would someone do this to our, Sherlock?
33:21We are working on that.
33:22We have a lead on the potential whereabouts of Professor Malick.
33:26Um, obviously, Hodge wants to pursue it himself, but...
33:30No, you find Professor Malick.
33:32Right.
33:32You find out why he's been doing this, Mycroft.
33:34You have my word.
33:35And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
33:39our mother.
33:40Wait, who's there?
33:40Where is she?
33:43Suano.
33:44Not the hell her real name is, where is she?
33:49She...
33:50She was here just a moment ago.
33:52Damn you, Holmes.
33:52If she's escaped, you'll be held personally responsible.
33:55Well, there you have men and all the doors.
33:56There's no way she could have got out.
33:58How could she have possibly slipped?
33:59Wait.
34:01I say, consider yourself my hunting hound.
34:04Don't bring her back.
34:21This is why she brought us here.
34:24You're an idiot, Holmes.
34:25She duped you.
34:27Get out of the way!
34:30Hey!
34:31Get out!
34:33Get out of the way!
34:36Out of the way!
34:38Come on!
34:40Come on!
34:48Stop right there!
35:08There is no...
35:08There is no...
35:15There is no...
35:18there is no abdon on the map she said behind the locks now could it be somewhere on the canal
35:24would abdon be the name of the boat we keep a register of boats and vessels somewhere where
35:29is o'shea we hasn't reported back yet sir this is becoming a bloody fiasco find professor malik
35:35damn it man thinks he can betray me or rip his bloody head off might i ask exactly what the
35:40princess said sir she said they were meeting professor malik at abdon behind the locks abdon
35:48and senon they're ancient catholic martyrs if i may there's a ruined medieval abbey not far from
35:56oxford it was once dedicated to them behind the locks the locks of marion an odd relic believed
36:04to have been kept at the abbey according to legend it was the hair of mary mother of jesus
36:09well i never really how did you know this my father encouraged me to read sir
36:16why don't you know this micro oh a little scratchy on my esoteric christian martyrs sir
36:25where is this ruined abbey there sir shuan's making a good hammer beating you nonsense as a matter of
36:34fact i think you'll find i helped her to regain her liberty i see so you knew about the passenger
36:39you knew she was going to escape i simply decided the world was a more interesting place with her in
36:45it
36:45mm-hmm what a lot of shite
36:56ah last of jaggers i swear
37:07smells interesting
37:21are you all ready
37:27there's more than one way to skin a cat james well this is how i like to skin my cats
37:52oh dear lord mr larson jaggers the square this is how it's not charming to see you
38:04what's that blood
38:08sign of a struggle
38:11you got in the scrap
38:17so someone erases his conversations with my mother
38:20and then he finds himself unceremoniously erased
38:23a rather convenient suicide don't you think
38:28diaries
38:29i tell you what business he had with your mother
38:31i am going to report this
38:33to the police
38:34yes
38:35and do their jobs for them
38:36because i have been suspected of murder before and i would rather it didn't happen again
38:40syndica says the problem with this life is not that it's short
38:45it's that we waste an awful lot of a dick in a boat
38:58it's that it's not that it's not that it's not that it's not that it's not that it's not that
39:09it's not that it's not that it's not that it's not that it's not that it's not that it's not
39:09that it's not that it's not that it's not that it's not that it's not that it's not that it's
39:09not that it's not that it's not that it's not that it's not that it's not that it's not that
39:11it's not that it's not that it's not that it's not that it's not that it's not that it's not
39:11that it's not that it's not that it's not that it's not that it's not that it's not that it's
39:11not that it's not that it's not that it's not that it's not that it's not that it's not that
39:11it's not that it's not that it's not that it's not that it's not that it's not that it's not
39:11that it's not that it's
39:20I'd like to report of death. Lawson Jaggers. Solicitor for Alba Lane. And you are? Sherlock Holmes. Holmes? We have
39:33a wire for you. Sherlock?
39:47Sherlock! Sherlock! Sherlock! Sherlock! Sherlock! Sherlock! Sherlock! No!
40:00She requires help. She needs to be somewhere she can be cared for. I'm so sorry, Sherlock. I was only
40:04gone for a moment. Don't you worry, Crowell. They won't be taking her anyway.
40:07I believe you'll find I have jurisdiction over her. And I believe you'll find I have jurisdiction over this.
40:21Is the double-barrel 12-bore hammer gone not persuasive enough for you? Let her go. Thank you.
40:29We're only acting in her best interests. You knew, didn't you?
40:36You knew about the recordings, about Professor Malick. Why did he do it?
40:42We'll have to ask him. I was merely paid to look the other way.
40:47I am so sorry, Mother. I am so sorry. I should never leave you.
40:52Can I respectfully suggest that you'll fuck off?
40:57Fuck off.
41:13Right! Move up!
41:17You're quite sure this is the place. Quite sure, sir.
41:26Quite sure, sir.
41:28Mr. Strand, I wanted on the record that I was the one who blew this case wide open.
41:32Yes, of course, sir.
41:36I think I saw movement by the church, sir.
41:46I wish to be the one to apprehend him.
41:48Very good, sir.
41:49You'll be the one to professionally.
41:56I'm the one...
41:58one...
41:58one...
41:58one...
42:12two...
42:14one...
42:15two...
42:17two...
42:41What day to Becephalus?
42:43Kishore Malik.
42:45Oh, it's true.
42:47Oh, my very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't quote the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, have we forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:57Take your hand out of your pocket, man.
44:10Hodge.
44:11Hodge!
44:17Right, stand out!
44:18Man, it can't have gone far!
44:21Hodge!
44:22Hodge!
44:23Hodge!
44:24Hodge!
44:25Hodge!
44:25Hodge!
44:26Hodge!
44:27Hodge!
44:27There's no blood.
44:30There's no bullet hole, nothing.
44:32Serbius separus.
44:35Oh.
44:37He's not...
44:38He's not breathing.
44:43He's dead.
44:50Gons and heart tuddies.
44:52Jesus, you're a woman after my own heart, Mrs Crow.
44:56Mrs Crow.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:06Oh, James.
45:08James.
45:10It was such a tonic.
45:13So what now?
45:16We're still no closer to figuring out why you were involved in any of this.
45:24The likeliest explanation is always discipline.
45:27He's coming back.
45:28It was merely paid to look the other way.
45:41Don.
45:47Sherlock.
45:49My boy.
45:51I...
45:52Heard you had a spot of bother.
45:55There's a man going round, taking names, and he decides who to free and who to blame.
46:05Everybody won't be treated all the same.
46:10There'll be a golden ladder reaching down, when the man comes around.
46:22The hairs on your arm will stand up, at the terror in each sip and in each suck.
46:32Will you partake of that last offered cup, or disappear into the potter's ground, when the man comes around?
46:47The whirlwind is in the thorn tree, it's hard for thee to kick against the pricks, in measured a hundred
46:58weight and penny pounds, when the man comes around.
47:16And I heard a voice in the midst of the four beasts.
47:36I heard a voice in the thorn tree, and I heard a voice in the thorn tree, and I heard
47:39a voice in the thorn tree, and I heard a voice in the thorn tree, and I heard a voice
47:40in the thorn tree, and I heard a voice in the thorn tree, and I heard a voice in the
47:40thorn tree, and I heard a voice in the thorn tree, and I heard a voice in the thorn tree,
47:41and I heard a voice in the thorn tree, and I heard a voice in the thorn tree, and I
47:43heard a voice in the thorn tree, and I heard a voice in the thorn tree, and I heard a
47:44voice in the thorn tree, and I heard a voice in the thorn tree, and I heard a voice in
47:45the thorn tree, and I heard a voice in the thorn tree, and I heard a voice in the thorn
47:47tree, and I heard a voice in the thorn tree, and I heard a voice in the thorn tree, and
48:05I
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