05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to say.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55Um, it's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition.
06:36Backhanders the cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:08That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15So.
07:15I'm going to have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No, no.
07:33No, no, no.
07:34That is...
07:39Big.
07:41Big.
07:42No, um...
07:43Wow.
07:43For a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:51Listen, I love that we get to meet up in hotels all over the world, and that we actually want
07:57to have sex with each other all the time.
08:00But...
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:08Not just uncovering other people's.
08:13We have to make a decision, you and me.
08:16Like, Tom, I love you so much, and I want to keep loving you, and I'd like to do it
08:23while
08:23I'm actually looking at you.
08:30And I love you, Alice Munro, and I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04Hey, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23It's Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:34Yes.
09:35Hi.
10:07Sorry, Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:57Don't.
10:59Stay there.
11:00It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine.
11:27For you all.
11:56Hi.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Ah, yeah.
12:07In the salon, Arl.
12:09Oh, yeah.
12:10And he's not my husband.
12:13He's my boyfriend.
12:17Okay.
12:19Okay.
12:23Okay.
12:24Okay.
12:28All right, let's go.
13:08Ladies and gentlemen, hello, our TGV train from Marseille-Saint-Charles will arrive at Avignon in a few minutes.
13:16Avignon, five minutes left.
13:29We are not here, I keep it in front of the night.
13:40Time to move into the front in front of the front.
13:47On high of the front, on high of the front, on high of our front, on high of the front,
13:49on high of the front.
14:04Did my boyfriend return?
14:07Mon ami?
14:08Did he?
14:08Uh, no.
14:10I know.
14:11He's already in.
14:13So weird.
14:15Where are you?
14:23Hi, this is Tom Parker, watching him unavailable, leave a message after the time.
14:39Tom?
14:40Tom?
14:54My name is Tom Parker, and I'm going to go home.
14:56My car is in the car in the car in the car in the car, and I'm going to save
14:59you all the
15:01bags.
15:01I'm going to go home.
15:05You're going home.
15:06I'm going home.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:22Oh my God.
16:22I'm sorry.
16:23No, DesolƩe, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:38Excuse me.
16:40Have you seen him?
16:41Excuse me.
16:42Did you see him walking?
16:43No.
16:52Excuse me.
16:54There's a problem, madame?
16:55My...
16:55My friend, he's gone.
16:59He's...
17:00He...
17:00I can't find him.
17:01He's kind of...
17:02Desperue.
17:04No, we're supposed to go to Arle.
17:07Is-ce que vous avez essayƩ de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like...
17:20But if he was leaning against the door and maybe fell into the track, is that possible,
17:24En fait, elle s'inquiĆØte de savoir s'il aurait pu Ć©ventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, Ƨa, c'est impossible, Ƨa, madame.
17:30Les portes, elles sont fermƩes quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrĆŖtĆ© quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est Ć l'arrĆŖt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this place.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends trĆØs bien, Ƨa, madame.
17:50Continue Ć l'appeler, je suis sĆ»r qu'il va finir par vous rĆ©pondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est rƩservƩ au personnel.
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisĆ©s Ć entrer.
18:14C'est le rĆØglement.
18:15Qu'est-ce que Ƨa peut vous faire, elle a juste un oeil, c'est la rassure.
18:17C'est le rĆØglement, c'est comme Ƨa, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre-lange, je m'as dit.
18:32Oh, my God.
18:36Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:52Tom...
18:54Tom...
18:55Tom...
18:55Tom...
19:01Tom...
19:28Do you know Marseille?
19:31No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel,
19:41but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you.
19:49I'm just kind of... I'm...
19:52Where is the police station?
19:55You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm...
20:03Positive this is all a big misunderstanding, so...
20:12You know...
20:13If you need help, I'm Helen.
20:19Alice, thanks.
20:26So...
20:27Good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:35Bye.
20:35Come on.
21:10Excusez-moi, peut-ĆŖtre quelqu'un m'a aidĆ©, mon frĆØre a eu l'hĆ©ritĆ©.
21:20Por favor, allez vous asseoir, moi venions vous chercher.
21:26Do you know how many people are reported missing each day in France?
21:30Six hundred on the good day.
21:33Okay, well that cannot be an excuse to not help me, please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:03I don't... I don't understand.
22:08Mazzle Mongeau.
22:12How long have you known your boyfriend?
22:17Well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Who told you a fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilĆ ?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:07Go, France.
24:13Don't know.
24:13What about you?
24:15Let's go.upl0
24:18Yeah. Oh,
24:21yeah, yeah. Oh, yeah.
24:26Oh, yeah,
24:26damn, yeah. Oh, yeah,
24:27Oh!
25:05Sorry, thank you.
25:35Hey!
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:55Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die,
26:18and that'll be on my conscience for the rest of my life?
26:23It's possible.
26:26Well, then I guess you'd better hop in.
26:34Thank you!
26:46Hey.
26:48Tom Parker.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
26:59Yes, I'm the last.
27:12Shoes off at your house then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:22No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No, no, I like it.
27:32I like hygiene.
27:33Good.
27:34It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
28:39Okay, can you stop?
28:41All right, up here.
28:44Okay.
28:44Let's see if I play.
28:46Okay.
28:48Okay, let's get dirty.
28:50Okay, let's get dirty.
28:55Okay.
31:43Oh my God, it's Tom.
32:11Oh my God, it's Tom.
32:14Oh my God, it's Tom.
32:31Oh my God, it's Tom.
32:59Oh my God, it's Tom.
33:24Mademoiselle Monroe, what a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, well, then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema for an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon, I followed the line back from Avignon, where the train stopped, and I
33:50found this.
33:54Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared.
33:59Hmm. And the ejected seat on the train, where was that found?
34:03You should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic.
34:13His name is Maurice Giroux. He was hiding something, I could tell. You have to bring him in for questioning.
34:17I have to go to the cinema. Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house. I chose well. Better than you, it seems.
34:36Tread carefully, Miss Monroe.
34:51See you later.
34:54Bye.
34:56Bye.
34:59Bye.
35:06Bye.
36:26Mr. Tom!
36:28Mr. Tom!
36:29I want you to hear!
36:30All right.
36:31Selma, Selma, one sec.
36:33Can you take these in there?
36:34Just tell me, they need to be in the fridge right away.
37:04Let's go, Selma.
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Go, go, go, go!
37:22Hey, hey, hey!
37:23You're not taking him!
37:24You're not taking him!
37:25You're not taking him!
37:28Hey!
37:29Hey!
37:32Hey!
37:34You're not taking him.
37:37You're not the best with me.
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog off a meat truck
38:48you look like you need a drink
38:53something must have happened at home before happening on
38:56i just feel like the conductor had something to do with that i mean you saw him yourself the way
39:00he
39:00was acting all shifty what do you think happened okay this is going to sound insane but
39:07i think tom was kidnapped is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money oh it's always about money
39:24what
39:32what do i do
39:38the police are either useless or correct and if you're really lucky they're both
39:45great what then what am i i'm an investigative journalist who are you an archaeologist yes you're like me
39:58you look for clues in the past to tell you about the future
40:01you know tom better than anyone so you probably know more than you realize
40:12did he mention anyone or anything who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:39to find something but i think this is a mystery
40:45oh
40:45no
40:48i
41:07don't
41:22It's Uncle Brian, it's Uncle Brian, he's in luck, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
43:07SOS Global, Bureau de Marseille.
43:34SOS Global, Bureau de Marseille.
44:08SOS Global, Bureau de Marseille.
44:36SOS Global, Bureau de Marseille.
44:38SOS Global, Bureau de Marseille.
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