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Vanished S01E01 [Full Movie] [Trending]Full EP - Full
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00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:48One
02:50One
02:50Two
02:50Two
02:51Two
02:51Three
02:53Seven
02:53Five
02:53Two
02:56Three
02:59Three
03:01Four
03:03Four
03:04Five
03:09Four
04:27Excuse me.
04:28Hi.
04:29My name is Alice Monroe, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:37Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:49Hi.
04:50This is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know he's coming here
05:43after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:56Um, how's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night, she was very sick, had no one to
06:49help her, so Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening, and Tom being Tom, he
07:19promised Malik that if he went back to school, he would make sure his family was taken care of.
07:26But unfortunately, bandits, bandits, they took women and children, no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually they found him, the boy alongside his mother and
08:00sisters in a mass burry pit ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in, we got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore, he just seemed lost.
08:30Jonas, I don't think he ever really came back from what happened.
08:40Sorry, I, uh, I, uh, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry.
09:24I guess we'll find him.
10:54He hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:05I was looking in Tom's notebook and it's...
11:07It was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really.
11:16I was just on a post-it note.
11:17Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know
11:52Oh, I don't. It's a hunch. Would you prefer it to be another woman? Look around you. What do you
12:03notice? Men paint women's names on their boats to pretend those women are central to their life. And men, they
12:14run away to the sea with their buddies. Et voilà.
12:20Oh, I don't know.
12:28Anyone here? Bonjour. Hello.
12:36Oh, what are we going to do? What the heck?
12:40What? Oh, every good journalist carries them. Oh my God. Keep lookout.
12:47I don't know.
13:16I don't know.
13:17I don't know.
13:26I don't know.
13:27I don't know.
13:43I don't know.
13:46I don't know.
13:47I don't know.
13:49I don't know.
13:49I don't know.
13:53Oh my God.
13:58Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:13Alice?
14:15Kati?
14:29Alice?
14:33It's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42What are you going to tell me about that?
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a Mitre.
15:10Yeah, I came as soon as I could.
15:12Hi.
15:13Um, yeah, I spoke to Jordan.
15:18You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:29Um, Alistair is no easy way to say this.
15:35No, um, I met her, actually.
15:40That woman that you're...
15:42Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:06So, what happens now?
16:12My goddess, he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around him, I say.
16:30If he turns up, you'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alistair, um, uh, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow, yeah?
16:51If you need anything, Al.
16:53Call me for tomorrow.
17:30Call me for tomorrow.
17:59Call me for tomorrow.
18:35Who is that?
18:37I invited him.
18:41Hi.
18:42Hi.
18:42Tom.
18:44Profit.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here.
18:52If an attractive woman invites you to a party on a Friday night, you go.
18:58Sister, one day we will be free from fighting, violence, people crying in the street.
19:13When the angels from above fall down and spread their wings like dove.
19:20Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you to show me your world.
19:30Come on.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:58Oh, really?
20:00Come on, let's go.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepoteans.
20:15Oh, was that 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:21Cool.
20:22Did you say the Nepoteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's where I went wrong.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, the entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:03Very.
21:35It's going to be bad.
21:37It's going to be bad.
21:48It's going to be bad.
22:08It's going to be bad.
22:38It's going to be bad.
23:08It's going to be bad.
24:12Hello.
24:13Hi, I'm looking for Maurice Giroux. Is he around here?
24:16Maurice? I'm sorry. He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal. Do you have an address or a number or something?
24:29I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't. He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay. I'm sorry, Ann. When was it? I... I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay. Sorry.
24:54I think she slept together about a month ago. It wasn't a big deal, kind of casual,
24:58but now it is a big deal because I'm pregnant with Maurice's child. I need to speak to him
25:01right now.
25:02What's she saying?
25:03Oh, yeah.
25:06She said she was in the house of Maurice.
25:08What?
25:09What's that?
25:11What's that?
25:14What's that?
25:15What's that?
25:16What's that?
25:16I'm sorry.
25:17I'm sorry about my colleagues.
25:18Sorry.
25:19Of course, I'll give you his address.
25:22I'm sorry.
25:23Go ahead.
25:24Yeah.
25:26Yeah.
25:27I'm sorry.
25:38Yeah.
25:38Yeah.
26:05Stop! Stop! Stop!
26:30Stop! Stop!
26:34Mon bébé, qu'est ce que tu fais?
26:36Je t'ai perdu, c'est quoi le bordel?
26:38Viens là, pourquoi tu veux pas me parler?
26:40Je te promets que t'en viendras jamais comme la mienne.
26:43Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4620 minutes? Pourquoi ça 20 minutes?
26:47J'ai pas connu pour deux, toi.
26:49Pour deux, c'est la tête longue gay, ça.
26:50Bah, tu es une foule, toi, t'es conne.
26:55Get out of my way!
26:57Oh, tu vois si loin?
26:59Tranquille.
27:00Ça va?
27:02Tu vas te blesser là, arrête.
27:04Ça se voit qu'elle en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on tient plutôt.
27:10Comment vous pouvez avoir confiance?
27:14Comment on fait, maintenant?
27:19Regarde-moi quand je te parle.
27:23Eh, viens danser à la bâche à ta vie.
27:29Viens, viens danser à la bâche à ta vie.
27:31Cassez-vous, j'appelle la police!
27:32Oh là là!
27:33Oh!
27:34Vous m'entendez?
27:35Vous êtes sourds?
27:35Allez, on dégage!
27:37Taisez-vous.
27:38Pite à la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais pas aller encore une fois comme ça?
27:42J'étais en collune.
27:43Bien encore.
27:44J'appelle ta mère.
28:03J' Mid andere Réal bud của la John Speasty,
28:04Cà,ơ...
28:07Cà...
28:09Fran, cà...
28:15J' 이러 проц...ジャ
28:17casal. J
28:17'ais du 그러 10, 17... J
28:18'être en colline... J
28:19'int Ryne. J
28:19'ai un death... J
28:23'ai un odjust. J
28:24'ai unthought Paytoné. J
28:28'ai un ton. J
28:28'ai un tas à fait en moi. J
28:31'ai beaucoup de soufferten… Tipe
28:32à la Zeit, J'ai
28:32de faire une dure sur du管 carillon d'éger
28:38Hello.
28:42Hello.
28:52Hello.
28:53Hello.
28:57Hello.
29:05Hello.
29:09Hello.
29:12Oh, my God.
29:13Oh, my God.
29:14Oh, my God.
29:17No, no, no, no, no.
29:19Oh, my God.
29:26Oh, my God.
29:32Madam?
29:35What is the key?
29:37Madam, Madam, hold on.
29:38Wait, wait, wait.
29:39Hold on.
29:40It's okay.
29:40I know.
29:42I'm so sorry.
29:43I don't want that.
29:44I know.
29:45I just got in here.
29:47Alan!
29:48Alan!
29:50Alan!
29:52Alan!
29:52Alan!
29:52Alan!
29:55Alan!
29:56I don't know.
30:26What a trap!
30:39The meuf is crazy!
30:44The assistant had to cry!
30:46Don't worry, I'll take care of you!
30:53I don't know what I'm going to do here.
31:00I'm going to go to the street.
31:00Matt, Matt, you're going to go to the street.
31:02Come on, we're going to go to the street.
31:29I don't know.
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:10Here's your money.
32:15Something has happened, I need to see you right away.
32:18Alice, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular, he had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
32:52Okay.
32:57Okay.
33:07She saw you.
33:09She's at the Hotel room, room 218.
33:14Go to her now.
33:16Oh, yeah.
33:29Yeah.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:11Just one person from Tom's Charity.
34:14He's coming actually to meet me right now.
34:16Alice, which hotel are you staying at?
34:20Peron.
34:21I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone.
34:49I'm coming now.
34:59I'm coming now.
35:13I have a delivery for Alice Monroe.
35:15Oh.
35:16I have a delivery for Alice Monroe.
35:16Oh.
35:24Oh.
35:25I don't know.
36:07I don't know.
36:33I don't know.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:44Oh my God.
36:45You're safe, please.
36:48It's Durand.
36:49The works at SOS?
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Does he know which hotel you are staying at?
37:00Yes, but who else knows?
37:03I guess Inspector Drax.
37:04Okay, so at least one of them is trying to kill you.
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:19How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To know things.
37:31Okay, you better start telling me some truths or I'm going to call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:05I have reason to believe.
39:09Oh, no.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I withheld the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not gonna listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:12If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too...
40:16too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay, so Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
40:51A brutal crime has destroyed Marseille this evening.
40:53The police opened an investigation after the discovery of Maurice Giroux, 45 years old,
40:58found dead at home at the beginning of the evening.
41:01According to the first information, a woman with brown hair would have been seen
41:04leaving the place a little after the arrest.
41:06She is actively searched and considered as the main suspect.
41:10You have nowhere to go.
41:13We actively search the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:20You have no information about this person.
41:24Contact the police.
41:39we will give him the police.
41:40We are everywhere, as of course.
41:40We have no speak about and elders,
41:40we can do and do so with blackということs.
41:40or that would make this Stallion thought otherwise diaries.
41:41Throughout the field,
41:41We want to take a couple beni.
41:46We are obsessed with ним.
41:49We are present,
41:49Oh be one person
41:50Be one person
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