- 15 minutes ago
＂Westworld＂ de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [High Quality]Full EP - Full
Category
🎥
Short filmTranscript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:49We have you on grid 5.
00:06:52We have you on grid 5.
00:06:53Notify ground.
00:07:01Sandbox.
00:07:02Locking in now.
00:07:06Shutdown 2.
00:07:08Shutdown 3.
00:07:09Shutdown 2.
00:07:11Down 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Please go to your color-coded tram, which will take you to the world of your choice.
00:07:45Give your name to the attendant.
00:07:50Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine.
00:07:58Peter Morton.
00:08:00Please go to your color-coded tram, which will take you to the world of your choice.
00:08:07We are sure you will enjoy your stay in Western Rome.
00:08:10Was she a...
00:08:11Probably.
00:08:12If you are there, please do whatever you want.
00:08:13That's amazing.
00:08:14There are no rules, and you should feel...
00:08:16Supposedly, you really can't tell.
00:08:18Except by looking at the hand.
00:08:19You may not be afraid of hurting anything or of hurting yourself.
00:08:22They haven't perfected the hands yet.
00:08:23Nothing can go wrong.
00:08:25You will enjoy your stay in Roman world.
00:08:27While you are there, please feel free to indulge your every whim.
00:08:32Medieval world exists for you, the guest.
00:08:35Nothing can go wrong.
00:09:25And not to purchase the other people.
00:09:42I don't know what to do if the stagecoach is late.
00:10:17I don't know what to do.
00:10:31I don't know what to do.
00:10:52The path will cost you two bits for hot water, dinner at 7, breakfast at 6.30, eat lunch on
00:10:59your own, a couple of places in town to eat.
00:11:02It doesn't look like much here, but we have everything.
00:11:05Just a minute.
00:11:17You mean to tell me he's a robot?
00:11:19That's what I need to tell you.
00:11:25I'm paying $1,000 a day for this?
00:11:28It's authentic.
00:11:30The west of the 1880s.
00:11:35Well, at least they could have made it a little more comfortable.
00:11:38Well, that's the point.
00:11:40This is really the way it was.
00:11:43You wanted comfort.
00:11:44You should have stayed in Chicago.
00:11:46Hey, Julie would have loved all this.
00:11:49Poking around for hours in all those funny shops, looking for silly things.
00:11:52Peter, what the hell's wrong with you?
00:11:53You're a lawyer.
00:11:55You know better than anybody else what a ride she took you for.
00:11:58Well, the kids.
00:12:00Fine, the kids.
00:12:01Here you are, six months later, still thinking about it.
00:12:04No, not really.
00:12:05It just came to mind is all.
00:12:14There's a lot to do here.
00:12:36There's a lot to do here.
00:13:17What will it be?
00:13:18Whiskey.
00:13:19What about you?
00:13:21Like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38Looks like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43The best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are...
00:13:53guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough,
00:14:00but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:18Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:36Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:14Give this boy a bib.
00:15:20Go on.
00:15:29He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:49You say something, boy.
00:15:56I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:17I said you talk too much.
00:16:31You're moving.
00:16:36I said you're moving.
00:16:37I said you're moving.
00:16:39I said you're moving.
00:16:41I said you're moving.
00:16:55I don't know.
00:17:20Pretty realistic, huh?
00:17:22Listen, are you sure he was, uh...
00:17:24Of course. You don't really think he shot anybody, do you?
00:17:30Wow.
00:17:34Hey, John.
00:17:35How do I know I'm not going to kill another guest with this thing?
00:17:41Try it.
00:17:45Shoot me.
00:17:49Go on, shoot.
00:17:57Shoot!
00:18:01The gun is a sensing device.
00:18:03It won't fire at anything with a high body temperature.
00:18:07Only something cold like a machine.
00:18:09Hmm.
00:18:11I thought of everything.
00:18:15The black knight won't be repaired till tomorrow afternoon.
00:18:18There's a distortion change on the course.
00:18:19Guns on writing is 5.5.
00:18:21Repeat 5.5.
00:18:23Yeah, I have the banquish schedule.
00:18:24You better check the initials.
00:18:25I'll get started, Sandy, if that conforms.
00:18:27No.
00:18:42I'll do it.
00:18:44Don't do it.
00:18:46Don't do it.
00:18:47Don't do it.
00:18:50Don't do it.
00:19:12What do folks do for companionly entertainment in this town?
00:19:15I wouldn't know about such things.
00:19:17I'm just running this hotel.
00:19:19Well, Miss Carrie has a real nice saloon down at the end of the street.
00:19:22Now, I won't have talk of that woman in this house.
00:19:25Not over my dinner.
00:19:27Food's real good, ma'am.
00:19:29Thank you, stranger.
00:19:30You're a gentleman of some breeding.
00:19:32Here's a receipt of everything.
00:19:36Who's Miss Carrie?
00:19:49Who's Miss Carrie?
00:19:55Who's Miss Carrie?
00:20:04Oh, my God.
00:20:26Yep. Whiskey.
00:20:30Just passing through.
00:20:33Maybe.
00:20:34Looking for some fun?
00:20:39Maybe.
00:20:40Well, you come to the right place. There's plenty of fun here.
00:20:45That's Cindy and Arlette.
00:20:48Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to them.
00:20:54Perhaps.
00:20:56They're real accommodating.
00:20:58There you go.
00:21:00You're lucky.
00:21:01Gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, are those two girls machines?
00:21:10Now, how can you say this thing like that?
00:21:14Come on.
00:21:16Come on.
00:21:23Come on.
00:21:28What's going on?
00:21:31They're robbing the bank.
00:21:32Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:36Oh.
00:21:37Well, you don't know.
00:21:38It might be fun to fight bank robbers.
00:21:39Look, Pete.
00:21:41This is better.
00:21:42I don't know.
00:21:43I don't know.
00:21:44I don't know.
00:21:57You don't know.
00:21:59Not too much.
00:22:03I don't know.
00:22:26There is something I have to tell you.
00:22:30I don't know if it matters, but it matters to me.
00:22:41I, uh, I haven't ever had a, uh, uh, well, I hardly know you, if you know what I mean.
00:22:50I mean, uh, we just met a few minutes ago, and, uh, you're probably very nice.
00:23:18I feel funny.
00:23:22Why?
00:23:24I feel funny.
00:23:24I feel funny.
00:23:39I feel funny.
00:24:16I feel funny.
00:24:27How was it?
00:24:29Wasn't it terrific?
00:24:30Boy, machines are the servant of man.
00:24:33Wasn't that great?
00:24:35Not bad.
00:24:37Not bad.
00:24:38Now you're the big lover.
00:24:42Well, you know how it is.
00:24:44Some guys have a way with women.
00:24:47Shooting stopped?
00:24:51I guess we missed the robbery.
00:24:54You can't have everything.
00:24:56Mm-mm.
00:25:00John?
00:25:01Hmm?
00:25:02This place is really fun!
00:25:03I don't know.
00:25:43I don't know.
00:26:11I don't know.
00:26:44I don't know.
00:27:05I don't know.
00:27:38I don't know.
00:28:16I don't know.
00:28:37I think it's the gyro unit.
00:28:46What do you think?
00:28:47I wonder if we shouldn't try and rewire them.
00:28:49No, I'd replace the whole unit rather than try to repair it.
00:28:52With a 10?
00:28:53Use an XX50 if we have any in stock.
00:28:55The XX's have a longer lifespan.
00:28:56The 50 may not fit in here.
00:28:58Or maybe you can shift the integrator unit further up into the cavity.
00:29:02I'll try.
00:29:09Balance servo again?
00:29:10Yeah, she fell over this afternoon.
00:29:12Yeah, she fell over this afternoon.
00:29:13I think it's a sensor.
00:29:16But if it's a central unit, we'll have to open her up.
00:29:18Well, you get a confirmation before you do that.
00:29:25What's he in for?
00:29:45From the day we opened the resort, we had a failure in breakdown rate conforming to computer predictions.
00:29:50That is, 0.3 malfunctions for each 24-hour activation period, concurrent or not.
00:29:56Now, this was an anticipated operations aspect of the resort, and we were fully able to handle it.
00:30:01The majority of the breakdowns were minor or peripheral until about six weeks ago.
00:30:07Then, Roman world had a rise in breakdown rate which doubled in a week.
00:30:12In addition, we saw a disproportionate rise in central as opposed to peripheral breakdowns.
00:30:17Now, we identified some problems with humidity control and regained homeostasis.
00:30:23Well, despite our corrections, the breakdown rate continued to climb.
00:30:27Then, medieval world began to have trouble.
00:30:29Well, now we're seeing more Western world breakdowns.
00:30:32And there's a clear pattern here which suggests an analogy to an infectious disease process,
00:30:38spreading from one resort area to the next.
00:30:40Perhaps there are superficial similarities to disease.
00:30:43It's only a theoretical concept.
00:30:45There are many ways to order that data.
00:30:47I must confess, I find it difficult to believe in a disease of machinery.
00:30:52We aren't dealing with ordinary machines here.
00:30:55These are highly complicated pieces of equipment, almost as complicated as living organisms.
00:31:00In some cases, they've been designed by other computers.
00:31:04We don't know exactly how they work.
00:31:15That input goes out of level 537.
00:31:18I'm not getting sound pickup from the 10th quadrant.
00:31:20We'll try to stabilize there.
00:31:22Okay, my sun entry is good.
00:31:25Repeat at 2-2-3.
00:31:28We have sun rise of 0.43.
00:31:31Ready on all quadrants.
00:31:33Energize, Greg.
00:31:35Get energized.
00:31:37Confirmed.
00:31:39All right, then.
00:31:40Give me 436 if you catch that.
00:31:42Not 435.
00:31:44I have sound now.
00:31:46Thank you very much.
00:31:47Yes, I want scrambled eggs and bacon cinnamon toast.
00:31:51Do you have cinnamon toast?
00:31:52You do?
00:31:53Okay, send it down to Central Control Room, Council 3.
00:31:56Hold on.
00:31:58Now, what was that?
00:31:59No grounding in Unit 5?
00:32:00Yeah.
00:32:01Try a bypass.
00:32:02I have readings at all Units 5 included.
00:32:04Hold on.
00:32:06All right.
00:32:07Let's stand by for resort activation.
00:32:15You ready on Phase 443?
00:32:22443.
00:32:24Okay, we're going to activate at 5-9.
00:32:29Lower gain Alpha 2.
00:32:34Ready on 6, on 5, on 4, on 3, on 2.
00:32:40Activate now.
00:32:41How?
00:32:53Oh.
00:32:55Oh.
00:32:57Oh.
00:32:59Oh.
00:33:01Oh.
00:33:02Oh.
00:33:04Oh.
00:33:24Oh, give me a home
00:33:28Where the buffalo roam
00:33:32And the deer and the antelope play
00:33:36Where seldom is heard
00:33:40A discouraging word
00:33:43And the skies are not cloudy all day
00:34:14What do you want?
00:34:16Home, home on range
00:34:35Have you no sense of de-
00:34:46No, no, no
00:34:48No, no, no
00:35:19Was he bothering you?
00:35:22He's not going to bother you again.
00:35:24Well, I'm here to tell you the things have changed.
00:35:26There's a law here now.
00:35:27You can't go around plugging whoever you please.
00:35:31But, Sheriff, it was self-defense.
00:35:33It's what they all say.
00:35:35Shot a man, you'll have to stand trial.
00:35:38The judge will be here next week.
00:35:40If I were you, I wouldn't trouble over your friend here.
00:35:43Judge Benson likes to hang him.
00:35:45Hang him high.
00:35:46Look, Sheriff, beat it.
00:35:51I said beat it.
00:36:11I've never been in jail before.
00:36:15First time for everything.
00:36:20But I haven't done anything wrong.
00:36:22You shot a man, that's something.
00:36:26Where are you from?
00:36:27Chicago.
00:36:30Chicago's a long way from here, fella.
00:36:33A thousand miles and more.
00:36:47But I saw a man, who don't see you.
00:36:48I saw a man, but a couple home.
00:37:01I saw a man, but a job.
00:37:02You can hear me, ma'am...
00:39:26I guess that sort of makes us desperados.
00:39:30Yeah, I guess.
00:39:34Well, what do we do now?
00:39:36Well, the way I figure it, anything we want.
00:39:39There's no law in that town now.
00:39:40I'll say.
00:39:41Can we go in there?
00:39:43We go in there?
00:39:43We do anything we want.
00:39:46You know what?
00:39:48What?
00:39:49I almost believe all this.
00:39:52Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:56Yep.
00:39:58I reckon.
00:39:59What can you give me in grid seven?
00:40:01We have that on SM514.
00:40:03There was nothing wrong with it.
00:40:05No.
00:40:06Frequencies here at 2527.
00:40:08Transfer.
00:40:10Reschedule.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:14I can't disappoint a guest.
00:40:15Yeah, listen.
00:40:15This is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts and most of my...
00:40:20You're re-checking the tapes on the mechanism now.
00:40:23We have programmed infidelity, and the queen has of two minutes ago.
00:40:29All right, coming up on the castle.
00:40:31Zero.
00:40:32Now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:57My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:11Let us pray it shall not be so.
00:41:14I have news.
00:41:16The black knight has returned and seeks a match with you.
00:41:21The black knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten and cunning besides.
00:41:31But his sight is weak in his left eye.
00:41:35Stay to his left and you will prevail and win the day.
00:41:38Confirmation of the reprogramming of that black knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:42:16He's scheduled tomorrow a.m.
00:42:18It's his last day in the resort.
00:42:19Let's make it a lulu.
00:42:21You'll have to switch over.
00:42:22Marley M. Broad Sword, schedule a lot.
00:42:25We have a problem with the air conditioning and beta section.
00:42:27Send a crew out.
00:42:29Yes, he can be sheriff any time he wants.
00:42:31That is correct.
00:42:32Just give him the badge.
00:42:46Now, I'm the new law around here.
00:42:49You think you can handle things?
00:42:55You want to try me?
00:43:23A thousand pardons, my lord.
00:43:28What is your name, child?
00:43:31Daphne.
00:43:33Daphne.
00:43:36Oh, I love this place.
00:43:39I love my horse.
00:43:40I love my horse and I love Julie.
00:43:42Oh, shut up.
00:43:44I like the spots on my horse.
00:43:46Did you see the spots on the horse?
00:43:48Your horse is beautiful.
00:43:49Yeah, thank you very much.
00:43:50I liked yours, too.
00:43:53Look out.
00:43:54Let me handle it.
00:44:01Oh!
00:44:02Get it, jump!
00:44:15Get it!
00:44:18God damn it!
00:44:20Do you suppose it's real?
00:44:22Hell no!
00:44:24that's not supposed to happen maybe it is maybe it's part of the thing the hell goddamn machines
00:44:30anyway that's not supposed to happen the rattlesnake struck a guest yeah he was shooting
00:44:36at it he missed even so the snakes are programmed never to hit on a strike was the guest injured
00:44:40his minor puncture was inexcusable to injure a guest pick up that snake for a total post at once
00:44:46and check all the snake central mechanisms tonight during the repair period
00:44:56isn't anything work around here
00:45:24so
00:45:30so
00:45:35so
00:45:41so
00:45:49so
00:46:12logic circuits on the snake simply failed to respond there was no sign of mechanical damage or
00:46:17tampering and no clue to the malfunction central mechanism psychosis i feel we should shut down
00:46:23the resort for a month oh that seems rash the snake injured a guest we can't allow that to happen
00:46:28many elements of the delos resort are potentially dangerous that's part of the appeal but if they
00:46:33should become truly dangerous i agree we can announce that the resort is overbooked and not
00:46:38allow any further new guests to arrive i think we can take care of the ones already here if we
00:46:43can't
00:46:43ensure the safety of the guests we're going to be in desperate trouble but we can ensure their safety
00:46:49everything's fine
00:46:53so
00:46:58and
00:46:59and
00:47:33All right, let's start that bar fight.
00:47:36Cheat!
00:47:44John, what do you say?
00:47:46Uh, it's...
00:48:07Now, that's just rude.
00:48:08Oh, shit.
00:48:12Woo!
00:48:16Hey!
00:48:19Hey!
00:48:23Woo!
00:48:27Whoo!
00:48:28Whoo!
00:48:31What?
00:48:40Yes!
00:48:45Yeah!
00:48:47One, two!
00:48:50Whoo!
00:49:19Come on, let's go upstairs.
00:49:28Come on, let's go.
00:50:19Come on, let's go.
00:50:46Come on, let's go upstairs.
00:50:53How long have you been in the palace, Daphne?
00:50:56Since I was three, my lord.
00:50:59Charming.
00:51:01I think we ought to get to know each other better, Daphne.
00:51:04Better, my lord?
00:51:05I can reward you well.
00:51:12My lord.
00:51:13Daphne.
00:51:15My lord.
00:51:17Daphne.
00:51:21My lord forgets himself.
00:51:24Uh-oh.
00:51:25Problem with the girl.
00:51:26Program breakdown.
00:51:28What's the trouble?
00:51:29One of the castle machines isn't responding.
00:51:32Refusing a guest seduction.
00:51:34Get her out of there and report it to Central Repair.
00:51:36Right.
00:51:37Turn it off and bring out another order.
00:51:38Refusing any other animals in trouble.
00:51:57Did you find the trouble?
00:51:58No apparent trouble.
00:51:59But she wasn't following programming.
00:52:01She refused a guest seduction and she is a sex model.
00:52:04Certainly is.
00:52:06You think they're going to shut down?
00:52:07No, the director's field to close down now would hurt tourists' confidence.
00:52:10No.
00:52:11I don't like it.
00:52:20Breakfast.
00:52:36Oh...
00:52:39I'm never going to drink again.
00:52:50Oh...
00:53:02Oh...
00:53:04Oh...
00:53:05Oh...
00:53:07Okay, I've gained 437.
00:53:10I'm not getting sound pickup from the telequadron.
00:53:12Please check my leads to console.
00:53:14Energize, weird.
00:53:32Hold, varlet!
00:53:43Are you speaking to me?
00:53:45None other, sir.
00:53:48Look, I'm hungry and I...
00:53:52Prepare for thy doom, thy scurrilous knave.
00:53:56Huh?
00:53:56Wait a minute.
00:53:58Can't we talk this over?
00:53:59What have you?
00:54:00No spine, varlet?
00:54:00Well, I...
00:54:02Well, I...
00:54:03Aha!
00:54:04The queen!
00:54:09Full monitor.
00:54:14Okay.
00:54:16Let him go.
00:54:32Come on, man.
00:54:35Come on!
00:55:15Oh, hangover.
00:55:39Aye, Bart.
00:55:41Aye.
00:55:45We're losing a little tolerance. Bring me up.
00:55:47Pass it.
00:55:48Pass it.
00:55:49Pass it.
00:55:55Pass it.
00:56:14Pass it.
00:56:16Oh shut down shut down immediately
00:56:25Sexual sponsor and cut the robot power power cut. Oh my head
00:56:40Freezing
00:56:46Now to get to the hotel
00:56:50Think I'm gonna be sick
00:57:03And I'm responding should we cut the main power grid sir, it'll kill the light shut it all down shut
00:57:07it all down
00:57:18Hold it
00:57:24Hold it
00:57:25Come on not now not you again. It's too early
00:57:33Let me do it this time
00:57:38Your move
00:57:50I'm shot what I'm sure
00:58:05John
00:58:18Oh
00:58:19My god
00:58:23Draw
00:58:35Sir we have no control over the robots at all
00:58:38No
00:58:40No
00:58:40No
00:58:40No
00:58:43No
00:58:44No
00:58:50No
00:58:51No
00:58:51No
00:58:52No
00:58:52No
00:58:52No
00:58:52No
00:58:54No
00:58:54No
00:58:56No
00:58:58No
00:58:58No
00:59:06Not
00:59:08No
00:59:08No
00:59:08No
00:59:08No
00:59:15Let's go.
00:59:46Let's go.
01:01:05Let's go.
01:01:11Let's go.
01:01:41Let's go.
01:02:11Let's go.
01:02:43Let's go.
01:03:11Let's go.
01:03:13Let's go.
01:03:44Let's go.
01:03:53Let's go.
01:04:23Let's go.
01:04:30Let's go.
01:05:01Let's go.
01:05:08Let's go.
01:05:08Look, uh, everything's broken down.
01:05:11The machines have gone crazy.
01:05:12You know about the machines?
01:05:14Yeah.
01:05:14I repair them.
01:05:15There's one chasing me now, a gunslinger.
01:05:18Gunslinger.
01:05:20Must be a model 404, maybe a 406.
01:05:23Here's a 406.
01:05:24He's got it.
01:05:30They're going.
01:05:51I don't know.
01:06:00I don't know.
01:06:29I don't know.
01:06:55I don't know.
01:07:24I don't know.
01:07:55I don't know.
01:08:32I don't know.
01:09:01I don't know.
01:09:04I don't know.
01:09:50I don't know.
01:10:07I don't know.
01:10:44I don't know.
01:11:12I don't know.
01:11:42I don't know.
01:12:17I don't know.
01:12:43I don't know.
01:13:15I don't know.
01:13:16I don't know.
01:13:51I don't know.
01:14:41I don't know.
01:15:08I don't know.
01:15:25I don't know.
01:15:29I don't know.
01:15:31I don't know.
01:15:38I don't know.
01:16:08I don't know.
01:16:15I don't know.
01:16:49I don't know.
01:17:03I don't know.
01:17:13I don't know.
01:17:41I don't know.
01:17:53I don't know.
01:18:18I don't know.
01:18:20I don't know.
01:18:24I don't know.
01:19:01I don't know.
01:19:05I don't know.
01:19:11I don't know.
01:19:56I don't know.
01:20:32I don't know.
01:20:35I don't know.
01:20:53I don't know.
01:21:20I don't know.
01:21:21I don't know.
01:21:34I don't know.
01:21:35I don't know.
01:21:42I don't know.
01:21:47I don't know.
01:21:52I don't know.
01:22:02I don't know.
01:22:32I don't know.
01:22:42I don't know.
01:23:18I don't know.
01:23:41I don't know.
01:24:13I don't know.
01:24:34I don't know.
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