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19:25A red red star!
19:27A little red stone will slip as a star.
19:34I dreamt of Cameralone and Demant.
19:37What are these problems?
19:39Pentagram is a old religious symbol.
19:43We learn how to use them.
19:46They are 50.
19:47Not a red red stone will slip as a star.
19:50We're 50.
19:53We're 50.
19:53We're 50.
19:55We're 50.
19:56Be careful!
20:03Pentagram is standing on the other way.
20:07The total has been up.
20:09That's what we've been doing.
20:12Even if we're going to.
20:13We're a better one!
20:16I don't understand.
20:18I can't follow up.
20:18You're good.
20:18Leave them for the others.
20:20No.
20:24No.
20:27No.
20:28No.
20:29No.
20:29No.
20:30No.
20:32No.
20:38No.
20:39No.
20:40No.
20:41No.
20:41No.
20:42I don't know.
21:12I don't know.
21:14Venn!
21:15Venn!
21:18Venn!
21:26Klokken er 6.00, og dette er Nyheden.
21:29Politiet står fortsatt uten spor i saken med to drap og en forsvinning i Oslo.
21:34En talskrunde for Fremskrittspartiet, Angord Ilen, sier at politiet må gis utvidet handlingsrom.
21:42Når politiet ikke engang får bære på, står de maktesløse.
21:45Bare gå den veien.
21:46Ja!
22:02Ja!
22:05Ja!
22:12Ja!
22:13Ja!
22:19Ja!
22:24Ja!
22:27Ja!
22:35Ja!
22:36Ja!
22:36Ja!
22:36Ja!
22:37Ja!
22:48Ja!
22:49Ja!
22:50Ja, ja!
22:51Ja, jeg skulle bare si takk for den invitasjonen, men jeg kommer ikke bli med.
23:01You have stopped drinking.
23:04Yes.
23:08I thought it was because of me and Ole.
23:16But it's not.
23:19It's because of the death.
23:22It's the only thing people can stop drinking.
23:33I'm sorry.
23:40I'm sorry.
23:42I'm sorry.
23:46Harry, are you doing me?
24:00I'm sorry.
24:03I'm sorry.
24:13I'm sorry.
24:16No, I'm sorry.
24:17I'm sorry.
24:18But I'm sorry.
24:23I'm not sure if our man did it like the kelter.
24:26Like the kelter?
24:34Can I take the project a bit closer?
24:36Yes.
24:39Are you okay?
24:43The kelter used the pentagram to determine where the katedral should be.
24:46On the cassette, he says that a five-kanted kors should show the path.
24:51This is Camilla Lohan, Lisbeth Barley, Barbara Sensen.
24:58This is the card he has made.
25:05I think it's the other.
25:10We're going up.
25:14This is a code we have set for a long time.
25:18It was clear text.
25:20He notices all of them he has met with a diamond.
25:24What shape?
25:25Five-kanted.
25:26He has cut one of five fingers, has been out of the offence.
25:30The death and the extinction of the three following weeks.
25:33On Friday, Wednesday and Monday.
25:36How many days are there?
25:37Five.
25:39Around five.
25:40It's the code.
25:41It's just a number.
25:41Five.
25:42The offer is taken out of it.
25:43It looks like a complete address.
25:45But it's like.
25:49And it's not a house number.
25:51It's...
25:51The fifth floor.
25:53The fifth floor.
25:54But why five?
25:55Is it a bad number?
25:57Anything, all or...?
25:58It's a bad number.
26:00Yeah, it's a lot of things.
26:01Hexunst, satanism, and sword magic.
26:05We have five senses.
26:06There are five lives.
26:07There are five...
26:08Agropunktur.
26:09No, no, no, no, no, no.
26:39Stå inn i gangen, så at det kommer heisen fra femte.
26:42Så han følger efter den ut på gaten.
26:45Uansett da, offrene er tilfellige.
26:47Nøkkelen her er åstedene.
26:49Om det var Willy Barli som hadde tatt heisen ned fra femte etasje den dagen og ikke kona, så er
26:53det han som ville vært offret.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
26:59Vi vet når.
27:01Og fem dager med hvert drap, det blir...
27:03På lårdag.
27:04Imorgon.
27:05Og han jobber med klokka.
27:07Så det neste åsted er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer retteforskningsgruppa.
27:14Nei, vi har ikke råd til enda en lokkasje.
27:17SÃ¥ Tom og Delta sjekker studenthjemmet og Bealta, og jeg tar den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her.
27:23Det er masse enremslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve spasjonsområdet her.
27:31Det er ikke noe femte etasje her, eller.
27:32Ok, vi går inn og ser hva vi kan rygge til.
27:40God dag.
27:42Hei.
27:43Hei.
27:44Vi kommer fra politiet.
27:45Vi stiller en spørsmål.
27:46Følgelig i byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort det om til studenthjem.
28:02Ja, det er sønnen min, da.
28:05Ja.
28:07Du, ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja, jeg har jo hørt at det har skjedd, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selvmorder, og at et av hans to neste mål kan skyres.
28:29Ja, altså, kan sønnen din bo her hos deg i morgen, eller om du kan bo hos ham?
28:38Han bor i utlandet, han.
28:40Da blir det vanskelig, da.
28:43Men, skulle det gå bra om noen av oss er her i morgen?
28:46Ja, det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:51Sannsynligvis ikke.
29:00Takk.
29:02Hade du verkligen tenkt å si til henne at hun var nästa som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Helmpleie, da, som sier det.
29:18Mm, så du har hørt om det. Det er bra, i alle fall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Kona de ble skutt på Kloss Hall.
29:29Det var ingen mening i det, men ladningen gikk tvers gjennom hjernen, så den...
29:54Jeg tror jeg fant ut av den koden.
30:02Eh...
30:02But what?
30:06No, it's...
30:07It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he's removed from the offer.
30:17Yeah, he's cut his finger to the right hand in the right hand.
30:21He starts with the finger finger finger finger finger finger finger finger finger finger finger.
30:25Little systematic there.
30:54I have something to tell you.
30:57Okay.
31:00Promise you won't be angry.
31:03Promise.
31:05I can't promise that.
31:08I'm pregnant.
31:17I...
31:25Please.
31:27Say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother in the city.
31:52What else can I miss, Anna?
31:55What?
31:59Since you are carrying our child now, I need you to know exactly what I do.
32:06What I really am.
32:27What I really am.
32:39What are you doing?
32:44What are you doing?
32:46What are you doing?
33:02What are you doing?
33:04What are you doing?
33:05What are you doing?
33:07What are you doing?
33:08What are you doing?
33:10What are you doing?
33:11What are you doing?
33:12What are you doing?
33:15It's better for life in general.
33:23This is a real coffee. It's much better than your pulse coffee.
33:30This is what we did at home.
33:41I can't wait to listen to me.
33:46What?
33:47We're like together, you know.
33:51We're not able to listen to me.
33:52We're not able to listen to me.
33:54We're not able to listen to me.
33:56We're not able to listen to me.
34:00If I want, I want to listen to you.
34:08I like to see you.
34:13We're not able to listen to me.
34:14I like that you see on me.
34:21I like that.
34:27I can't...
34:30I don't know what you think I have, but...
34:34I don't know.
34:37It's a great klishe.
34:42It's okay.
34:52Is it Rachel?
35:01It's full of dags.
35:07I wonder if I can go to the theater.
35:17I'm sorry, I'll just...
35:20You have a new letter.
35:23It's time 19.45.
35:30It was nothing.
35:35It's time 19.45.
36:17I don't know exactly what he's saying.
36:22It's long, but we'll have to rest for her.
36:26I'm not sure why I just wanna take it away.
36:33It's time for you to go to the theater.
36:34Mm-hmm.
36:36And she.
36:38She's a little bit with her lady here, too.
36:42She's nice.
36:45And she's...
36:49extremely dangerous for me.
36:53And you.
36:57Yeah.
36:59Okay.
37:04What I'm trying to say is that...
37:11Her name has been dead in my life
37:14after no other.
37:16Now I'll help you.
37:20And you can let it sit.
37:22You can stop you, okay?
37:25Yes, if I can't stop you.
37:32If you...
37:34If you...
37:35If you don't take it again...
37:39I'll help you.
37:49I'll help you.
37:55I'll help you.
37:57I'll help you.
38:10I'll help you.
38:17I'll help you.
38:20I'll help you.
38:22I'll help you.
38:23I'll help you.
38:24I'll help you.
38:26I'll help you.
38:30If the virus has been told...
38:32that they are going to lock and hold in between 4 and 6?
38:34Yes.
38:36Is it good?
38:37Yes, we will be in many hours before 5.
38:4024 people in all, MP3, gas mask,
38:42and gas are ready to action on the signal from the bus.
38:45Do they have to knock on or try to take the signal from the bus?
38:50Now we will wait until the clock will be 5.
38:57You are in the morning.
38:59Do you want to pick up the clock at 6?
39:00Yes.
39:01It's nice.
39:03What do you want to pick up?
39:05I thought the dress.
39:07The dress I bought in Hegdalsvein for 17.05.
39:10Yes, it's the one you have.
39:13Yes, it's definitely the one you have.
39:15Yes.
39:19But you, I...
39:23Yes?
39:25I said yes because I...
39:28I...
39:30I thought it was a good reason to...
39:35Well...
39:35It's something I need to tell you.
39:38Okay.
39:41Yes.
39:43But we'll take it when we see you.
39:46Yes.
39:47Bye.
39:48Bye.
40:07What's up?
40:13What's up?
40:15In 303, she snubbed with her, but she sat down at the door to her boyfriend.
40:19So, all the others are ready.
40:26Then, it's not tea.
40:28Do you like tea?
40:29Yes, I love tea.
40:31Good.
40:48Was it so much when your son was little?
40:51Be quiet and quiet and so on?
40:54He didn't grow up together with me.
40:57I got married when I was 15.
41:00Yes, that was a scandal.
41:05My son was sent back.
41:09But, how was it for you?
41:12I saw that he was so young and...
41:15So, he just sent out his son and...
41:20They gave me a choice, as they said.
41:23But you have always a choice.
41:26I'm in trouble.
41:28I know and he knows.
41:33What does he do today?
41:35He works for import.
41:36Yeah.
41:38I think he said that he imports some goods from East Europe.
41:42It goes well.
41:44Despite everything.
41:45It's not always been like that.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He actually doesn't say so much about himself.
41:59But I think he finds a girl like a like.
42:02He said on the phone that he had a new one.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11And then he's in the town tomorrow.
42:13And then he's back.
42:15To?
42:15To Pra.
42:39Emily, this isn't.
42:41I think he's in front of the house.
42:45I'm not too close to the house.
42:50I'm not too close to the house.
42:54You ain't look like my friends.
42:55Come on, 303 3 when he came here.
42:59No.
43:00I don't know.
43:00I don't know.
43:03I'm going to check it.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Klarer 303.
43:10Motant. Klarer 303.
43:40Klarer 303.
43:42En jente og en gutt. Begge vepna, nakne og veldig i livet.
43:47Fuck.
43:49Bare få på de klær, ta den tilbake til posisjonen. Charlie 2.
43:53Motant.
43:57NÃ¥ er det der.
43:59Den som gikk inn i gangstedet, gikk det inn i heisen.
44:01Alpha til alle enigheter, mulig objekt, går inn i heisen.
44:03Stand by.
44:36Mulig objekt, kommer inn i sektor til Bravo 2.
44:51Mulig objekt, stikker hånda i lomma. Mulig våpen, serger hånda.
45:06Apple, Android Auto.
45:08Slå, er du!
45:09Eleven!
45:11Men der er den!
45:14Alê Graham!
45:15Aled ethnicity!
45:27It's not him.
45:29What's that?
45:31205.
45:32It's one of those we didn't contact with.
45:35On this list, he's called Odd Einar Lillebostad.
45:38I'm sorry.
45:39205.
45:39I'm sorry.
45:40Odd Einar Lillebostad came back.
45:44You gonna stay here?
45:47Are you ready?
46:03It's fun when Martin comes when he's alone.
46:06Yes.
46:07I think he'll be a little lonely.
46:10Yes, but when Martin is here so often as he has been, I'm going to complain.
46:16But he has been here for the last few weeks?
46:19Yes, once a week, the last four weeks. No, it's actually often.
46:24Every 5th day he has been here.
46:26The last time he was here, he had a smile for me.
46:29It was just in Praha that they slip the stone on the very special way.
46:35Hi, it's a spontaneous event. I've been in Morocco with Georg, a guy I've met.
46:41We're going to live with his parents in a small village called Hassan.
46:47If not, bad telephone and network. I'll contact you once I come home.
46:52Just.
47:04I was trying to stop and I'm so struck out.
47:07I'm high as a kite, I just might stop to check you out.
47:12You know, you know.
47:13I'm not walking, I was trying to stop and I'm so struck out.
47:17And I'm high as a kite, I just might stop to check you out.
47:22I'm in the body and beat by the same machine.
47:25I don't even know why.
47:27My girlfriend, she's at the end.
47:30She was starting to cry.
47:32I'm not walking, I was trying to stop again.
47:35I'm so struck out.
47:37I'm high as a kite, I just might stop to check you out.
47:41Let me go on.
47:44Like I blister in the sun.
47:47Let me go on.
47:49Big hands, I know you're the one.
47:53Body and beats, I stain my sheets.
47:56I don't even know why.
47:58My girlfriend, she's at the end.
48:01She is starting to cry.
48:03Let me go on.
48:05Like I blister in the sun.
48:08Let me go on.
48:10Big hands, I know you're the one.
48:12Big hands, I know you're the one.
48:34When I'm out walking, I'm strong.
48:36I'm stuck, and I'm so struck out.
48:38I'm high as a kite, I just might stop to check around
48:44When I'm out walking, I strut my stuff and I'm so strung out
48:48When I'm high as a kite, I just might stop to check around
48:54Body and beach, I stain my sheets, I don't even know why
48:59My girlfriend, she's at the end, she is starting to cry
49:04When I'm out walking, I strut my stuff and I'm so strung out
49:25When I'm out walking, I strut my stuff and I'm so strung out
50:05If it was next, I can't take some time to try
50:08I just gotta take some time and take some time with it
50:08This person's way from here in the right direction
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