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04:45Do I have an exclusive?
04:48Or you will know that you will know before?
04:52Do you like coffee?
04:54I don't like coffee.
04:58You have to put it in the mouth.
05:01Okay, let's get it.
05:14Okay.
05:32What is the patient?
05:34All the reports are taken, you will see.
05:39The medicines will continue.
05:43Okay.
05:44Ma'am, from the drug overdose.
05:46You can take 6-8 hours.
05:48Before that, you will not give any statement.
05:51Okay.
05:54Let me go.
06:10Hi.
06:26What's the name, madam?
06:29You were on the railway station, or how did you know?
06:34We were on the way, madam.
06:36And we were on the way, madam.
06:40Afzal is your man?
06:42Which Afzal?
06:43The Afzal who was following Sajid. Is he your man?
06:48What are you saying, Madam? Who doesn't understand me?
06:51I'm saying that you are going to conceal the information of Sajid.
06:54What do you do? Conce... Conce...
07:00Madam, my name is Ingra Ji not so good.
07:05I haven't come to direct service.
07:13You are getting personal, Sathir.
07:17I don't agree.
07:23You are going to be personal.
07:26Keep this case out of me.
07:34It's my, Madam. It's time for BP.
07:36It's time for BP.
07:37Let's go.
07:42Jain, Madam.
07:49Sir, today I have told him.
07:52I have told him. I don't agree.
07:54You are getting personal.
07:57I don't want to tell you.
08:00Oh, you're getting my personal.
08:00I'm getting emotional and emotional.
08:04What are you doing here?
08:04Well, the DCP is the first case.
08:06Sir, he's being alone.
08:09And you are saying to me, you're getting personal.
08:11I'm telling you, I'm getting personal.
08:14Sir, how long have I worked with you?
08:16I am working with my wife.
08:16I am going to go wrong.
08:17I am going to go wrong.
08:18My wife, sir, please, my wife, don't play this case.
08:24She is going to kill me.
08:27If you do anything you do, you will tell me the final.
08:32I will go.
08:34I will go.
08:36You will go.
08:38I will go.
08:40Okay, sir.
08:42If you are talking, you will stop.
08:46Yes, sir.
08:49I will die.
09:10Hi.
09:41I will take you .
09:46I did not choose.
09:46I would, I would, if...
09:48I will take you .
10:03I will take you.
10:06So, I'm going to take you.
10:11Well done Rita. So finally Aditya has also gone.
10:51Look at me. Look at me.
10:55That boy, he was perfect.
10:59Why?
10:59Who are you?
11:07Don't I deserve any happiness Rita?
11:09Don't I?
11:12I thought, if you're going to go home, you'll go away.
11:16But no.
11:19You're just like him.
11:21You're a good for nothing idiot.
11:24Go. Go.
11:26You will never be happy.
11:29Never.
12:09Yes.
12:10Hello, good morning madam.
12:13You're going to make the case of Prabhadraud.
12:16Who is that?
12:32Who told you all this?
12:33Who told you all this?
12:47Who told you all this?
13:05It's not so exclusive.
13:21There is another angle.
13:28Anand.
13:31Anand.
13:32There was another person with Sajid.
13:35His name is Anand.
13:40Our coffee tend to be. Why?
13:49Are you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry.
13:54Did I overstep?
13:56I'm very sorry.
13:57No.
13:58Don't be silly.
13:59I'll come here.
14:00I'll be honest with you.
14:07I think Sajid is the one.
14:09I feel like there is another approach to sharing.
14:11Why?
14:13Someone's finally here.
14:15Yeah, unlike someone who's never been on the field.
14:19Facts.
14:20Yes.
14:21Shithij.
14:23Anita, we were jammed for an angle on the recent killings.
14:27Shithij.
14:28I think this serial killer is a classic case of the intersection of drug addiction and crime. Simple.
14:36Simple?
14:37Seriously?
14:40No one becomes an addict.
14:42Have you been to an orphanage or a rehab?
14:45Anita, please.
14:46What's your angle?
14:48Guys, the crime branch has conducted a shoddy investigation and Sajid is the escape court.
14:52How do you know this?
14:54Sources.
14:54Please don't ask who.
14:56Kanika.
14:56I got a call from this guy.
14:59Ex Cutter Gang member.
15:01He's saying he has some exclusive news about the
15:04The name is Shindu Nayak.
15:14Oh my God.
15:17The name is Shindu Nayak.
15:19The name is Shindu Nayak.
15:24The name is Shindu Nayak.
15:25The name is Shindu Nayak.
15:30The name is Shindu Nayak.
15:51The name is Shindu Nayak by Shindu Nayak.
15:59I'm going to take a look at him.
16:01He came here.
16:04He took a full foot.
16:07He came here and took a look at him.
16:10He gave him a place to sleep in the morning.
16:12He was shot in the sleep.
16:14He was a big man.
16:17What a man.
16:19Tell him.
16:21He wasn't the first man.
16:25He was dead in the last year.
16:29Where is he?
16:30He was dead in the last year.
16:31What was his name?
16:33Sita, Gita, Nashamukti Kendra.
16:38Hey, stop.
16:40Do you know about him?
16:49That's the orphanage.
16:54He's a man.
16:55He said, I didn't say anything.
16:57But I know everything.
17:01He was a man.
17:03He was a son of Fernando's hand.
17:05He was a man.
17:07He was a man.
17:08He wasn't a man.
17:13Hey, tell me, here's a little bit, I'm going to give you a little bit.
17:39I will handle Rita.
17:41Jai, sir, say to him, sir.
17:42Just go get him.
17:43Okay, sir.
17:44Okay.
17:53Congratulations, Rita.
17:54Another big case solved.
17:55Well done.
17:56I don't think the case is solved, sir.
17:58You said it yourself.
17:59It's not a serial kill.
18:00And we are just jumping to conclusions now, sir.
18:03Well, I was wrong.
18:04Anyway, let's close it.
18:06Listen.
18:07I called you for a favor.
18:09Don't pounce on me.
18:11I want to meet the home minister of Kedekar.
18:15He's a film grad and doing a video in Film City.
18:17Just hop in for some time, right?
18:20Please, for my sake?
18:22Sir, I would have loved to help you,
18:24but honestly, I have no time right now, sir.
18:25Hey, Rita.
18:26Kedekar has called me again last night.
18:29And I could not say no.
18:31Neither can you, isn't it?
18:32Sir, we are in such an important case.
18:34For me, the case is not solved, sir.
18:36I'm really sorry I can't do this.
18:37Oh, okay, right?
18:38You'll be able to handle the vikram.
18:40You just go and show your face.
18:42Okay?
18:47Fuck.
19:16Fuck.
19:19I'm going to talk to you with your din.
19:25What on-screen presence are you, ma'am?
19:27You've got this character, this aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So, I want to use this historic and iconic moment from the Pilawadi raid
19:37with the kid and you walking on the ramp with this big picture.
19:42Come here.
19:48We don't have all day, so please hurry.
19:50Okay, yeah, sure.
19:53Thank you, thank you.
19:59What do you think of Pandey? I don't have any idea of what he's trying to do.
20:05He's trying to give Vikram the lead on this case, Matre.
20:08Why did he give me a promotion?
20:10Because I'm a woman.
20:11He's made a fucking PR prop out of me.
20:14And I'm looking at him.
20:19Open Fernando's case file.
20:21Open.
20:22Read Sajid's confession.
20:25Fernando was doing wrong with a girl.
20:28With a girl.
20:29With a girl.
20:31And what's in the investigation file?
20:33It was a job of theft.
20:35Wallet was stolen.
20:36It's a botched up investigation, Matre.
20:39And it's very evident.
20:40What do you get in Fernando's room?
20:42Wig.
20:43Lipstick.
20:44Daddy's perfume.
20:45Talcum powder.
20:45Why?
20:47Why would he keep this Fernando?
20:49Ma'am.
20:50Your shot is ready.
20:55This is it, ma'am.
20:55The pilavadi moment.
20:56We're just going to recreate that.
20:57Okay?
20:58You just have to pick the kid up.
20:59Walk there.
21:00And we're going to crane up.
21:01As soon as we crane up, we're going to see the expanse.
21:03Do you see it?
21:03Come on, baby.
21:04Sorry.
21:05Okay.
21:06HMU, yaar.
21:06Wig.
21:07Sorry, sir.
21:08Come in.
21:09God!
21:09I'm at the monitor.
21:11Yeah, Didi.
21:11I need to take it.
21:15I need to take it.
21:16I need to take it.
21:18Okay, please.
21:18Hurry up.
21:20Didi.
21:21Please.
21:22I need to take it.
21:24Ready for the take.
21:25Okay.
21:27Alright.
21:27Going for take.
21:28Come on.
21:29Ma'am.
21:29They're going for take.
21:31Ma'am.
21:32Ma'am.
21:33Ma'am.
21:34Ma'am.
21:36Ma'am.
21:38Oh, ma'am.
21:38Hurry up.
21:39Hurry up.
21:42Hurry up.
21:42Hurry up.
21:43This is it.
21:44This is it.
21:45This is it.
21:46This is it.
21:48This is it.
21:49This is it.
21:50This is it.
21:50This is it.
21:50This is it.
21:54What the hell, Rita?
21:55You can't leave the truth just like that.
21:57I gave Kirkar my word.
21:58Just go back.
22:11No.
22:16Still go back.
22:17You can.
22:19Yes, yes.
22:19I have to leave the bar.
22:20You can't leave it alone, ma'am.
22:24Yes.
22:24I have to leave the bar.
22:25I have to leave the bar here, ma'am.
22:26Yes.
22:27I have to leave the bar now.
22:28Whatever.
22:31Madam,
22:32the hair sample also needed to get her hair.
22:32I have to leave a bar here.
22:37Please take it, Madam.
22:38The Commissioner is very sensitive.
22:40If you go to the hospital, you will get a lot of problems, Madam.
22:44Sorry, Madam. I don't understand.
22:46What do you understand?
22:48Registered for girls from 2005 to 2015.
22:51Now, just now.
22:53Madam, this boy's orphanage...
22:55Huh?
22:57When?
22:58From the beginning.
22:59It's written.
23:06It's written.
23:06I'm going to banning.
23:07I'm going to see it.
23:08I'm going to see it on the wall.
23:09I'm going to see it on the wall.
23:10I'm going to see it on the wall.
23:12Yes.
23:13Then why did Sajid say that the girl is wrong?
23:19Checking their records.
23:21If you get something, call me.
23:23Yes, Madam.
23:33She was Jovey and Jovey called her.
23:46It's a real girl, right?
23:47She was in juvenile.
23:49She's like, a murder case.
23:51Look, Sajid said what was she.
23:53She was wrong with Fernando.
23:54She was doing such a bad work.
23:56She was doing a lot of herself.
23:56I'm going to see her.
23:56But there's a girl in the criminal court.
23:57She was a girl in crime scene.
23:58And what she was written in the file?
24:01What was the job of theft.
24:02This is his job.
24:07Fernando's cut is not possible to be with Sajid.
24:27Sajid was cutting his left hand.
24:29Sajid was cutting his left hand.
24:33No!
24:59Sajid was cutting his left hand.
25:01If Anant was a girl, why would Vic wear it?
25:04I mean, this is a boy's orphanage.
25:06Vic, women's perfume, calcium powder.
25:09Why?
25:10With a girl.
25:11A girl.
25:12Hey!
25:14Let's go.
25:17Look here.
25:36I'm not going to work.
25:37I'm not sure if I was there.
25:37I can't see it.
25:42Oh
25:42Oh
25:42Oh
25:43Oh
25:43Tell me, tell me, there's a lot of pain to you.
25:51You're killing Prabhupada, right?
25:54Tell me.
25:59The doctor is big.
26:05Tell me, you're killing me.
26:11Tell me.
26:13Tell me.
26:14Tell me.
26:15Tell me.
26:16Oh my God!
26:44Tell me.
26:51Tell me.
26:56Tell me.
27:07Tell me.
27:13Tell me.
27:14Tell me.
27:21Tell me.
27:22Tell me.
27:23Tell me.
27:23Tell me.
27:27Tell me.
27:29Tell me.
27:32Tell me.
27:38Tell me.
27:41Tell me.
27:56Tell me.
28:01Tell me.
28:02Tell me.
28:05Tell me.
28:06Tell me.
28:12Tell me.
28:13Tell me.
28:16Tell me.
28:41Tell me.
29:01Tell me.
29:09Tell me.
29:15Tell me.
29:18Tell me.
29:33Tell me.
29:36Tell me.
29:38Tell me.
29:40Tell me.
29:45Tell me.
29:56Tell me.
29:58Tell me.
29:59Tell me.
30:00Tell me.
30:01Tell me.
30:01Tell me.
30:01Tell me.
30:01Tell me.
30:02Tell me.
30:03Tell me.
30:04Tell me.
30:04Tell me.
30:06Tell me.
30:07Tell me.
30:07Tell me.
30:08Tell me.
30:09Tell me.
30:09Tell me.
30:20I'll see you next time.
30:46I'll see you next time.
31:18I'll see you next time.
31:31I'll see you next time.
31:43I'll see you next time.
32:02I'll see you next time.
32:06I'll see you next time.
32:14I'll see you next time.
32:46I'll see you next time.
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