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Detective.Hole.S01E04.540p.X265.AAC [Full Movie] [Long Version]Full EP - Full
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00:28Transcription by CastingWords
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02:12Transcription by CastingWords
02:14Because you love me.
02:44It's a form of five gates.
02:47The right gate leads to the place where the capital needs to be.
03:41The right gate is located in the north.
04:01I was very happy to meet you, Agnes, and I was the chairman of the Justice Committee
04:06to vote for the proposal that the people of the police will bear weapons
04:10and then I'll give you the rest in the center and I'll give you more information about it.
04:16Yeah, I have full trust to both your and the Justice Committee's budget.
04:24Yeah, okay, I thought you came here to tell me what I wanted to do.
04:30Is it not that all the people want to do?
04:33No.
04:33You should have a meeting with the Narkotikaforening.
04:37Yeah, it was a fascist-forening, and they don't exist anymore.
04:41Hey, you know what, to be honest,
04:44it makes my job easier if you just stand up the whole thing.
04:49So, you didn't want to do that?
04:51You know, we can't blame you, the politicians,
04:53when we don't want to leave.
04:55We don't have the right conditions.
04:57We don't want to do any issues.
04:59You know, it's shocking for sure that the Narkotikaforening
05:04just turned over the night,
05:06when Justice Education relapses to get fired?
05:09Maybe, maybe not.
05:13What do you mean?
05:15Maybe they survived over the night,
05:17maybe they were in the night.
05:20That's what you mean?
05:22That's what you mean?
05:23I can say that some of the most extreme and dangerous
05:26don't let them stop so easily.
05:29Mamma, there's a telephone to me.
05:37Møller?
05:38I'm sorry to ask you for a Sunday,
05:40but we've got a post.
05:44It looks like Lisbeth Barley
05:46I've got to cut off fingers.
05:51You say you...
05:54You say you have...
05:58Like this?
05:59Yes, it looks like this.
06:02Okay, I'm coming in.
06:04If this is what we think,
06:07we need Harry Ole.
06:08Yes, he's got a spark in.
06:10Yes, but he's the only one who has experience with it.
06:15Okay, I'll take care of him.
06:16Okay, I'll take care of him.
06:17Yeah, good.
06:17I'll hold on.
06:20I thought I...
06:23I've...
06:23I've talked a lot about me and me.
06:27I don't know.
06:27You've loved it.
06:30You've loved it.
06:33I would like to love him.
06:36Why is it the same?
06:40Because he's good.
06:42I don't know.
06:48I don't know.
06:49I don't know.
06:49Maybe I don't want to go.
06:55Where is he now?
06:57Out in Europe.
06:59He came home late.
07:01What are...
07:04What are you doing?
07:06He tells...
07:08There are...
07:09things for churches, badehuis,
07:12kors...
07:13altar-tavler, reikestorer...
07:16Gammelt og nytt.
07:17So I'm a Christian.
07:21He's a smug of papper.
07:30I just want to make sure
07:32my friends are over there.
07:34I have a little bit of a tenning today.
07:35And...
07:36But when I'm saying it...
07:38It's so good to see you.
07:44Hey, don't worry.
07:50I tried to take you to work.
07:52I wanted to tell you a couple of things
07:54about Camilla,
07:55which I couldn't say you were...
07:57home with us.
08:00Why?
08:01Why?
08:01Because Anders was there.
08:04And...
08:05He was crazy every time I said...
08:09Camilla had been a new fyr,
08:10as if he didn't have heard it.
08:14Why was he crazy?
08:16He believed that I...
08:18He was crazy.
08:23But...
08:24I just wanted to say...
08:27He had a very sweet and...
08:29good sex life.
08:31So...
08:33So you wanted to take me...
08:34for to tell me...
08:36Camilla...
08:36you were around?
08:38No...
08:40It was not just...
08:41It was...
08:43It was...
08:44It was...
08:44It was not on the way to dance...
08:45from the novern...
08:46I didn't have thought about it...
08:47normally...
08:48after what happened with Camilla...
08:52so...
08:53Yeah...
08:54There were no one...
08:54that just sat down the place...
08:56without saying anything...
09:00I got a...
09:02feeling...
09:02that the one that I did...
09:04was very close to me...
09:11Do you know your mother, Lisbeth Barley?
09:16The young lady who is there?
09:17Yes.
09:20Why would you do that?
09:24Why would you do that?
09:30I have to come back.
09:32I can follow you.
09:34It's only 400 meters.
09:37Well, I'll do it.
09:50Could I have taken you to forget Rachel?
10:04No, not yet.
10:11It's only 400 meters.
10:16Yes, sir.
10:32I have to go.
10:33Where do we go?
10:37Okay.
10:53Hello.
10:54Where's the hole?
10:55I don't know.
10:56I'm sitting on cell 129.
10:58The captain is showing.
10:59He's there.
11:03You're out there.
11:14You're out there.
11:25What the hell are you doing?
11:30And after, it's a little bit too cool.
11:41In any case, a part of Lisbeth Barley has come to this.
11:46It's a cover.
11:54I've got the responsibility for Barley and the loan.
11:59You're the only house that has...
12:02...jagated this type of mördler.
12:05But it's my decision.
12:09And?
12:10I wonder if you think about what we talked about earlier.
12:19You help me.
12:21We should help each other.
12:22Mm-hm.
12:24Dröpter du Henrik?
12:33Okay.
12:36I want to recognize for you, Harry.
12:44I'm going to kill you.
12:49I'm going to kill you.
12:53I killed you.
12:54I killed you in the prison.
12:57On the knee. On the knee. On the back of my head.
13:00Then I saw Ellen.
13:03I saw what he had done with her.
13:06And well.
13:10Ellen.
13:11You saw yourself.
13:13Ellen.
13:17What should I do? Should I let him come out of the prison?
13:21It's the land.
13:23For life after 15 years.
13:27So it's the end of my head.
13:45Then I saw that he had two shots in the door.
13:48So it's like I had to do it myself.
13:57Yeah.
13:58So you shot Ikellen.
14:02Sparrowlsson shot Ellen.
14:33I'm not sure that one person got rid of them.
14:38I can't do my head.
14:48What can I do with it?
14:50What do you see from me or me?
14:52What do you see from you?
14:53What does it feel like?
14:55What's that feel like?
14:56What do I know?
14:57What does it feel like?
14:57That's my first memory.
14:57The walls were always at home because I didn't go to Lackman.
15:02I noticed that he always stuck to work before I woke up.
15:07When I opened my eyes, he would just lay against me, rustle my hair, and then he went away.
15:15So I seemed to sleep so that he would stay a bit longer.
15:25What did you say to your father?
15:30My father was always home.
15:37My cousin, my mother, and the plaintiff.
15:42The big boss was all the time.
15:46The whole night was all the time.
15:47I had to go to school and stand there.
15:52I tried to get my eye contact with him.
15:55He was on me.
15:57He was thrown up to the saket.
16:00I went to the grinden.
16:06I opened the grinden.
16:09It was like I knew he was so angry.
16:22I was so angry.
16:25I was so angry.
16:27I was so angry.
16:28My son was all the time.
16:31I didn't realize the mess.
16:32The night I woke up...
16:34...and it was very quiet.
16:36I heard the door open.
16:38I heard the father's feet.
16:41I was the whole turn on my phone.
16:44Then I closed my eyes
16:48When I saw a hammer
16:51Then I knew
16:52I'll never see the dog again
16:56So I'll see to sleep
17:00I'm a little bit of a
17:04Trygge
17:20I'll die, Sverre Olsson
17:24For Ellen's sake
17:29For our sake
17:33For the whole world's sake
17:43So you're doing it here
17:46You're a sort of
17:47Döds-squadron
17:49We're just normal men and women
17:52Who take our society's responsibility
17:55We do what the police can't do
17:59And we have sponsors
18:00Who pay well for
18:04Very well
18:06Who are they?
18:08What are you doing?
18:11An alcoholic man over 40
18:14Vem are you skyddar?
18:17Polisen?
18:19Dina chefer
18:20Vänder ryggen till så fort
18:22Någonting går snöss
18:23Klappbänder
18:27Jag kan erbjuda dig
18:2810 gånger
18:29Bara tjänar nu
18:30Fast det är inte det viktigaste
18:32Jag kan erbjuda dig
18:33Lite värdighet
18:44Jag ser att
18:48Att du inte vill ge upp
18:51Jag ser att
19:02Jag möter efter forskningsgruppen klockan åtta
19:06Det är om tre timmar
19:08Det är om tre timmar
19:10Du får byggande folk ut
19:12För att avfylla arresten
19:13För klocka i tio
19:17Det fixar du
19:27Det här見ades
19:27Dock
19:42Ã…ich
19:44Vangç—›
19:45Det
19:45är Det
19:45här Det
19:45här I
19:46Det
19:46här Det
19:47här Det
19:47här Jag
19:48Vai
19:54After the last week's shooting, there has been a requirement for the police movement from several people.
19:59Here in the debate, what are we going to hear from?
20:02Hello, I understand. I'm not talking about the politics. I don't do anything. It's not happening in the city.
20:08This is Lisbeth Bali's hand. This is the finger we got on the post yesterday.
20:13According to the money, more of them are matched with finger-tryk.
20:15More of them are going to lift from Bali's territory.
20:18Even if we wait for the end of the report, we go from Lisbeth Bali.
20:23The police don't want to go out with more information about the crime on Camilla Loen and the song of
20:28Lisbeth Bali's disappearance.
20:30But a letter to the NTB says that the two things are connected together.
20:34This stone we found under Camilla Loens eyes.
20:39As you can see, it's the same shape as the one on Lisbeth Bali's ring.
20:45I've been in contact with a diamante expert on The Beers.
20:49And she says that spektormatry and micro-tomography can be used to identify exactly where the diamante comes from.
20:57So she will come from London at night with the flight to help us.
21:01Good, Beate.
21:03Very good.
21:04So, are you going to say breaking any more thoughts?
21:08Well, it's a little bit of a dream to look.
21:11I don't know.
21:15Come on, we must be positive.
21:17We have two things, but we have one man.
21:22Two things, we have double so many spots, and we have double so many resources.
21:26This is a dream.
21:29What's your name?
21:33Okay, you have so much alcohol. There's no home in the talk there, or?
21:37It was a scar.
21:40I just remember that you came from Nark.
21:43It was a year ago.
21:45It's something you can try to remember, Scarra.
21:48But after that, if you're looking for a planlagt drap,
21:50he knows that drapsmann has quite a lot of problems.
21:53He can be removed from the technical barriers.
21:57He can be found out to be in trouble.
21:59He can be removed from the drapsstift,
22:01but it's something that drapsmann doesn't care for him.
22:06For after that, Scarra.
22:10It's the motive.
22:11It's so basic that we always forget it.
22:14It's the same day,
22:16a drapsman from the worst marit,
22:18or a dream,
22:19all this,
22:20how you're emobulated in your head.
22:21A drapsman,
22:22without a motive.
22:23Okay, I know that you're old,
22:25but we call it...
22:26Without a motive,
22:28without a motive.
22:29For all we know,
22:30it can be a simple and classic motive.
22:33He's right.
22:34He's right.
22:35Of course he's right.
22:36We can't sit...
22:37Scarra.
22:39Harry has right.
22:40Of course.
23:09So,
23:10Okay?
23:12For to summarize,
23:13we hold two thoughts in the same way.
23:15On the one hand,
23:16we treat this systemat.
23:19And in my mind,
23:20I thought you'd pay for my education.
23:22Oh,
23:23I know the price.
23:24I know the price.
23:25My daughter,
23:25has a lecture in French for 18 pounds
23:28of a really French man.
23:30You can't take so much of me
23:32to learn my mother's name.
23:34So,
23:35I'm not a doubt.
23:37And if you don't take it,
23:38and if you don't take it,
23:40you can just take it.
23:43Okay,
23:43we'll take it again.
23:44Yeah.
23:47I know the price.
23:50The first day of the scene,
23:51it's like a lot,
23:52both with light and sound and everything.
23:55Yeah, of course.
23:58Have you seen how many of them are?
24:00La verre!
24:01F***!
24:03It doesn't work!
24:05I mean,
24:05this dialect is completely impossible.
24:08No,
24:08it's really nice.
24:10Very nice.
24:10Take it from the top again,
24:11so...
24:12It's coming to go,
24:13I promise you.
24:16I think I'm a little sister
24:17from Lisbeth.
24:19Okay, we'll take it.
24:19She's a friend
24:21from Lisbeth.
24:21She's a friend
24:22from Lisbeth.
24:23She's a friend
24:24from Lisbeth.
24:28She's a friend
24:29from Lisbeth.
24:30from Lisbeth.
24:32from Lisbeth.
24:33She's a friend
24:34Two seconds.
24:36I'm going to break
24:36the five minutes out
24:37and get a conversation.
24:39Take Peter over here
24:40and pass on you.
24:42I'll come back again.
24:43It's really nice.
24:44It's really nice.
24:47I have something I want to tell you.
24:49You know what?
24:50I...
24:51I was looking for the theater
24:52at the school.
24:54I was looking for the
24:55I was looking for the scene
24:56I was looking for the scene
24:58I was looking for the
25:01I was looking for the
25:14I was looking for the scenes
25:15when I was 40
25:16and so
25:17I was getting talented
25:18to get others
25:19to make
25:20what I can't do
25:21I can't do
25:22There's a book
25:24It has a finger that holds a finger.
25:34There I have seen a hole in it.
25:40It's what we drive with.
25:42We believe that we are Guder who can bestend everything.
25:45And if there's something like this, then you'll be able to help.
25:49Let's go.
25:50Here you are, Elizabeth.
26:12After a new week with violent people,
26:14where the use of the gun are now
26:18to move the police.
26:20The support between the groups have resulted
26:22both in death and harm.
26:25Both the police officers and police officers
26:28see the situation out of control,
26:30and the time for the middle-term solutions is over.
26:34VG skriver at Oslo renner over av åpen og Aftenposten velger at to berøtende gjenger oppnå et flot.
26:41Flere skal nå hvordan politiet skal kunne håndtere slike situasjoner når de som omdreger ikke får være våpen.
26:49Jakob etter det NRK erfarer, vurderer Stortingets Justitskomiteen og nå det er en ny høring allerede i den første samlingen.
26:55Vi følger sikker i komiteen konten om vårt generering og levning av komiteen.
27:09Ja, det er klart det kommer. Og du skal tilfeldigvis nevne det.
27:21Takk Barbara.
27:22Det er bare en enge.
27:30Takk for meg!
27:33Takk for meg!
27:36Takk for meg!
27:38Takk for meg!
27:40Takk for meg!
27:41Takk for meg!
27:41Det er Maja Ek fra Aftenposten.
27:43Jeg begynner om du kan bekraft at ni slaget ihop Loan og Lisbeth Palifallet, og at ni nu leter efter
27:47endast en gærningsmann?
27:48Ja, da må du snakke med chefen på drapsansnittet. Han heter Bjarnen Møller.
27:53Som ikke kommer se et skit.
27:56Nei, hva var det du trodde at jeg ville?
27:58Vi kanskje kan hjelpe varandre. Jeg har hørt at du er tørstig.
28:02Vi kan vel se oss og ta et par glas. Snakke lette.
28:08Eller bare en.
28:09Ha en dag.
28:13Nei!
28:16Nei!
28:17Nei!
28:17Nei!
28:17Nei!
28:18Nei!
28:19Nei!
28:24Nei!
28:25Nei!
28:25Skår ha det vanlige?
28:26Nei, ikke deg.
28:34Nei.
28:36Hva gjør du der?
28:39De sa på politiet og sa det hadde gått ut, så jeg tenkte meg nok hadde barn kommet hit.
28:48Takk for plata.
28:50Ja.
28:54Men det...
28:55Er det at du skal komme hjem til oss?
29:01Ja, mamma vil nok ikke det.
29:03Nei, hun vet ikke det.
29:05Det er derfor du må komme, men du kan gjøre den glad igjen.
29:11Vær så snill.
29:13Ellers kommer du aldri til å slå meg i Tetris.
29:17Nei, hun er småre på mig.
29:26Nei, hun er småre på mig.
29:37Nå, jeg kan ikke gjøre det her, men.
29:38NÃ¥.
30:01Hi.
30:03I'm going to wait.
30:06I'm going to go to the bathroom.
30:10No, why should I die?
30:12Sorry.
30:16No, I'm going to play football.
30:25Hey.
30:28Hey.
30:34Are you going to die?
30:35What are you going to die?
30:37Yeah.
30:40Say it.
30:46Oleg said you want to stop working?
30:50What do you want, Harry?
30:53What do you want?
31:01I've done no different things when I'm done.
31:08You don't want to stop working.
31:10You don't want to stop working.
31:11No, I mean I'm in the police.
31:13I understood.
31:22I could find a job, you know.
31:25I could have had more time to be here.
31:28I can't wait.
31:28Oh, it's good.
31:31Oh.
31:33It's not your job that makes your problem, it's...
31:37It's...
31:38It's it's you that makes your problem.
32:08Harry!
32:08Henry, can we go to the front of the day we're here?
32:14I'd like to try 10.
32:16You know, maybe.
32:19Yeah, that's great for me. We're going to listen to where we are.
32:23Yeah.
32:24Bye.
32:25Bye-bye.
32:36It's 16.55, and this is the warm-up.
32:39Not many.
32:41No, not you.
32:44I'm done with the things.
32:45I'm done with the camera, altså.
32:55There, I'm all right.
32:56Have a.
32:59Hey.
33:00Hey.
33:01What can I help you with?
33:02I had a meeting with Halle.
33:04It was a few minutes ago.
33:06It was a lot for me.
33:07Yeah.
33:08Can I get a little gas for him?
33:10Yeah, of course.
33:11A little moment.
33:15That's right.
33:15Asphalt in the script.
33:18I'm out.
33:20I step back up.
33:21I'm out.
33:23I've got to do it.
33:23We all need to mess new.
33:27Yeah.
33:31Whoops.
33:35If I get a habit back out of where.
33:43Let's see howks I make it green.
34:03I don't know.
34:15I'm actually on the toilet.
35:12We'll be gone.
35:13Right there.
35:17And his colleague there, he's Swedish.
35:45Okay.
35:49I think it's like it. Is this good?
36:04What are you doing?
36:06Barbara Svensson.
36:09Receptionist.
36:1128 years old.
36:13Put it in the back of it.
36:17Cisca sprayovka.
36:20The ljuddämpan is special to work.
36:30It's a strange situation.
36:35It looks amazing that the murderers have left her and arranged her after.
36:44What's the murderers have left her?
36:46What's the murderers have left her?
36:47Some women in the lawyers.
36:49You know?
36:50No.
36:51There was a visitor who stood at the reception and asked for a glass of water.
36:56Barbara Svensson went to find her.
36:57It was 16.55 and then he came back.
37:00And then he came back.
37:00And then he came back?
37:02Yes, it looks like.
37:03We were near here to the kitchen.
37:09And...
37:11Do you know if someone saw on me after the reception and went back?
37:15No, I don't think so.
37:18No, I don't think so.
37:19What did he say?
37:20What did he say when he came back?
37:23No, he thought he was good.
37:26So he leted up the house that he could do.
37:30So he was known from before?
37:32No, it was the first time he came back.
37:34No, no, no, no.
37:47No, no, no, no, no.
37:48So he was the last time he saw.
37:50Yeah, it worked.
37:52Maybe.
37:53I think it was a time between 16, 55 and 17, and what do you do there?
38:03Do you have any problems with this?
38:07I had known them just after they died, but before they had calmed.
38:16You can feel that the energy is on the way out, but...
38:23Do you feel it?
38:28Do you feel it?
38:32I know you want to feel it.
38:39Do you feel it?
38:52Do you feel it?
38:53You need to take the job.
38:55It's exactly the same way over here as I am.
38:58There are no more to do that.
39:00You'll be able to take the life of your life.
39:17You're both sore.
40:01You're both sore.
40:31You're both sore.
40:40You're both sore.
40:41Diamonds have geological fingerprints.
40:44I would guess the Chiuvo mines in Sierra Leone.
40:50I think these diamonds are new, and that they've probably been smuggled from Sierra Leone to another country.
40:56But they've been provided with four certificates.
40:58Yeah, so there's a serial killer.
41:00Yeah, you just need to cancel the serial killer, Chef.
41:03You need everything that can creep over.
41:05Well, this will come mildly.
41:06I'm not a serial killer.
41:07I'm not a serial killer, Chef.
41:29I'm not a serial killer.
41:29I'm not a serial killer.
41:32You're not a serial killer.
41:37You're just a serial killer.
41:39in the direction of Eastern Europe.
41:41Eastern Europe?
41:43I have seen these starshaped diamonds before.
41:47They were smuggled from former East Germany and the Czech Republic.
42:05Here is a woman.
42:07There is more information.
42:09Excuse me.
42:12Excuse me.
42:13Is it Diamant Order?
42:14I want to tell you.
42:18It was me who called you earlier.
42:21When I came from Afton Post.
42:22I feel like an idiot.
42:27Look.
42:28I know a lot of misuse.
42:31My little brother.
42:33He is a heroine.
42:35He sits on the table in Sweden.
42:37What I said...
42:42Yes.
42:43Good.
42:44Yes.
42:47Yes.
42:50Yes.
42:51Yes.
43:02Yes.
43:04Yes, yes.
43:05Yes.
43:07Yes.
43:11Thank you very much.
43:24The police are still working on a court location on Karl Berners Place, but they still don't want to answer
43:32questions from the address of a possible relationship with Camilla and Camilla.
43:37The police are still working on a court location.
43:44For ten days since Camilla was killed.
43:47You know it!
43:51From the police.
43:53Our reporter has talked to Elisabeth Barlist's sister.
43:56Do you have any customers in the middle of the day?
44:01Annerledes?
44:02Annerledes?
44:03Annerledes?
44:06Alle!
44:07Hele nabler går ut og helvete, så.
44:12For eksempel, noen som ser ut som de er.
44:14Har tenkt å drepe noen.
44:18Ja.
44:20Hvem faen har jeg ikke tenkt seg å drepe noen innimellom, da?
44:22Heller verden er jo full av folk som er bortkastet bruk av sin, så.
44:30Nei.
44:31Jeg har ikke hatt den jævla kun det hele dagen, så det er.
44:44Vi vil komme med løpende oppdatering i denne siste drapsaken utover kvelden, da også fra politiets pressekonferanse som har varslet
44:51blokka 21.
44:52Så, mens resten av landets befolkning har fellesferie, er politiet under svært stortress med alvorlige saker i Osloberg.
45:12Hei, Harry.
45:13Hva fant du?
45:14Jeg fikk treff på Akers sykehus.
45:16Vi oppgir ikke navnet, selvfølgelig.
45:17Men hun jeg snakket med sa at det ligger en person der med skuddsskader, og som en ikke utelukker kan
45:22ha tilknytning til hjelpemissgjengen.
45:24Plommer?
45:25505.
45:26Takk, synes jeg.
45:27Takk, synes jeg.
45:43Takk, synes jeg.
45:43Takk, synes jeg.
45:44SÃ¥nn fint du kan kanskje sitte ned og lesen boka din.
45:46Tristennomtaken.
45:47Helt still og rolig.
45:52Hvem faen er du?
45:53I am the only one who is in between you and the fact that your head will soon be blown
45:57out.
46:04Do you know the group you have arrested?
46:07They told us who it was who burned up the film.
46:10And you can spore them so long you have them here.
46:14You bluffed. If they knew who used the flammekaster, they knew they were not me.
46:19They are not the ones who have arrested you.
46:22They are your own.
46:25When we arrested him who had arrested him,
46:28my story is that you would have understood that we missed you.
46:32And he will tell you that I got out here with a smile on your face.
46:41What do you want?
46:42I know you have bought a lot of weapons.
46:44So what I want is that you will answer yes or no.
46:50If it is him you bought him.
46:52You say that?
46:53You are not a pity.
46:55No, of course not.
46:58Not on your own.
47:01Is it him?
47:04Yes, yes.
47:06Then we are all.
47:08We are two new since the last.
47:11Eyeseless.
47:12Nameless.
47:13And finally, historyeless.
47:15So we are all going to destroy the time and the glass.
47:19We are all going to remember to have stred for this one.
47:22And make life for the people, for the human being, a little better.
47:28We are the only one who knows the identity to all of this room.
47:33And I know that some of you are religious and some of you are atheists.
47:36And we are not sure how to deal with all of this.
47:38To convince us as a group, as an individual,
47:42We are all of the responsibility for to form a society and keep our Roberts together.
47:46We are all of us the responsibility for a nation who is a socialist.
47:55We are also the responsibility for the human being.
47:57We must make the lack of community to give the strength.
48:02We must work to form the strong and important laws to ensure the strong rules.
48:05Those who actually protect the citizens of this country.
48:11And so, and just so,
48:13we can help to make this country
48:16until it's one time.
48:18And we are the strong.
48:22And with strength,
48:26we receive the power.
48:35We receive the power,
48:36we receive the power.
48:41¡Verdad!
48:43Come here!
48:46¡Verdad!
48:55¡Verdad!
49:09Oh, my God.
50:02Oh, my God.
50:28Oh, my God.
50:34Tell me that there's some way that I'll get through the night.
50:43Tell me that there's some way that I'll get through the night.
51:36Tell me that there's some way that I'll get through the night.
52:06Tell me that there's some way that I'll get through the night.
52:36Tell me that there's some way that I'll get through the night.
53:06Tell me that there's some way that I'll get through the night.
53:10Tell me that there's some way that I'll get through the night.
53:11Tell me that I'll get through the night.
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