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The Crown S01E09 [Full Movie] [Ranked]Full EP - Full
Transcript
00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no.
00:02:12Twelve no's.
00:02:14I would love to, on one condition.
00:02:19That you don't still hold a torch for her.
00:02:23Who?
00:02:25Who?
00:02:27Her.
00:02:36I know how close you were and how close your family still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:22And for you?
00:03:32It was only you.
00:03:52It's only her father.
00:03:53There is no idea.
00:03:53We're in the house.
00:03:54Oh, the Lord.
00:03:55There's no idea.
00:03:57There's a little idea.
00:03:59There's no idea.
00:04:01There's only one.
00:04:02No idea.
00:04:03But it was only her mother.
00:04:04There's no idea.
00:04:10I need a bit.
00:04:38I need a bit.
00:05:05I need a bit.
00:05:34I need a bit.
00:05:35I need a bit.
00:05:36I need a bit.
00:05:37I need a bit.
00:05:38I need a bit.
00:05:39I need a bit.
00:06:27I need a bit.
00:06:41I need a bit.
00:07:05I need a bit.
00:07:25I need a bit.
00:07:59I need a bit.
00:08:27I need a bit.
00:08:50I need a bit.
00:09:02I need a bit.
00:09:12I need a bit.
00:09:44I need a bit.
00:10:31I need a bit.
00:11:01Good morning.
00:11:08I need a bit.
00:11:21I need a bit.
00:11:54I need a bit.
00:12:31I need a bit.
00:12:37I need a bit.
00:12:48I need a bit.
00:13:03I need a bit.
00:13:05I need a bit.
00:13:14I need a bit.
00:13:30I need a bit.
00:13:44I need a bit.
00:14:00I need a bit.
00:14:04Even the socialists acknowledge you saved the country.
00:14:08Through gritted teeth.
00:14:10I have the protective instincts of a loving wife,
00:14:13and I can tell you this one is not an assassin.
00:14:16Whoa, whoa, whoa, whoa!
00:14:17The last of the world is like the last of the powers of one,
00:14:20Kathy O'Rourke, the 50th of the gate,
00:14:23the fourth, four, and the other, and the fourth, O'Rourke.
00:14:30O'Rourke, O'Rourke, O'Rourke, O'Rourke, O'Rourke,
00:14:33followed by Babos and Darius Wilberheim.
00:14:36It is a fucking marvelous show.
00:14:38It is a great day, baby.
00:14:43The price of our best seat now, my first is mad.
00:14:47I would like to welcome you to the end of the family
00:14:49and the witness of the first of the story.
00:14:52It was good.
00:14:55It's so clever.
00:14:56I know, I know.
00:15:26I remember getting the phone call from your father
00:15:29when he was born, by Hyperion, out of Angelola.
00:15:33Yes, we gave him his first milk, remember?
00:15:38Watching him grow up,
00:15:39everyone thought his elder brother would be the star.
00:15:41Your clever papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it is his favorite horse.
00:15:54So, what's next, Rajan?
00:15:57Well, we've received an invitation
00:15:59to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what, four?
00:16:08Already at the older end of the spectrum.
00:16:10Hmm.
00:16:11If you're asking my opinion.
00:16:12Well, that is why I asked for you today.
00:16:16My honest advice?
00:16:18I'd consider retiring him now.
00:16:20At the top of his game,
00:16:22the best middle-distance horse in Europe
00:16:24with a sky-high market value.
00:16:27Let him earn you some proper money as a stud.
00:16:30Huh.
00:16:31I'm surprised to hear you
00:16:32turn down the opportunity of going to America.
00:16:37Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:42Fiancée.
00:16:44Fiancée?
00:16:45Goodness.
00:16:49Who is she?
00:16:51Money, I hope,
00:16:52so you can keep out the stables.
00:16:53Actually, she's a portsmart.
00:16:55Dear, so no money.
00:16:56Some money.
00:16:57But horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:07If you promise you won't scare her.
00:17:09Why would I scare her?
00:17:10You're the queen.
00:17:12Only some of the time.
00:17:13All the time.
00:17:14That makes you terrifying.
00:17:16And she's heard a lot about you.
00:17:19From whom?
00:17:20From me.
00:17:22Some of it nice, too.
00:17:30You're the queen.
00:18:03The one you let get away.
00:18:06What?
00:18:07He's always carried a torch for you.
00:18:09What, she?
00:18:11That's nonsense.
00:18:13He told me himself.
00:18:15One night while in his cups.
00:18:18That doesn't count.
00:18:21When a man's had a drink, that's when the truth comes out.
00:18:24No, that's when the nonsense comes out.
00:18:26Besides, you have interests in common.
00:18:29Forces aren't an interest for you, they're a passion.
00:18:32A passion your husband doesn't share.
00:18:34He has other passions.
00:18:37So I hear.
00:18:53Good morning.
00:18:56Good morning.
00:19:12The foreign secretary is here, sir.
00:19:14Shall I show him in?
00:19:16No.
00:19:18Not here.
00:19:32I'm sorry to keep you waking.
00:19:35As opposite as ever.
00:19:38I didn't mean it like that.
00:19:44There's ugliness in the air, Anthony.
00:19:48I have nothing of beauty to say.
00:19:50Then say what you must.
00:19:52Deposit your ugliness and go.
00:19:55I have more important things to do.
00:20:01I have more important things to do.
00:20:02Very well.
00:20:07At some point, every leader must ask himself whether by staying in office he is giving to
00:20:16the country or taking from it, helping or harming.
00:20:23And I would suggest that for some time now, you have been taking and harming.
00:20:31And therefore, I come to you, in the name of the party and of the country, for the very
00:20:37last time, Winston, to bid you to stand down.
00:20:42I will in good time.
00:20:43At the right time.
00:20:45The right time was nine years ago when you lost us the election.
00:20:49And I have since avenged that defeat by winning us the last election.
00:20:53I won us that, Winston.
00:20:55I won that.
00:21:01People voted conservative in the clear expectation that you would give way to me.
00:21:07That is such rubbish.
00:21:09They voted conservative because they couldn't stomach socialism.
00:21:13Inflation is out of control.
00:21:15And with every misjudgment, with every miscalculation, with every utterance you make, that appetite
00:21:24to return to the left is growing.
00:21:26Be careful, Anthony.
00:21:27Too much excitement is not good for one so soon after an operation.
00:21:31Spoken by a man who, only two months ago, was effectively dead.
00:21:35Which makes two of us.
00:21:37I have recovered.
00:21:38That's not what I hear.
00:21:40I hear you're a shadow of your former self.
00:21:44That when you walk, the pills rattle around inside of you.
00:21:47I have something that you will never see again.
00:21:52A clean bill of health.
00:21:55A stallion said the same.
00:21:57He died robbering on the floor.
00:22:01Mr. Sutherland is here.
00:22:04Hello, Anthony.
00:22:05Anthony was just leaving.
00:22:08Hello, Timmy.
00:22:11Yes, I was, uh, just leaving.
00:22:17Here we are.
00:22:19Morning.
00:22:21Morning.
00:22:22This is my wife, Kathleen.
00:22:24She assists me sometime.
00:22:26I hope you don't mind.
00:22:27And now, uh, I want to go.
00:22:35Oh, my God.
00:22:38Oh, my God.
00:22:39Oh, my God.
00:22:41Oh, my God.
00:22:45Oh, my God.
00:22:52Oh, my God.
00:22:54Oh, my God.
00:22:59Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10But which kind?
00:23:144B or 6B or something.
00:23:16Not sure.
00:23:18It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:24I pay for heavyweight cotton.
00:23:26A cold-pressed, deckle-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband
00:23:38complete in a year, Mrs Sutherland?
00:23:413 or 4.
00:23:44Would you care to guess
00:23:45how many I average?
00:23:4710?
00:23:4915?
00:23:5160!
00:23:53Of course.
00:23:54I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Not a major artist like your husband.
00:24:03Taking his time.
00:24:07Over here.
00:24:20I'm just a hobbyist.
00:24:22I'm just a hobbyist.
00:24:23I'm just a hobbyist.
00:24:24I'm just a hobbyist.
00:24:24I'm just a hobbyist.
00:24:25I'm just a hobbyist.
00:24:26I'm just a hobbyist.
00:24:26I'm just a hobbyist.
00:24:27I'm just a hobbyist.
00:24:27I'm just a hobbyist.
00:24:28I'm just a hobbyist.
00:24:31I'm just a hobbyist.
00:24:34I'm just a hobbyist.
00:24:36I'm just a hobbyist.
00:24:38I did a little reading about you, Mr. Sutherland, after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah, but in your search for your metier, you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Yeah, I quite understand.
00:25:27How is it, Mrs. Sutherland?
00:25:32It has truth.
00:25:35Am I to be allowed a peek?
00:25:37No.
00:25:39Why not?
00:25:40I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find in general people have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:02Certainly.
00:26:02The good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy.
00:26:18Freedom.
00:26:18The highest ideals of government and leadership.
00:26:22Just remember that.
00:26:34Yes.
00:26:36Lord Porchester, Your Majesty.
00:26:40Plug in.
00:26:42Porchy.
00:26:43What a palaver.
00:26:44What is?
00:26:45Getting through to you.
00:26:47I picked up the phone to you just after nine this morning.
00:26:50It's now gone midday.
00:26:51Oh, don't exaggerate.
00:26:53But yes, I know.
00:26:54It is infuriating.
00:26:55Fire away.
00:26:56You asked me to come to some figures for you with regard to Oriole.
00:26:59Although I'm numerically dyslexic, runs in the family, I'm afraid, like the high forehead.
00:27:04I have done the sums.
00:27:06See if this helps you with your decision.
00:27:08In the course of his lifetime as a racehorse, Oriole has made you just over £40,000.
00:27:13Goodness.
00:27:15But, if you were to put him out to stud, he could make you far more.
00:27:18He's a recognised champion with a top-notch pedigree.
00:27:21You could stand him at Wolferton's stud for top dollar.
00:27:27Well, that's the decision then.
00:27:30Good.
00:27:31And in the meantime, I'll ask if I can get you a direct line.
00:27:36To you?
00:27:37Yes, to me.
00:27:38Why?
00:27:39Or is there anyone else you wanted to speak to here?
00:27:42No.
00:27:43Good.
00:27:47What is it?
00:27:49Top dollar.
00:27:50I need numbers.
00:27:52400.
00:27:53A pot.
00:27:54A shot.
00:27:56Sorry, I'm trying to find a less onomatopoeic express of what is ultimately...
00:27:59I know what it is.
00:28:00A shag.
00:28:01A cover.
00:28:02A cover?
00:28:04Yes, that's the correct term.
00:28:06For a horse hump.
00:28:09Yes.
00:28:11So what might you earn then over the course of the year?
00:28:14Well, in one year alone, Oriole might cover 40 mares.
00:28:20Making about 16,000 pounds.
00:28:23Good for him.
00:28:24In the course of his lifetime at the stud, he might sire 500, 600 foals.
00:28:29Making me over 200,000 pounds.
00:28:32Creating an entire generation of offspring.
00:28:34Yes.
00:28:36Father to all the fells in our stables and any other stable that could afford him.
00:28:40Yes.
00:28:42Oh, I see.
00:28:42So in time, every horse out there could somehow be related to Oriole.
00:28:49Yes, I suppose so.
00:28:52Like old man Carnarvon.
00:28:56Who?
00:28:57Your friend Porchy's father.
00:29:01Porchy?
00:29:01No.
00:29:02Like I said, his father.
00:29:04Yes, they're both called Porchy.
00:29:07Wasn't that the rumour?
00:29:08What rumour?
00:29:10Oh, that he'd had so many affairs.
00:29:12An entire generation of British aristocrats was related to him.
00:29:17An illegitimate Porchy in every great house in the land.
00:29:23High foreheads everywhere.
00:29:26A numerical dyslexia.
00:29:29What?
00:29:30Nothing.
00:29:31What?
00:29:32Nothing.
00:29:37Michael.
00:29:39Dear boy.
00:29:45Good night.
00:29:47Good night.
00:29:50Let me have a look here.
00:29:52Marvellous.
00:29:53Shall we?
00:29:54Come on.
00:29:54You look beautiful.
00:29:56Mm-hmm.
00:30:26You look beautiful.
00:30:28You look beautiful.
00:30:29You look beautiful.
00:30:29You look beautiful.
00:30:29You look beautiful.
00:30:29You look beautiful.
00:30:29You look beautiful.
00:30:29You look beautiful.
00:30:30You look beautiful.
00:30:31You look beautiful.
00:30:33You look beautiful.
00:30:36You look beautiful.
00:30:38You look beautiful.
00:30:39You look beautiful.
00:31:46Good morning.
00:31:47Morning.
00:32:00Your wife this time?
00:32:03You know, I asked her not to come.
00:32:11Since this is to be our final session,
00:32:15I wanted us to be all alone.
00:32:21In silence, preferably.
00:32:23Yes, yes.
00:32:25I'll be a good boy.
00:32:33I quite understand the need for concentration.
00:32:37Painting the picture is like fighting a battle, a bloody battle.
00:32:43In the gladiatorial fight to the death, the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56Do you think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:16Are there any works that you're referring to in particular?
00:33:21I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond?
00:33:28Why the pond?
00:33:29It's just a pond.
00:33:31It's very much more than that, as borne out by the fact that you've returned to it again and again,
00:33:36more than 20 times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:40It eludes me.
00:33:43Well, perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water.
00:33:53The play of light.
00:33:55The trickery.
00:33:56The fish down below.
00:33:59I think all our work is unintentionally revealing, and I found it especially so with your pond.
00:34:04Beneath the tranquility and the elegance and the light playing on the surface, I saw honesty and pain.
00:34:10Terrible pain.
00:34:12The framing itself indicated to me that you wanted us to see something beneath all the muted colors deep down
00:34:22in the water.
00:34:25Terrible despair.
00:34:27Hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:42Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:49Hmm.
00:34:50It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:55With all that gnarled and twisted wood, those great ugly dabs of black, I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was, uh, it was a very dark time.
00:35:18My, uh, my son, John, passed away.
00:35:24Eight to two months.
00:35:30Oh, my.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:58You have five, yes?
00:36:00Four.
00:36:04Marigold was the fifth.
00:36:07She left us at age two years, nine months.
00:36:12Septicemia.
00:36:13I'm so sorry.
00:36:14I had no idea.
00:36:18We settled on the name Marigold, on account of her wonderful golden curls, the most extraordinary color.
00:36:32Regretfully, though perhaps mercifully, I was not present when she died.
00:36:39When I came home, Clemmie roared like a wounded animal.
00:36:54We bought chart, well, a year after Marigold died.
00:37:03That was when I put in the pond.
00:37:36Here.
00:37:55Oh.
00:37:59It's a pleasure.
00:38:06I look forward to seeing it.
00:38:27Let me, let me, let me, let me free, please.
00:38:36Please, forget the death of death.
00:38:50Hello.
00:38:51Hello.
00:38:53Shall we?
00:38:55Yes.
00:39:00Well, given this is Oriel's debut, and we want to leave nothing to chance, I've called up three different mayors.
00:39:05Very rarely does a forced tryst.
00:39:08Very rarely does a forced tryst make a fruitful tryst.
00:39:10One wants the perfect fall, one needs to be prepared to wait for the perfect peril.
00:39:13Shall we?
00:39:14Shall we?
00:39:15Meet Neocracy.
00:39:17Oh, the Aga Khan.
00:39:18Indeed.
00:39:19Yes.
00:39:19Recently retired.
00:39:21Recently retired, with a good record as a winner.
00:39:22Lovely temperament tool.
00:39:23Mm-hmm.
00:39:25My only concern would be, is she perhaps a little too...
00:39:28Special.
00:39:29Mm.
00:39:29I worry that if we left least through to it, nothing would ever happen.
00:39:32Mm-hmm.
00:39:33Which is why I've also called up Turkish blood.
00:39:36As you can see, an altogether different proposition.
00:39:39Indeed.
00:39:40Strong.
00:39:40Willful.
00:39:41With a terrific track record herself.
00:39:43Really would be breathing the best with the best.
00:39:46I'm sensing about.
00:39:47Through memory, your Oriel is something of a sensitive soul.
00:39:52That hit him to be intimidated or come unstuck and faced with a fiery warrior like this.
00:39:56That's very considerate of your portrait.
00:39:58Which is why I have a good feeling about our third candidate.
00:40:01Feast your eyes on Temple Bar.
00:40:03A hot thoroughbred with the winning streak herself.
00:40:06A little on the young side, perhaps.
00:40:09Just three.
00:40:10We don't mind that, do we?
00:40:17Immediate engagement.
00:40:18Yes.
00:40:19I must say, I do like this one.
00:40:21Mm.
00:40:23Would appear the feeling is mutual.
00:40:26Oh, well.
00:40:29Telegrams have been pouring into Dining Street today
00:40:32to wish Sir Winston Churchill a happy 80th birthday
00:40:36on this, the 30th of November.
00:40:38They come from all parts of the globe.
00:40:43Happy birthday, darling old pug.
00:40:54Happy birthday to you.
00:40:58Happy birthday to you.
00:41:02Happy birthday to you.
00:41:05Happy birthday to you.
00:41:05Happy birthday to you.
00:41:07Happy birthday to you.
00:41:08Happy birthday to you.
00:41:08Happy birthday to you.
00:41:08Happy birthday to you.
00:41:08Happy birthday to you.
00:41:08Happy birthday to you.
00:41:10Happy birthday to you.
00:41:10Happy birthday to you.
00:41:12Happy birthday to you.
00:41:42Oh, is it time?
00:41:43It is, Paul.
00:41:44Right.
00:41:46Oh, is it time, Michael?
00:41:54Thank you, Paul.
00:41:55Westminster Hall, silent witness of nearly a thousand years of history, was the scene
00:42:00of the birthday presentations to Sir Winston.
00:42:02Oh, is it time, Michael?
00:42:55I am deeply honoured to be here today.
00:43:02No politician has ever received such an honour before, and I am deeply grateful.
00:43:11I am aware, however, that after having served my country for 54 of my 80 years,
00:43:26resignation is a word that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it.
00:43:36The stage is set, and the audience is assembled, all ready for a grand valediction.
00:43:46There's only one problem.
00:43:48The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:43:59Oh dear, he's playing with them all.
00:44:02When your political colleagues are kind enough to present you with a portrait by an ambitious
00:44:11modernist, one has to ask oneself, is it a gift or is it a curse?
00:44:27Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved, that his portrait was not just of me, but of the office
00:44:45I represent, indeed, of our entire system of government.
00:44:50So, at long last, I look forward to unveiling this painting.
00:45:31Define patriotic piece of modern art.
00:46:10Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting.
00:46:19It's a humiliation.
00:46:22How shall I paint him today?
00:46:26Sitting on a chair,
00:46:27producing a stool,
00:46:30a broken, sagging, pitiful creature,
00:46:33squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is,
00:46:39and I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the Joint Houses of Parliament
00:46:46as a sign of respect.
00:46:47Then they should have commissioned an artist who is respectful
00:46:50instead of a Judas wielding his murderous brush.
00:46:55Look at it!
00:46:56It is a betrayal of friendship
00:46:58and an unpatriotic, treacherous, cowardly assault
00:47:03by the individualistic left.
00:47:06As regards to the friendship?
00:47:07Clearly, there is none.
00:47:11I accepted this commission because I admired you
00:47:14and I came through the experience admiring you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22It's art.
00:47:23It's not personal.
00:47:24Well, you are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact.
00:47:35Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me.
00:47:46It is, sir.
00:47:47It is not.
00:47:47It is cruel.
00:47:49Age is cruel.
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:03I can't be blamed for what is.
00:48:06And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something,
00:48:17then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:49:22He's right.
00:49:25What?
00:49:27I am that man in the painting.
00:49:31I am wretched and decaying.
00:49:34And I cannot go on.
00:49:37You've said that before.
00:49:43And this time I mean it.
00:49:44I'm tired.
00:49:49You've had enough.
00:49:53I have, my love.
00:49:59This time I really have.
00:50:01Good.
00:50:23ORCHESTRA PLAYS
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were one or two moments
00:50:54when I might have even hoped for it, too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all.
00:51:20Well, and you wish for Mr. Eden to take over?
00:51:23I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two.
00:51:29He might even stop cursing me.
00:51:31Then he will be overwhelmed by a job
00:51:34in which no man can ever succeed
00:51:36and curse me again for leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:48So.
00:51:52This is our last audience.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you.
00:52:18Which is why it's time for me to leave.
00:52:30Your Majesty.
00:52:51I have nothing more to see you.
00:52:55Weal you.
00:52:57Luckily.
00:53:05Can you take me?
00:53:05You know what I find?
00:53:05I do work with you.
00:53:05That is why I went to bis с torados.
00:53:05He came to me.
00:53:05James know what he wants.
00:53:08I think it was the only way.
00:53:08Oh my god, this is my grandmother even.
00:53:13You're up.
00:53:24You're up.
00:54:09I want something more personal for Winston.
00:54:16What about dinner?
00:54:18Here?
00:54:18Oh, Buckingham Palace.
00:54:20No, there.
00:54:21Downing Street?
00:54:22Yes.
00:54:23It would be quite the compliment.
00:54:25You and Philip go there for dinner.
00:54:28I'll ask Philip.
00:54:30No, you'll tell Philip.
00:54:32Marnie.
00:54:33Dinner?
00:54:34Downing Street?
00:54:35Oh, God.
00:54:36Why not?
00:54:39If you look at it, you think?
00:54:42I mean, if I were a stallion, would I fancy her?
00:54:46Attraction isn't so much about looks as smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see, don't we?
00:55:03Rather like us, darling, when we were courting.
00:55:05Shh, will you please be quiet?
00:55:10Yeah, look, here we go.
00:55:12All right.
00:55:14You all right?
00:55:17Hold her steady.
00:55:19Ready?
00:55:23All right.
00:55:24I say.
00:55:41Is that it?
00:55:44It's 2,000 guineas for that.
00:55:46As long as he's done what he needs to do,
00:55:48and it bears fruit, I don't mind.
00:55:50Well done, Porchy.
00:55:54Yes, indeed.
00:55:56Well done, Porchy.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:01Porchy, so he can call straight in.
00:56:04I know only because I tried to get one for Mike and was refused.
00:56:08Yes.
00:56:09On account of him not being a family member.
00:56:12Porchy is like family.
00:56:13Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:20Well, as long as you don't sit on him many times, too.
00:56:34Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:39You all right?
00:56:42Mm-hmm.
00:56:48Mm-hmm.
00:57:08Can you leave us now, please?
00:57:11Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portia is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration,
00:57:57the only person I have ever loved is you.
00:58:03And can you honestly look me in the eye and say the same?
00:58:17Can you?
00:58:32Pray silence for Her Majesty the Queen.
00:58:44My lords, ladies and gentlemen, dear Winston and Lady Churchill.
00:58:56My confidence in Sir Antony is complete.
00:59:01And I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he or any of those successors
00:59:11who may one day follow him in office
00:59:14will ever, for me, be able to hold the place of my first prime minister,
00:59:21to whom my husband and I owe so much,
00:59:26and for whose wise guidance during the early years of my reign,
00:59:31I shall always be so profoundly grateful.
00:59:40I will remember you always
00:59:43for your magnanimity,
00:59:46your courage at all times,
00:59:55and for your unfailing humour,
00:59:57founded in your unrivaled mastery of the English language.
01:00:05I take comfort from the fact
01:00:07that in losing my constitutional advisor,
01:00:13I gain a wise counsellor
01:00:19to whom I shall look for help and support
01:00:23in the days which lie ahead.
01:00:33May there be many of them.
01:00:34May there be many of them.
01:00:36May there be many of them.
01:00:38May there be many of the few news.
01:00:48I'm sorry, sir.
01:00:52May there be many of them.
01:00:53May there be many of them.
01:00:56May there be many of them.
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