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The Crown S03E01 [Full Movie] [Trending]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13as many of those we know
17:14and those co-hosts and the many of the mob and of the host...
17:16yeah, I know, we'll...
17:30yeah, we move out to our patreon, to our people...
17:35yeah, yeah!!!
17:37yeah, yeah!!!
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with ham until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:06Absolutely no physical contact other than taking a hand
18:08if and only if she offers it.
18:10No small talk unless she invites it.
18:13At the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, prime minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor,
19:19and doubtless you'd have preferred him to have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:27We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Bosh Alec.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born,
19:36who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us.
19:46And the havoc they wreaked.
19:49Soaring land and house prices.
19:51Race riots.
19:52Sex scandals.
19:53Large-scale unemployment.
19:55Rejection from the EEC.
19:56And an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:10No, ma'am.
20:12A Labour government devalued the pound once before,
20:15with little success,
20:16and my party cannot risk being seen as the party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country,
20:27and the pound is a powerful symbol.
20:33It can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol,
20:39your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time,
20:48and thinking how odd it looked.
20:51At the same time,
20:52realising I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death?
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors,
21:31Churchill, Eden, Macmillan, even Ellick,
21:34each in their own way,
21:35was formidable,
21:37statesman-like.
21:38But Wilson
21:39is neither old nor young,
21:42tall nor short,
21:44loud nor quiet,
21:46warm nor cold.
21:47He seems to have come from nowhere
21:49and is entirely unremarkable.
21:51No.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable,
22:01unremarkable,
22:02not stand out in a crowd.
22:03We used to say that about Henry.
22:05Didn't we, dear?
22:06What?
22:07That you would have made the perfect spy
22:08because no one could remember having met you.
22:13I'd say that was marginally better
22:15than everyone having nightmares
22:17having met you!
22:30Of course, we do tease each other.
22:32With Tony,
22:32one never knows quite whom
22:34one's going to get
22:35from one moment to the next.
22:37It's changeable.
22:38It goes from loving to hating.
22:41Mummy, you're not listening, hmm?
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try
22:51not to let him consume you like this.
22:55Two of you have your trip
22:56to America coming up.
22:58Yes.
22:58You'll be with each other
22:59round the clock,
23:00working together as a team.
23:02Your father and I
23:03always found those trips
23:04very bonding.
23:06I hope you're right.
23:10All right.
23:12All right.
23:14All right.
23:16All right.
23:58Margo.
23:59Margo.
24:00Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door.
24:06I'm claiming that as a land speed record.
24:08Is there any food left?
24:10Have you eaten it all?
24:10Your majesty.
24:14Your majesty.
24:14I'm going to see you.
24:15A thousand apologies.
24:18Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello.
24:21Hello, Darcy.
24:24Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Because he's always working, traveling or water skiing.
24:35Oh, it's my new passion, ma'am.
24:37Your majesty, there's a telephone.
24:38On the label, son.
24:39Oh, it's lovely.
24:41Actually, there's a ghastly little pond.
24:43I think it's fine.
24:45I think it's fine.
24:46I'm singing.
24:46What do you know?
24:47You have the wine to go.
24:49Oh, whichever way.
24:50Oh.
24:53Charming, Elizabeth.
24:54Thank you so much.
24:56Oh, it's a really good job.
24:57That's fine.
24:58It's fine.
24:59Happy birthday to you.
25:01Oh, my word.
25:02Happy birthday to you.
25:06Happy birthday, dear Henry.
25:11Happy birthday to you.
25:14Surah!
25:15Turn up.
25:16Shh, shh, shh, shh.
25:18Winston is dead.
25:41Fire!
25:42Fire!
25:46Fire!
25:47Fire!
25:49Fire!
25:51Fire!
26:04Fire!
26:07Fire!
26:09Fire!
26:10Fire!
26:11Fire!
26:11Fire!
26:38Sir, the CIA's director of counterintelligence on the phone.
26:43I'll call him back.
26:44He called on Juliet.
26:45Sir.
26:47Heads of states from around the world are arriving, crowding in to this great mother church of the Commonwealth.
27:18Jim?
27:21Martin.
27:22A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole at the top of the British establishment.
27:58Where is he now?
27:58Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land to join in prayer on the occasion of the
28:13burial of a great man who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need.
28:31To be a leader and inspirer of the nation for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait, and since all men are subject to temptation and error, we pray that we, together
28:52with him, may be numbered among those whose sins are forgiven and have a place in the kingdom of heaven.
29:02I attended Cambridge University, and it was during this time that I was first approached by members of the Communist
29:12Party.
29:23Right?
29:33I'll confirm with you, Your Majesty, and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, Your Majesty.
29:55Your Majesty, thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent who has
30:11identified a mole at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity, one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long, undetected, is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about, to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy in Downing Street.
30:57Those rumours.
30:58You were talking about Harold Wilson.
31:01Yes.
31:01I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made by the KGB to recruit Wilson when he was younger, working
31:10on trade missions.
31:11He travelled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak, we discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:24He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill, the most likely beneficiary would have been George Brown, not
31:33Harold Wilson.
31:34Wilson was not favourite to take over the leadership at the time.
31:38We don't have a Russian spy in Downing Street?
31:41No.
31:44But it seems we do have one in Buckingham Palace.
31:53We look at a painting and immediately want to know it, understand it.
31:59But can anything ever be fully understood?
32:05Take our bearded trickster here.
32:08A Venetian card sharp originally ascribed to Titian.
32:12Until new evidence came to light proving the painting is actually by Lorenzo Lotto.
32:16As time passes, so we learn.
32:21Truths are revealed.
32:24In the late Renaissance, painting after painting, masterpiece after masterpiece, seem full of hidden intentions.
32:32Multiple meanings.
32:36Annibale Carracci's Allegory of Truth and Time, painted in 1584 or 1585.
32:41This winged figure here rescues a young woman, his daughter, from the darkness.
32:50He is time, she is truth.
32:54And this figure below, trampled by truth, is deceit.
33:01Carracci's message is clear.
33:05Be patient. The truth will out.
33:09I'm afraid I can now confirm that the surveyor of the Queen's pictures, Sir Anthony Blunt, was the fourth man
33:16in the Cambridge spy ring.
33:18The message encoded in the painting is repeated in reality.
33:23As with the Lotto, time passed and the painting was restored to reveal deceit is two-faced.
33:30She has a second monstrous visage.
33:33And that alongside conducting a distinguished career as an art historian and member of the royal household, he spent 15
33:42years as an active KGB mole and passed almost 2,000 documents of sensitive military secrets to the Kremlin.
33:50Truth may lie beneath the surface, buried, forgotten.
33:56But time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:03Truth will come to light.
34:06Murder cannot be hid long.
34:10A man's son may.
34:12But at the length, truth will out.
34:35We had initially hoped the information was false.
34:38We get these sorts of claims all the time.
34:40But we subsequently detained and interviewed Blunt.
34:46And I'm sad to say he has confessed.
34:53In full.
35:03What's the next step?
35:04Well, as a traitor to his country, he should of course stand trial.
35:08Be put in prison and the key thrown away, quite frankly.
35:12Unless it was felt that exposure of Blunt's treachery could cause even more damage.
35:19What, then keeping it silent?
35:22How?
35:23Apparently it could have a catastrophic effect on the reputation of our intelligence services.
35:27The fact that he had gone undetected for so long, which could, in turn, seriously affect our relationship with the
35:35Americans.
35:35We're on our last reserves of goodwill with them as it is.
35:39One more operational failure and our credibility would be completely shot.
35:43What?
35:43What are they suggesting?
35:45That we turn a blind eye and allow a traitor, an enemy of this country, to remain free, with his
35:52career and reputation intact?
35:55Just a spare MI5's blushes?
36:00The man should be shot.
36:02I agree.
36:03I agree.
36:04But instead I have to get up and pay tribute to him at this exhibition.
36:08How am I supposed to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight, surrounded by some of the Royal Collection's greatest treasures, to admire the genius of Rubens, Titian,
36:37Rembrandt, and Hobart.
36:38But that we are able to make sense of it all, appreciate it, understand it.
36:44It speaks to the genius of another man, whose exceptional scholarship and vision have brought us together today.
36:53Sir Anthony Blount.
37:00It is he who has curated this exhibition, and given meaning to mystery, and revealed what really does lie beneath
37:08the surface.
37:10I, for one, had never thought of art history in that way, as the art of investigation, solving riddles, finding
37:19clues, unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait which turned out to have another person lurking beneath the surface.
37:35Have I described that correctly, Sir Anthony?
37:37Or am I stumbling around in the dark, as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon in the early modern period for an artist to finish a portrait, and the patron would
37:49take a look and ask for a more flattering version of themselves.
37:54And the artist would paint another version over it.
37:59So not two different people?
38:01Two different versions of the same person.
38:04Which might as well be two different people.
38:08The idealized version of themselves they want to be seen, and the less desirable person they rarely are, hidden away.
38:16There's even a word for it, palimpsest.
38:19That generally applies to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento.
38:26Well, I think I speak for everyone here when I say none of us will be able to trust or
38:32look at anything in the same way ever again.
38:35Thank you all.
38:41Thank you very much.
39:05Prime Minister I'm so glad you can it gives me the chance to apologize in
39:13person well so there's no need to understand all you need to know is that
39:19I misjudged you terribly and I'd like to take this opportunity to say sorry
39:28are you an art man art yes art paintings well actually no no I'm an economist statistician
39:40at heart I'm happiest with numbers you can trust numbers they're honest there's no mystery or
39:51deception or allegory you know you stand what you'll see is what you get I prefer
40:02things that way I quite agree
40:15excuse me
40:39the very least you could do is quietly crawl away not force us to live with you under the same
40:47roof
40:49doing the the right thing the decent thing the honorable thing you know the faintest idea what
40:57that was well I am going to be watching you on one wrong step you treacherous snake
41:08and I will expose you and have you thrown in jail
41:12I would think long and hard before I did that sir you would do well to reflect on your own
41:20position
41:22what are you talking about
41:27you may remember at the height of the profumo sex scandal there was talk of a member of the royal
41:33family
41:41very senior
41:45when the osteopath at the center of the scandal Stephen Ward took his own life there was speculation that a
41:53number of portraits of that senior member of the royal family had been found in his apartment
41:59naturally a great many people were keen to get their hands on those portraits
42:05mercifully someone respected and well connected in the art world was able to make sure they didn't fall into the
42:13wrong hands
42:14I never saw Stephen Ward in any capacity other than as an osteopath
42:19if he made drawings of me he would have done so from photographs
42:24we all tell ourselves all sorts of things to make sense of the past
42:30so much so that our fabrications if we tell them to ourselves often enough
42:35become the truth
42:38in our minds and everyone else's
42:41and believe you me
42:42I'm happy for your truth to be the truth
42:47it would be better for everyone
42:50imagine how awful it would be
42:52for example
42:53if those pictures saw the light of day now
42:56a storm it would create
42:59and for what?
43:03it's the past
43:08it's the past
43:09it's the past
43:12it's the past
43:13it's the past
43:13it's the past
43:20it's the past
43:23the past
43:23now
43:32it's the past
43:33it's the past
43:35it's the past
43:48it's the past
43:51i had an accident
45:53One of those things
45:55It was just
45:58One of those nights
46:04Just one of those
46:07Fabulous flights
46:08A trip to the moon
46:12On gossamer wings
46:15Just one of those things
46:20If we thought of it
46:24About the end of it
46:27When we started painting the town
46:32We'd have been aware
46:36That our love affair
46:39Was too hot
46:43Not to cool down
47:01The first day
47:01The first day
47:02The first day
47:03We'd have been aware of it
47:03But the first day
47:03After the end of it
47:03We'd have been aware of it
47:10We're out of the way
47:11And we'd have been aware of it
47:13We're out of the way
47:38You
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