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The Crown S05E02 [Full Movie] [New Drama]Full EP - Full
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00:14I'm sorry I'm gonna have to ask you to speak up a little I I can't hear you very well
00:19okay
00:20no problem well what's your first question I want to know more how it started it started
00:28by accident well with an accident I yes I'd been injured once too often playing polo
00:40do you understand what I'm saying yes I understand good good and so age 50 I decided to give up
00:48the
00:49big love of my life and look elsewhere for some fun well that didn't come on right um I'm gonna
00:56insist we do that again excuse me we're going to go again again you ready yes yes and so age
01:1050 I
01:11decided to give up the big sporting love of my life and look for new challenges which is how I
01:21ended up
01:22carriage driving
01:28yeah
01:28yeah
01:29yeah
01:29yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:30yeah
01:47we've become quite a gang traveling up and down the country from competition to competition
01:53the country to become something of a second family what
01:58yeah
02:08yeah
02:09yeah
02:10yeah
02:10yeah
02:10yeah
02:11yeah
02:15yeah
02:16yeah
02:16yeah
02:16yeah
02:17yeah
02:18yeah
02:18yeah
02:22yeah
02:34yeah
02:35yeah
02:36yeah
02:36yeah
02:39yeah
02:43yeah
02:44And now and now, what night but now I see.
02:58Thank you, thank you.
03:13There's a school of progressive medical thought that suggests we bring cancer upon ourselves
03:22as a result of repressed emotion or unresolved psychological trauma.
03:30And a perfectly angelic five-year-old dies of it.
03:36And you realize what utter rubbish that is.
03:41Poor Norton.
03:43Yes.
03:45Why don't you pay him a visit?
03:48He could probably do with some support from his godfather.
03:53Yes.
03:55Yes, right.
04:01What's that look?
04:06I've never seen so many thoughts go on behind someone's eyes.
04:10Gratitude.
04:12Appreciation.
04:13What for?
04:16You make a better person of me.
04:19And you of me.
04:23Isn't that the point of marriage?
04:34Good night.
04:42Good night.
04:44Good night.
04:58Good night, everyone.
05:09Good day.
06:13You're coming.
06:14Sorry, one of those mornings.
06:16We're there in.
06:17One minute.
06:18One minute.
06:18One minute.
06:22One minute away and she apologizes.
06:25Was that actually her?
06:27Yes, that was actually her.
06:36One minute.
07:10Thanks for agreeing to this.
07:11Of course.
07:14We saw the pictures of you in Italy.
07:16You, um, well, you all look so happy.
07:20Phony and you.
07:21It's honestly worse than ever.
07:23I'm going to ask for what to do.
07:25Is that all right?
07:27No.
07:58James Coldhurst, isn't it?
08:01Uh, yes.
08:02Do you have a moment?
08:04Which one?
08:07Tall, with glasses.
08:09Hmm.
08:11I know the one.
08:12Clark Kent.
08:13He said his name was Andrew.
08:15Yeah, it's just what I call him, silly.
08:17Andrew Morton.
08:19He's one of the friendly ones.
08:21He's written some nice things about me in the past.
08:24Well, now he wants to write a whole book about you.
08:26What it's really been like marrying into the royal family.
08:29The truth behind the fairy tale.
08:31I said you'd never agree to be involved in something like that.
08:34Oh, no.
08:35So then we arranged to play a game of squash.
08:37What?
08:38You saw my racket in the corner of my office and suggested a game.
08:41James.
08:42Don't worry.
08:43I said any further discussion of you was totally off-limits.
08:46It better be.
08:47I'll call you after I've seen him.
09:06Hello?
09:08Hello?
09:44Hello?
09:46Hello?
09:48Hello?
09:53Oh, no.
09:54What have I done now?
09:56You're here today.
09:58Norton said you were coming tomorrow.
10:00He just left for London for meetings with the bank.
10:04Let me see if I can reach him.
10:06Oh, don't go to any trouble.
10:13What can I get you?
10:15Are you hungry?
10:16Oh, God, no.
10:16No, nothing like that.
10:20No, I, uh, I just came by to see how you're coping.
10:28That's kind.
10:31And to bring these?
10:36Daisies.
10:37Well, Leonora, you mentioned at the memorial that they were her favorite.
11:00Norton thought it was morbid to have her so close, but I wanted somewhere I could see her every day.
11:10I could be near to her every day.
11:14It also means I can never leave here.
11:17When would you want her?
11:22It's not always easy.
11:47You know, one of the many, many things that attracted me to Lilibet,
11:52was that the commitment would necessarily be lifelong, and to a young man who'd had such an unsettled, romantic childhood.
12:04The clarity of the clarity of that permanence felt so reassuring.
12:09It still does.
12:13But it brings its problems, too.
12:16Because it doesn't take into account the one thing human beings do the minute they make a commitment to a
12:24life together.
12:25Which is?
12:28It's growing separate directions.
12:47Tell Norton I'll be sure to be in touch soon for a godfatherly chat.
12:53Well, as for you, there's two things you might consider.
12:57Why not start a charity in Leonora's name?
13:01Yes, I'd already had that idea.
13:03And you might find yourself a hobby.
13:06Something that has nothing to do with any of this.
13:09Oh, not a hobby.
13:10An escape.
13:12A passion.
13:13I'll bear that in mind.
13:15Good.
13:17Oh, speaking of hobbies, Norton said that you'd given up polo and developed a thing for carriage driving.
13:25I have, yes.
13:27I'm obsessed.
13:28Why?
13:36Look at that.
13:39An old four in hand.
13:42Norton wanted to sell it.
13:44Can't do that.
13:45We've been told it's beyond repair.
13:47Then he thought if you could make use of it.
13:49Well, it may be a bit dusty.
13:51Oh, I think the damage is worse than that.
13:53All right.
13:54A bit cracked in places.
13:55Norton was told structurally irreparable.
13:59No, no, no.
14:00She's a beauty.
14:01And part of the family heritage.
14:07I'll tell you what.
14:09Why don't we do this?
14:12I'll send someone to collect her.
14:15We'll clean her up, take a look at her.
14:18And then we can talk again.
14:19We don't need to talk again.
14:22This could be a hobby for you.
14:24Oh.
14:26No, it's really not for me.
14:28Oh, well.
14:29That was my attitude at first.
14:31But then I tried it and...
14:33I saw the light.
14:46I saw the light.
15:04I saw the light.
15:05I think I'm right here.
15:07I'm right.
15:08I saw the light.
15:09I saw the light.
15:11I saw the light.
15:12I saw the light.
15:16I saw the light.
15:18Just call the rest.
15:28Hello.
15:32Right then.
15:47How was it?
15:49Bloody hell.
15:51Very evenly matched.
15:52He moves infuriatingly well for a tall man.
15:55Quick to the tee.
15:57Plenty of nasty little drop shots and boasts.
15:59We played the best of three games.
16:02Pipped him in the third.
16:03I wasn't asking about the squash.
16:05I want to know about the lunch.
16:07Ah, a little Italian place near the squash club.
16:10The Barker, run by a husband and wife.
16:12Not where you had lunch.
16:14Oh, sorry.
16:15Oh, what you ate?
16:16Linguini.
16:20Let's start with who paid.
16:22He did.
16:23James, he's a tabloid journalist.
16:25And he bought lunch because he lost.
16:27And if you are worried about indiscretion,
16:29he got nothing from me.
16:30Not a word.
16:30Whereas I got plenty out of him.
16:33Revelation number one.
16:35He's already started writing.
16:36What?
16:37He thinks there's already another book coming out about you
16:39that's likely to be a bit of a hatchet job.
16:41Yeah.
16:41Based on sources close to the Prince of Wales.
16:44Oh, God.
16:44Anyway, Morton's view is that his version
16:47would at least give you some control.
16:49Like, uh, be sympathetic.
16:52He'd even let you have final approval.
16:54Trust me, I'd love to have a book out there
16:55so everyone understands how difficult it's been for me,
16:58but I don't want to be responsible for starting a war.
17:00Morton said that you'd never need to meet him.
17:02Ever.
17:04There would be no connection between the two of you
17:05that anyone could prove.
17:06It would all be totally deniable.
17:09How'd that even work?
17:10Tape recordings.
17:12You would record your side of the story,
17:14saying only what you want to say,
17:16all in your own words,
17:17and then Morton would...
17:19write the book from those recordings.
17:21If you and I don't meet,
17:23how would he get the recordings?
17:27There would have to be a middleman.
17:30Go between someone who you both trusted.
17:35Someone who thought it was important.
17:39And you would do that?
17:42If you wanted me to.
18:08a little bit more than that, the way.
18:11Oh, that's all right.
18:13Yeah, don't you eat nothing.
18:18Oh, marvelous.
18:20You've got the hickory in time.
18:31I've taken the liberty of getting another few ideas.
18:42I've taken the axiom to do something new.
18:46You missed a bit.
19:04Come on, let's go.
19:05I'm ready.
19:22Thank you, sir.
19:26You said it couldn't be done.
19:27You pulled all the stops here, sir.
19:29He went very hard.
19:42What do you think?
19:44Is it even the same carriage?
19:47The original paintwork was a dark black.
19:51I thought we'd have these dashes of gold
19:53in this nice sloping footboard.
19:57Go on.
20:04Now, grab here.
20:06The foot here.
20:08The other foot here.
20:18How does it feel?
20:20Fine.
20:22Largely because it's not moving.
20:41You try.
20:44These two reins control the leaders.
20:47Those are the horses at the front.
20:49And these two, the wheelers.
20:51They control the horses nearest to us.
20:54Feel free to nod or say yes
20:57to let me know you're still alive.
20:58Yes.
21:00The trick is to keep these both together.
21:02Put between these two fingers.
21:06Now, these two reins you have control
21:09over all four horses.
21:11To turn left, make a loop.
21:14That's it.
21:15Turn to the left.
21:18And to turn right.
21:20Very good.
21:23Off you go.
21:33Here.
21:34Attention.
21:41Well, where are we going?
21:46Hang on.
22:11Surprising, isn't it?
22:12Yes.
22:13More fun than it looks.
22:14Yes.
22:22The princess is intrigued by the proposition
22:24and is wanting to consider it.
22:26But as her friend,
22:30I want to make sure that this will actually
22:32make her life better, not just yours.
22:34You understand why I ask.
22:36She can be a little naive at times
22:38and you stand to become a rich man.
22:41I feel protective.
22:43As a royal correspondent,
22:45I've had a ringside seat to this marriage
22:47for a while.
22:49Most recently her
22:51second honeymoon.
22:53And I can't stand to see someone
22:54being crushed like this.
22:56Isn't she his being?
22:57I do.
22:58Take this book that's being written.
23:00With the Prince of Wales' cooperation?
23:02Maybe not him directly,
23:04but his friends for sure.
23:06Who want what they see as the truth
23:07about Diana to be told.
23:09Trust me.
23:10It won't be pretty.
23:14I just want to do what's right for her.
23:16She's like a sister to me.
23:19Can I give you my word?
23:21No one will ever know
23:22she had anything to do with it.
23:26Let's take it one step at a time.
23:28Get a draft written.
23:30The princess can always kill it later
23:32if she wants.
23:41Here's a list of questions for her.
23:54Bye, Mummy.
24:10Bye, Mummy.
24:32Bye, Mummy.
24:34Bye, Mummy.
24:36Bye, Mummy.
24:37Bye, Mummy.
24:51Ready?
24:57I'm suddenly incredibly nervous.
25:01Uh, Andrew wanted you to start
25:04by explaining why you're doing this.
25:12Because I've tried everything.
25:17I've confronted my husband
25:19about his mistress and I have been dismissed.
25:23I've gone to the Queen.
25:26It's like facing a blank wall.
25:29And it finally dawned on me.
25:31And that's how I get my side of the story out there.
25:35People will never understand
25:36how it's really been for me.
25:40And I thought about
25:42moving abroad
25:43with the boys,
25:44but
25:45the Crown could take legal custody
25:47of any heirs to the throne.
25:51and I'd have the boys taken away from me.
25:54And I'd have the boys taken away from me.
25:58Which is what happened to my mother.
26:03And I couldn't survive that.
26:18Look at me.
26:21Can you tell me something about your childhood?
26:24Well, it was a very unhappy childhood.
26:29My parents were always wrapped up
26:30in their own problems.
26:33and my mother was always in tears
26:36and my father
26:39never telling us what was going on
26:43and there was always a succession of nannies
26:47who I hated
26:50Prince Charles famously replied
26:52whatever in love means
26:54and asked if he was in love with you
26:56how did that make you feel?
27:00absolutely traumatised
27:02my self-worth was cut in two
27:06but
27:08I was too scared to ask him what he meant
27:11and then it was too late
27:14from the outside it was the fairytale wedding
27:17how did it feel on the inside?
27:22like a bad dream
27:24the night before the wedding
27:27I was suddenly overwhelmed
27:31and I sobbed my eyes out
27:36and I ate everything inside
27:39and I was sick all over the place
27:41which was a big sign
27:44it all was not well
27:47and I'm walking down the aisle
27:48I was overwhelmed with love for my husband
27:52and then I saw Camilla
27:54and her grey suit
27:56and her pillbox hat
27:58and I just felt chill to the bone
28:02how quickly did things start to go sour?
28:05well I started to unravel at the honeymoon
28:09and at night I was having these dreadful nightmares about Camilla
28:13when the queen was there I always felt second place
28:16and Charles barely looked at me
28:17I just felt like a fish out of the water
28:18and I was so thin
28:20my bones were just sticking up all over the place
28:22when I talked to him about photographers pounding me
28:25he talked about Camilla
28:26when I tried to be brave
28:27make a speech in world
28:29I got no support
28:31well I just felt like a lamb to the slaughter
28:32did you feel that your husband was committed to the marriage
28:35in the same way that you were?
28:37well there was always the other one
28:41from the work go
28:45and I couldn't compete
28:49and I'd overhear him on the phone to her
28:52and he used a voice I'd never heard in use of me
28:57tender, caring, adoring
29:03when I was pregnant with William I threw myself down the stairs at Sandringham
29:30and when I was pregnant every year
29:31and what if the man interrupted him
29:31then I terry into that
29:31and he turned 식 cr play
29:31it finally she worked
29:31and that's kind of gebe pots
29:31Thank you
29:40and just listen to the tapes he has and drafted some follow-up questions and what should he think
29:49i think he was a bit shocked he said he had to look up bulimia nervosa and kumar and clark's
29:55i have to admit there have been a few surprises for me in all this too
30:06i wish you'd have told me before about the
30:12the suicide attempts i'm so sorry
30:19why didn't you call us
30:30he wants to know if he can speak to any of your friends
30:33why
30:34he said it would help with their deniability if he can show he has other sources for all this
30:37then it gives you cover
30:39he'd ask them the same questions i've asked you and they'll be corroborating witnesses
30:47all right
30:53i'll start with sue
30:54who's sue
30:56my room therapist
31:00and felix lyle
31:02felix
31:03lyle
31:04my astrologer
31:06um
31:07una
31:08shanley toffolo
31:10don't tell me she's your reiki healer
31:14my acupunctrist
31:15um
31:17stephen twig my body worker
31:22looks like an osteopath
31:25right
31:35good good
31:36you're doing really well
31:40excellent
31:47here we are
31:52now
31:52i've had a go at the
31:54governing instrument for the charity
31:59these are the trust of deeds
32:01the memorandum
32:02and the articles
32:04what do you think of a research fellowship
32:08to study cancer in children
32:12they were all so good to us at barts
32:14made such a difference to leonora's final days
32:18well i think that's a lovely idea
32:20getting registration can be a bit of a slog but
32:23well i'm on good terms with some of the charity commissioners
32:27let me talk to them
32:38you know a long time ago
32:41i lost my favorite sister
32:44cecile
32:46in an airplane crash
32:49i learned then what grief was
32:53true grief
32:59how it moves through the body
33:04how it inhabits it
33:08how it becomes part of your skin
33:11your cells
33:16and it makes a home there
33:20a permanent home
33:27but you learn to live with it
33:32and you will be happy again
33:35no never in the same way as before
33:39but that's the point
33:42do you want to keep finding new ways
33:48yes
33:50yes
33:51yes
33:53yes
33:55yes
33:58yes
34:00yes
34:00yes
34:21yes
34:32Whoa, whoa, whoa, whoa, she's getting stuck, she's getting stuck, she's getting stuck.
35:19Don't be silly.
35:22Anything you need, you have the number that gets straight through to me.
35:27Avoids the operator and all that nonsense.
35:30Oh, I almost forgot.
35:32Something Norton wanted me to pass on.
35:35Apparently there's a book being written about the Princess of Wales, with her cooperation.
35:39What kind of book?
35:40One that claims how badly she's been treated by the family, everyone's failure to understand
35:46her, the jealousy everyone feels about her popularity and success.
35:51Norton said he'd had several calls from people saying that either they'd been approached
35:55or knew someone else who had.
35:59Probably just gossip.
36:02Norton should know better.
36:07Send him my best.
36:08I will.
36:30You don't think the two incidents are related?
36:32First you get knocked off your bike, then Andrew's house gets broken into.
36:35It's not the first time I've been driven into the gutter by white van man.
36:39Break-ins happen in London hundreds of times a day.
36:42Besides, nothing was stolen.
36:44I'm not answering that.
36:45I'm not speaking on this thing again ever.
36:47I heard a click on a line this morning.
36:50This end.
36:51Patrick.
37:01Jefferson.
37:03Miles, good afternoon.
37:07Right.
37:08Of course.
37:10We'll come right back to you.
37:13Miles Hunt Davis, the Duke of Edinburgh's private secretary,
37:17requesting a meeting with you as soon as possible.
37:24Three miles from Castle Durgin, County Tyrone,
37:27when at least two terrorists were frightened off
37:30as they planned to ambush an off-duty member of the Royal Irish Regiment at his home.
37:38...with the security forces in the early hours of this morning.
37:41According to police, the fierce exchange of gunfire-
37:52Let's go.
38:20Well, it's been a while since I've been in Kensington Palace.
38:24The Leper Colony.
38:27Is that what you call it?
38:30I think of it as the depot where we put all the mad old arts.
38:37All watching each other's comings and goings through net curtains.
38:44Is there any privacy at all?
38:47None.
38:48Ghastly.
38:49Because privacy is so important, isn't it?
38:53Yes.
38:56Confidentiality, too.
39:01I suppose that's what I've come to see you about today.
39:05Please.
39:08I won't, if that's all right.
39:18Yes, I can be a tough old nut.
39:21But I've always had a soft spot for you.
39:24Maybe because you're young.
39:26Maybe because you're a beautiful woman.
39:30Maybe because I often share your frustration with your husband.
39:35Now, I've always felt protective of you.
39:39Fond of you.
39:40There.
39:41I've said it.
39:43So when I see you're making errors of judgment, I want to lean across the table and remind you, I'm
39:51on your team.
39:53What am I trying to say?
39:56You're not a novice anymore.
39:59You're long past the point of thinking of us as a family.
40:02That's the mistake people make in the beginning.
40:05But you understand, I think, it's a system.
40:08And we're all in this system.
40:11You, me, the boss, the cousins, the uncles, the aunts, the lepers.
40:20For better or for worse, we're all stuck in it.
40:25And we can't just air our grievances and throw bombs in the air as in a normal family.
40:32Or we end up damaging something much bigger and something much more important.
40:39The system.
40:43So the tip I want to give you is this.
40:47I mean, just...
40:49Just be creative.
40:53You can break as many rules as you like.
40:55You can do whatever you want.
40:58You can make whatever arrangements you need to find your own happiness.
41:03As long as you remember the one condition.
41:07The one rule.
41:10You remain loyal to your husband.
41:13And loyal to this family.
41:15In public.
41:16In public.
41:18You mean silent?
41:20Yes.
41:24Don't rock the boat.
41:31Right.
41:32Ever.
41:35To the grave.
41:37To the grave.
41:49You're not saying anything.
41:54I shouldn't think there's anything to say.
42:00Do you know, I think that's the wisest thing I've ever heard come out of your mouth.
42:03You're not saying anything to do.
42:06That's a way.
42:08To the grave.
42:17There are demons.
42:18Oh, that's weird.
42:19You're not saying anything.
42:19You're not saying anything, we're not saying anything.
42:23Of course.
42:24You're a good one, of course.
42:30The devil's saying anything that's good.
42:44she'll be fine
42:48good
42:49yes
42:51I told her that if she were a little more clever
42:55a little more strategic
42:58she could find all the happiness she needs in this system
43:02without anyone being any of the wiser
43:05is that the solution do you think
43:08that husbands and wives
43:10should keep secrets from one another
43:12secrets
43:12that's not a very nice word
43:15no
43:16no what I mean is
43:18if people were
43:20more considerate, more mature
43:22more discreet
43:25it can actually be
43:27the glue that binds it all together
43:32you see I think in a marriage one should aim to exist
43:35without secrets
43:36or
43:38accommodations
43:39well that's because you are who you are
43:42and not just because any husband or wife can feel
43:45when something is awry
43:47but ultimately
43:49it's not what I know about you
43:52or even what you know about me
43:54it's what he knows
43:57about all of us
44:00I think he has the night off occasionally
44:10good night
44:11good night
44:34tonight I'm joined by Andrew Morton
44:37one time royal watcher
44:39and now author of the book that everyone is talking about
44:42Andrew
44:43good evening
44:44good evening
44:45for anyone who's been living under a rock
44:47and doesn't know
44:48could you tell us what your book is about
44:50my book is an intimate portrait of princess diana
44:53an attempt to tell the story of what her life
44:55particularly her marriage
44:56is really like
44:57and the fact is
44:59behind the glamorous public facade
45:01what we have is a woman who is deeply unhappy
45:04which you go into in great detail
45:06in a book
45:07that seems to be channeling diana herself
45:09and yet which you claim
45:10she was in no way involved
45:12I can say categorically
45:14that I did not interview the princess
45:15but
45:16I spoke to her friends
45:18associates
45:18anyone who was willing to talk
45:20many of them were not just willing
45:21they were desperate
45:22to tell the world
45:23how it really is
45:24and we really are talking about
45:25the whole world
45:26I mean this book
45:27is breaking all kinds of publishing records
45:29in France
45:30Holland
45:31Germany
45:32Japan
45:32and is making you
45:34a rich man in the process
45:35do you feel a sense of guilt
45:37or responsibility
45:38for throwing the royal family into crisis?
45:42honestly I think the royal family
45:43have been throwing themselves
45:44into crisis
45:45they knew what they were getting into with diana
45:47they knew she was vulnerable
45:49they knew she'd had a difficult childhood
45:53they knew she needed love
45:54and security
45:56and reassurance
45:58but did they give it to her?
46:00no
46:01they gave her the total opposite
46:03so they can't be surprised
46:04she wants people to understand
46:05why she hasn't been happy
46:08so where does that leave us?
46:10that leaves us
46:11in one of those cyclical moments
46:13where the royal family
46:14is in genuine crisis
46:16but where the fragile truce
46:18between diana and the royals
46:19is clearly not working
46:21there are two alternatives
46:22to a truce
46:23either you have
46:25a long-term negotiated peace
46:27which
46:28I don't see happening
46:30the two sides are too entrenched
46:32or
46:33you escalate
46:36into what?
46:37all-out war
46:39which sadly seems to be
46:41where this is currently headed
46:42the fact is that
47:12the fact that
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