- 9 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [English Subs]Full EP - Full
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Short filmTranscript
00:28Transcription by CastingWords
00:45CastingWords
01:05CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true
01:31he won't come now he's never coming now who won't come god
01:42you don't think you're clever he is a gangorev to a vacant term she said i said i knew you
01:47were
01:47watching i'd like to keep working with this one the other child nothing i can do for the other child
02:04so
02:13so
02:14so
02:19Oh, my God.
03:11Oh, my God.
03:15I'm going to wake you up in the morning in the bathroom, singing the blues.
03:19I won't clean up your place.
03:21Got my hair all in your face.
03:23Did you break that?
03:25They do like an inventory, babes.
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared.
03:38I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like Greek.
03:48Who the fuck are you?
03:52I'm Feeney.
03:54I'm your new best friend.
03:57You drug me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:06What do you think she had on?
04:07Got to burn them, I'm afraid.
04:09Mostly because it's like...
04:11Procedure.
04:12But also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready!
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cops are.
04:34I don't understand.
04:35If you have questions,
04:37when I land on the scene,
04:39everyone's full of this.
04:40I couldn't be dealing with that last night.
04:43So you stuck a syringe in my neck.
04:44I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had 52.
04:51I made an executive decision.
04:53Now, will you please just sit down
04:56and have some coffee
04:57and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no-one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19in a confined space with loads of witnesses?
05:21She seems to really want that box.
05:22So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drink's Charlie.
05:50Now, sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's...
06:04It's our mother's ashes.
06:07Yeah.
06:08Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:19Linda!
06:21Linda!
06:22Linda!
06:25Linda!
06:27Linda!
06:28Linda!
06:28depressed.
06:30Radio!
06:31Good afternoon.
06:42Miss?
06:47Miss?
06:48Miss?
06:48Miss?
06:49Miss?
06:50Miss?
06:50Miss?
06:50Miss?
07:09Hey, Saoirse, it's me, yeah, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working on it, yeah?
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens
07:20or if that looks a bit.
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it, or so she says,
07:35but she did tell me something which was a bit...
07:38I don't believe this.
07:40Me again?
07:41Anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:46The author was a psychiatrist she admired, Greta Gankale.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book
08:01and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:14We'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:30No.
08:31Great.
08:36Why would we scatter her in the sea?
08:39Sure she hated getting her her wet.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:58Al-Qaeda.
09:00You always gave her bad advice.
09:01Seatbelt.
09:01No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself
09:12out there and live your own life for fear of rejection.
09:17So, so, so skin nervous.
09:22Woo!
09:25You know you want to come with her.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should
09:37say I've had a few percent goals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew the big boat off.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags?
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay, okay.
10:36Wait.
10:37Come on.
10:48Hello.
10:50All right, lads.
10:52Thank you, driver.
11:19This person who called this woman,
11:23she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No.
11:32And that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41The day Greta died.
11:43I've since learned as much, yes.
11:46That was strange.
11:50So, did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out of this.
12:20No, I didn't even speak to her.
12:21Her mother has just died.
12:22My wife has just died.
12:24I didn't mean...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48I don't have time for this.
12:55I understand.
12:57I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:26No, it's...
13:28It's fine.
13:46Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, Dar?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminal-y type bit.
13:56Oh, that Liam guy, he might help.
13:58But my phone's fucked.
13:59Oh, shit, my tea.
14:01Robin's works.
14:02For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, chef.
14:13All under control here.
14:15Robin's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly!
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Riot!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:39Oh, come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban, it's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a fucking nurse.
14:51I, I, I, I've got to go, love, okay?
14:54Right, bye, bye, bye, bye, bye.
14:55Yeah, love you, bye.
14:57Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:45A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something, it's less of a leap, like, psychologically.
15:59So I'm thinking.
16:01Gráinne!
16:02Gráinne?
16:03I think it's suchy, babes.
16:04I honestly do.
16:06Gráinne.
16:07It's like an echo of the person you once were.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname, we have less, free than less.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Got to take the hardware with me.
16:30I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've thrown the whole operation, and I'm starting to decide with whoever it is that wants you dead.
16:59You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:10But I was so young.
17:13How young?
17:15Thirteen.
17:17Yeah, my parents.
17:19They were both.
17:22God, I still haven't found a better way of putting this.
17:27Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:34Trust me, it will kill the crack.
17:38Overnight, my environment became...
17:41Well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:52I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that Margo woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother.
18:19We know everything, babes.
18:42We know everything, babes.
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
20:03Run!
20:04Run!
20:08Run!
20:27She's grand!
20:34She's here.
20:36Why is she doing that?
20:38Why is she doing that?
20:39Let me go!
20:40Come on!
20:43Come on!
20:44Come on!
20:45Come on!
20:46Come on!
20:46Come on!
20:46Come on!
20:46Come on!
20:47Come on!
20:48Come on!
20:49Come on!
20:50Come on!
20:51Come on!
20:51Come on!
20:53Come on!
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:18Wait you now, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:32No.
21:36So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:53I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh, I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl
22:39or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct, anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:10And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:51Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59It's okay.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends...
24:31If I die today...
24:35Then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53And they are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim gonna do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04Just after the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit.
25:18She's tracking us.
25:21She's tagged us somehow.
25:22Why?
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin.
25:43Shh.
25:43Stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:54Shh.
25:56What's up?
26:16What's up?
26:22Come on.
26:24Come on.
26:25Come on.
26:25Come on.
26:26Come on.
26:26Come on.
26:27Come on.
26:27Come on.
26:28We're ready?
26:29For a fucking exorcism, maybe?
26:34She girls.
26:36Is she playing at night?
26:38Mike?
26:46Moving on to seat 32A.
26:49Let's have cars on set in five minutes, please.
27:08Last time.
27:10It looks like an eaten mass.
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crucial.
27:18People.
27:19Crucial.
27:20Tiff.
27:21I'm not sure if you remember me.
27:23I can't.
27:23I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32Aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're gonna have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:57She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
30:00All you have to do is come out here and hand me the box.
30:08Do that, and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:45Let me do it.
30:47If it were too many pieces of pottery,
30:57Let's go.
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
31:59Oh, that's so cute.
32:02We chart a shop number.
32:04You've got to get the balance right with this stuff.
32:07It's more time consuming,
32:09but every stitch young can't be brand new.
32:12I'll sort the basics,
32:13because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:29It was my understanding
32:30that when I'm settled to my daughter,
32:32she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39I mean, it's a timeframe.
32:39You're giving me cause for concern here, babes.
32:43You're concerning me.
32:44And concerned...
32:45You don't need to be.
32:46A timeframe.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter,
32:59and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are built to survive.
33:22That's what Bicker told me
33:23when my parents died.
33:26She said...
33:27She knew I was deafening
33:29because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:12I'll win for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:35You'll survive.
34:37People like us always do.
34:46She shouldn't have called us at night.
34:48All right, love.
34:49You okay?
34:50You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes,
35:05and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:11How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea, but I'm thinking if we're hiding behind lots of people,
35:24she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy,
35:29like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets?
35:48For what?
35:49The Late Late Show.
35:50Oh, my God, the Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16We don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Oh, typical.
36:30Aye.
36:30Well, tell me that you at least held some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Ticket.
36:40Seen a lot of 30 Rock.
36:43You've yet to watch one episode of my show.
36:46The show's not funny.
36:47How would you know?
36:49We're just down the end there.
36:50Sorry.
36:50Thanks.
36:52We're just down the end there.
36:56Woo.
36:59You should be okay.
37:01We'll be back.
37:02Woo.
37:02We're live in three.
37:40hello good evening welcome to the late late show
37:47hey would you ever turn that bollocks off
38:00also on the show tonight he went viral this week when he rescued a blind sheep stuck in the mud
38:06halfway up the wicklow mountains and carried it down on his back to safety his name is sean o'kelley
38:13ah good man yourself sean what a strange show she plays detective emma fierce in the smash hit
38:23multi-award-winning television series murder code let's have a huge welcome for the one and only
38:29marty mullins isn't that those three belfast agents we questioned god i think you're right
38:41are you sure sure i'm sure i'd recognize you're on anywhere this thing's still alive right
38:47oh god yeah so you cannot whack it now the show has such a huge following should we all love
38:53a bit
38:53of murder code when you first read the scripts did you know it was going to be such a massive
39:00hit do
39:00you know what paddy here we go no i actually struggled to see what the big deal was but then
39:06i realized it was the audience's attachment to my character emma my character emma that was the big
39:14pull so i made a few suggestions which i ignored make her relatable and the scripts were definitely
39:23elevated after that i mean we did a lot of work on them we and after all that i think
39:27we knew we'd
39:28made something truly special well special is right i mean what was it something like 10 million viewers
39:34tuned in to see you catch the elusive career killer in your own home actually actually uh a lot of
39:44that
39:44scene was improvised that is it that is it
39:54oh my god that's our writer searsha shaw surprise searsha shaw writer of murder code ladies and gentlemen
40:05let's get her down here
40:17look look mommy's on tv she really is our lads will just stop your room's in portugal
40:29so sarcia patrick patty patty patty patty patty you take a breath yes jesus jesus so tell us uh
40:41tell us this where do you get your inspiration all these complicated plots and twists and turns
40:47i guess i i guess uh i lots of things inspire me books yeah look seb just calm down i'm
40:55just loading up
40:56now give me a second yep got it films news stories uh history uh oh what the fuck is she
41:08doing
41:09how many of those bloody pills did she take oh for god's sake yeah sort of a thing of things
41:15that
41:16happen in real life even let's talk about that okay give us an example well oh maybe i shouldn't say
41:26that go on i don't be a tease
41:31when we were young my my friends and i we did this pretty terrible thing
41:37but only because we were we were trying to protect someone
41:43go on oh i'll get in trouble here sure isn't that what live tv is for
41:50i think this is a bad idea patrick kinty tell us
42:05well turns out the person we were trying to protect she was lying
42:13so now we've done this terrible thing but we don't even we don't even know why if this were murder
42:19code and you were emma i mean what would you do well i suppose well i suppose emma would realize
42:30that
42:31she's overlooked something small something that she initially thought was insignificant
42:40but it turns out that it was the key to unlocking the case the key to unlocking the box
42:52she had it all alone i had it all she already knew the answer i already know the answer of
43:00course you do
43:02you've seen it you've seen it where have you seen it i don't know think
43:13i don't remember i can't remember picture picture picture a painting a paint picture of a painting
43:28i've got it it was actually a pretty challenging shoot i assume i had these sort of panic attacks but
43:34i had someone i really must have had some media training back at five don't go anywhere now roll it
43:45big panic at work right hello let's go we gotta get you let's go
43:58jesus those things could kill a horse you're such a liability i think i solved it we solved it
44:07me and patrick katie i love patrick katie we already saw the answer we had it right in front of
44:21us
44:23what symbol and portugal did you take a picture wait
44:36um was there a number on it yes yes there was a number it's a date i'll call it out
44:42um 250197
45:04oh my god
45:20what happened to her
45:35what the hell is going on here girls it's actually quite difficult to know where to start
45:40charles samson start there what do you know about charles samson
45:45what's going on here
45:52holy shit step out of the car
46:24what do you want
46:24what do you want me to do
46:38me
46:42Wait!
46:57You keep going, they're telling you to stop.
47:40I'm going, they're telling you to stop.
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