- 8 hours ago
Detective.Hole.S01E06.540p.X265.AAC [Full Movie] [New Drama]Full EP - Full
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16:08You...
16:13I don't think they want to be one of your customers.
16:19Can we do it first?
16:26I don't think they want to be one of your customers.
16:50Let me go.
16:51We had a promise paid
16:52For hands and then away
16:55Both under influence
16:57We had given set
17:00To know what to say
17:03Find this a way so late
17:07To call for hands of above
17:10To lean on
17:13Wouldn't be good enough
17:16We know
17:23We can not be good enough
17:24One night a magic rush
17:26The star does sinful touch
17:29One night a rush as experts
17:32And then we dream
17:34Ten days of perfect tears
17:37The sun has been immed
17:40We had a promise paid
17:43We were in love
17:47To call for acts of love
17:51To be known
17:54Wouldn't be good enough
17:57To be known
17:59To call for acts of love
18:02To be known
18:04Wouldn't be good enough
18:09Of you
18:13You knew the hand of the devil
18:19And you
18:23Kept us away
18:25Closed to
18:27Sharing different hearts
18:33How is that my
18:37Shimmer and to
18:38Shimmer and to
18:42Shimmer and to
18:43Shimmer and to
18:44Shimmer and to
18:50Shimmer and to
18:52Shimmer and to
18:53Shimmer and to
18:54Shimmer and to
18:55Shimmer and to
18:55Shimmer and to
18:56Shimmer and to
18:57Shimmer and to
18:57Shimmer and to
18:58Shimmer and to
18:59Shimmer and to
19:00Shimmer and to
19:01Shimmer and to
19:01Shimmer and to
19:03Shimmer and to
19:07Shimmer and to
19:09Shimmer and to
19:11Shimmer and to
19:25A red red star.
19:27A little red stone.
19:33I dreamt about Cameralone and Demand.
19:37I think it's a problem.
19:38The pentagram is a young and religious book.
19:43Learn about musk.
19:46Then we're going to 50.
19:47The red stone is a stone.
19:50Then we're going to 50.
19:53We're going to 50.
19:55We're going to 50.
19:56We're going to 50.
19:57Have a good day!
20:03The pentagram is on the other way.
20:07The pentagram.
20:08The pentagram is on the LETTER and the pentagram.
20:09The pentagram is on the other way.
20:11The pentagram is on the other way.
20:14It's been a good day, but it's going to be a good day.
20:21It's going to be a terrible day.
20:27I think we can't even go to the final hour.
20:31It's like an idea.
20:38Mendeloma.
21:14FAN!
21:15FAN!
21:18FAN!
21:19FAN!
21:19FAN!
21:19FAN!
21:19FAN!
21:20FAN!
21:22FAN!
21:25FAN!
21:266.00 and this is a new one.
21:29The police still stands out in the case, with two deaths and one extinction in Oslo.
21:35The Fremskrittsparty says that the police must give up to the living room.
21:42When the police can't get off, they can't get off.
22:01What the hell are you talking about? You contaminate us!
22:05The DNA from Arvastan is in here.
22:12Have you had criminal justice?
22:14No.
22:16It takes six months.
22:19I'll see you on the game of the other.
22:35I'll see you on the other side.
22:48Hey.
22:50I just want to say thank you for the invitation.
22:55But I won't be blind.
23:01I'll see you on the other side.
23:02You've stopped drinking.
23:04Yeah.
23:08I thought it was because of me and Oleg.
23:16But it's not that.
23:19It's because of the death.
23:22It's the only one who can stop drinking.
23:33You've stopped drinking.
23:35It's the only one who can stop drinking.
23:42It's also a sign.
23:43Harry.
23:46Harry, you hear me?
23:51Hey, Beate.
23:53Tegn et petagram pƄ et foliarc, 72 grader mellom spissene.
23:56Og sƄ flyr du av prosjektet pƄ meterommet, jeg er om femheter.
24:02Er det klart?
24:03Ja.
24:03Ja, gir meg to sek.
24:13Du, Harry, jeg tenkte at du skulle ta den her forhƄnd.
24:16Nei, halve ti.
24:19Hva holder du pƄ med?
24:22Jeg ser ikke om vƄr mann gjorde som kelterne.
24:26Som kelterne?
24:34FƄr jeg prosjektet om litt nƦrmere?
24:36Ja.
24:39Hva er du, kid?
24:43Kelterne brukte pentagramene til Ć„ bestemme hvor katedalene skulle ligge.
24:46PĆ„ kassetten sier han at et femkantet kors skal vise veien, ikke sant?
24:50SĆ„ her.
24:52Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbra Sensen.
24:57Det her er kartet han bygger etter.
25:14Det er en kode vi burde ha sett for lenge siden.
25:17Ja, det fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Femtaget.
25:26Han har kuttet en av fem fingre, har vƦrt av offrene.
25:30Drapene og forsvinningen skjedde i tre pĆ„fĆølgende uker, henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det med noe her?
25:37Fem.
25:39Klokkeslett.
25:39Rundt fem.
25:40Det er det som er koden. Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser, men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:53Men hvorfor fem? Er det et ondt tall?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og sordmagie.
26:05Vi har fem sensor, det er fem livsall og akupunktur.
26:12Det viktigste mĆønstret her er dette.
26:16Han tegnet et pentagram, la det over byen og lot stjernetagene her peke ut de stedene som han skulle drepe.
26:22Og sƄ ventet han.
26:24Til rett dag, til rett tidspunkt, kledde seg ut som et cykelbud, dro til UllevƄlsveien, ringt pƄ femte etasje, og
26:31den som svarte var Camilla Loh.
26:33Lisbeth Barli da? Om han plokker henne ut pƄ gaten, du vet han ikke at hun bor pƄ femte forvƄningen.
26:37Han plokker henne ikke ut pƄ gaten. Han stod inn i gangen, sƄ godt Ƅ komme heisen fra femte.
26:42SĆ„ han fĆølger efter henne ut pĆ„ gaten, og...
26:44Uansett da, offrene er tilfellige. NĆøkkelen her er Ć„stedene. Om det var Willy Barli som hadde tatt heisen ned fra
26:51femte etasje den dagen og ikke kona, sƄ er det han som ville vƦrt offre.
26:54NƄ som vi har koden, sƄ vet vi ikke bare hvor de neste to drapene vil skje. Vi vet nƄr.
27:01Og fem dager mellom hvert drap, det blir...
27:03PĆ„ lĆørdag.
27:04Imorgon.
27:05Og han jobber med klokka, sƄ det neste Ƅsted er etter all sannsynlighet her. Det er studenthjem pƄ kampen.
27:12Jeg informerer etterforskningsgruppa.
27:14Nei, vi har ikke rƄd til enda en lokkasje. SƄ Tom og Delta sjekker studenthjemmet HB Alta, og jeg tar
27:20den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her. Det er en masse enrymslegenheter, men studentene er pƄ sommerlov. Det finnes ingen femte vƄning.
27:27Ja, det er jo hus inne pƄ selve stasjonsomrƄdet her. Det er ikke noe femte etasje her, eller.
27:33Ok. Vi gƄr inn og ser hvor vi kan rygge til.
27:40God dag!
27:42Hei!
27:43Hei. Jeg kommer fra politiet. Jeg stiller deg en spĆørsmĆ„l.
27:46FĆølge byplanskontoret sĆ„ ble det bygget i 1934 som tuberkulosehjem. Senere gjort ham til studenthjem.
28:02Ja, det er sĆønnen min, da.
28:05Ja. Du, ja. Du har kanskje lest om de drapene pƄ de unge jentene de siste ukene.
28:14Ja. Jeg har jo hĆørt at det har skjedd, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder, og at et av hans to neste mƄl fƄr en
28:23synlig lys.
28:29Ja, altsĆ„. Kan sĆønnen din bo her hos deg i morgen? Eller om du kan bo hos ham?
28:37Ja.
28:38Han bor i utlandet.
28:40Det blir vanskelig, da.
28:43Men skulle det gƄ bra om noen av oss er her i morgen?
28:46Ja, det er hyggelig. Hva er det som skal skje i morgen?
28:51Sannsynligvis hyggelig.
29:00Takk.
29:02Hadde du verkligen tenkt Ć„ sige til henne at hun var nƦsta som skulle dĆø?
29:14Det er bra Ć„ gĆ„ litt rundt grĆøten ibland.
29:17Elven ble det ogsƄ som sier det.
29:18SĆ„ du har hĆørt om det? Det er bra i alle fall.
29:21Jeg har vel aldri vƦrt sƄ god pƄ Ƅ prate med folk.
29:27Kona de ble skutt pƄ Kloss Hall.
29:29Det var ingen mening i det.
29:30Ladningen gikk tvers gjennom hjernen, sƄ den...
29:53Hei der.
29:54Hei.
29:55Hei.
29:55Er du den grĆøten?
29:56Tror du jeg fant ut av den koden?
29:59Ja.
30:02Eh...
30:03But what?
30:06No, it's...
30:07It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like he's removed the offer.
30:17He's cut his finger on the right hand in the right hand.
30:21He starts with the finger finger, so the finger finger, so the finger finger.
30:25A little systematical there.
30:27Yes, but he's not going to start with the finger finger.
30:38They're like those women, right?
30:40They're not going to hit them until they hit them, right?
30:42That's why you said it.
30:43That's a good one last time.
30:55I have something to tell you okay
31:01promise you won't be angry promise you can't promise that
31:09I'm pregnant
31:27please say something
31:37is it my mother
31:40you always wondered what I do when I go away
31:46I go to visit my mother
31:49you have a mother
31:51in the city
31:52what else can I miss Anna
31:55what
31:59since you are
32:01carrying our child now I need you to know
32:05exactly what I do
32:09what I really am
32:10I'm
32:40What are you doing?
33:00Pullet og kaffe?
33:03Er du helt sikker pĆ„ at du ikke har lyst til Ć„ prĆøve noe bedre?
33:06Jo, takk. Jeg vet det.
33:09Det er bare ikke en vits Ƅ bruke greia pƄ.
33:13Nei. Det gjelder vel livet generelt.
33:24Dette er et ekte kaffe. Det er mye bedre enn din pulpekaffe.
33:30Dette er det som vi lagde hjemme pƄ gƄrden.
33:41Jeg fĆ„r ikke lov til Ć„ rĆøre pĆ„ meg.
33:49Jeg fĆ„r ikke lov til Ć„ rĆøre pĆ„ meg. Jeg fĆ„r ikke lov til Ć„ lage en lyd.
33:54Han sier at han mister lysten hvis han merker at jeg har lyst.
34:00NƄr vi har lyst, sƄ har vi lyst, ikke sant?
34:08Ari, jeg liker Ƅ se pƄ deg.
34:12Jeg liker at du ser pƄ meg.
34:26Jeg kan ikke. Jeg vet ikke hva det er du tror jeg har, men jeg har det ikke.
34:37Ć
h, det er en kjempeklisje.
34:42Det er helt greit, det er jeg ogsƄ.
34:54NĆ„ er det rake, eller?
35:01Er det gud? Det er fullt lakslĆøs her i nĆ„. Hva er det en siffer nĆ„?
35:08Jeg spĆør om jeg kan bli med pĆ„ teater pĆ„ sĆ„nn der i klokken.
35:18Unnskyld, jeg mƄ bare...
35:20Du har en ny beskjed. Mottatt klokken 19.45.
35:30Det var ingenting.
35:45Du har en ny spĆørsmĆ„l.
35:46Hei.
35:53Hvordan fant du meg?
35:56Jeg kjĆører deg det.
35:59Hva gjĆør du her?
36:00What are you doing here?
36:16What are you doing here?
36:21What are you doing here?
36:22I don't know why you and Papa are here.
36:26What are you doing here?
36:32What are you doing here?
36:36What are you doing here?
36:39I'm going to be a little bit with my lady here, too.
36:43She's cool.
36:46And also, she's very dangerous for me.
36:53And you.
36:57Okay.
37:04What I'm trying to say is that the dam has died in my life after something else.
37:16Now I'll call you.
37:20You can stop it now.
37:23You can stop it, ok?
37:25No, if I don't manage to stop it.
37:33If you don't take it again, I won't stop it.
37:49It's better.
37:55If you don't want to be the same again, I'll never drink again.
37:59If you don't want to be the same again.
38:20If you don't want to be the same again.
38:23I don't want to be the same again.
38:24I don't want to be the same again.
38:26I don't want to be the same again.
38:30Virus guest has told you to close it in between 4 and 6?
38:34Yeah.
38:35Super bad?
38:37Yeah, yeah.
38:38Vi kommer til bare i det mange timer fĆør fem.
38:4024 personer i alt, MP3, Gass, maske og Torrgas, klar til Ƅ auksjonere pƄ signal fra bussen.
38:45Vi fƄr om den knakker pƄ.
38:47Eller forsĆøker ta sin igjen av blekret.
38:50Det fƄr vi bare vente til klokken blir fem.
38:57Yes.
38:57I'm going to go to the morning. I'll go to the next to six.
39:01It's fine.
39:03What do you want to do?
39:05I thought a dress.
39:07I bought it in the day of May.
39:09It's dark.
39:11Yes, it's the dress you have.
39:13It's definitely the same.
39:15Yes.
39:19Yes.
39:19But, you know...
39:23What?
39:26I said yes, because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:38Okay.
39:41Yes.
39:42But we'll take it when we see you.
39:46Yeah.
39:47Have a...
39:48Have a...
40:08What happened?
40:09Troppen had placed civil guards around the house.
40:12It's just the living room in the house.
40:14Which means in the 303.
40:16She was a snubber, but she sat down at the door.
40:19All the others are ready.
40:26It's about tea.
40:27Yes.
40:28You like tea?
40:29Yes, I love tea.
40:301
40:31Yes.
40:31Not good...
40:41Yes.
40:48Did it just have been sick when your son was little?
40:51Be fucking nice and so...
40:53He grew up with me. I was pregnant when I was 15 years old.
41:01Yes, that was a scandal.
41:05My son had to send him back.
41:08But how was it for you?
41:12You were so young and just sent out your son?
41:20They gave me a choice.
41:22But you always have a choice.
41:26I'm confused.
41:28I know what he knows.
41:33What does he do?
41:35He works for import.
41:38I think he says he imports from Europe.
41:42It's good. It's not always like that.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says a lot about himself.
41:59But I think he finds a girl like him.
42:02He said he had a new one on the phone.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:10Or he went to a meeting first.
42:11And then he gets in the town tomorrow.
42:13And then he goes back.
42:15To?
42:15To Pra.
42:17Yeah.
42:18Yeah.
42:39I got a deal oflie before.
42:41He's, he's looking like Š²ŠøŠ“ŠøŠ¼er.
42:42I don't know where to come from.
42:45I think I'm running here.
42:50I've seen killin' in 3-0-3 go there.
42:54No.
42:58I'll check it out.
42:59I don't know if there's a risk.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08I'm ready, 3-0-3.
43:10I'm ready, 3-0-3.
43:35I know it is true.
43:37We can go back!
43:40All right, I know!
43:41But as you know I'm ready,
43:41Deklarer, one girl and a girl. Begge ubevepnet. Nakne and very strong in life.
43:50Just take your clothes and take him back to position. Charlie 2.
43:53It's there.
43:59The one who didn't go in the house.
44:01Alpha to all the one. The object can go in the house. Stand by.
44:22Our wealth.
44:24When I'm walking I struggle.
44:35Forms of the environment. Come in. I said to Bravo 2.
44:411.
44:532.
44:543.
44:552.
45:022.
45:091.
45:10Get in there!
45:11Get in there!
45:14Do you have anything in hand?
45:15Just a second.
45:27It's not him.
45:31205 is one of those we didn't contact with.
45:35On the list is called Odd Einar Lillebostad.
45:38But I think Odd Einar Lillebostad is coming back.
45:44Are you sure you're here?
45:47Are you ready?
45:49No.
46:03It's nice when Martin comes when I'm alone.
46:06Yes.
46:08I think it's a little lonely here.
46:11Yes, but when Martin is here so often as he has been,
46:14I'm going to complain.
46:16But he has been here for the last few weeks?
46:18Yeah, one time in the last four weeks.
46:22No, it's actually often.
46:24Every 5th day I've been here.
46:26The last time I've been here, I've been here for a while.
46:29I have been here for the last time I've been here.
46:35Hey, it's a spontaneous event.
46:38I've been in Morocco with Georg, a guy I've met.
46:41We're going to live with his parents in a small village called Hassan.
46:47If not, bad telephone and network.
46:50I'll contact you once I come home.
46:52Just.
47:04I'm trying to stop and I'm so struck out.
47:07I'm high as a kite, I just might stop to check you out.
47:12And I'm walking, I'm trying to stop and I'm so struck out.
47:17And I'm high as a kite, I just might stop to check you out.
47:22Fighting beef, I say my sheep, I don't even know why.
47:27My girlfriend, she's at the end, she is starting to cry.
47:32I don't even know why.
47:34My girlfriend, she's at the end, she is starting to cry.
47:35I'm high as a kite, I just might stop to check you out.
47:41Let me go on, like I blister in the sun.
47:47Let me go on, big hands, I know you're the one.
47:53Body and beats, I stain my sheets, I don't even know why.
47:58My girlfriend, she's at the end, she is starting to cry.
48:03Let me go on, like I blister in the sun.
48:08Let me go on, big hands, I know you're the one.
48:13Let me go on, big hands, I don't even know why.
48:14Let me go on, big hands, I'm trying to stop and I'm so struck out.
48:38I'm high as a kite, I just might stop to check you out.
48:44When I'm a-walking, I strut my stuff and I'm so strung out.
48:49When I'm high as a kite, I just might stop to check you out.
48:54Body and beats, I stain my sheets, I don't even know why.
48:59My girlfriend, she's at the end, she is starting to cry.
49:04When I'm a-walking, I strut my stuff and I'm so struck out.
49:29ā¦
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49:31ā¦
49:32ā¦
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