00:28Transcription by CastingWords
00:38CastingWords
01:11CastingWords
01:12He's a liar, so I don't care. Thank you.
01:23Did he come?
01:25No, he's a politician. He's a politician.
01:42No, he's a politician.
02:23No, he's a politician.
02:24Oh, come on, come on!
02:26Oh, come on!
02:46Oh, my God.
03:37Oh, my God.
03:43Om din mamma vaknar, så kommer jag bli tvungen att döda henne.
03:49Förstår du?
03:50Så vi måste hjälpas åt dem och jag.
03:52Vi ska åka på lite tur.
04:05Det var jag.
04:20Come here, come here.
04:21Come here. It's not my boy.
04:26Shh, shh, shh.
04:39Shh, shh.
04:41Shh, shh.
04:43Shh, shh, shh.
04:47Shh.
04:52Shh, shh, shh, shh.
04:57Shh, shh, shh.
04:58Walk around.
04:59Shh, shh, shh, shh, shh.
04:59Excuse me.
05:02I don't know.
05:31I don't know.
05:37Uleg?
05:46Uleg?
05:49Uleg?
05:54Uleg?
06:01Uleg?
06:07Uleg?
06:09Uleg?
06:11Uleg?
06:14Uleg?
06:31Uleg?
06:32Uleg?
06:33Uleg?
06:33Uleg?
06:33Uleg?
06:35Uleg?
06:36Uleg?
06:38Uleg?
06:39Uleg?
06:40Uleg?
06:42Uleg?
06:43Uleg?
06:44Uleg?
06:44Uleg?
06:44Uleg?
06:45Uleg?
06:58I'm sorry.
07:02I don't know.
07:05I don't know if the door is open.
07:09Do you want? I don't know.
07:11I think you know.
07:14No.
07:16I'm going to find you.
07:20What do you think you're alone?
07:25Are you full?
07:27Marius Velland, Camilla Loom, Visbeth Bali, Barbara Svendsen.
07:34What do you want to talk about?
07:46What do you want to talk about?
07:53No one has been in my room.
07:55He's not here.
07:56I know it.
07:57He's taking the rose on his jacket.
07:58He hates it.
08:00He's never taken it.
08:01If he didn't do it for us, tell me something wrong.
08:04But that jacket has not been able to do that.
08:07I've worked in the police.
08:08I know it's hard to find the person.
08:10I know that no one has taken it.
08:13Okay, now I'm in the morning.
08:14Yes, he's doing it for us.
08:15Tell me that it's bad.
08:17You should have given us fingers.
08:20To Lisbeth.
08:23The excrement we found under the island.
08:25We found frø there.
08:27For Nikkel, frø.
08:29For the theater cafe.
08:31Yeah, that's where you were eating.
08:32That's where you were eating, Lisbeth Forsman.
08:34And the problem with it,
08:36is that it takes a minimum 12 hours for this frø.
08:38And now, the whole way down in the end of the end.
08:41So, regardless of how much her finger-pulled,
08:44it must have ended under the island,
08:46after that she was born.
08:48What does it mean?
08:49What?
08:50That you killed him,
08:52cut off the finger,
08:52and put him in the river,
08:54before we came here.
08:58That's what we call a technical evidence.
09:00Okay.
09:00A technical evidence.
09:03That's a concrete and undragable fact.
09:08Okay.
09:15I understood that when you came here,
09:17you used a bit, right?
09:19I understood that it was the best home place,
09:22with the fingers.
09:24Smart.
09:25Mm.
09:26So it was a certain degree of sentimentality.
09:33The picture.
09:34I didn't see the picture that I had here,
09:36when I first started in class.
09:38But then I saw a different picture today.
09:40The same with the two teeth.
09:43Martin Amo had tried to jake dame.
09:45Dame that could help him.
09:47Dame that could help him.
09:47Dame.
09:47Dame.
09:49Dame.
09:50I understood why, but you found out that Lisbeth had been in a way to Aminavd and you were on
09:56a trip to Praha, right?
10:01You were just holding her. You were holding her on both of them.
10:08I understood that Lisbeth had a short relationship to the man.
10:15But I didn't understand it before he was going to put up the lead.
10:20Why did you find the name of Tore?
10:23I loved my country's flame.
10:26I'm sure my thoughts. Next time we're going to love you in the sky, not in the back.
10:32You're paying more than what you're writing about.
10:34A friendship that's a practical solution, a loving life.
10:41As I told you, I've been deceived by affairs.
10:45I need to pay a little more money from you so that I can get on your feet again.
10:49As soon as I have ordered a case, I'm coming home from you.
10:52I'm going to put my content on the back side of you.
10:55But I remember that he was born four years ago when he came to our house.
10:58He wanted to sell us a face-to-face with a stjerne form of the mat.
11:02We got a card with an address on it if we were to buy more.
11:08How much do you think it's when you understand the person you love?
11:13Not only to be able to buy you, but not to be able to love you?
11:19What was the other way?
11:20What was the other way?
11:22It was her that wrote.
11:24It was a post-templation in check.
11:27It came back to me, because it was a completely unknown address.
11:29Dear Martin, it's been so long since I've heard from you.
11:33I hope that the money I've sent you helped.
11:35I still don't want to think about anything else than that.
11:39When I love my husband, I can imagine that he's there.
11:44Where are you?
11:44But that wasn't the worst.
11:46The worst was to see the data-stemplation.
11:50For that had she sent...
11:53...in February.
11:56...in year.
12:01What did she do to do with her?
12:05How many times did you drop on your kona?
12:09And you put on him.
12:12It's a bit of energy.
12:15What did you say?
12:18Never mind.
12:20Okay.
12:21I've told him that he was on a ship.
12:24No worries.
12:24What's the hotel it depends on?
12:27He was just sitting there waiting.
12:34And I told him that I needed a man who could find diamonds and weapons.
12:41Without between.
12:43And then we told him that he would come to Oslo...
12:46...and put his clothes in a søppelbøtt in the back of the 5th day.
12:50You knew that he was here.
12:52And he had never been here.
12:54When you drove.
12:55And the girl took you 4 times.
12:58And then you played a cassette that you had to do.
13:00What's the plan?
13:02And this is the most important thing.
13:04And this is the most important thing.
13:06And then you get a lot of things.
13:08Then you send us fingers to our cousin.
13:12Why do you feel this is so complicated?
13:14What happened?
13:16Because I needed a horrible book.
13:19If this thing had not been explained, and Lisbeth just disappeared,
13:22everyone had thought over me.
13:24That's right? For it's always the real man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Set him down, let him, let him, let him, let him go.
13:36Let him go!
13:40Set him down.
13:41Set him down!
13:45So he reacted to her.
13:59It's just a simple man who has followed his heart.
14:03Can you tell me what heart is most crumpled?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:13To back.
14:25Where are you?
14:27Where are you here?
14:31You're always here.
14:33And it's something you don't understand.
14:34For I have taken a place that I just know.
14:38For me.
14:40For me.
14:40For her.
14:42For her.
14:42For her.
14:43For her.
14:43For her.
14:47For her.
15:11For her.
15:13For her.
15:22For her.
15:25For her.
15:31For her.
15:36For her.
15:41For her.
15:41For her.
15:41For her.
15:52For her.
15:53For her.
15:55For her.
16:04For her.
16:11For her.
16:18For her.
16:24For her.
16:29For her.
16:30For her.
16:54For her.
16:57For her.
16:59For her.
17:09For her.
17:11For her.
17:26For her.
17:39For her.
17:43For her.
17:44For her.
17:49For her.
17:53For her.
17:55For her.
17:56For her.
18:07Now.
18:09For her.
18:14for her.
18:15I don't know what to do with me.
18:39Yeah.
18:40Yes.
18:41Do you have a notice?
18:42Yes, yes.
18:43Okay.
18:44What the hell are you doing, Nathan?
18:46Do you have contact with me?
18:48No.
18:55I'm in here.
19:24I'm in here.
19:30Thank you!
19:32I'm in here.
19:33I'm in here.
19:33And I'll open this door again.
19:36I'll open your door.
19:38I'm in here.
19:39I'm in here.
19:40I can't believe the door is inside.
19:42Hello.
19:43Hi, Harry.
19:44I've tried to ring you.
19:45Yes, I don't want to be able to come in.
19:48No, he's back.
19:50I'm at the police station now.
19:52I'm waiting for them.
19:53If they don't miss him, I know.
19:56I'm going to find him, okay?
19:59Where are you?
20:01I'm going to go home.
20:03Harry, I can't go home.
20:04Go home and close the door.
20:06You're not safe at the police station.
20:07It stood on me.
20:08You can just go home.
20:09It stood on me.
20:16Are you ready to go home?
20:26Hi, Harry.
20:28I'm going to go home.
20:31If you hear him, I'm going to go home.
20:34Where are you?
20:35Where are you?
20:39I'm going to send everything right.
20:42It's not for sure.
20:44Tom, what are you doing?
20:47Tom, where are you going to go?
20:49Quick.
20:51I gave you an offer that would change your life.
20:53Instead of doing it like this.
20:55It's your fault.
20:58Tom?
20:59How do you feel when you're in the neck of your neck?
21:01The knee of the knee is in the breast.
21:04The sound of the voice.
21:09It's like when you're a patient.
21:10It's like you're getting out of the water.
21:13The room is 406.
21:16So the room is 606?
21:18Okay.
21:18I'm going to go here.
21:21It's about 20 minutes.
21:23Let the door open and sit on the door with the hands of your head.
21:26Tom!
21:28Tom!
21:48Tom!
22:18Tom!
22:35What the fuck, don't cry.
22:45It's a couple of people on CD.
22:49I get it China girl, I know the end candy
23:04Cry for love China girl, I was up
23:10Um
23:27I
23:29I
23:29I
23:37Okay, okay
23:40Okay
23:41I
24:09Okay
24:13Okay
24:29Okay
24:30Okay
24:33Okay
24:34Okay
24:34Okay
24:35Okay
24:40Okay
24:41Okay
24:41Okay
24:42Okay
24:43Okay
24:51Okay
24:52Okay
24:54Okay
24:54Okay
24:55Okay
24:56Okay
25:09Okay
25:10Okay
25:10Okay
25:12Okay
25:17Okay
25:20Okay
25:21Okay
25:31Okay
25:32Okay
25:33Okay
25:42Okay
25:45Okay
25:46Okay
25:53Okay
25:59Okay
26:10Okay
26:11Okay
26:12Okay
26:14Okay
26:16Okay
26:24Okay
26:25Okay
26:26Okay
26:27Okay
26:27Okay
26:31Okay
26:32Okay
26:44Okay
26:52Okay
26:53Okay
26:54Okay
26:54Okay
26:58Okay
26:59Okay
27:04Okay
27:10Okay
27:22Okay
27:24Okay
27:26Okay
27:34Okay
27:48Okay
27:49Okay
27:50Okay
27:50Okay
27:58Okay
28:03Okay
28:04Okay
28:06Okay
28:06Okay
28:06Okay
28:07Okay
28:09Okay
28:09Okay
28:09Okay
28:20Okay
28:41Okay
28:42Okay
28:48Okay
28:54Okay
28:56I don't know.
29:26I don't know.
29:56I don't know.
30:27There ain't no one ever looking out for me.
30:39Just the sun.
30:54I don't know.
31:14I don't know.
31:16I don't know.
31:18I don't know.
31:42I don't know.
31:46I don't know.
31:50I don't know.
31:56I don't know.
31:59I don't know.
32:05I don't know.
32:08I don't know.
32:09I don't know.
32:22I don't know.
32:24I don't know.
32:33I don't know.
32:34I don't know.
32:55I don't know.
32:58I don't know.
33:03I don't know.
33:12I don't know.
33:13I don't know.
33:16I don't know.
33:19I don't know.
33:28I don't know.
33:31I don't know.
33:40I don't know.
33:44I don't know.
33:49I don't know.
33:52I don't know.
34:04I don't know.
34:07I They don't know you get sick.
34:10They're pretty famous.
34:18Like this.
34:21The case from this group is being hidden.
34:26During this weekend at chene.
34:27This number.
34:27cá»± sour des to ami is not even.
34:30Yeah.
34:34I still have to catch myself.
34:35My mouth.
34:35Okay.
34:36My mouth.
34:36Dr Inspector ...
34:39But I can't believe that you took Aminov out of arrest and ran away from Billy Ballet.
34:47I'll go here, sjef.
34:58Are Maya?
34:59Hi, it's Ari Ola.
35:01Wait a minute.
35:03My mobile can be able to listen to you.
35:05Yes, I'm sure.
35:08I'm sorry, I didn't know what I was going to do.
35:11They had to take my little brother.
35:13Yes, I thought it would be something like that.
35:17But now you have the chance to do it.
35:20I'll give you a thing now that Aftenposten can be accused.
35:25But only if it happens to me or my mother.
35:31Okay?
35:33Okay.
35:36Oh, yeah.
35:37Hvis telefonen dine er avlytet, så vet vi alt det her nå.
35:44Dødsorsaket er jo klar, men jeg skjønner ikke helt stikk sårene.
35:49Det var vel det Hoggjerne?
35:50Ja.
35:52Men dette ligner jo mer som om han har blitt påført etter at han var død.
35:57Altså, som om en kniv har blitt vridt rundt.
36:03Jeg trenger at du gir meg en forklaring.
36:07På at jeg hentet ut Amen over, eller på at jeg brøyt meg inn hos barli?
36:11Nei, herregud.
36:14Nei, herregud.
36:14Det der løser vi.
36:16Mer...
36:18Ideen.
36:19Hvordan kom det på at det ikke var en klassisk seriemode?
36:22Nei.
36:25Nei.
36:27Takk.
36:29Jeg tenker ikke på bevisene.
36:31Jeg tenker på selve ideen.
36:38Visste du at Duke Ellington, han pleide å be pianostemmerne sin om å ikke stemme piano helt reint?
36:47Nei.
36:53Sykkelbudmorderen var for godt stemt.
36:57Det føltes riktig, men ikke ekte.
37:05Jeg tok feil, Harry.
37:08Det beklager jeg.
37:10Det jeg egentlig ville si var at jeg kommer ikke til å undertegne de oppsikkelsespapirene dine.
37:18Nei vel?
37:20Du virker jo ikke overbegeistret.
37:23Har du fått noen andre tilbud?
37:26Nei, to.
37:27Fra hvem da?
37:30Øystein Eikland.
37:32Han vil at vi skal dele på kjøredrosja, altså.
37:35Og det andre?
37:40Det falt fra.
37:46Ja.
37:47Sannheten er at vi trenger det.
37:50Jeg trenger det.
37:52Ja vel?
37:53Jeg vil være helt naivt og tro at Våler er den eneste innen politiet som er involvert i de kreiene
37:59her.
38:01Jeg vil veldig gjerne at du fortsetter å hjelpe oss å finne ut hvem som står bak.
38:04Jeg vet ikke helt om jeg...
38:06Det er ingen som har lyst til å tyste på folk i egne rekker, skjønner du?
38:12Men du kommer til å rapportere bare til meg.
38:15Det lover jeg.
38:16Ok?
38:18Men det vil jo også bety at når du skriver rapporten, og når du snakker med pressen, så må vi
38:23legge lokk på det med Våler sin våpensmøkling.
38:28Jeg forstår at det er mye å be om, så det er selvfølgelig helt opp til det.
38:34Skjønner jeg.
38:37Hvis du nå likevel velger å kjøre taxi, kan du si noe om...
38:44Våler sa noe om hvem som eventuelt kunne være innblandet?
38:48Nevnte han noen navn?
38:51Noe som vi kan gå på?
38:53Ja.
39:00Godt jobber med Barley.
39:02Det er alltid ektemannen.
39:26Det er alltid ektemannen.
39:28Jeg tror ikke det er synd.
39:30Hvis denne saken ikke hadde blitt oklart og Lisbeth bare forsvann, så hadde alle trodd noe om hvem.
39:35For meg ser det som at han forteller at han skal skyte han.
39:40Det er meg.
39:43Samt for det er alltid ektemannen.
39:58Hei.
40:00Hei.
40:00Hei.
40:01Det er meg.
40:02Du, vær nå hjem og gjør noe. Kan vi si middag i stedet for deg?
40:06Ja, ja. Det er null stress.
40:09Jeg elsker deg.
40:11Og du elsker meg.
40:13Ja, ja.
40:14Jeg gjør det.
40:23Så Beate og Lønn er helt sikker?
40:26Mammen var aldri på lista av de mistenkte, og det her er første gang Beate ser han, og hun er
40:30sikker.
40:32Ja?
40:34Hva gjelder det?
40:39Du drepte kona mi.
40:43Fem år siden jeg gikk du inn i banken der jeg jobbet, så skjøt du av høyre.
40:51Han ranet en bank for å skyte kona si.
40:54I senest hadde hele greia som en...
40:55Farse?
40:56Ja.
40:57Akkurat som Willy Barley.
40:59Så de arrangerte drapene så at vi ville leite etter noe annet.
41:02En seriemoder eller en banker, Annie.
41:22Numeret du ringer er ikke lenger i bruk.
41:40Det var det du var det.
41:57Rundsens en anne dog som folk var i forsiden.ás
42:02격 med déløme av degnek. Pølstens
42:04en i Chypper Sie. Holden bage.
42:45Hva gjør vi nå?
42:49Det vi gjør nå er å ligge helt lavt.
42:57Og så kommer vi tilbake.
43:08Og så kommer vi tilbake.
43:12Og så kommer vi tilbake.
44:07Og så kommer vi tilbake.
44:10Og så kommer vi tilbake.
44:32Og så kommer vi tilbake.
45:02Og så kommer vi tilbake.
45:36Og så kommer vi tilbake.
46:20Og så kommer vi tilbake.
46:27Og så kommer vi tilbake.
47:19Og så kommer vi tilbake.
47:25Og så kommer vi tilbake.
47:53Og så kommer vi tilbake.
48:09SÃ¥ kommer vi tilbake.
48:10Og så kommer vi tilbake.
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