- 17 minutes ago
Dublin Murders - Series 1- Episode 3 Crime Drama
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00:00Mr. Devlin, is this your daughter Catherine?
00:04Yes.
00:05I got phone calls.
00:07Threads.
00:07Why can't we get on with our work?
00:09Who are you?
00:09Mark Hanley, site director.
00:10Have you noticed anything unusual around the site recently?
00:13Mainly I remember the Troxies.
00:15Blue.
00:15French.
00:16Any link between this and the three kids in 85?
00:19Even a vague one.
00:20What happened to us and Katie's mother?
00:22They're connected.
00:23Whatever you were planning, whatever you were thinking of doing, don't.
00:26Who's gonna make the association between little Irish Adam and English Rob?
00:30Mama Lexi, okay, you've been warned.
00:32Help me, please.
00:35Sandra Scully, Jonathan's old girlfriend, works at the ballet school.
00:38She said she doesn't know Jonathan and Margaret.
00:40Why would she lie?
00:48Come on, faster! Keep up, Adam!
00:53Quick!
00:54Hi, they're coming!
01:09Shane!
01:11Shane!
01:17Keep up, I'm not your manny waiting on you.
01:19There's someone here, Johnny.
01:21There's someone laughing at us.
01:22What? Where?
01:23I don't know.
01:26There's someone laughing.
01:28I can hear someone laughing.
01:29It's cold.
01:30Jesus, it's cold.
01:32I always have to wait for you dragging me down.
01:34Move!
01:50Let's go.
01:52Let's go.
01:55I'm good.
02:08Just drive.
02:09Just drive.
02:10Just drive.
02:10What comes in here?
02:11Just drive!
02:12Get out of the way, Alicia!
02:13Where's Jamie?
02:16Where's my daughter?
02:17Where's Peter?
02:19Where's Peter?
02:20What did you do?
02:22No!
02:22Oh!
02:23No!
02:25Oh!
02:26Oh!
02:41Oh my God!
02:42Oh my God!
02:44Oh!
02:44Oh!
03:14Thank you for calling the Garda line in regard to our investigation into the murder of Katie Devlin.
03:20Please leave any information you have after the tone, including your name and contact details if you're willing to do
03:26so.
03:27Any information will be dealt with in confidence.
03:47It's cry to a trace. Noisy with it. Fibres, hair, skin, saliva, sweat.
03:52And what about Adam's T-shirt, socks and trainers from 85?
03:55Well, I'll be not going to hear back about them for a while, and even then it's unlikely we'll get
03:58any DNA off them.
03:59They're completely degraded.
04:01That's what happens if you store blood evidence in a paper bag in a damp basement for 20 years.
04:0521.
04:09Can I get some more uniforms up here for the last night?
04:11Are you getting trouble?
04:14Some dickheads. Two uniforms we've got a pair are useless. A pair of fat arses.
04:18So, I want more while we're wrapping up the site.
04:21Well, it's probably kids.
04:22It doesn't sound like kids. It's freaking out my team and not doing that much for me.
04:25So, can I have extra uniforms, yes or no?
04:28Yes, of course, Sophie. I'll call her Kelly and get them sent up.
04:33I'm ratty. Been here way too long.
04:35It's fine.
04:39Sandra Scully's on her way home.
04:41We need to pay her a visit.
05:11How much longer?
05:12When are you going to be out of my way?
05:14It takes as long as it takes.
05:18Dr. Hanley, a little suggestion just for one day.
05:21Can you help me such a massive dick?
05:22Thanks so much.
05:26You should do a self-help book.
05:28I know. I'd be deadly.
05:37I know.
06:00I know. I know. I know. I know.
06:07Do you know what both sides are looking for?
06:08I know.
06:10Do you know what?
06:12I'm a прямо versed.
06:13I'm a Budd Hmm.
06:18I know.
06:22I know.
06:23I know.
06:24I know anytime you need me. I'm here because I know
07:01All right, so I didn't tell the truth, but what was I gonna say?
07:06Once upon a time I used to wank Janet and Devlin off in the woods
07:10I was trying to be nice for a once in my life, you know?
07:15Just scream
07:16You clean the ballet school?
07:18I mean, how could you not have seen and spoken to him?
07:23I clean when it's closed
07:25I don't talk to anyone apart from Miss Cameron
07:28Why did you and Jonathan break up?
07:30Because we were kids
07:31We fancy each other, then you don't
07:34Did you know Margaret before she married Jonathan?
07:38No
07:39Can you remember where you were the night the children disappeared in 1985?
07:43Why are you asking about those poor little bastards?
07:46Were you still going out with Jonathan at the time?
07:49We'd split by then
07:52I was here with my ma and da
07:54And then he went out searching with all the other men
07:57For all the good it did
07:57Miss Scully, did Jonathan Devlin get you pregnant?
08:07That old bitch
08:08Mrs. Fitzgerald, why?
08:11Good Catholic woman
08:13Me gash
08:16She's evil
08:18And you don't want to believe a single thing that comes out of her mouth
08:24If that's it
08:26We have an evening shift in the pub
08:29We need to get changed
08:40That was a bit direct
08:42She didn't say she wasn't pregnant
08:43But even if she was
08:45What does that have to do with Katie?
08:46It's the lies, Cass
08:48The lies have to do with Katie
08:55God's sake
09:05What are you doing here, Mr. Boyne?
09:07Just saw your car parked up there
09:08Wondering why you'd be talking to
09:13Sandra Scully
09:14What's the story?
09:15Just background information
09:16Do you have a suspect yet?
09:19A suspect in Katie's murder?
09:21I can be a friend
09:24Because everyone's being nice right now
09:26But pretty soon
09:27If you don't give them a suspect
09:28They'll turn
09:29You don't want this to be another 1985, do you?
09:32I mean, those two detectives got spat at in the street
09:36Sounds like a threat to me
09:37And me
09:38Are you threatening us, Mr. Boyle?
09:41This is good
09:41I like this
09:42The way I have to keep turning my head to talk to yous both
09:45Oh, I'm dizzy
09:46I can't concentrate
09:47My poor neck
09:48No, just
09:50Not threatening
09:51Just laying out the way it all works
09:54The way we all know it works
09:57Between us
09:59Move along, Mr. Boyle
10:00Don't hassle these people
10:12There's not a chance
10:13Someone like that
10:14Someone
10:16Really bloody minded
10:17Could dig around long enough to
10:18To find me
10:20No, I made sure of that a long time ago
10:23At least your own hasn't seen you properly yet
10:26Not face to face
10:28Why should her seeing me be any different than Jonathan or Sandra?
10:30Because they were teenagers
10:33You were Jamie's best friend
10:35And women
10:36Mothers
10:36Look at children's faces differently
10:39It'll be alright, Cassie
10:49This is the number that made the alleged intimidatory phone calls to Jonathan Devlin and threatened Katie
10:53Basic mobile units purchased with the sole intention of calling that number
10:57All day, every day
10:59It's not like they're going to answer
11:00The question is
11:02Who made the phone call soon?
11:05Who had a vested interest in Jonathan Devlin shutting up and fucking off?
11:10That could be anyone involved in the construction of the motorway
11:12And that anyone could be
11:14The man Damien Donnelly saw in the woods
11:17Described as late 30s, early 40s
11:19The man in the French blue tracksuit
11:21Assuming he exists and isn't a figment of the imagination
11:24Donnelly hasn't been able to make an identification
11:26But maybe he isn't known to us because he isn't on a sex offender's register
11:31But maybe people know him through the motorway
11:33See, I don't get what this motorway is doing
11:35It goes from Nottingry, down through Wicklow, straight through Glenskehy
11:40Now, there's nothing in Glenskehy
11:42It's all farms
11:45Take a drive down to Glenskehy
11:47Show people that drawing
11:48See if anyone recognised it
11:49See if he's approached anyone about selling their land
11:52Ask if anyone's had threatening phone calls
11:56Quickly, you're up
11:58Okay, so
12:00All the records from the Peter, Jamie and Adam case
12:03I read a chronological order
12:04Proper chaos
12:05But thanks to some stellar police work
12:07And a lot of fried chicken
12:09We have these
12:11Over the course of three interviews in 1985
12:14Cahill Mills, Jonathan Devlin and Margaret Byrne
12:17As she was then
12:18Hold their story
12:19Shamewaters doesn't so much change his story
12:22But he cries
12:23And when he asks to go to the toilet
12:25He smacks his face off the washbasin
12:26And has to go to the hospital to get stitched
12:29Interesting
12:30This is during the second interview
12:32Right, but by the 30s, back on track
12:34Sticking to the story
12:35Someone got one
12:36One of the others put the pressure on
12:37But what can they do, those two old detectives?
12:40Adam can't identify who attacked him
12:42And did God knows what to Peter and Jamie
12:43So the three boys and Margaret get shelved
12:46Shamewaters needed seven stitches
12:49He wasn't playing
12:52We'll ask Jonathan Devlin about that
12:53After the funeral
12:55It's good work
12:59Hey, what happened to Adam after all this?
13:02Do you know where he is?
13:04The family changed their name and moved to England
13:07I've drawn a blank after that because
13:08They're not doing him
13:09Okay
13:16Sorry
13:19We're neck-deep in it together, Rob
13:25Let's try this number again
13:43Shit
13:44Shit
13:44Shit
13:45Shit
13:46Shit
14:15Come on, get off the floor.
14:17Come on.
14:30Hey.
14:31Lexi, where are you?
14:33Yeah, I'm coming. I'm nearly home.
14:52Jessica.
15:03What's she wearing?
15:06Her favorite practice dress.
15:09The pale blue one.
15:10The white cardigan.
15:12They've taken such good care of her, Rosalind, haven't they?
15:16Oh, that's lovely.
15:19Simone, that's so perfect.
15:21So perfect.
15:28You chose that.
15:31I did.
15:36And you chose this.
15:38We did.
15:43Is it lined?
15:44Of course it's lined.
15:49It was pink.
15:52Pale pink silk.
15:55No.
15:57It's dark blue velvet.
16:01But that's not right.
16:05I'll have to take her back.
16:08And do it again.
16:11Because I want pink.
16:14Pale pink silk.
16:17I'll have to take her back.
16:19Mommy, please.
16:23This is you.
16:25Isn't it?
16:27Always you.
16:29You stole my daughter.
16:33You were stealing her to go away.
16:36And now you're stealing her again.
16:39I wanted pink.
16:48What are you doing here?
16:51You shouldn't be here.
16:54You're a thief.
16:56And a robber.
16:57And I don't want you.
16:58She has every right to be here.
17:00It's fine.
17:01Don't, don't, don't.
17:03Simone has paid for everything.
17:04And she loved Katie.
17:05And Katie loved her.
17:07No.
17:08Poor David.
17:13I should have been insulted.
17:17Why wasn't I consulted?
17:20And why is it blue and not what I wanted, which was pink?
17:25Pink.
17:26Exactly.
17:26I'm pink.
17:28I'm pink.
17:29Katie's favourite colour is blue.
17:31Stupid.
17:33She's blue and I'm pink.
17:40It's just your new pills.
17:42She doesn't mean it.
17:43It's all right, Roslyn.
17:48I should have been consulted.
17:50You were asleep.
17:53Like you're always asleep.
17:58I'm not asleep.
18:02I'm ill.
18:19Riley.
18:21The old detective.
18:23McCabe.
18:23McCabe.
18:24The one that kept working on Knocknery 85 pretty much up to his death.
18:27I found this and I don't know what to do with it.
18:31What is it?
18:33There's something here and it hates us.
18:36It is malevolence.
18:37It is malevolence.
18:38Those children were taken as a tithe, as a reckoning to settle an account.
18:43We are never going to find them.
18:45This place is laughing at us.
18:49Well, he had cancer.
18:50It must have been the morphine talking.
18:52He wrote this two years into the investigation in 1987.
18:57What do we do with this?
18:59I'm supposed to put anything new into evidence, but it's one of our own sounding like he barks
19:02at the moon.
19:04Lose it.
19:06It's not going to do any good.
19:08Lose it.
19:15No, I meant, uh...
19:16Go on.
19:17Never saw it.
19:19He keeps his reputation.
19:21Quickly.
19:24It's a waste of your time being down in the basement.
19:26And we need you up here.
19:28O'Neil could do with an extra pair of hands.
19:31You tell O'Kellia did a good job, though?
19:33Five-star report.
19:36O'Neil!
19:37Where are you, you sexy bastards?
19:46He'll rack your head, you know.
19:48I rather win quickly, is that right?
19:50It makes me laugh.
19:51Listen, at some point he's going to tell you that me and Rob are at it.
19:55Like, non-stop.
19:57Yeah, it's standard bollocks, Cassie.
19:59I know it's bullshit.
20:02I know, you know.
20:03I'm just...
20:03saying.
20:11What?
20:14I think a lot of you, like, a lot.
20:21I have oyster sauce dripping down with him.
20:22What you should be thinking as well as he's gay, Bruce.
20:26Too soon?
20:31I can wait.
20:34Another beer?
20:36Yeah.
20:38I can't wait.
20:53Time.
20:54Oh, thank you.
20:55Like you're king.
20:57I'm not sure.
20:58How much do you want?
20:58If he's a king?
21:00Do you want to?
21:01Yeah.
21:01Do you want me?
21:04Do you want me?
21:09Oh, my God.
21:41Oh, my God.
22:10Oh, my God.
22:59Oh, my God.
23:06What the fuck?
23:19He gets a boat with his pen, bud?
23:22There's a one personal group of people on this.
23:47In sure and certain hope of the resurrection to eternal life
23:52through our Lord Jesus Christ,
23:54we commend to Almighty God our sister Catherine,
23:58and we commit her body to the ground.
24:19Earth to earth, ashes to ashes, dust to dust, the Lord bless her and keep her.
24:27The Lord make his face to shine upon her and be gracious to her.
24:33The Lord...
24:34Out of order.
24:35You countenance and leave her and give her peace.
24:44Jesus, she's looking right at you.
24:48No, she's not.
24:50Doesn't know me.
24:52Told you.
24:55There's plenty from the dig here.
24:58No Mark Hanley, then.
24:59a thing.
25:22Do you know me?
25:51Who lives here?
25:55Students, according to this.
25:58Own this.
26:00Students own this?
26:03Well, if your mum was seen around here,
26:05you had to remember him.
26:07Aye, because they're students and all clever.
26:13Let's go to the pub.
26:16...a few drinks.
26:28No one's talking to us.
26:29No one wants a drink.
26:31I'll come back another day.
26:32Early morning, farmer time.
26:34Turn up when they're starting work.
26:36And on my way around the dairy yard.
26:38I might drop their guard.
26:40Detective Antetugger, multi-talented.
26:42I'm a Renaissance man.
26:44No, relax.
26:45Eat your crisps.
27:04Don't come in.
27:05There's a couple of detectives.
27:07They're asking about the land deals.
27:10Shit.
27:12Keeping our head down.
27:20Try and be a bit discreet, Lexi.
27:31We need to identify the man who made phone calls to you.
27:34Can you tell us anything more about his voice?
27:38Accent, daily drainage, any distinctive vocabulary?
27:41So it was standard Dublin.
27:42Just, you know, standard.
27:47Look, that man who was seen at the dig lurking about.
27:50You have a description of him.
27:51Why isn't his face all over the news?
27:54We have to be very careful about releasing images.
27:57No one wants an innocent person beaten to a pulp
27:59because they bear a vague resemblance to a drawing.
28:02Innocent?
28:04Jesus Christ, you have nothing.
28:07You have nothing and no one.
28:09Jesus, what are you doing?
28:10What are you actually doing?
28:11Are you still in touch with Carl Mills and Shane Waters?
28:15What?
28:18No.
28:19Not for years.
28:20You remember Jamie P turned Adam?
28:22Of course I bloody do.
28:23During Shane's second interview in 1985,
28:25he smashed his face on a wash basin and had to go to hospital.
28:28Why do you think he did that?
28:30I don't know.
28:31But we'd like to ask Shane about it.
28:33Where would we find him?
28:35Dead.
28:36Dead.
28:36Probably.
28:38The last I heard he was on the needle.
28:39What are you asking me about them for?
28:41She was part of our job, Mr. Devlin.
28:43And if you think of anything, you let us know.
28:55We should go by a dig.
28:56Remind Damien Daly not to give our descriptions a tracksuit man.
28:59Especially not to journalists.
29:01No matter how important it makes him feel.
29:03Jonathan's lying about not being in touch with Shane and Carl.
29:06I don't think so.
29:07Got a feeling he was telling the truth about that.
29:10What if his campaign against the motorway isn't about land fraud or corruption?
29:13It's because he knows bulldozers will uncover Peter and Jamie's bodies.
29:15He supports the dig.
29:16The dig's not a threat to him.
29:18It's in the wrong place.
29:26Shit.
29:26It's my mum.
29:27She wants to see me.
29:28Well, I'll text her back like a good son and tell you to meet her.
29:30I'll come too.
29:40Jonathan!
29:49There was one fairy called Iarla.
29:52His best friend was Anya, who was a fairy princess.
30:04Iarla and Anya played every day.
30:18What did they say?
30:23They asked about the three kids.
30:45I haven't talked to any journalists.
30:47And I wouldn't, anyway.
30:49You know, you told me not to, so of course I wouldn't.
30:52OK, that's great.
30:53Thanks, Anya.
30:55Em, do you want me to look at anyone?
30:57Like in a line-up?
30:58Not yet, but as soon as we do, we'll get you in.
31:01Well, whenever you need me, you know?
31:03Thanks.
31:04I just want to do the right thing.
31:08You didn't go to the funeral, Dr. Hanley.
31:11Everyone else went.
31:12I haven't set foot in a church since I was nine years old
31:14and I worked out that it was bullshit.
31:16Power and control.
31:18Nothing more than brainwashing and keeping people in their place.
31:22Nothing changes in this country.
31:30Where did you find this?
31:32In the woods.
31:34I put it up as a sort of mascot.
31:36But where in the woods you must keep a record?
31:39We don't catalogue rubbish.
31:43From here on in, I decide what's rubbish.
31:46Anything you find that's not related to the dick you give to me.
31:51Found a bobble hat full of human turds.
31:53Look at that.
32:47GENERALيم
32:56I don't know.
33:25Hi.
33:28She made the front page, then.
33:31Mothers of Nocknery.
33:34Brave Alicia.
33:37That was always going to happen, Clare.
33:41She's going to start on you again. I know she is.
33:44She's going to start saying all of those things about you again.
33:47There's nothing I can do about that.
33:49There's nothing you can do about it, either.
33:54I was thinking a letter to the paper is giving my son our side.
34:00Jesus Christ, no. Have you lost your mind?
34:04Playing the heroine? What about what she did to us?
34:07You write some letter giving your side. You won't just fuck yourself. You will fuck me, I too.
34:14Don't curse at me, Adam.
34:16Don't call me that.
34:18What's your name?
34:19And yours is Clare O'Reilly, but you changed it to Clare Hoban so you could come home without people
34:23pointing at you.
34:24Well, stop.
34:30You can't do it, Clare.
34:33I'm sorry, but you just can't.
34:35She was behind everything.
34:37Fire setting, the stone throwing.
34:39All of it was her.
34:42Why did she get away with this?
34:44Because she never saw her child again.
34:47And yours is sitting right in front of you.
35:00I should go.
35:23I make him angry.
35:26No, you don't.
35:28You're a bad liar, Cassie.
35:57Why is this shit so hard?
35:59She's just been your mom, Rob.
36:06She thinks I'm a bad liar.
36:16It's dangerous.
36:18The only one is to get out alive and trying to work out why.
36:22She thinks I'm a bad liar.
36:26She thinks I'm a bad liar.
36:39She thinks I'm a bad liar.
36:40She thinks I'm a bad liar.
36:40She thinks I'm a bad liar.
36:41She thinks I'm a bad liar.
36:42She thinks I'm a bad liar.
36:43She thinks I'm a bad liar.
36:44She thinks I'm a bad liar.
36:45She thinks I'm a bad liar.
37:04Come on.
37:20Come on.
37:50Come on.
38:03It's quite common, really, people visiting murder sites for the purposes of sexual gratification.
38:08He says people. He means men.
38:10Masturbating where bodies have been found, especially women and children.
38:13Is that supposed to shock me?
38:14It isn't what I was doing.
38:16What were you doing?
38:17You wouldn't understand.
38:19Try us, Mark.
38:20Dr. Hamley.
38:24The DNA sample you were obliged to give us when you came in.
38:28I've got the feeling it's going to match samples taken from the woods.
38:31Strands of hair found by the remains of a campfire like the one you lit tonight.
38:35Would they be yours?
38:37I slept out there a couple of nights.
38:38It's not illegal.
38:40There's also samples taken from the altar.
38:43Sweat, saliva.
38:44Would yours be among them?
38:46We eat our lunch there sometimes.
38:49And semen.
38:53Is that going to be a match with Trace taken from the clothes and hair of Katie Devlin?
38:58Sweat, saliva, semen.
39:01Would they be yours, Mark?
39:06I didn't touch her.
39:07I didn't.
39:09Why would I do a thing like that?
39:11I've got no idea.
39:13But you have to admit, dancing stark bollock naked covered in cut-price merlot around an altar where a murdered
39:1813-year-old girl has been found is not a good look.
39:25Do you know what Nocnery means?
39:29It means the hill of the king.
39:32What king?
39:36What we're looking for is millennia older than the trees that it's buried under.
39:41The diggers are coming in December.
39:42Time is running out.
39:46I sleep in the woods to be close to the place.
39:50To hear its heartbeat.
39:52Because it's alive.
39:54It lives and breathes.
39:57And I make an offering.
39:59An offering of what?
40:02Of myself.
40:04To the king.
40:07Whoever they are.
40:09Asking for favor.
40:12For a miracle.
40:14Because if we don't get a miracle, we're going to lose that place.
40:18The altar will end up in a museum.
40:21And the rest of it will be ripped apart.
40:24Filled up with concrete covered in tarmac.
40:28It'll all be lost.
40:29Does this offering include your ejaculate?
40:34Did you masturbate over it, that girl?
40:36Christ, no.
40:37But you didn't go to Katie's funeral.
40:40Yeah, I already told you why.
40:42But you know Jonathan?
40:43Yes.
40:44Did Jonathan talk to you about what happened to the children in the woods?
40:48Did he talk to you about Nocnery in 1985?
40:50Is that why you're at the altar?
40:51Well, what are you talking about?
40:53Where were you on August the 24th between midnight and 2am?
40:57Um, I was at a house party.
40:59Everyone was.
41:00According to statements, you left at approximately 10.45pm.
41:03Where did you go?
41:04Home.
41:05Can anyone verify that?
41:07And why were you between midnight and 7.45am on the 25th of August when Katie's body was found?
41:14Home.
41:15Can you prove it?
41:19Interview suspended.
41:35You went for that.
41:37The whole offering speech.
41:40We did the same.
41:41Every new case, don't we?
41:43A glass of whiskey from O'Kelly and a toast to the murder gods.
41:46May they reveal their fucking secrets.
41:48It's not so strange.
42:05The night of the 24th and 25th of August, I was with Mark.
42:09In his house.
42:11What if you need to say that?
42:14No.
42:22For the benefit of the tape, we're being shown our wedding ring.
42:30I don't wear it at work.
42:33He's a really decent guy, and he'd be devastated.
42:37And I have a child.
42:40That's why Mark didn't say anything.
42:43But if you took a DNA swab from him, then you should take one from me as well.
42:47Because I'd be all over that altar.
42:50It's that place that makes you wild.
42:59Is there any way this me and Mark could be kept confidential?
43:06Your evidence will go on record, but I don't see the need to interfere in your personal life.
43:13And if you terminate it.
43:33Well, there we are.
43:43I guess we just did the online booking.
43:466.35 a.m. flight from Berlin, landing in Dublin, 9.05.
43:50It's our lucifer friend, Cole Mills.
43:53You want picking up?
43:54Yeah, bring coffee.
43:57Riley.
43:58Detective, it's Simone Cameron.
44:00Can you come and meet me?
44:03I haven't reopened yet.
44:05I was doing some work, and Rosalind was here.
44:08She likes to help out.
44:09And we were talking about nothing, really.
44:13And, oh God, my hands are shaking.
44:17And suddenly Jessica says about this man.
44:22This man who said that Katie was pretty.
44:26And did she want to see some kittens?
44:31We put on music.
44:33It calms her.
44:34Can you and Rosalind get her to tell the story again?
44:37Put us there.
44:38She has to say it in her own words.
44:40We'll try.
44:47Look at me dancing.
44:50I'm a beautiful swan.
44:52You are very beautiful.
44:55Would you get Jessica to tell the story?
44:58Can you, too?
45:04Why am I here?
45:07They've come to watch us dance.
45:11Like Katie.
45:12Like Katie.
45:16Jessica, darling, can you tell us the story of the man again?
45:21It wasn't a story.
45:22It happened.
45:23I know.
45:25But tell us again.
45:31Oh, Jess, please.
45:38The man said to Katie,
45:41you're pretty.
45:44Come with me, I have kittens.
45:46And Katie said we have to go now.
45:49But I wanted to see the kittens, but Katie said there aren't any kittens.
45:52We're going home.
45:54And what did the man do then?
45:56He was behind us.
46:00Katie told me not to turn around.
46:05And then he wasn't behind us anymore, and we went home.
46:10Jessica.
46:12Can you remember what the man looked like?
46:16Can you remember what he was wearing?
46:19Running clothes.
46:20Like, he was going on a run, but he was just walking behind us like a lazy man.
46:31Can you remember what colour?
46:33Running clothes.
46:35Dress.
46:37Blue, stupid.
46:41Katie's colour.
46:44They were blue.
46:57The fact that the description comes from Jessica means we can be certain this man exists.
47:02So, what happens now?
47:06We cast the net wider for potential suspects.
47:09It's a significant development, Mr Devlin.
47:11We'll show ourselves out, but we're only a phone call away if you need anything.
47:29You didn't tell me you were talking to them.
47:33I wasn't.
47:34It was Jess.
47:37It's good news.
47:39Isn't it?
47:43I'll go and check on Mummy.
47:45I'll go and check on Mummy.
48:20Test results from Adam's clothes.
48:23Flashes and t-shirt made with a very fine, sharp blade.
48:26Right-handed with a left-angled curve.
48:27That's as much as I can tell you.
48:29And the blood in the sucks and trainers?
48:30No new results.
48:32It's A-negative.
48:33Same with Adam's.
48:35Peter and Jamie were both O-positive.
48:36But it can't be Adam's blood because he didn't suffer any blood loss and he didn't have a single injury.
48:44Okay.
48:45Thanks for trying.
48:50I've been doing this a long time, but I've never seen a blade like the one you used to cut
48:54the t-shirt.
48:55And I have never seen a situation where blood comes from nowhere.
48:58Blood comes from somewhere always.
49:00From someone.
49:01Always.
49:03I can't figure this one out.
49:04I'm sorry.
49:08Sophie.
49:11The dickheads in the woods, what noises were they making?
49:14Forget I said anything.
49:15I was tired.
49:15It's important.
49:18They were laughing.
49:43They were laughing.
50:01I was trying not to wake you.
50:06I think a lot of you too, you know.
50:09I'm just rubbish at saying this.
50:12I'll take that.
50:24Let go make friends at Farmers at Tattoo.
50:27Progress the investigation.
50:28Yes, ma'am.
50:29Drive safe.
50:31Drive safe.
51:00Radex?
51:02Cassie?
51:04Sam?
51:05What is this?
51:07Are you being in an accident?
51:08Cassie?
51:10Yeah?
51:10What is this?
51:11Nothing.
51:12Nothing.
51:13A pocket car.
51:14Sorry.
51:19Jesus.
51:45Sam?
51:46Get up, get dressed.
51:49Frank?
51:50Why are you calling me?
51:52There's a carriage hide.
51:53Get in it.
51:54Wear something that covers your head.
51:55Do it now.
52:13Thank you for calling the Garda Line in regard to our investigation into the murder of Katie Devlin.
52:19Please leave any information you have after the tome.
52:25You should be looking for Adam.
52:28Ask Adam what he did in the woods.
52:33For Tesla?
52:36Yes.
52:39Yes.
52:59I think I won't be looking for a good boy on the shreds.
53:00Sir.
53:28You're gonna get all the boys in a few years, James?
53:30Jamie, what do you reckon, Val?
53:32Jane in the basement.
53:35Stop.
53:36Perverse.
53:38I've done them.
53:40I've done them.
53:42I've done them.
53:43Stop.
54:00I've done them.
54:04I've done them.
54:07I've done them.
54:10I've done them.
54:14I've done them.
54:27There's a couple of different places.
54:49Hold, hold, the boss said.
55:11He's in there.
55:40Hold, hold, the boss said.
55:56Hold, hold, the boss said.
56:06Hold, hold, the boss said.
56:36Hold, hold, the boss said.
57:20Hold, hold, the boss said.
57:41Hold, hold, the boss said.
58:01Hold, hold, the boss said.
58:01Hold, hold, the boss said.
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