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Dublin Murders - Series 1- Episode 2 Crime Drama
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TVTranscript
00:00The body of a young girl was found this morning in the woods.
00:03We have good reason to believe it's Katie.
00:05You know everyone's gonna ask about it, don't you?
00:07Is this something to do with the others?
00:09Three kids go into those woods.
00:11Only one comes out alive.
00:13You two get across that Peter, Germain and Adam case.
00:15Any detail, any connection.
00:17I don't care how tiny or random it is.
00:20Helmed it down.
00:21Peter!
00:22Jamie!
00:23Oh, we're evil.
00:25Oh, it's you, me and Jonathan, the three of us.
00:27There's no escape. We can't escape.
00:29Mr. Johnson may be in prison, but he's associate to do the work for him.
00:32We can't do this.
00:34Not this one.
00:36Say yes, Rob, because we absolutely cannot do this one.
00:39Adam! Adam, where are we?
00:41Leave him alone!
00:43My middle name's Robert.
00:46I want to be Robert now.
01:10Where's Peter?
01:13Where's Jamie?
01:15What did you do to them?
01:23Where are they, Adam?
01:31I don't know where they are!
01:32I don't know where they are!
01:33Tell us where they are!
01:35Sir, the Paddy boy's shouting again!
01:39Robert, wake up.
01:42Wake up.
01:44You're shouting.
01:56Get a move on, you charity boy!
02:01Dear Peter and Jamie,
02:03please come back.
02:05Please.
02:06If you come back,
02:08I can go home.
02:11I really want to go home.
02:17Come on!
02:18If you've got a stitch,
02:20then breathe through it!
02:21I need a go!
02:22Knees up!
02:23Keep the pace!
02:24Keep the pace!
02:51I'm sorry I wasn't fast enough.
02:53Dear Peter and Jamie,
02:55I'm sorry I wasn't fast enough.
02:55I'm on my own here.
02:55Please come back.
02:56Why didn't you wait?
02:57I don't understand anyone here.
02:58Next time,
02:59I'll keep up.
03:00I'll keep up.
03:01Bye.
03:02Bye.
03:03Bye.
03:07Bye.
03:14Bye.
03:18Bye.
03:25Bye.
03:25Bye.
03:27Bye.
03:35Bye.
03:55Bye.
04:00Bye.
04:09Bye.
04:10.
04:10.
04:10.
04:10...
04:16...
04:19...
04:26I
04:28...
04:28...
04:39...
04:40...
04:40I'm not now, didn't take you too long.
04:46Our love's on the south side, no, no.
05:09It's a little bit different.
05:32Let's go.
05:57Let's go.
06:28Let's go.
06:52Let's go.
06:55Let's go.
07:39I don't know how I'm going to pay for a coffin.
07:42I've lost my job.
07:43Funerals are expensive.
07:45I don't want a cheap coffin.
07:51Are you ready, Mr. Delvin?
07:58It's not working.
08:02I'm so sorry about that, Mr. Delvin.
08:06You think that they test her?
08:08Don't they care enough to test her and this bloody music?
08:23Mr. Delvin?
08:24Mr. Delvin, is this your daughter, Catherine?
08:30Yes.
08:53Let me talk to him.
09:06Is there anyone, anyone you could think of who would want to do this to Katie?
09:09Not to Katie, to me.
09:11They'd want to hurt me.
09:13Because of the campaign.
09:14Move to motorway?
09:16That motorway has got nothing to do with jobs and infrastructure.
09:21It's about buying up land.
09:23And you'll never find out who's buying it.
09:26I got phone calls.
09:29Threats.
09:31What sort of threats?
09:33Watch your back.
09:34We'll break your legs.
09:35I told them to send our best lads, because I would be ready.
09:43Him?
09:43Same voice every time.
09:46A few weeks ago, Katie picked the phone up.
09:50I thought she was talking to Simone, her teacher.
09:52But then she came in and she said, it's for you.
09:55And after she went out to practice, I took the phone and he said that this man,
09:59the same man, the same voice,
10:04That's a lovely little girl you've got there, Jonathan.
10:07Talented, too.
10:10Be a shame if anything happened to her.
10:12A few weeks.
10:15You didn't report it.
10:19I thought, now I'm really getting to them.
10:22They're getting desperate now.
10:24I was pleased about it.
10:26Happy.
10:29God forgive me, I felt like a king.
10:31I thought.
10:31How can I leave?
10:32No.
10:46I thought, did you roll this?
10:47Yeah.
10:49What do you mean?
10:50It was a big deal.
10:51I thought, like, if you've already met me.
10:52I think I see a king.
10:56It was a big deal.
10:56We're probably going to get a king.
10:58I think I don't have to die.
10:59I think we were going to be another killer.
11:00I think I don't want to.
11:06Mr. Devlin, I want you to know that we're going to do everything
11:09to find the person that did this to Katie, to your family.
11:12We're going to find them.
11:20You want to tell me what that was about?
11:22I want to show you something.
11:49Go higher.
11:51I'm trying, I'm trying.
11:53Come on, Adam.
11:56Come on, Adam.
11:57Higher, come on.
12:28That was our swing.
12:31Peter's dad, Joe, put it up for us.
12:35On the 10th anniversary of his son's disappearance, he hanged himself from it.
12:43After that, Peter's family moved away to Glasgow.
12:47Jamie's mom, Alicia Rowan, still lives in the same house.
12:50She's going to need protecting.
12:53Well, pass it on to whoever takes over from us.
12:55We're not passing on this.
12:56We have to do it.
12:57Rob, we agreed.
12:59I wanted Jonathan Devlin to look right into my face to see if he recognized me.
13:06He doesn't.
13:07But then again, I didn't recognize him either.
13:10Not his face.
13:11Not his name.
13:12You know him.
13:12Him and his mates.
13:15We call them hairball, headbanger, and the other one.
13:18Wannabe bikers without a bike and money for petrol.
13:22Jonathan Devlin's initial interview had taken two days after the disappearance.
13:34Shit.
13:37Shit.
13:39What do you reckon any detective working Katie Devlin's murder is going to do, handed a lead like this?
13:45Find Adam Riley.
13:48Find Adam Riley and his family.
13:51Initial interview, there's others.
13:53There's boxes and boxes of evidence.
13:55Months worth, years.
13:56So I'd have thought so.
13:57Somewhere in there, they interview again, because I would.
13:59I'd be pushing on his alibi.
14:00Who worked it originally?
14:03Emmett and McCabe.
14:04Emmett had a massive heart attack in 97.
14:06Dead before he hit the ground.
14:08McCabe died of pancreatic cancer in 2003.
14:11Yeah, we just saw our futures.
14:15I failed to disclose, Cassie.
14:16Of course I did.
14:17I'd never been able to work murder if they knew who I was.
14:20You failed to disclose, of course you did.
14:22You're my friend.
14:24But do you think anyone is going to believe you didn't know about me?
14:28No.
14:32I shouldn't have told you.
14:33I compromised you.
14:35It's not like we planned this.
14:38You know things about me no one else knows.
14:41Not even some.
14:45We stay on this.
14:47We can control it.
14:49Hide in plain sight.
14:50You could be recognised.
14:52Who's going to make the association between skinny little Irish Adam and English Rob?
14:58And my surname, what Christ, throw a stick in it, O'Reilly.
15:01There's two in fraud.
15:02You shouldn't be doing this.
15:04Why not?
15:05Because it's about you.
15:16I remember every inch of that estate and every inch of these woods.
15:20But this rant here is where it stops.
15:25I don't remember.
15:27From chasing my friends to being found, there's nothing.
15:30It's ten hours, approximately, and nothing's like running into a fist.
15:34I've had psychiatrists and therapists and hypnosis for fuck's sake and nothing.
15:43If what happened to us and Katie's murder, they're connected.
15:51Who do you want to bring this in, Cass?
15:54Someone else, or do you want it to be us?
16:22Someone else, or do you want it to be us?
16:43Shain!
16:44Shain!
16:49Keep up.
16:50I'm not your mommy waiting on you.
16:51Move.
17:55I mean, as long as I get me money, I can go.
17:59Leave you in peace.
18:00I'm done.
18:01I had to let the ballet school know.
18:03All the grants, you know, the boards of all the grants.
18:07It's tragic.
18:10The poor child.
18:11I had to give the police the names and addresses of everyone who works here.
18:14They'll want to talk to you.
18:15Ask if there's been anyone hanging around looking at the girls.
18:19That's what they asked me.
18:24Miss Cameron?
18:27How long are you going to stay short?
18:29A week.
18:31At least.
18:33You won't need to come in.
18:34You'll still be paid as usual.
18:35Come on.
18:58Footage taken from the Devlin's neighbors.
19:00Somebody kept stealing the saints and angels in their gardens,
19:03so they put in basic CCTV.
19:06Counting backwards from the discovery of her body, this is 12am.
19:09She's not carrying a bard, so she wasn't running away.
19:12Likely who it is, she was going to meet someone,
19:14then expecting to come home again.
19:17That door-to-door is questioned about unfamiliar vehicles.
19:19Any link between this and the three kids in 85, even a vague one?
19:22There is.
19:23Jonathan Devlin, Cahill Mills and Shane Waters, all 18 years old,
19:26are questioned about the disappearance.
19:27Now, fair enough, all males aged 15 and over are questioned,
19:30and Devlin, Mills and Waters have an alibi.
19:32They went into town to see a film, Porky's Revenge.
19:35The cinema was rammed.
19:36None of the ushers able to identify them as being there,
19:38but they are seen by a 14-year-old knocknery girl
19:41also in the cinema with her family to see Police Academy 2.
19:44This 14-year-old girl goes to the foyer to get popcorn
19:47and sees Devlin, Mills and Waters in the corridor.
19:51She's the only witness who can say they were there that night.
19:54Her name is Margaret Byrne.
19:56Three years later, Margaret Byrne gets married to Jonathan Devlin.
20:01Shit.
20:03Were they interviewed under caution?
20:05I don't know yet, sir. I'm working my way through it all.
20:07Nah, Quigley can do that.
20:08As long as he's in the basement, I don't have to look at him.
20:10Quigley?
20:11Well, you're not going to have the time,
20:12unless you leave Maddox to do all the heavy lifting
20:15and Quigley's capable of reading transcripts.
20:17God almighty, you have me defending the bollocks.
20:24Who the feck are you?
20:26And why don't you knock?
20:28O'Neill, sir, from General.
20:29O'Neill was seconded to Revenue Customers for six months last year
20:32and we want him to work on Devlin's allegations of land fraud.
20:36Me?
20:37Well, that's very nice for you.
20:39I'll egg up the murderer from the howling abyss of General.
20:42Welcome to Operation Vestal.
20:44Do your job, we'll get on fine.
20:46Dick about.
20:47I will shred your testicles.
20:49Understood.
20:50Vestal.
20:51Isn't Vestal Virgin?
20:53Is this a joke?
20:54If she'd been raped,
20:55it would be called something different
20:56because she wasn't a virgin.
20:57Did some middle-aged man come up with this name by any chance?
21:00Listen, you.
21:01I've got to put my face in front of the camera
21:02and deal with this he-rises bullshit
21:04and I do not need lectures on feckin' patriarchy.
21:07So good luck to you,
21:09the feminist and the English man,
21:11you poor bollocks.
21:13Quickly!
21:14Vestal though, Jesus.
21:16So, uh, thanks for this.
21:19Gives me a break from arsonists and scrotes.
21:21It was Rob's idea.
21:23I appreciate it.
21:26And I'm back on the team,
21:28I bet I guess.
21:30Ha, ha, ha.
21:36Jock!чно!
21:57Good luck.
21:58Pretty good.
22:00And I'll
22:20You're going to get all the boys in a few years, Jamie.
22:24What do you reckon, Gahal?
22:40Melissa, it's Gahal.
22:41Just tell them I've had to fly to Berlin for a meeting.
22:44And there's some druggy asshole being hassling people outside the office.
22:47Road around his jacket with the orange plastic.
22:50Get security to deal with him, but don't call the fucking guardie, okay?
22:54I want him got rid of.
22:56Text you when I've landed.
23:13Text you when I've landed.
23:35And he was late 30s?
23:37Or early 40s.
23:38I'm not brilliant at telling people's ages.
23:40And it's hard because mainly I remember the tracksuit.
23:43Blue.
23:44Like, uh, French blue.
23:47French blue?
23:48That's specific.
23:49Well, I had a Saturday job in the DOI store years back.
23:52Mixing paint.
23:53That's how I know.
23:55Very popular with the middle classes for their hallways.
23:57French blue.
23:58And you're the only person on the dig who saw this man?
24:01Well, I do the tours.
24:02Show people around the finds.
24:04Tell them what's going on.
24:05And that's your job, giving people tours of the dig?
24:08I like talking to people.
24:09Yeah.
24:10I don't mind answering the same questions.
24:12The others get bored, but I don't.
24:14Did you know Jonathan Devlin?
24:16Of course.
24:17Because of the campaign.
24:18And he came to look around the dig.
24:20About his family.
24:21Well, his daughters.
24:23So you knew them too?
24:24Well, only by sight.
24:25Didn't talk to him.
24:27He's quite, um, protective.
24:29You can't blame him.
24:30A load of students and him with his daughters.
24:32The one that's got the learning difficulties.
24:35She got sick on herself and started crying.
24:37And her sisters took her away.
24:39And Mr. Devlin stayed.
24:41And this man with his French blue tracksuit, he was on one of the tours?
24:44No, no, no.
24:45He was in the woods.
24:46Doing what?
24:46Just looking.
24:48Not to dig.
24:50I called him to say he could come join the tour if he wanted, and he went away.
24:54The other students and archaeologists were at a house party the night Katie was killed, but you weren't.
24:58I was at home with my mum.
25:00She's got MS.
25:01I look after her.
25:03She's got people going in during the day, but she needs me there at night.
25:08We'll get someone in here to work with you on getting a better image.
25:10Yeah, what about my mum?
25:12She gets upset if I'm late.
25:13I'll drive you home after it, Damien.
25:15It's no bother.
25:16That's grand.
25:18Him, I'll just go to the toilet.
25:20I'm bursting from all the tea.
25:26Is this helpful?
25:29It's a definite lead.
25:31I'm glad.
25:32Because you know, when we saw her on the altars, I'm glad I'm able to help.
25:41It's Phelan, isn't it?
25:43Yes, Detective Phelan.
25:47When you take him home, go into the house and check what he says about his mum, and be discreet.
25:52Say he's been a good citizen and thanks very much, that sort of thing.
25:54And talk to the staff at the ballet school.
25:57No problem, Detective, yeah, I'll report back.
26:02He's got a man crush on you.
26:04Well, someone needs to have a crush on me.
26:07I'll belt up, you do just fine.
26:09I'll belt up, you do just fine.
26:12I'll belt up, you do just fine.
26:13I'll belt up, you do just fine.
26:14I'll belt up, you do just fine.
26:20I'll belt up, you do just fine.
26:29I'll belt up, you do just fine.
26:35I'll belt up, you do just fine.
26:38What?
26:55Hi.
26:56Hi.
26:57Right back up at me.
27:06You look so surprised when I said it was Rob's idea to get you in.
27:09I never know quite how to take him.
27:11Well, now you learn.
27:13I don't hang around with twats, you know.
27:15It's one of them good ones.
27:17Are you sure to sit in too close for you?
27:18Maybe in an investigation?
27:20If I said it wise, you wouldn't do it.
27:24This is your chance to get into murder.
27:26So I'm really happy you're doing it.
27:29Really.
27:30And I know you're not some arsehole who goes around bragging about his girlfriend.
27:34That's why I went with you.
27:36That's one hell of a compliment.
27:38You're not an arsehole.
27:40I'm gonna get that in the badge.
27:43You know what code Katie had on her mobile?
27:46It was her twin sister's name, Jess.
27:51J-E-5-5.
27:53I don't think she gets it at all, you know.
27:55Jessica.
27:57She says the word dead, but...
27:59I don't think she gets us.
28:02See you tomorrow.
28:04Make us more compliments.
28:07I can't believe it.
28:09Door closed.
28:13Going down.
28:27You know there's a jacks at one flight of stairs, don't you?
28:30I'm not that much of an animal.
28:31I'm gonna shit in the corner of the room.
28:33I'll spread my fingers so I don't get barbecue sauce or anything.
28:37You know McCabe that got the cancer?
28:40He worked on this until he was practically dead.
28:42There's a whole box of papers, diaries, whatever.
28:46All handwritten.
28:48Must have asked his family to bring it in.
28:49Don't think anyone's ever been through it.
28:51You'll be careful with all of this.
28:53There's a lot of lives here.
28:55Riley, before I fucked up I was actually pretty good at this, you know.
28:57Or do you think I bribed my way through my exams?
29:00Made detective by giving handjobs?
29:03Just let me know when you've got something.
29:05No, I'll keep it to myself, won't I?
29:10Riley, you said jacks.
29:14Normally you say the loo.
29:17I'm like an Irishman, have you yet?
29:54Get some strong wrists and...
30:06You can't be scared of the pain, Katie.
30:08The pain is what makes it beautiful.
30:10And hold it.
30:12And hold it.
30:26And hold on, please.
30:43If there's anything the people out there want us to know, you don't have to give your name.
30:47and you don't have to speak to him.
30:49What about the graffiti?
30:51He rises.
30:52You can't be sure that there isn't some sinister,
30:55satanic aspect to this case?
30:57Daddy, that's yourself.
30:59That graffiti could be correct.
31:00See?
31:01Wanking themselves into a frenzy.
31:04Satanic me hole.
31:05All right.
31:06So, talk to me.
31:08Three lines of investigation.
31:09Devlin's moved the motorway campaign.
31:11It was gaining a lot of traction,
31:12causing problems from Alan Davis.
31:14Is that enough to get Katie killed?
31:16Possibly.
31:17Tracksuit man.
31:18French blue tracksuit man.
31:20Is he in the woods because this is the place
31:22where he plans to leave Katie's body?
31:23Or is he scoping out the dig
31:25because he's involved with Alan Davis?
31:26We've shown Demi and Donnelly images
31:28of known offenders in the same age range and physical type.
31:31He wasn't able to make a positive ID.
31:33We're monitoring chat and conversation on child porn sites.
31:36Jesus Christ.
31:37But Katie wasn't groomed.
31:38She had no social media.
31:40And Jonathan Devlin has a computer.
31:41We checked it.
31:42Nothing.
31:42We checked Simone Cameron's.
31:44Nothing apart from a ballet school message board.
31:46Katie had a mobile.
31:48Simone Cameron got it for her
31:49so she and Katie could talk when Katie went to England.
31:51The mobile was kept in the dance school
31:53with Katie's passport.
31:57Rosalind Devlin is 18 but doesn't have her own phone.
32:00Jonathan has one.
32:01He uses that and the landline for the campaign.
32:04Daddy controls the communication.
32:06You think family's the strongest line?
32:08Family and friends.
32:10Which brings us all the way back again
32:11to Nocnery, 85.
32:14Jonathan, Cahill, Shane and Margaret.
32:17Could be a coincidence.
32:19Shitty luck, but...
32:21Yeah.
32:23It's a big bug.
32:26So, it begins.
32:39The murder gods.
32:41May they reveal their fucking secrets.
32:49Sandra Scully?
32:59So, you knew Katie then?
33:02I wouldn't put it like that,
33:04but I seen her practising.
33:07She was a polite little thing.
33:09Please and thank you.
33:13Not like some.
33:15Had anything changed for her recently?
33:17Did you notice something different about her?
33:18She was just practising harder.
33:21Every hour for that school in England she got into.
33:23Yeah.
33:26It's a terrible, shocking thing.
33:29Did you ever see anybody hanging around?
33:31Perverts, you mean?
33:33Kitty Fiddler spying on the girls?
33:36No.
33:38If there had been,
33:39the girls' daddies would have ripped them to shreds.
33:42Yeah.
33:45Okay.
33:46What about the rest of Katie's family,
33:48then her parents,
33:50Margaret and Jonathan?
33:51Did you know them, or...?
33:55No?
33:56Lonely to see, but otherwise, no.
33:59Never spoke in a word to her mum or her daddy.
34:05Can I just check the spelling of your surname, actually?
34:07It's Scully.
34:08Is that with an ear without?
34:08S-C-U-L-L-E-Y.
34:14Sandra Scully, with an E.
34:16With an E.
34:18Thank you for that.
34:20Thank you for your time.
34:22I'll just let myself in.
34:48Do you know what I think about Damien Donnelly,
34:50the man in the French blue tracksuit?
34:51Not bullshit.
34:52He likes talking to people,
34:53being important.
34:54It's a sense of attention.
34:55Yep.
34:56A bit of excitement after caring for his mummy all his life.
34:59Poor guy.
35:00Fuck him.
35:00He got snacks in the lift home.
35:02He had a lovely time.
35:03Bet you 50 he changed his mind
35:04and never saw anyone in two weeks.
35:06Three.
35:08All right.
35:23What were they like?
35:25Peter and Jamie?
35:27They were great.
35:28Great kids.
35:29Funny.
35:31Did you hang around with Jonathan and his mates back then?
35:34It's a bit of an age difference.
35:36No, sometimes they'd give us cider and cigarettes,
35:39laugh and we'd cop.
35:40Hairball Jonathan had a girlfriend.
35:43I can't remember her name,
35:45but she used to put makeup on Jamie,
35:46treat her like a doll.
35:48Mostly we were just spying them.
35:50Spying them, doing what?
35:52Getting pissed, getting stoned,
35:53trying to get laid, the usual.
35:56We thought it was hilarious.
35:58And this was all in the woods?
36:00It's all in the woods.
36:04Do they have a problem with you three?
36:09I don't know, Cass.
36:10Not that I can remember.
36:14I'm going home.
36:16You want to live?
36:17I'll decide it's hard for you.
36:19We'll get a cab.
36:20The girlfriend wasn't Margaret's, was it?
36:22When she was 14,
36:24Jonathan would have had his cock and balls
36:25torn off by her family.
36:27Maybe she kept it a secret.
36:30Maybe he didn't care how old she was.
36:32The old bird,
36:33the mobility scooter.
36:35Mrs Fitzgerald, she'll know.
36:37We'll pop it in her then.
36:39In the morning.
36:42Go home, Rob.
36:43Yeah, I'm going.
37:08What do you think?
37:11I think I look gorgeous.
37:14Her most girlfriend did on me.
37:17You look stupid.
37:19What would you know?
37:25Adam thinks I look gorgeous,
37:26don't you?
37:27I've got poor',
37:27I feel òve in the way.
37:36I mean,
37:36It seems very enrich me.
37:44Within two years,
37:47I'm just playing.
37:49I think,
37:49I feel like I'm just a man.
37:52I feel like you leave the shows.
38:06You should have brought her off!
38:08You should have put your hand!
38:11Turn it down!
38:13Turn it down!
38:16Turn it down!
38:18Turn it fucking down!
38:20Jesus Christ, what is wrong with you?
38:22You stung! Fucking lump!
38:24Give me the fucking...
38:26You!
38:28You!
38:28Fuck!
38:29You!
38:30You!
38:31You!
38:33More as flamboyant, if you like, as media or...
38:36Yeah, well, I generally find that it was either...
38:40You know, football, Man United and that type of thing.
38:43I would like to have been a goalkeeper.
38:45Genuinely, for...
38:46Yeah, for...
38:47On the way.
38:48Like, not the foreign codes.
38:51Do you know what I mean?
38:52Patrick, would you love to have been your footballer?
38:53Like a goalkeeper for me?
38:55Yeah, I would have, yeah.
38:56Would have been more breaks than...
38:58Go and watch telly.
38:59And...
39:00I've done a lot of shows.
39:01Some of them...
39:02A lot of them rubbish.
39:03Some of them, quite good.
39:05Some of them...
39:06You know...
39:06Great.
39:07What?
39:08Is it...
39:23Twins?
39:26You know...
39:28You know...
39:28Is it...
39:30I'm a man who's a man...
39:30I'm a man who's a man who likes...
39:31I'm a man who likes...
39:31Oh, he's a man!
39:36I swear, he's gonna lie!
39:36That's what I'm trying to keep him...
39:36You're a man!
39:37That's what I'm trying to do!
40:01I don't know what to do, but I don't know what to do.
40:11You're working on that poor girl.
40:16Bet it's some filthy sexual pervert.
40:23Makes you ideal.
40:27Set a thief to catch thief.
40:30Do you think I'm a pervert, Heather?
40:35I think you're an arsehole.
40:41I don't even like you.
40:43Good.
40:45Never thought I'd like that.
41:32I just didn't like you.
41:39You fucking bastard, Frankie.
41:43Gun, please.
42:08You haven't got much in.
42:10Do you know who I thought you were?
42:12Someone sent by that plastic gangster, Johnston.
42:15Yeah, I know.
42:17Which begs the question,
42:19why did you sit with your back to the connecting door on the train?
42:23Could have throttled you for that, Cassandra.
42:28What do you eat this filth? It tastes like...
42:30It tastes like grass and hairspray.
42:32Feel free to put it back.
42:35No, I'm getting used to it, actually.
42:38What do you want?
42:40It's a friendly reminder not to reactivate your old identity.
42:45And a warning that reactivating your old identity
42:48brings a storm of shit down on top of you
42:50that not even I can protect you from.
42:53Frank, I haven't been Lexi since this happened.
42:56And I nearly died, remember?
42:58Yeah, but you didn't.
43:00And being stabbed doesn't make you special.
43:02Everyone's been stabbed.
43:03I mean, I nearly got gilded.
43:06I have a hole in my thigh you could put your thumb in.
43:08Do you want to see?
43:09I've seen it.
43:10And it wasn't that much of a treat.
43:16Did you know I kept an alert on the name Alexandra Mangan?
43:18No, of course you didn't, but I did.
43:21And Alexandra Mangan applied for her birth certificate.
43:25And you think that was me?
43:28Why would I want Lexi's birth certificate?
43:30You can't get a passport without a birth cert.
43:32And you can't get credit cards or borrow money without a passport.
43:35Why would I do something so dumb?
43:37Well, how'd you buy this place?
43:38No one else can afford to buy.
43:40Your partner rents a room in some cardboard piece of shit apartment block
43:43and your boyfriend rents in a part of town even I don't want to live in.
43:47And yet you own this flat.
43:49You own it outright.
43:50Black rock, nice and posh.
43:52My aunt died.
43:54She left me her house.
43:56I sold it and bought this.
43:59Oh, Cass.
44:00That's tough.
44:01I'm sorry to hear it.
44:03Yeah, Frank, you know, the only family member I had and she was good to me brought me up
44:06so it's been pretty hard, but just got to keep going, eh?
44:09Well, if it wasn't you, who was it then?
44:11How should I know?
44:13It could have been anyone I had contact with when I was pretending to be someone else.
44:16For you.
44:20Of course, the other reason undercovers activate old identities is they want to come back.
44:25Well, I don't.
44:27I'm happy where I am.
44:30I didn't try and get Lexi's birth certificate and I'd like you to go now.
44:34I need to sleep.
44:41But whatever you were planning, whatever you were thinking of doing,
44:45don't.
44:46For my sake.
44:54No more Lexi, okay? You've been warned.
44:56You need to time for her, Cass.
44:59And no one to cover wants to go to prison.
45:02Bad things happened here.
45:38At some price.
45:44At some point you need that scene.
45:46Alright, remember?
46:04I'm sorry for waking you up.
46:07I'm glad you did, Rosalind.
46:09How did you get here?
46:10There's a night bus.
46:13And how can I help you?
46:22Are you sure you wouldn't like to talk to my partner?
46:25She looks at my clothes.
46:27There's nothing I can do about my clothes.
46:30She doesn't have to keep looking at them.
46:35This is going to sound strange, but I have to ask.
46:41Because I don't know.
46:44No one's saying anything.
46:46Was Katie...
46:49Did a man...
46:50Had she been raped?
46:52No, no, no.
46:57Why should that matter to me so much?
47:00Why?
47:01The worst thing that could have happened has happened, but I...
47:06I just couldn't stop thinking if she'd had to go through.
47:12Do you promise?
47:14You're not just saying that to make me feel better.
47:17You promise?
47:18I promise there was absolutely no sign of any sexual assault.
47:25I'm sorry.
47:27I'm really sorry for making you promise.
47:30Don't be sorry.
47:32That's what we're here for.
47:35I have to get home before anyone wakes up.
47:38The guard can drive you.
47:41Could she drop me in the next street?
47:43I don't want anyone to know where I've been,
47:45and then if someone is awake, I can just say I went for a walk.
47:49She can drop you wherever you want.
47:55Detective Riley...
47:57Will you promise me something else?
47:59Well, if I can.
48:03Katie...
48:04was a person.
48:06You'll always think of her as a person, won't you?
48:09Not a body who had things done to her,
48:11but a person with a life.
48:14I promise.
48:17Stay in touch, Rosalind.
48:18I'll try.
48:26Come!
48:27Come!
49:06You don't mind that I didn't call?
49:08No, I want Rosalind to talk to us.
49:11If she trusts you, then great.
49:18Visitors!
49:19And I just made scones, too.
49:27How do you think Margaret's doing?
49:29Oh, have the big scone, young man, and plenty of butter.
49:32You want feeding, you do.
49:35Mrs Devlin's doing as you'd expect, I'm afraid.
49:38I remember when she was born.
49:41You'd never have looked at that child and think she'd turn out
49:45the way she did with her nerves and all the pills.
49:48She came from good people.
49:50The bones?
49:51Marrying into that family was certainly the making of young Jonathan
49:55because he was a wild one.
49:56How do you mean wild, Mrs Fitzgerald?
49:58Oh, keeping bad company.
50:00And what sort of company?
50:01Friends?
50:02Oh, the lads were fine.
50:03They were just being young men.
50:06It was the girl he was with.
50:08A wee whore like her mammy before her.
50:12Going around in a dress so short you could see what she had
50:14for breakfast, lunch and tea.
50:16Time was the Magdalens would have taken a one like Sandra Scully
50:19and straightened out her nonsense.
50:21There's a lot to be said for the old ways.
50:24Sandra Scully, what happened to her?
50:27I mean, if she was in love with Jonathan,
50:30then it must have been awful when he married someone else.
50:32Love had nothing to do with it.
50:34She made the trip to England.
50:37You know?
50:38Got rid of it.
50:40But of course her mammy and daddy would never let Margaret
50:43do something like that.
50:44So up the aisle she went with little Rosalind already there.
50:50Oh, you mean...
50:51Oh, she had a good dress so nobody could see the bump.
50:54Margaret's daddy gets Jonathan a job,
50:56helps them out with a house,
50:58and there's that beautiful baby Rosalind.
51:01But Margaret gets the nerves.
51:04And by the time the twins come along,
51:06it's poor Rosalind doing everything,
51:08even as a child taking on all the duties of the mother.
51:13But there's no denying young Rosalind has no life of her own.
51:18Doing everything for that poor fetch, Jessica.
51:23A fetch?
51:25A twin.
51:27Who isn't a twin?
51:29One comes from God.
51:31The other comes from someplace else.
51:33With a curse.
51:37The fetch.
51:45The other comes from God.
52:20Help me, please.
52:59Those scones are like bricks, what are you going to do with them?
53:01Take them up to the roof, fire them at the seagulls and kill a few for fun.
53:06Psycho.
53:06Hm.
53:07You got twitchy when she started going on about the fetch.
53:10Yeah, because it's superstitious time-wasting nonsense.
53:15I was just putting these reports out for your detectives.
53:18Very thorough.
53:19I like it.
53:21Mrs. Donnelly is very much better with me.
53:23Really sweet lady.
53:24It's so sad.
53:25It's a great feeling.
53:26Yeah.
53:26These are for you.
53:28Yeah?
53:29Right, thanks.
53:30Oh, and I've got all the Gardie statements from the ballet school teachers and other parents
53:35whose daughters went to the school.
53:36And the cleaner, Sandra's coming.
53:38If you need me, just text me.
53:39I'll put my number on the report.
53:41Thanks for the scones.
53:45Sandra Scully, Jonathan's old girlfriend, works at the ballet school.
53:48She's the one here putting makeup on Jamie, right?
53:51Yeah.
53:52Yeah, that was her.
53:54Rob, she lied.
53:57Said she doesn't know Jonathan and Rivers.
54:03Why would she lie?
54:12You're going to get all the boys in a few years, Jamie.
54:14Amy.
54:15Pete.
54:20Sam?
54:21Amy.
54:22Oh.
54:24Like.
54:28Oh.
54:29Oh.
54:30Oh.
54:32Colleen?
54:36Jess?
54:36Max?
54:36They say...
54:37Noah.
54:41Okay.
54:43Mallory.
54:45Miss Scully, did Jonathan Devlin get you pregnant?
54:48What did they say?
54:49They asked about the three kids.
54:51Those children were taken as a tithe, as a reckoning to settle an account.
54:55You're never going to find them.
54:57How much longer?
54:59When are you going to be out of my way?
55:00It takes as long as it takes.
55:02Get up and get dressed.
55:03Frank?
55:06Cassie, don't.
55:09You stole my daughter.
55:11I don't want to...
55:11It's every right to be here!
55:13Don't, don't, don't!
55:15Earth to earth, ashes to ashes...
55:17Jesus, she's going to come right at you.
55:19You should be looking for Adam.
55:22Ask Adam what he did in the woods.
55:51What do you not believe in a mountainous...
55:55I don't believe in a mountainous...
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