- 32 minutes ago
Peaky Blinders - Series 1- Episode 1_2 Crime Drama
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00:00He's a chief inspector.
00:02Or I reckon it's communist he's after.
00:04So this copper's going to leave us alone, right?
00:07What the fuck?
00:10I want you to see this is me introducing myself to you.
00:14He said Mr. Churchill sent him to Birmingham.
00:17Something about a robbery.
00:19Thomas, you're a bookmaker.
00:21You're not a fool.
00:22You sell those guns to anyone who has used to them.
00:24You will hang.
00:25I'm just a poor communist frog with a big mouth.
00:28I'm with you because you're the only man around here not scared of them.
00:32The only difference between you and me, Freddy,
00:34is that sometimes my horses stand a chance of winning.
00:38Tommy!
00:40You're fixing rice, isn't it?
00:42I'm here about the job as a barmaid.
00:47Are you in possession?
00:49I am, sir.
00:58I am.
01:00I am.
01:12I am.
01:25Take a little walk to the belch of town
01:29And go across the track
01:33Where the viaduct looms
01:36Like a bird of doom
01:37As a ship and crap
01:40Where secrets align
01:47I thought you said we were going to the fair
01:51I'm going to have business first
01:53Come on, bring your wits
01:55What business?
01:56That's the Lee family
01:59Homie!
02:00Johnny dogs
02:01Homie, how the hell are you?
02:03All the better for getting the city smoke out of me lungs
02:05I thought you became a bit too grand for us
02:08I've been busy
02:09I'm riding with the Lee family now
02:12Oh, yes
02:13My self would rather live among pigs
02:15Come on, Tommy
02:16No disputing
02:18So your first fair since France?
02:20What do you know about France?
02:22You warshire gypsy bastard
02:25So this is the horse?
02:27And that's the car
02:43Hang on a minute
02:45You're not swapping the family car for a bloody horse
02:48Of course we're not swapping it
02:50Huh?
02:51That'd be mad
02:52We're going to play two up
02:54We're going to play two up
02:54We're going to play two up
03:22Surely I'd let him have a spin in the car if he lost
03:25All right
03:31You Lee boys are laughing at my brother
03:36Are you?
03:38Hey
03:39Tell me
03:40Tell me
03:40Tell me
03:40I asked you a question
03:42Tell me, come on
03:43It's just a crack
03:44Get your family out of here
03:45Go and injure yourselves at the fair
03:47Before they start a war
03:48Huh?
03:49Do you know what you are?
03:51Won't you see sheeple
03:51She got the lingo
03:52Papa she slink
03:53Won't you let your aroma
03:55Or let your aroma
03:57Yeah, but his mouth was a diddy quay whore
03:59Hello good
04:00I'm the Ngain
04:00Do you know what you are?
05:26We will take them before last night's beer.
05:29It turns to pests and wakes the devils up.
05:33We will leave no stone unturned.
05:35Every gun, every bullet will be brought to me for inspection.
05:40Now, take your positions.
06:11Get off me!
06:12Get off me!
06:13Get off me!
06:14Get off me!
06:15Get off me!
06:15Get off me!
06:17Freddie.
06:21Hi.
06:22Hi.
06:23Hi.
06:27Are you sure your brothers are at the fair?
06:28If it was them, they wouldn't knock.
06:30Mr. Thorne!
06:32What is it?
06:34The plane surrounding up the communists.
06:36What?
06:37Come on, Ada.
06:38If the cops find me, we're screwed.
06:40Fuck you.
06:41This is all.
06:41No, no, no, no!
06:42Open the door!
06:44Ada!
06:52locked in, enter!
06:53Students!
06:54なんだ!
06:54No!
06:56Stop!
07:03Get off!
07:04Get off!
07:04Get off!
07:05Get off!
07:09Get off!
07:12Get off!
07:15Look at this. A prescription for iron tablets for Ida fucking Shelby.
07:24Mrs. Donovan! I need that favour.
07:27Come in and be quick.
07:28I'm not coming in. She is.
07:29Holy Jesus, it's the Shelby girl.
07:31You've not seen her with me, okay, Mrs. Donovan?
07:33Just give her a cup of tea and let her stand till the police are gone.
07:35She's the sister of those Peaky Blinder devils.
07:37And yet, she's an angel. Come on, Ida.
07:41What are you going to do, Freddie?
07:43Nay, I'm going to have to leave town for a bit.
08:03A gentleman will take off his hat.
08:07Put out his pipe.
08:17So you specials only dare come here
08:19when you know the boys all the way at the fair?
08:22You mean your nephews?
08:24Their guns and their razors?
08:26Is it them you're lighting candles for?
08:29No.
08:31I'm lighting candles for the boys from the garrison
08:34who lost their lives in France.
08:37There's a list there.
08:40Look.
08:47Here you didn't make it to France, Inspector Campbell.
08:54You've heard of me.
08:57I've heard of you.
09:02Is it the Holy Grail you're looking for?
09:04As a matter of fact,
09:07it is the Holy Grail I'm looking for.
09:10Something precious, something stolen.
09:13Perhaps you know what I'm talking about.
09:18Sorry.
09:19Misunderstood your intention when you pushed me against the wall.
09:35Turn the place upside down.
09:40Arthur Shelby said you people would help us.
09:43We don't know what you've lost.
09:44How can we help you find it?
09:45But I have found it subsequently that I was speaking to the wrong man.
09:48Next time.
09:50I want to talk to the boss.
09:52I want to talk to the boss.
09:53Licky tea rooms.
09:54Friday.
09:55Ten o'clock.
09:57And when I say the boss, I mean Thomas.
10:04Go on.
10:32I've been going on here.
10:37Jesus Christ.
10:39The coppers told everyone Arthur had agreed to it when he was arrested.
10:42They said the Peaky Blinders had cleared out to the fair to let them do it.
10:46No one never said nothing to that copper about smashing up bloody asses.
10:50All right, which pulls do they do?
10:52The guns, the chain, the marquis, all the ones that pay you to protect them.
10:57The only one they didn't touch was the garrison.
11:01Make sure people think we were in on it.
11:04Smartest copper.
11:07So go on. Drink your beers. Get out.
11:10You better show people you're still the cocks of the walk.
11:13And now some cash to the landlords of the pubs.
11:15Pay some veterans to fix the places up.
11:17Oi, Nipper. Give us the bag.
11:19So what about you, Tommy?
11:21I have to go to Charlie's to stable the horse.
11:24She looked for a sword in the box.
11:29Let them see your faces.
11:40So we both know what they were looking for?
11:48You don't read the papers.
11:50Rising papers?
11:52So let me tell you the odds.
11:54I reckon it's three to one there'll be a revolution.
11:57I wouldn't bet on that.
11:59That copper's betting on it.
12:01He's not gonna let it rest till he gets those guns back.
12:12Did he talk to you, Paul?
12:15In the church?
12:17Did he try to find our aider?
12:20She was sleeping.
12:25Where was she sleeping, Paul?
12:29I thought you didn't care for women's business.
12:38Who knows you're the boss.
12:39He wants to meet you.
12:47Will you talk to him?
12:48No.
12:51You don't polly when you're on the back foot.
12:56We'll strike a blow back first.
13:14V!
13:15Laz!
13:16What are you doing?
13:16We're having a fire.
13:18We're having a fire.
13:20Two ball for your picture of the king.
13:22What?
13:23Bring it to Watery Lane.
13:25You all soon, lad?
13:26It's good.
13:27You're cooking your interest, mate.
13:30Come on, Phil.
13:31Come on, Phil.
13:32Come on.
13:33Come on, Phil.
13:33Come on, Phil.
13:34Come on, Phil.
13:35Come on.
13:36Harry.
13:38All right, Phil.
13:40All right, Phil.
13:40All right, Phil.
13:40All right.
13:41All right, Phil.
13:41All right, Phil.
13:43All right.
13:44Let's go.
13:45Come on, boys.
13:48Yeah!
13:53Lie to God, you know what you will do.
14:16I'm a reporter with the Birmingham Evening Dispatch.
14:19I had a phone call.
14:22Someone called Thomas Shelby.
14:24Come with me.
14:28Come on, folks.
14:29There's a bit of room.
14:30Tommy.
14:32Be back for us, please, folks.
14:34You're Mr Shelby.
14:35All the way back, please.
14:36I am.
14:40You said I would be protected?
14:42You're protected.
14:44What's going on?
14:46Well, there's some things I want you to write down.
14:50Well, first of all, it's not the people around here who are disloyal to the king.
14:55It's the opposite.
14:57You see, we don't want our beloved king looking down and seeing the things that have been done to us.
15:02So we are taking down his pictures.
15:04But why are you burning them?
15:07We went through hell for our king.
15:10Walked through the flames of war, right all this down.
15:13And now we're being attacked in our own homes.
15:17These new coppers over from Belfast, breaking into our homes and interfering with our women.
15:22We don't think our king would want to see that happening.
15:25So we are lighting fires to raise the alarm.
15:29May I ask you, in what capacity do you speak?
15:32No capacity.
15:34I'm an ordinary man.
15:36I won gallantry medals at the Somme.
15:39I want you to write in your paper what's going on here.
15:43Go on, go.
15:54Come on, man.
15:59There, er...
16:00There's a telephone call for you, sir, on the London line.
16:04There is?
16:05It's almost midnight.
16:07It's...
16:07Mr Winston Churchill, sir.
16:22Yes, sir?
16:23Inspector Campbell, I hear there's been a bonfire in your city.
16:27There was a small fire reported around nine o'clock on Watery Lane.
16:31Certainly nothing to trouble you about, sir.
16:34Ah, but I'm afraid it has troubled me.
16:37Half an hour ago, I received a wire communication from the editor of the Birmingham Evening Dispatch.
16:44It seems one of his reporters was invited to the fire and discovered that they were burning pictures of the
16:50king.
16:51Of the king?
16:53Any newspaper report which may cause embarrassment to his majesty is always referred first and as a matter of routine
17:00to the home office.
17:02I will go down there immediately and arrest those involved.
17:05No, you most certainly will not make arrests.
17:09If there are arrests, there will be trials.
17:11If there are trials, there will be more newspaper reports which will necessarily mention the burning of the king's likeness.
17:19I put you in Birmingham for one very specific reason.
17:24Are you any nearer to finding those stolen guns?
17:28We are making steady progress.
17:30We need results.
17:31Good night, Mr. Campbell.
17:33Sir, could I at least ask?
17:35Does this report name any of those involved?
17:39It names a Mr. Thomas Shelby.
17:42The report mentions he's a war hero.
17:55Good of you to join us.
17:57Where have you been all day?
17:59In bed.
18:01Couldn't sleep.
18:02Then I couldn't wake up.
18:04Then I was cold and then I had to go for a wee.
18:08Then I was with this bear on a boat.
18:11That was just a dream.
18:13I was hungry.
18:15Why are you reading the paper?
18:18Why wouldn't I be?
18:19Well, I've never seen you read the paper.
18:21I've never seen you light fires with them.
18:24The BSA are on strike.
18:26Minors are on strike.
18:28IRA are killing our boys.
18:30Ten a day.
18:35What?
18:37Stand up.
18:38Why?
18:39Just stand up.
18:47Side on.
18:50What are you doing?
18:52Ada.
18:55How late are you?
18:59One week.
19:03Five weeks.
19:05Seven, if you count weekends.
19:07I think it's a lack of iron.
19:09I got some tablets.
19:12But they didn't work.
19:17No.
19:27You can get dressed now, love.
19:30So am I or not?
19:39Keep bloody walking, Ada.
19:40If anybody sees us here, they'll know.
19:42I'm not getting rid of it, Aunt Paul.
19:43Just come home and we'll talk about it.
19:45You get off me or I'll scream at her, I swear.
19:47Yeah, I can't believe that.
19:48Hi, yeah.
19:48You're really sure what's getting here.
19:52All right, if you want to do this on the street, let's do it.
19:54Whose is it?
19:56If I tell you, you'll tell them and they'll cut him to pieces.
20:00Not if he marries you, they won't.
20:04Will he marry you?
20:07I don't know.
20:08I don't know where he is.
20:09Jesus Christ, Ada.
20:10Look, he's gone away, but he said he'd come back.
20:12Yeah, but they all say they'll come back.
20:13He's not like that.
20:14He's a good man.
20:15He promise.
20:18He will come back, Aunt Paul.
20:19I know he will.
20:28Give me down the Spanish saddle, Charlie.
20:31Yes, Tom.
20:31Spanish saddle.
20:33He's a beauty, Tom.
20:34Yeah, yeah.
20:36Beautiful.
20:36Yeah, yeah.
20:42Fine beast you got there, Thomas.
20:46But is he worth falling out with the Lee family over?
21:01Just passing it on.
21:04Declaration of War.
21:06The whole Lee clan.
21:13The guns are now this.
21:17The guns are not spoken of.
21:21Right.
21:25Tommy.
21:27Tommy.
21:30Would you mind how you speak to me?
21:33Forgive me, Uncle.
21:39It's Thomas Shelby against the old bloody world, right?
21:45Right.
21:57Don't be afraid.
22:03Oh, my God.
22:04Hey.
22:04Come on, rip it.
22:13Easy, easy.
22:18Easy, boy.
22:24In France we used to say,
22:26in France we used to say,
22:28it's just a musical band turning up.
22:30It's just trombones and tubers, that's all.
22:33It's just noise.
22:37It's just noise, eh?
22:39It's just noise.
22:41You get used to it.
22:43It's just noise.
22:45Good boy. Good boy.
22:59Some pain though, boy, eh?
23:07I'm so sorry, Mr. Shelby.
23:11I'm Grace, by the way.
23:13I know who you are.
23:16What's his name?
23:18He doesn't have a name.
23:20Poor boy deserves a name.
23:23You have something to say to me.
23:29The other night you gave me to the pub when I was singing.
23:33You said singing wasn't allowed.
23:37I'd like there to be one night a week when they're singing.
23:41I think it would be good for everyone.
23:44Saturday nights.
23:47Harry was too afraid to ask you, so...
23:50But you're not.
23:55I am.
23:58But I love to sing.
24:02You sound like one of those rich girls who comes over from Dublin for the races.
24:07Do you like horses?
24:11How do you fancy earning some extra money?
24:14Doing what?
24:17To get out in a nice dress.
24:20Want to take you to the races?
24:34You've got a couple of changes coming in, John.
24:37Rock 30, down to eight.
24:39Come here, boy.
24:40Come here, boy.
24:41Come here, boy.
24:44Here you go, Finn.
24:45Take that to the twins, yeah.
24:47Down to ten.
24:48That's right.
24:50Bubbles.
24:51OK, Fred, what a good boy.
24:53You ought to push that, mate, because he's going to go even soon.
24:56Good boy.
24:57Change your face, boys.
24:58Good boy.
25:00Good boy.
25:01Good boy.
25:03Good boy.
25:03Good boy.
25:04Good boy.
25:05Sorry, Mr Shelby.
25:06Come on.
25:09Good boy.
25:12Good boy.
25:14Good boy.
25:15Good boy.
25:15Good boy.
25:16Good boy.
25:16Good boy.
25:16Good boy.
25:17Good boy.
25:17Good boy.
25:17Good boy.
25:18Good boy.
25:19Good boy.
25:21Good boy.
25:21Good boy.
25:21Good boy.
25:22Good boy, good boy.
25:23Good boy.
25:23Good boy, good boy.
25:24Good boy.
25:25Good boy.
25:26Good boy, good boy.
25:27How we looking?
25:28Looking good, Jimmy.
25:29Tommy.
25:30Tommy.
25:31They're all here for Monaghan, boy.
25:33That's what I like to hear, Johnny boy.
25:35And Aunt Paul wants to see you.
26:42Tell me the man's name, Ada.
26:46Rudolph Valentino.
27:07Get out.
27:09All of you.
27:10Go on.
27:11Now.
27:16I said, tell me his fucking name.
27:22Freddie fucking Thorne.
27:26Yeah.
27:28Your best mate's in school.
27:30The man who saved your life in France.
27:32So go on.
27:33Go on, cut him.
27:35Cut him up and chuck him in the cut.
27:41I'm a Shelby too, you know.
27:43Put my fucking film back on.
27:45I don't.
27:47I don't.
27:51I'm ready.
27:52Uh.
27:56OK.
28:07OK.
28:18Sir Monaghan boy finally lost.
28:23Third time unlucky.
28:26He took money from all over the city.
28:28Yeah, but you'll pay it back to people around here.
28:31Buy your popularity back.
28:33Already done.
28:35Taught you well.
28:38And you fixed this race without the permission of Billy Kimber.
28:43Obviously didn't teach you well enough.
28:46Rule one, you don't punch above your weight.
28:48Billy Kimber is there for the taking.
28:50Says who?
28:51Says Tom in his parliament of want.
28:53I ran this business for five years.
28:56Yeah, well I was away fighting, remember?
28:58Where I learned some things such as
29:00you strike when your enemy is weak.
29:04And I thought you came here to talk family business.
29:08I'll deal with it.
29:09You're too busy taking over the world.
29:11Polly.
29:13It's about Ada.
29:14I need to know.
29:23Ada wants you to give Freddie this letter.
29:27She wants Freddie to know she's having his baby.
29:29He deserves an opportunity to do the right thing.
29:32I say we give them a chance.
29:40For a woman who's had a hard life with men,
29:42you're still full of romance, eh?
29:46What do you think Freddie sees in our Ada?
29:48It's Freddie's business.
29:49No.
29:50No, I'll tell you what he sees.
29:52He sees machine guns and rifles
29:55and ammunition and some glorious revolution.
29:58What is it you really don't like about Freddie?
30:01She'll have no life with a man on the run.
30:03You can't see that, you can't see much.
30:10Damn them for what they did to you in France.
30:16Tell Ada Freddie went to America.
30:19Oh, Russia.
30:21Polly, you'd do no good for Ada
30:23to bring a baby into the world alone.
30:25Paul, listen.
30:26The truth is, you would have hit me with that thing
30:29if it weren't for the fact that you know I'm right.
30:37I thought I heard someone knocking.
30:40Couldn't get back to sleep.
30:45The longer you leave it,
30:48the worse it gets.
30:57Believe me.
30:59I know.
31:03I was 16.
31:07And I didn't dare tell anyone.
31:10Believe it or come back.
31:12In the end, I did it myself.
31:16I did it to myself.
31:19And I almost died.
31:21And he didn't come back.
31:24They don't.
31:25Why should they?
31:27You know the words.
31:29You're a whore.
31:30Baby's a bastard.
31:32But there's no word for the man who doesn't come back.
31:38One day,
31:40on your wedding day,
31:43you'll have a good man on your arm.
31:46And you'll say,
31:47Polly,
31:48thank you
31:49for common sense.
32:00this woman's in carding.
32:03We'll take the train tomorrow.
32:09Go to the castle afterwards for a treat.
32:11What the other side is the man who lives to be.
33:05I hate George's place because it is I'd say both of our jurisdictions.
33:12Do you want tea?
33:15Inspector, I responded to your invitation because I want us to understand each other.
33:21I'm a businessman.
33:23I want to make my business successful.
33:27And I want my city run peacefully.
33:30Well, if the city is peaceful, business can thrive.
33:35So we run the sea I'm sad.
33:38I think perhaps we could be.
33:47Night.
33:52How can we be on the same side when I see things like this?
33:58My men found this in the bedroom of a known communist.
34:05It has your sister's name on it.
34:09It was obvious you'd been sleeping in us bed.
34:14Are you also in bed with the communists, Mr. Shelby?
34:19I do not share their fantasy.
34:22Unless for my sister.
34:24I've already dealt with the situation.
34:27Freddie Thorne is at the very top of my list.
34:30I'll cross him off.
34:32He won't be returning to the city.
34:35I'll make him part of our deal.
34:39What deal?
34:45You and your specials will leave my businesses alone from now on.
34:49No more raids into our territory.
34:51No more smashing up pubs.
34:53No more lifting my runners.
34:55You will turn a blind eye to all of my gambling operations.
34:57Also, I'm planning an expansion onto the racetracks.
35:03I intend to do business with Billy Kimber.
35:06He runs most of the legal tracks I'm betting outside of London.
35:10He has policemen on his payroll.
35:13I want you to put in a word with the Chief Inspector of Gloucestershire
35:17that his men should leave me alone when I make my move.
35:24Forgive me, I don't seem to have a pen to write down this rather long list of demands.
35:33And what do I get in return?
35:37I have what you're looking for.
35:44I have the guns.
35:48What guns?
35:49When I need to play games.
35:51Wait, wait.
36:0425 Lewis machine guns.
36:0550 carbines.
36:0710,000 rounds of ammunition.
36:09All in a crate bound for Libya.
36:11Stolen from the BSA factory proofing bay.
36:15I'm guessing they sent you to Birmingham to get those guns back.
36:18Well, to me that hasn't.
36:24I have left word with men I trust that if I am taken into police custody for whatever reason, those
36:30guns will be shipped to Liverpool.
36:32From there they will be sent directly to Belfast and sold to the Irish Republican Army.
36:39All your good work in Ireland would be undone.
36:42Each stolen weapon is numbered and marked.
36:44If I sell them to the IRA, it won't be long before Mr Churchill finds out.
36:49I imagine you've gone into enough trouble over the burning of the King's photographs.
36:53That was just a taster.
36:55If those guns reach Belfast, your life in the force is over.
37:02When I have achieved what I've set out to achieve, I will let you know where to find the guns.
37:08You'll be a hero.
37:10You'll probably get a medal.
37:14Well, I'm a fair man.
37:16It's a fair offer.
37:20Do we have a deal?
37:30I need an answer.
37:32Right now.
37:38Very well.
37:42But I'd prefer if we don't shake hands on it.
37:59And why would I shake the hand of a man who didn't even fight for his country?
38:03All right.
38:54I have new information Thomas Shelby is now the beginning
39:03the medal and the end of your mission
39:18so what shall I do
39:21it hurts me as much as it as it would a father sending his own daughter into a whorehouse
39:30but no matter how repugnant it may be you must do everything you can to get close to him
39:41and find out where those guns are heading
39:46of course when I say everything I don't mean
39:51you underestimate me in every way
40:03here
40:14you are now active on a military operation on behalf of the crown
40:22and I wish to God circumstance hadn't chosen you
40:28it's what I'm trained for
40:31I'm late for my shift
40:37Grace
40:40my heart is with you
40:54Oscar
40:55finalmente via
40:58oh
40:59maledetto
41:02here
41:02is
41:04oh
41:07oh
41:07oh
41:07oh
41:08oh
41:08oh
41:08oh
41:08oh
41:09oh
41:09Ah, ah, ah, ah, ah!
41:12Son torso!
41:12Son torso!
41:14Son torso!
41:14Ayuto!
41:16Muoio!
41:17Muoio!
41:18Son torso!
41:19Aiuto!
41:20Ah, sai torminuti!
41:22Son torso!
41:22Muoio!
41:23Muoio, con tu!
41:24Morro!
41:25Guardami!
41:26Son tosta!
41:28O scarcio!
41:29Son tosta!
41:40Come!
41:42Come!
41:43Come!
41:44You better come quick!
41:46Come!
42:09Come!
42:15Kelly, tell me.
42:17Curse, Tom.
42:20Kelly.
42:21Kelly, Kelly, Kelly.
42:22Kelly, Kelly.
42:25Tell me. Tell me, Kelly.
42:27What's wrong with yours?
42:29You portrait the fair in bad feeling.
42:31The leaves put a bad seed in the hoof
42:33and got an old woman to put a spell.
42:34Shh, shh, shh.
42:36Oh, oh, oh.
42:39So those leave bastards cursed him?
42:43Whatever it is, he says it.
42:45Spread to the other feet.
42:47It's going to his heart by tomorrow, I say.
42:50Seen curses like this twice.
42:52Can't take them back, Tom.
42:53No.
42:55I told you, Tommy.
42:57Better enemies to have them
42:59like blood gypsies.
43:04Get out.
43:06Get out, Kelly.
43:14I'm sorry.
43:21I'm sorry.
43:23Yeah.
43:23You have to go home.
43:25I am the captain of my pain.
43:28I'm not the captain of my pain.
43:29I've been the bridle in the fresh and me.
43:30I stare up the harness in the whip and mane.
43:32The pickled eye and the shrink and brain.
43:35Brother, buy me one more drink.
43:37Explain the nature of my pain.
43:40Let me tell you once again.
43:41I am the captain of my pain
43:44My cup is empty
43:46And I haven't got a penny
43:48But I buy no more whiskey
43:53I'm happy
43:54Just give me a drink
44:12Shall I leave you alone?
44:15Came here for company
44:18Where's Harry?
44:20He took the night off
44:24And went to the pictures
44:33How's your beautiful horse?
44:44I just put a bullet in his head
44:51Was he lame?
44:55He looked at me the wrong way
44:59Not a good idea to look at Tommy Shelby the wrong way
45:07What a waste
45:08Yeah
45:10A waste is what it is
45:18You know in France
45:24In France I got used to seeing men die
45:29Never got used to seeing horses die
45:33They die badly
45:42I don't get a dress like you asked
45:45Thanks
45:48What's Sheldon you're talking about?
45:58Sheldon's grand affair is it not?
46:00The king will be there
46:02King George
46:03No
46:06King Billy Kimber
46:07And all his men
46:12What must I do?
46:13For two pounds you'll do what I ask you to do
46:18I want three
46:21If I am meeting a king
46:22I won't be wearing a cheap dress
46:28And I ask you to let me sing
46:30It's part of the deal now too
46:33Since when?
46:36Since you nearly smiled
46:43Saturday nights
46:43Open and easy
46:45Everyone gets to sing
46:46Everyone gets to sing their song
46:46Just like we did in Dublin
46:47You never worked in Dublin
46:50So don't lie to me
46:52I asked around about that pub
46:54You said you used to work in
46:56I have friends over there
46:59No one has heard of you
47:07My guess is
47:10You're a girl from a good family
47:12Who got herself pregnant
47:17It's not something I want known
47:19And bringing a child into the world alone
47:21Ruins your life
47:24Right
47:29So I'm right
47:31And Bolly is wrong
47:33Right about what?
47:36It doesn't matter
47:39Looks like it matters to you
47:42Family business
47:46You won't tell anyone my secret
47:50Do you think I tell people things?
47:56So what do you sing?
48:00Anything you want
48:01Right
48:03Get up in a chair
48:13Happy or sad?
48:19Sad
48:21Okay
48:22But I warn you
48:24I'll break your heart
48:27Already broken
48:33In a neat little town
48:37They call Belfast
48:40Apprentice to trade
48:42That I was bound
48:43Many an hour sweet happiness
48:49That I spent
48:52In that neat little town
48:55A sad misfortune
48:59Came over me
49:01Which caused me
49:03To stray from the land
49:07Far away
49:10From my friends and relations
49:17Betrayed
49:19By the black velvet band
49:23Her eyes
49:26They shone like diamonds
49:28I thought her
49:31The queen of the land
49:34And her hair
49:37It hung
49:38Over her shoulder
49:40Tied up
49:42With a black velvet band
50:10I think there's more carriages over there
50:12That are going to be empty
50:13But we
50:15Jesus
50:17Freddy
50:19You came back
50:23I got a tip off
50:25Freddy
50:26Tommy will kill you
50:27Tommy will tip me off
50:29Maybe he's got half her heart after all
50:32Tommy got a message to me
50:34Said get out of town
50:35Take her with you
50:39So
50:43Ada Shelby
50:45Will you marry me?
50:51Yes
50:52Yes
50:55Yes
50:56Yes
50:58Yes
51:00Yes
51:00Yes
51:01Yes
51:12Right
51:13Get on this bloody train
51:14And get out of here
51:16Come on
51:17Both of you
51:17Freddy come on
51:18Freddy
51:20Cardiff's okay
51:20Anywhere
51:21But here's okay
51:23We're not going anywhere
51:24Ada
51:27We're going to stay here
51:28We're going to marry here
51:30He's not afraid of Tommy Shelby
51:42Give me your smile
51:46There's a long light in your eyes
51:51Lovey
51:55I've been shuffled these cones
51:57Go play snap with Finn
51:59Did you want whisky as well?
52:01Nah
52:02Just beer
52:03Why no whisky time?
52:05You expecting trouble?
52:09Jesus Christ
52:10Tommy
52:11What the hell made you look at them sink?
52:13They thought they're strangling cats out there
52:15All right
52:16Twenty's the play
52:17Come on
52:18And what did make you change your mind though Tommy?
52:23Yeah I mean it's
52:24It's about time Tommy
52:25Time for what?
52:28Oh
52:28Time you took yourself a woman?
52:30Just play the bloody hands
52:32Who stay the way you are Tommy?
52:34Remember what dad used to say
52:36Fast women and slow horses
52:38Will ruin your life
52:40Coppers
52:42Now
52:45Come Josephine
52:47My flying machine
52:48He go
52:49Up she goes
52:51Up she goes
52:52But it took so
52:54I could burn all the people
52:56And she goes
52:58And she goes
53:00Up she goes
53:06Holy shit
53:08It's
53:09It's Billy Kimber
53:18Is there any man here named Shelby?
53:29I said
53:30Is there any man here named Shelby?
53:39I had to get these men a drink
53:40Everyone else go home
53:56You go home
53:57But Mr. Fenton said
53:59I said go home
54:03I've never approved of women in pubs
54:05But when they look like that
54:06You said you wanted men called Shelby
54:09You've got three of them
54:12Right I never heard of you
54:13And then I did hear of you
54:15Some little Diddy Coy Razor gang
54:16I thought to myself
54:17So what?
54:19But then you fucked me over
54:21So now you have my undivided attention
54:26By the way
54:26Which one am I talking to?
54:28Who's the boss?
54:30Well I'm the oldest
54:32Clearly
54:34Are you laughing at my brother?
54:38Right he's the oldest
54:39You're the thickest
54:41I'm told the boss is called Tommy
54:42And I'm guessing that's you
54:43Because you're looking me up and down
54:45Like I'm a fucking tart
54:48I want to know what you want
54:51There were suspicious betting patterns
54:53At Kempton Park
54:54A horse called Monaghan Boy
54:56He won by length twice
54:57And then finished last
54:59With £3,000 bet on him
55:01Which one am I talking to?
55:04Which one of you is the boss?
55:06I'm Mr. Kimber's advisor and accountant
55:07And I'm the fucking boss
55:09Okay
55:09Right end of parlay
55:11You fix the race
55:12Without my permission
55:14You fucking gypsy scum
55:17What live off the war pensions
55:18Are these poor old Garrison Lane widows
55:21That's your level
55:22I am Billy Kimber
55:24I run the races
55:26And you fixed one of them
55:27So I'm going to have you shot against the post
55:31Mr. Kimber
55:37Look at it
55:40That is my name in it
55:42It's from the Lee family
55:45You are also at war with the Lee's
55:47Mr. Kimber
55:47Am I right?
55:52The Lee's are attacking your bookies
55:54And taking your money
55:55Your men can't control them
55:57You need help
56:00Perhaps we should listen to what Mr. Shelby has to say
56:04Before we make our decisions
56:06Right the Lee's
56:09Are doing a lot of talking at the fairs
56:11They have a lot of kin
56:11They are saying the racetracks are easy meat
56:14Because the police are busy with strikes
56:16Now
56:17We have connections
56:18We know how they operate
56:20You
56:21Have
56:22Muscle
56:23Together we can beat them
56:24Divided
56:25Maybe not
56:28Mr. Kimber
56:29Perhaps we should take some time
56:31For reflection
56:33Possibly
56:33Make arrangements for a second meeting
56:35I admire you Mr. Kimber
56:39You started with nothing
56:40And built a legitimate business
56:44It would be an honour
56:46To work with you Mr. Kimber
56:50Nobody works with me
56:52People work for me
56:59Pick it up Pikey
57:11Sit
57:12Sit down
57:21It's for your ceiling
57:23Thank you Mr. Kimber
57:29We will be at Cheltenham
57:31As will I
57:39Well you're in your little room
57:42And you're working on something good
57:45But if it's really good
57:48You're gonna need a bigger room
57:54So you picked a fight with Elise on purpose
57:56Tommy
57:57We can't mess with Billy fucking Kimber
58:00Get yourself a decent haircut man
58:03We're going to the races
58:27Take a little walk to the edge of the town
58:31And go across the track
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