00:05this is simon williams you're an actor do you think you can get close to him when simon was
00:11he fell off his bike he always insisted on riding his father's bike even though he was
00:16too small for it it was a few years after some for the past someone's actually remaking wonder
00:22not someone von kovac this movie everything it's too much i should be in bed or at the gym or
00:29running lines simon you've got no lines to run listen to me simon von kovac is leaving town
00:35tomorrow the callback has been moved up what the callback is happening now get your ass to
00:39von kovac's house as fast as you can
00:40we gotta go
00:45oh
00:46oh
00:47oh
00:47oh
00:48oh
00:49oh
01:14I'm usually better dressed.
01:17Are you kidding? You look great.
01:19All right, my friend, if you're sure.
01:22Sure, I'm sure.
01:23All right, let me set the mood.
01:24You're at the bar.
01:25The music is pumping.
01:27You feel the beat.
01:30Okay, now you want a shot.
01:32You approach the bartender.
01:35You make eye contact.
01:37And?
01:39Make mine a maybe label.
01:40Oh, I'm sorry.
01:48Make mine a Jägermeister.
01:51Sorry, I'm not my best.
01:52Are you kidding?
01:52That was great.
01:53That was great.
01:54Oh.
01:56I could really use the gig, mate.
01:59Really?
01:59Yeah, I'm pretty desperate, to be honest.
02:02Can we try another one?
02:04Yeah, yeah, actually.
02:07That wasn't the real audition.
02:09Oh, I see.
02:10You're making something a little more adult, are you?
02:13No, it's not like that.
02:15Here.
02:23I might need a minute.
02:25No, no, no, no.
02:26Have you seen this?
02:26You don't have to memorize.
02:27You don't have to memorize.
02:28I just want to get a sense of your tone.
02:31Tone?
02:31Tone.
02:32Just the tone.
02:33Got it.
02:38Some people call me a terrorist.
02:42Yeah.
02:43Try to sound scary.
02:48Some people call me a terrorist.
02:51Good.
02:52Good.
02:53Hold on one second.
02:57Here, try one with these.
02:59Right, right, right.
03:13Some people call me a terrorist.
03:25Oh, shit.
03:26I fell asleep.
03:27What's that?
03:28I said I fell asleep, Trevor, because I'm exhausted.
03:32Oh, well.
03:34I'm sure the adrenaline will kick in.
03:36I hope so.
03:38I've had plenty of all nighters.
03:39Trust me, the second wind will come.
03:41You just had to have your sails to it.
03:44Whatever that means.
03:45Hey, uh, which one of these do you think sounds, uh, better?
03:51We only get one shot at this, Barnaby.
03:52It's not the time for games and riddles.
03:54Or, or, we only get one shot at this, Barnaby.
03:58It's not the time for games and riddles.
04:01Well, they both feel a bit...
04:04Terrible?
04:05No.
04:05I was going to say a bit forced.
04:08They feel a bit forced.
04:11Hey, Von Kovac doesn't know that we're coming together.
04:15Right?
04:15He doesn't even know that we're friends.
04:16We could plan something and make it seem spontaneous.
04:19Like, you can cut me off halfway...
04:21Come over and listen to yourself.
04:22No.
04:22But if we plan something, it won't be spontaneous.
04:27It will just feel inauthentic.
04:35I can't believe this shit.
04:36Steady on.
04:37No, I said, I said it last night.
04:39I'm supposed to be rested.
04:40I should have went home or to the gym.
04:43I'm supposed to be on my game.
04:45You're going to be great.
04:46Yeah, or, or I'm going to blow the biggest opportunity of my life because I got caught up in all
04:50your bullshit last night.
04:51Well, you got one hell of a story out of it.
04:53And what about Jaden?
04:54Because he almost got shot.
04:56I had a feeling it would all sort itself out.
05:00You say that about a lot of stuff, don't you?
05:02Well, look at me.
05:03I mean, here I am on my way to meet Von Kovac for the role of a lifetime.
05:08I mean, here I am on my way to meet Von Kovac for the role of a lifetime.
05:43I mean, here I am on my way to meet you.
05:45One pair of shoes.
05:46That's weird.
05:47How so?
05:48If it's the shoes off house, there'd be a whole line of shoes.
05:52If it's the shoes on house, there'd be none.
05:56But one pair of shoes.
05:59What does that mean?
06:00Someone forgot their shoes.
06:02What?
06:03No.
06:03Trevor, this, this is a test.
06:06Von Kovac is judging us based on every little thing that we do or say.
06:09So, let's not give him any strange energy to pick up on.
06:12We both have a lot riding on this, Simon.
06:14Why would you say that?
06:16Try your box breathing.
06:21Come on.
06:21Let's both stay loose and relaxed.
06:23What?
06:24No.
06:24You know I can't do either one of those things.
06:28Come in.
06:29Mr. Kovac will meet you in the living room.
06:32Amazing.
06:37Is she wearing shoes?
06:38I can't do it anymore.
06:56Shit, he's seeing us all at the same time.
06:59That's a bit offside.
07:00Everybody's wearing shoes.
07:02They probably all slept last night.
07:04Hey.
07:05Manuel María José de los Remedios.
07:07Simon Woods.
07:08Yeah, yeah.
07:09And you must be a fellow Barnaby, yeah?
07:11Yeah, Travis Lattery.
07:12Shall we fight it to the death?
07:14Bang, bang.
07:16So, you all here for the callback?
07:18Mm-hmm.
07:18Claro.
07:19I studied at Juilliard, mostly done theater.
07:22But I just wrapped up a Chris Nolan project.
07:25Yeah, no formal training for me.
07:27I'm a student of life.
07:29Also, I'm Paul Thomas Anderson, surfing instructor.
07:32And, yeah, one day he was like, you should be in my movie.
07:34Turns out, uh, I'm a natural.
07:37Phone hasn't stopped ringing.
07:39Sounds like a pretty rough journey.
07:41Nah, it wasn't.
07:43Nah, I was being sarcastic.
07:45Oh, cool.
07:46I'm not really into comedy.
07:49Hello, everyone.
07:51Thanks so much for coming to my little retreat.
07:55I call it my prison of opulence.
07:58I wanted a home that represented everything I both love and detest about Hollywood all at once.
08:09Yeah, yeah, I can see that.
08:12Follow me.
08:24Oh, Chisholm.
08:27We're gonna get one side of this point and it's another time for games or else.
08:31Oh, it's another time for games or else.
08:33It's another time for games or else.
08:35I can't get to a bonus.
08:36I can't believe it.
08:38I can't believe it.
08:38All right.
08:42I can't believe it.
08:43I can't believe it.
08:43I can't believe it.
08:43This is where I've been living with the project.
08:47It's been taking shape in my head.
08:51I wanted to bring you all inside my brain
08:55so we can explore it together.
08:59Holiness, hey, but this is me.
09:03Ho, ho, ho, ho, ho.
09:04You seem to have snuck into my subconscious, huh?
09:09So the Spaniard pulls ahead.
09:14Well, this is the song for the start of the picture.
09:21Well, you wake up in the morning
09:25Can you see?
09:28Where I'm in space
09:32All alone
09:34It's cold
09:36What is this strange haunting song?
09:40We're getting closer to an alien planet
09:45Closer
09:47Closer
09:50Closer
09:51Closer
09:53Wait!
09:55This is no alien planet
09:58It's surf
09:59We are flying alongside the wonder man
10:03As he returns home
10:11Let the midnight special
10:15Shine a light on me
10:19Let the midnight special
10:22Shine a light on me
10:26Let the midnight special
10:32Oh, the midnight special
10:34Oh, the midnight special
10:35The midnight special
10:38On me, on me
10:39Oh, the light on me
10:44Interesting
10:45Interesting
10:49Okay
10:49Okay, why don't we get started?
10:53Let's split you up in pairs, Trevor, Ollie.
10:58Oh, Ashley, Trevor, and I'll...
11:01It's okay, Simon. Let's just roll with it.
11:05Simon and Manuel.
11:08And Jake and Richard.
11:11Hey, follow me.
11:14General Brouillard doesn't give a damn about the human costs.
11:18How can one find a vulnerability?
11:19A vulnerability and a monster without shame.
11:21We only get one shot at this, Barnaby.
11:24It's not the time for games or riddles.
11:26Damn it, he is a natural.
11:28No, this isn't working now.
11:35You're fine, it's not you.
11:38It's the words they're getting in the way.
11:43Let's throw away the scene.
11:47What?
11:47Throw it away.
11:49We don't need it.
11:50I love it.
11:51I don't care what you think about this character
11:54or whatever choices you have made about the script.
11:58Our ideas about heroes and gods,
12:02they only get in the way.
12:05It's too difficult to comprehend them.
12:07So, let's get past them.
12:12Let's find the human underneath.
12:18I want you to see who you really are.
12:27I want us to explore the place between fiction and non-fiction.
12:35That's tight.
12:37Yes, Jake.
12:38It is tight.
12:40Let's try something.
12:42Melanie, make sure you film this.
12:44Let's see where it goes.
12:46Let's not limit ourselves to this room.
12:51I want you to think of the whole house as yours.
12:55Why don't we start with Trevo and Olin?
13:01Olin, Trevo is your wife.
13:05You hate her,
13:08but she's also the reason you want to live.
13:14And you have an old hunting injury.
13:31You disgust me.
13:33Get out of my sight.
13:35You don't mean that.
13:35You're just mad about what my sister said?
13:37She has nothing to do with this,
13:39and you know that.
13:40If you won't leave, I'll leave.
13:52No, this won't work.
13:55I'm not listening.
13:56Listen to me.
13:58We're broken.
14:02Beyond repair.
14:04No.
14:07No.
14:10No.
14:17No.
14:18No.
14:24Maybe.
14:26Wow.
14:28It's a present.
14:30Wonderful.
14:36Simon and Manuel.
14:40You are having an affair.
14:44Manuel, you are worried you are losing Simon.
14:48Simon, you are worried you are losing yourself.
14:53And you squint a lot.
14:56You have no eyelashes.
15:00The light is always in your eyes.
15:06Come.
15:08Come.
15:10Come.
15:14Come.
15:24Baby.
15:25My baby.
15:28What happened to us?
15:30I mean,
15:32we are losing our magic.
15:35Don't you feel it?
15:37Don't you see it?
15:39It's slipping through your beautiful little fingers.
15:56You know what?
15:59Just tell me one thing.
16:03Why did you make me get all dressed up?
16:06Well, I thought you liked being doled up, baby.
16:08What I mean is...
16:17If you're gonna tell everybody I'm a hooker,
16:19why don't you just let me wear my own clothes?
16:22And my own clothes,
16:24when someone like that guy,
16:26Stunky, comes up to me,
16:27I can handle it.
16:28I'm prepared.
16:28Okay, sorry.
16:29But you are a little sensitive.
16:30You think you can just pass me around to all your friends?
16:34I'm not some little toy.
16:36No.
16:36I bought you toys,
16:37but I never used you as a toy.
16:39Look, you don't own me, okay?
16:40Okay, okay.
16:41I decide.
16:42I say who?
16:44I say when?
16:48I say...
16:50who?
16:53Sorry I ever met you.
16:54Sorry I ever got inside your stupid car.
16:56I've never had anyone make me feel as cheap
17:00as you did today.
17:03Okay, you did a scene from Pretty Woman.
17:08Not what I was looking for.
17:15Let's regroup in the living room.
17:22Simon,
17:24I'm disappointed.
17:34You're blowing this.
17:35I know.
17:37If you don't turn this around soon,
17:38the game's up.
17:39I know, and it's all your fault.
17:40Oh, you've got to get over last night.
17:42It's just getting in your way.
17:43You can save the world of wisdom
17:44for your little scene, partner.
17:591986.
18:00I'm in New York
18:01in an off-off-off-Broadway production
18:04of The Skin of Our Teeth.
18:05Where's Mark Obeck?
18:06Why on a break?
18:07You know, what are those?
18:09Dyer, provide your own wardrobe and prompts,
18:11clean up the theatre yourself productions.
18:12Don't worry, Ollie,
18:13you've got all this to look forward to.
18:16Anyway,
18:17there was a concert series
18:18that summer at Jones Beach.
18:20I'll never forget.
18:22June 28th, 1986.
18:24That was the night
18:26most of the others were excited
18:27to see Robert Palmer.
18:29His, uh,
18:29Addicted to Love
18:30was top of the charts.
18:31No thanks.
18:33But by some miracle of scheduling,
18:36the opening act was
18:39shocker calm.
18:40Eh?
18:41Now, I've got to tell you, lads,
18:44there's a performer
18:46magnificent.
18:47I'm so sorry.
18:48No one in this room
18:49can hold a candle to her.
18:51She closed
18:52with
18:52I'm
18:53every
18:54woman.
18:55left it all on the stage.
18:57Robert Palmer
18:58might as well have gone home.
19:02I've got to ask you something.
19:05A role like the Mandarin.
19:07Oh, yeah.
19:08How do you shake something like that
19:10after living inside it?
19:13Well, to be honest,
19:14I can hardly remember
19:15how I so blitzed out of my skull.
19:17I can't imagine
19:18what you're carrying around.
19:19Yeah, I still have
19:21nightmares from playing
19:22Padraig in
19:23The Lieutenant of Inishmore.
19:25I'm sorry, Richard.
19:27I didn't realize
19:28you were such a fragile thing.
19:32Pardon,
19:33the phone call.
19:36How's everyone feeling?
19:38Everyone okay?
19:40Let's try
19:41a new exercise.
19:44I would love another shot.
19:46Okay.
19:47If you think you can bring
19:49a little more
19:50of yourself
19:51into this?
19:56Richard,
19:58let's carry up here.
20:01Okay.
20:03Richard,
20:04pretend to be someone
20:06from Simon's past.
20:08You are going to
20:10call him on the phone.
20:12Feel free
20:13to choose
20:13whoever you like.
20:16A classmate?
20:19Yeah.
20:20That will work.
20:23And Simon
20:26now really
20:28try to go
20:29back there.
20:31Remember what
20:32it's like
20:33in grade school.
20:42Ring, ring.
20:49Hello?
20:50Hey.
20:52Freak.
20:56Oh, it's you.
20:58You're damn right
20:59it's me.
21:00You think you can
21:01hide from me,
21:02you little shit.
21:07All right,
21:07that's enough.
21:09is it?
21:11You weirdo.
21:14Everyone knows
21:15your secret.
21:15You're not fooling
21:16anyone.
21:19That's not true.
21:21We know.
21:24We've all been
21:25talking about it
21:26behind your back.
21:27Hey, Richard.
21:28The dumb ass
21:28friend can't help you,
21:30Simon.
21:30No one can.
21:31Please.
21:34Stop.
21:36You're a freak.
21:37And you always
21:39will be.
21:56Simon.
22:01Were you asleep?
22:04No.
22:06I'm sorry.
22:08Yes.
22:10Have you been
22:11boring you?
22:17I think I need
22:18a minute.
22:26Geez.
22:27Didn't realize
22:28he was such
22:29a fragile thing.
22:30Hey.
22:31Hey.
22:34Hey.
22:36Hey.
22:39Hey.
22:42Hey.
22:45Hey.
22:46Hey.
22:48Hey.
22:48Hey.
22:49Are you okay?
22:51No, Trevor.
22:53I'm not.
22:58It's not too late
22:59to turn this around.
23:00Yes, it is.
23:05I can't take this
23:06anymore.
23:10Too tired.
23:14If our
23:14Kovac keeps
23:15pushing,
23:20he wants
23:21to see
23:21who we
23:22really are
23:22underneath.
23:26But I
23:27can't
23:27show my
23:27underneath.
23:29I can't
23:30share
23:30the real
23:30me.
23:32The real
23:33me
23:33will get
23:34kicked
23:34out of
23:34here.
23:34I'll
23:34never
23:35be able
23:35to act
23:35again.
23:36That's
23:36not true.
23:39The real
23:40you
23:40isn't
23:40your
23:41condition.
23:42The real
23:43you
23:45is the
23:46sum of
23:46everything
23:46you've
23:47experienced.
23:49The loss,
23:50the joy.
23:53Sadness,
23:54heartbreak.
23:56Losing
23:56someone you
23:57love so much.
24:01Wanting
24:01something so
24:02bad that you
24:02could burst.
24:05Hurting
24:05someone you
24:06care about.
24:08Being hurt
24:09by those
24:10you love.
24:14that's
24:15your
24:15life.
24:18That's
24:19who you
24:19are.
24:21Mirror
24:22up to
24:23nature.
24:24That's
24:25our job.
24:29When
24:29we share
24:32our
24:32pain,
24:33our
24:33grief,
24:33our
24:34joy,
24:35the
24:35audience
24:36less
24:36alone
24:37in
24:37theirs.
24:40we're
24:41all
24:41us
24:41alone.
25:05we only
25:06get one
25:06shot at this,
25:07Barnaby.
25:09it's not
25:10the time
25:10for games
25:11and riddles.
25:12I agree.
25:13It's too
25:14late already.
25:16It's what
25:16I've been
25:17trying to
25:17tell you.
25:18I can't
25:19accept that.
25:21I can't
25:22give up on
25:22this planet,
25:23these people.
25:24What you
25:24can or
25:25can't
25:26accept
25:28no longer
25:28matters.
25:29That's not
25:30true.
25:31if we
25:32work
25:32together.
25:33We
25:33were
25:33never
25:33together.
25:36Come on,
25:36that's
25:36bullshit.
25:40But...
25:43Put the
25:44gun
25:44down.
25:46He
25:46found my
25:46price,
25:47Wonder
25:47Man.
25:49Everybody
25:50has one.
25:52I just
25:53pray you
25:53never have
25:53to learn
25:54yours.
25:55Okay,
25:55you're not
25:56thinking
25:56straight.
25:58He's
25:59gotten it
25:59to your
25:59head.
26:00You're
26:00better
26:00than
26:00this,
26:00Barnaby.
26:01Believe
26:01what you
26:02want to
26:02leave.
26:04General
26:04Brulard
26:05has your
26:05coordinates.
26:06He's
26:06coming for
26:06you.
26:07You're
26:07not
26:07making
26:07it
26:07out
26:08of
26:08here
26:08alive.
26:10I'm
26:10never
26:11going
26:11to
26:11give
26:11up.
26:13I
26:14don't
26:14care
26:14about
26:14the
26:14cost.
26:17Then
26:17it's
26:18your
26:18funeral.
26:54so that's
26:55it.
26:55It's
26:56it's
26:56over.
27:02Wow.
27:06Okay.
27:13Hey!
27:14Where
27:14are you
27:14two
27:15going?
27:15Huh?
27:19Home?
27:21Why would
27:22you do
27:22that?
27:22Well,
27:23we weren't
27:23quite sure.
27:24What's
27:24happening?
27:26I didn't
27:27want to
27:27do this
27:28in the
27:28front of
27:29the others.
27:30Simon,
27:31I was
27:31ready to
27:32dismiss you.
27:34But
27:36there is
27:37no
27:37denying
27:39you
27:40are
27:40a
27:40wonder
27:40man.
27:44wait,
27:45really?
27:46I
27:47can't
27:47imagine
27:48anyone
27:48else
27:49in
27:49the
27:49role.
27:53And
27:54Trevor,
27:55you
27:55are my
27:56Barnaby.
27:58We'll
27:58be
27:58an
27:58honor.
28:01The
28:02world
28:03is
28:03going
28:04to
28:05fall
28:06in
28:06love
28:07with
28:07the
28:07two
28:07of
28:07you.
28:09We
28:09are
28:09going
28:10to
28:10make
28:10the
28:11last
28:11movie
28:12on
28:12earth
28:13because
28:14no
28:15one
28:16will
28:16have
28:17the
28:17balls
28:17to
28:17make
28:18another.
28:19We
28:20will
28:20discuss
28:21more
28:22soon.
28:48ahead.
28:52Thanks,
28:53Trevor.
28:55I
28:56think
28:56we'll
28:56both
28:56end
28:57some
28:57rest.
28:57Damn
28:58right.
29:01Congratulations,
29:03son.
29:06Trevor.
29:08Trevor.
29:35Trevor, you're ignoring my calls.
29:39Oh, yeah. I've been a bit busy.
29:41Where's my recording?
29:43I'm afraid it broke. I'm really sorry about that.
29:46Okay, right. You're going back to prison?
29:48No, no, no, no. You can't do that.
29:50Why not?
29:53Because you're right about Simon.
29:55He's enhanced and incredibly dangerous.
30:00Really?
30:02Yeah.
30:03And you're willing to testify that in court?
30:05What good will that do you?
30:06Um, the word of a convicted terrorist?
30:11It's nothing.
30:12You know that.
30:14You need more evidence and I know how to get it for you.
30:18But I need some time.
30:20I can't be pressured.
30:23So I ask.
30:25Chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka,
30:34chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka,
30:39chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka,
30:44chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, chaka, ch
30:54The bull market, the bull market.
31:32The bull market.
31:54The bull market.
32:25The bull market.
32:27The bull market.
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