00:01You don't know anything about this man.
00:03You don't have a difference because your eyes are only on your money.
00:06Look, you'll be gone.
00:10I don't know what they said about 11 years ago when I look up and look up.
00:13I don't know where to go from now, right?
00:15Stop!
00:17These officers have come to meet you.
00:19We want to ask you about Stuart Clark.
00:22I got his hair in the morning.
00:24They all know me about it.
00:26Mom is a joke about it.
00:28You won't be a joke about it.
00:30You're a joke?
00:31You don't know who you're being attacked.
00:32They can kill you by the evil villain.
00:37I need to go.
00:38The truth is, I'm Ezekiel.
00:41Stay.
00:41I'm ready for the next job.
00:43I don't know you're not going to kill me.
00:45I didn't know you're going to kill me.
00:48Open the door!
00:49Open the door!
00:51No!
00:52No!
00:54This was your plan?
00:56John, come to die!
00:58Why are you showing me everything?
01:23Look, brother. Why are you taking tension?
01:26This is the same as we always do.
01:29We're going to go inside,
01:30taking money, taking money,
01:31taking money.
01:32Yes.
01:33The same as we're doing all the money.
01:35Then we'll see in a top class,
01:36we'll be doing a lot of ash.
01:45Yes.
01:47In this one's.
01:49Go.
01:49Go.
01:52You don't have to take care of it.
01:55Right?
01:56Yes, don't take care of it.
01:59Okay.
02:20You don't have to be seen.
02:21Go.
02:25Go.
02:35Go.
02:36Go.
02:37Go.
02:37Go.
02:38Go.
02:38Let's go.
03:09Let's go.
03:13Get up, kids.
03:21We have to go out. Let's go.
03:23John, I'll find you.
03:25I'll always keep you.
03:27Okay?
03:29I'll always be with you.
04:08Hey, Parker.
04:18I'll always sociers.
04:21I'll hold you.
04:22Oh, okay.
04:29Good afternoon.
04:30That's how I feel.
04:38I'm feeling so angry.
04:40I can't understand what I'm doing.
04:44I don't know what I'm missing.
04:46It was his selflessness.
04:49That's his strength, his consciousness.
04:53And maybe the pain.
04:56Yes, he was a strong.
04:57He was able to do it.
04:59But he was able to do it for me,
05:02for all of us,
05:03for our purpose.
05:05After the heirloom,
05:07I don't want us to be wrong.
05:10We will go with the plan.
05:12There is no wrong thing.
05:14Okay.
05:22Parker,
05:23do you have any work for me?
05:29Do you have any work for me?
05:31This is a very work.
05:38Okay.
05:40Just tell me about time.
05:59I fell from the sky without a parachute.
06:02Baby, this is game.
06:04I'm a shoot at you.
06:05Look up and look around.
06:07It's going down.
06:08Since she called me king, I'm a way to cry.
06:11Riri.
06:15Riri.
06:19Riri.
06:21Riri.
06:22Riri.
06:33Riri.
06:45Riri.
06:46Riri.
06:46Riri.
06:47Riri.
06:50Riri.
06:55Riri.
06:58Riri.
07:12Riri.
07:16Riri.
07:17Riri.
07:20Riri.
07:20Riri.
07:43Riri.
07:45I'm going to the laundry. Give me the clothes.
07:48Okay, no. I'll take it myself.
07:50Riri, you're getting any trouble.
07:54What do you mean?
07:55When you started this new job,
07:58you're late at home,
07:59you're buying gifts.
08:00You didn't leave me alone with that colleague.
08:04I'll tell you about that.
08:06The police told me when they came here.
08:10Okay.
08:11Okay.
08:12Okay.
08:16It's okay.
08:18If you need something,
08:20call me.
08:21I'm going to go there.
08:21Okay?
08:23It's okay.
08:25Okay. Bye.
08:40Where did she go?
08:42Oh, no.
08:43She's here.
08:44I'll take her out of the house.
08:47Oh, stop, stop.
08:49Stop.
08:49She's back.
08:50Okay?
08:52Look.
08:53Everything is okay.
08:55Everything is okay.
09:00You're so quiet.
09:02That's John.
09:04That's John.
09:04That's my fault.
09:05That's what you need to live for me.
09:07He's the only one who lives for me.
09:07He's the only one who lives for me.
09:09Okay.
09:09He said himself.
09:11Listen, Riri.
09:22Okay.
09:27That's all.
09:29That's all.
09:31He's the only one who lives for me.
09:31What's the matter?
09:32I'm not going to do anything.
09:34I'm not going to do anything.
09:35I'm not going to do anything.
09:44I'm not going to do anything.
09:47I'm not going to do anything.
09:48I'm not going to do anything.
09:48Can we help you?
09:50Hello?
09:52Hello?
09:53Shuri?
09:55Shuri?
09:56Shuri.
09:57She's OK.
10:09She has called me a phone
10:31Excuse me.
10:32Do you have any idea that the police have sealed the house from four sides?
10:37Okay.
10:38You mean Z-Kill Stain?
10:40Yes.
10:41The police are in the morning and they are in the morning.
10:43What?
10:44Why?
10:45Why does it mean that?
10:46Why does it mean that he has done my Black Eyed Susans with my Black Eyed Susans?
10:51This is a very peaceful place.
10:53But I was sure if there will be something else.
10:55The evidence from the air-loop crime scene is related to Ezekiel Stain, which is going to be living in
11:00Evanston, Illinois.
11:02I want to tell you once again that this incident is going to be changing very quickly.
11:06Ezekiel Stain, who has changed his name and kept his name, is Obadiah State's son.
11:26Ezekiel Stain has changed his name, and it's been the last masher scene.
11:43inventor, Samad Sevi
11:44and Mahan Tony Stark
11:45came mentor.
11:46He got a peace of his soul.
11:48But it seems like
11:50Obadiah will not have a peace
11:52in the house.
11:53It seems that this ugly bird
11:55left the cleanest
11:56and left the path
11:58straight to the road.
12:02There is a whole thread
12:04in which people say
12:05Obadiah is dead.
12:07Obadiah is dead, bro.
12:09But now he didn't get his body.
12:10Yes, that's why
12:11because he was still alive.
12:13This is not a lie.
12:14What is that
12:14Ezekiel Stain's technology
12:16is where to go from?
12:17No, no one has no doubt.
12:19I'll take my mind.
12:20What can we do with this?
12:21What can we do with our death?
12:23Our death is another death.
12:23It seems bad.
12:25The whole thing will not be ticked in jail.
12:27You're not going to stay in jail.
12:28You're not going to stay in jail.
12:30No, nothing.
12:31You're also going to be
12:32that the husband's son-in-law
12:34is going to write a piece of paper.
12:35No, this is not a joke.
12:36It's not a strange thing.
12:38John died.
13:06It's just a Hierotec.
22:56Scully
22:59Zilly!
22:59Mom!
23:03What happened mom?
23:05Say about it.
23:06I've just got a case with Miss Scully
23:08and the other day in your house
23:10had to me on my airbag.
23:12That's why I have lost my voice.
23:13I have heard the sound of the TV.
23:14I'll leave it out!
23:19Riri.
23:21Are you okay?
23:23Now you'll tell me.
23:25What are all going on?
23:26I'm okay.
23:27Because you were laughing.
23:31I feel like you were not okay.
23:33Look, my son.
23:34I'm okay.
23:35I'm okay.
23:38I think that you are saying that I am very upset.
23:39I am very upset.
23:39Now, please, do you want me to help?
23:42I don't know much about science.
23:46But, maybe...
23:47If you're like this, you'll get a different view.
23:50I mean, I just want to take a little bit of a few things.
23:53And I'll go out and get all the love.
24:01I think you're saying that you are right.
24:03I've been very upset in my work.
24:05I'm probably going to have some other stuff
24:13or a mental illness or a mental illness.
24:18That's the one that you always talk about.
24:21Oh, you should be a witch?
24:26She has a full of her mother.
24:28She died.
24:28I don't want to be able to do the chamomile with the chamomile, right?
24:43Let's go.
24:48Seriously?
24:50What?
24:50Miss Stanton, this is your place.
24:53Let's go.
24:53What?
24:58So, I told you to take the chocolate factory at Jadu.
25:01Why didn't you take the chocolate factory in Jadu?
25:03Welcome to Stanton's.
25:05Here's a swat, a peace, and a guarantee of happiness.
25:09How can I help you?
25:10Zelma, we've come right now.
25:12Where's your mom?
25:14Is she here?
25:16Yes.
25:19Mom, yes.
25:20Hello, she's here.
25:22Maddie.
25:23Hey, Ronnie.
25:25Where was she hiding?
25:27You looked good at me.
25:28Oh, you've also brought Riri.
25:30Okay, you've come here.
25:32My daughter Zelma.
25:33Jadu is in your dream.
25:34So, how did you forget this road today?
25:37Riri needs some spiritual guidance.
25:39What?
25:40Oh, I would ask her for the question.
25:43They are from the dentist.
25:47Oh, they did not see anyone.
25:54Uh, yeah.
25:58Okay.
25:59Oh, Mom...
26:02Please don't get angry.
26:04Oh, my.
26:05You...
26:06Oh, no, no.
26:09Yeah, the door.
26:09Okay.
26:09I will be ill.
26:11What are all these things?
26:12Sorry, I'm too fast. I'm actually learning this trick right now.
26:16How did you do this? I didn't touch my eyes.
26:19Transportation spell.
26:20Is that true? Because you're saying that.
26:23Zelma, where are we at?
26:24In the western cortex of Neverish.
26:27Huh?
26:28Do you understand?
26:29Without my permission, you can't go to the other world.
26:32Oh, the other world is like this, like we've left two wheels.
26:35Okay, okay. It's my fault, but this world is not too far.
26:38You've made a small camera in the world without me.
26:41But you've never made a mind.
26:43Oh, we'll talk about this later.
26:46I'll tell you something.
26:48I hope you'll be able to do this.
26:52Of course, we're ready.
26:58Is there any kind of realism?
27:01No one is dead.
27:02It's possible, but it doesn't seem.
27:05It's natural to me.
27:09It's natural.
27:10Oh, really?
27:10I thought...
27:12Is this all your iron suit?
27:14It's not like this.
27:16No one has to take this suit.
27:19What does it mean with natural?
27:20I mean, this is our thing here.
27:22It's not any other world.
27:24And how do you know this?
27:25What do you know in front of the eyes?
27:25The eyes of the eyes will always come.
27:27There's no one in front of the eyes.
27:28Yes, this is not of this world.
27:31And it's very old.
27:33How do you know this?
27:35Oh, you know this?
27:37It's the greatest of the eyes of the eyes.
27:39So, learning and learning is the greatest mantra.
27:43What do you want to take from me?
27:45This is the knowledge of the eyes of the eyes of the eyes of the eyes.
27:47What is this?
27:49Well, I love you...
27:50This is my dream school.
27:51That's in Nepal.
27:52Where the top level of the eyes of the eyes of the eyes of the eyes of the eyes of
27:55the eyes of the eyes of the eyes of the eyes of the eyes of the eyes of the eyes
27:55of the eyes, Dr. Strange also came from that.
27:58You can listen to Dr. Strange.
28:01No, don't do that.
28:02Please, don't shut up one time.
28:04Once you burst your eyes, it's difficult to leave.
28:20And now I think that you could have been able to find me there.
28:23I've also been able to learn from these old books
28:28and TikToks.
28:30I said that Kamar Taj is not for children.
28:33And that's the same.
28:35You have made a world for yourself.
28:40And that is Kammal.
28:43It's dangerous, but it's great.
28:45Listen, what are you doing now?
28:47I'm looking forward to seeing you.
28:49Oh, that's me too.
28:54This doesn't come.
29:01Why is this like this?
29:03It's gone. Take care of yourself.
29:07Where did you get this?
29:09One person who had worn a white hood
29:11probably put his whole body on his head.
29:13What?
29:13I don't know.
29:18What happened?
29:19I've seen you.
29:20Selma.
29:20Maddy.
29:21I'm not a mother.
29:22If there's someone on Riri, please tell me.
29:46Riri.
29:47He's not scared.
29:48He was told.
29:49He told me.
29:49What is this?
29:50No.
29:51Is there a name of this TAKAR?
29:52Or another place to know where I can go about it?
29:55The truth is not so straight.
29:57Jadu and technology are not just as one.
30:00People say that the tech is not bad,
30:02they are bad for it.
30:04But the dark jadu is a matter of it.
30:05And it's dangerous for everyone.
30:07Especially for good people.
30:09Let's do this.
30:39fluoride or fluorosulphonic acid? Yes, I'll do it.
30:42What do you feel?
30:43Mom!
30:44Why didn't you help first?
30:46Where was it?
30:47No.
30:47You did a whole drama that you wanted something like a soulmate,
30:51and you took so many things behind me in my friend's house.
30:55Maybe you weren't wearing that hoodie or whatever.
30:58I promise, I'm not doing anything.
30:59Then why is it for you?
31:01Mom, I can't explain anything to you now. Please.
31:05I have your thoughts.
31:07Don't do it.
31:09I'm fine.
31:10Fine? This is your fine?
31:12You're safe at night,
31:13you're in the morning,
31:13you're in the morning,
31:14you're in the morning,
31:14you're in the morning,
31:15you're in the morning.
31:16You're in the morning.
31:17I'm going to stop you in a bubble.
31:19You're in the morning.
31:21You're in the morning.
31:22You're in the morning.
31:23One colleague died,
31:23the other is in the case of terrorism,
31:24and you're saying everything is fine.
31:26If you want to talk to you,
31:27don't ask any questions like that.
31:34You're not sure about me.
31:36What are you talking about?
31:38You're in the morning,
31:39you're in the morning.
31:40You're in the morning.
31:41You've been in the morning,
31:43and you've been in the morning.
32:08so that you're in the morning.
32:11Then you're in the morning,
32:15and you're in the morning.
32:16You're in the morning.
32:35I'm gonna go.
33:05Ezekiel Stain
33:19Ezekiel Stain
34:03Ezekiel Stain
34:16Ezekiel Stain
34:17Ezekiel Stain
34:17Ezekiel Stain
34:19Ezekiel Stain
34:19Ezekiel Stain
34:19Ezekiel Stain
34:20Ezekiel Stain
34:21Ezekiel Stain
34:23Ezekiel Stain
34:24Ezekiel Stain
34:26Ezekiel Stain
34:27Ezekiel Stain
34:38Oh, really?
34:40I don't think there will be such a thing that will help us to fight with that dark witchcraft.
34:44Maybe you're right, but I don't need a place to think about it.
34:47I don't think I'm a good place to think about mom's kitchen now.
34:49I don't think I'm a good place to think about it.
34:57The door is open, Nat.
34:59I'm checking.
35:11Of course, who has an extra chabby with your illegal bunker.
35:15I don't think I'm a good place to think about it.
35:47I don't think I'm a good place to think about it.
35:56Oh, my God.
35:59Oh, my God.
36:00Oh, my God.
36:00That said the children don't believe it.
36:04We just made a whole thing.
36:07No.
36:23It's just so good.
36:24Oh, my God.
36:32It's a good place to think about this game.
36:35Your mind is poor.
36:36Oh, my God.
36:36You're a good place.
36:37You're a good place.
36:37This is just a real place.
36:37Oh, my God.
36:37Why?
36:37This gymnastics.
36:37Oh.
36:38It seems like this atomic bomb will also kill him.
36:42But we are not the first people who are trying to kill him.
36:46Why not?
36:48We are trying to kill him in the Arctic Ocean.
36:51But no.
36:54Maybe a penguin has taken him.
36:56Yes, the question is. Penguin is still in the Arctic.
36:59Yes, it's boring.
37:00But it's a fun fact.
37:02But it's a lot of fun.
37:03I don't know why you're trying to kill him.
37:05Life is better.
37:06But if we kill him, the doctor has killed him.
37:12You're so sorry to kill him.
37:13Why didn't he kill me?
37:14No.
37:16Let me kill him.
37:19I'm not going to die for anything.
37:22I'm leaving.
37:24I'm leaving.
37:24Yes.
37:33Rhee, listen, your heart rate is very fast.
37:36You'll get a warm air.
37:38But you'll have to take a warm breath.
37:40Okay?
37:41Remember, it's a warm breath.
37:43Wait.
37:44Don't say one thing, Natalie.
37:47I'm just helping you.
37:48How do you do, Chancer?
37:49I don't know that I'm dead.
37:55I'll kill everyone.
37:59How am I going to be normal?
38:03This is a disaster.
38:05I have to get out of the suit.
38:07Rhee!
38:07I have to get out of the suit.
38:09My hand is burning.
38:13Okay.
38:15Okay.
38:16I have to find a place to land.
38:17I have to get out of the suit.
38:25Rhee, do I call Roni?
38:27No, probably not.
38:29I'm here.
38:30Stop.
38:31I have to be exact.
38:31Yeah.
38:37Yup, I'm not.
38:38Oh my God.
38:40I have to take a poor healthy, man.
38:43I have to get out of the suit.
38:43I will be dead.
38:45I am now running away.
38:46Don't be dead.
38:53You're dead.
39:05Oh, my God.
39:40Oh, my God.
40:01Oh, my God.
40:03Oh, my God.
40:14Oh, my God.
40:43Oh, my God.
41:03Oh, my God.
41:19Oh, my God.
42:02Oh, my God.
42:13Oh, my God.
42:47Oh, my God.
43:12Oh, my God.
43:20Oh, my God.
43:26Oh, my God.
43:59Oh, my God.
44:03Oh, my God.
44:04Oh, my God.
44:04Oh, my God.
44:04Oh, my God.
44:05Oh, my God.
44:06Oh, my God.
44:06Oh, my God.
45:02Oh, my God.
45:06Oh, my God.
45:36Oh, my God.
45:39Oh, my God.
46:35Oh, my God.
46:38Oh, my God.
47:09Oh, my God.
47:51Oh, my God.
48:08Oh, my God.
48:16Oh, my God.
48:28Oh, my God.
48:58Oh, my God.
49:55Oh, my God.
49:58Oh, my God.
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