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How To Get To Heaven From Belfast S01E05 [Full Movie] [Free Online HD]Full EP - Full
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01:29stupid. That's not true. He won't come now. He's never coming now. Who won't come? Tia!
01:39God. You don't think you're clever? He is a gangarev to a fake intern. I said I knew
01:47you were watching. I'd like to keep working with this one. The other child? Nothing I
01:55can do for the other child.
02:00The other child?
02:54The other child?
02:55The other child?
02:56The other child?
02:57The other child?
03:22The other child?
03:25The other child?
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one door
03:32and we were like seven stories up.
03:35It was a whole thing.
03:37You're scared. I get it.
03:39This is a really shit, really stressful time for you,
03:42but things don't have to get all, you know, like Greek.
03:48Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You drugged me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Gotta burn them, I'm afraid.
04:09Mostly because it's like procedure,
04:12but also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cubs are.
04:34I don't understand.
04:35If you have questions,
04:37when I land on the scene,
04:39everyone's full of this.
04:41I couldn't be doing with that last night.
04:42So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had 52.
04:51I made an executive decision.
04:54Now, will you please just sit down
04:56and have some coffee
04:57and a wee tiny gold cup?
05:02Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us
05:19in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks, Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something?
05:59I'm going to do that really quick.
06:01It's...
06:02Er...
06:03It...
06:03It's our mother's ashes.
06:07Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:30Let's get you three a drink.
06:34Let's get a drink.
06:46See you then.
07:09Hey, Saoirse, it's me.
07:11Yeah, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working on it.
07:17I said that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it or so she says, but she did tell me something,
07:36which was a bit...
07:38I don't believe this.
07:40Me again.
07:41Anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:45The author was a psychiatrist she admired.
07:48Greta can call it.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:13Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:36Why would we scatter her in the sea?
08:39She hated getting her hermit.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure.
08:56I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda.
08:59You always give her bad advice to seatbelt now.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself
09:12out there and live your own life for fear of rejection.
09:17So, so, so skin nervous.
09:22Woo!
09:25You know you want to come with her.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should
09:37say I've had a few percent goals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew the big boat off.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47I'm impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags?
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:41Come on.
10:48Hello.
10:50All right, lads.
10:53Thank you, Draper.
10:54I'm really good.
11:19this uh person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the night of this month
11:41today greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything
12:00well she would have been a teenager when he went missing
12:05around the same age as your daughter perhaps my daughter yes what do you know about my daughter
12:10well i i tried your house you went in but she was and i briefly leave my daughter out of
12:17this
12:17sorry i mean whatever this is you leave my daughter no i didn't even speak to her mother has just
12:21died
12:22my wife has just died i didn't i didn't mean and you come in here with this insane story it's
12:29not a
12:29story inspector o'neill it's a fact someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand
12:58i apologize sir it's not the right time
13:04perhaps i can wait
13:16yeah
13:20anything i can help with no
13:24no it's it's fine
13:46maybe it's time we talk to the guards maybe we should just tell them everything
13:50yeah but you see we can't tell them everything can we dar
13:52because there's some bits we need to keep to ourselves like some quite big criminally type bit
13:56oh that name die he might help
13:58but my phone's fucked
13:59oh shit my tea
14:00oh robin's works
14:03fuck's sake jim
14:04i don't remember his number
14:05why's jim ringing me
14:06i don't know robin me because he's your husband and the father of your children
14:09hiya love how's things
14:12great shit all under control here
14:14we're in sweden darling
14:17how is portugal
14:18hey baby let the free birds lie
14:21yeah a lot of a lot of irish here
14:23one second
14:24what in the name of
14:25i've got to go deal with this
14:26riot
14:27we need to focus girls okay what do we actually know what are the facts okay so we know that
14:31this
14:32thing belongs to jody we know that jody and gretta grew up together we know that they were
14:36connected what was the name of that tiny game uh come on tashban tashban that's right
14:41why are you talking about narnia
14:43what tashban it's from the chronicles of narnia
14:47yeah jack's reading it i forgot how messed up it is
14:49that lion is a freaking nurse
14:51i i i i i've got to go love okay right bye bye bye bye yeah love you bye
15:00jesus christ
15:02what was it he was right
15:04what are you talking about yeah
15:06they couldn't have come from tashban
15:08because tashban doesn't actually exist girls
15:12every single thing she told us was a fucking lie
15:28and with that it's goodbye jody perfect
15:32a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself the truth is you don't
15:40have to do
15:41that much what's that thing they say about lying a good lie stays close to the truth like with your
15:48name
15:49i always think it's best to go for something that sounds similar
15:53that way when someone calls you or you have to sign something
15:56it's less of a leap like psychologically so i'm thinking
16:24so i'm thinking
16:28it's got to take the hardware with me i'm afraid babes it's not that i don't trust you
16:34it's just better safe than sorry type thing and i've been stung before people are like
16:39i just want to talk to my mother or sister or son or springer fucking spaniel just once
16:48just to hear their voice yeah like i get a bit but now you've thrown the whole operation
16:53and i'm starting to decide with whoever it is the one she did
16:59you're on the other side of things now i guess
17:02what's that well earlier you said that you were evaporated too
17:07all right yeah but i was so young how young 13.
17:17yeah my parents they were both god i still haven't found a better way of putting this
17:27like they were kind of murdered babes i'm so sorry you don't need to know all the details
17:34trust me it will kill the crack overnight my environment became
17:41well not the safest and bicker heard what happened and she decided to help me
17:50bicker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common
18:05what is well you were young too when that marco woman stepped up i mean
18:16you know about that you know what happened with my mother we know everything babes
18:42i'm
18:46i'm
18:47La-la-dee-la-la-la
18:50La-la-dee-la-la
18:51La-la-dee-la-la
18:53La-la-dee-la-la
18:55La-la-dee-la-la
18:58Cheers, man!
19:00You go kick the shit out of those
19:01doorway packers!
19:02Yeah!
19:09It's all Saint Patrick's Theatre.
19:10What's it?
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:40Run!
20:10Run!
20:11It's supposed to bring you bad luck!
20:11And you're not wearing blue!
20:18I'm not wearing blue!
20:20I'm wearing blue!
20:34Unh!
20:34She's here.
20:36Why does she do that?
20:40Come on, come on, come on.
20:59Thanks.
21:00Sure you think one?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:28Mmm.
21:29Would you like a straw?
21:31Do you think I could last one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay, well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:53I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh, I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:20In the meantime, let me show you this.
22:21So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You know, there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:57It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:40Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
23:59I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends,
24:30if I die today,
24:35then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay, at some point,
24:46we need to address the fact
24:47that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do to that male bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him
25:12since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27On her hair?
25:29She's on her way here.
25:42Robin,
25:43stay beside that door.
25:44I don't want a priest walking in here
25:45and seeing my fandango.
25:47What's your fandango doing out?
25:48Can everybody just keep their fandangos
25:51under wraps, please?
25:52Yes.
25:55Shh.
25:56Listen.
26:13Grab a weapon, quick.
26:22Come on.
26:24Come on.
26:28We're ready for a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:46Moving on to seat 32A.
26:48Let's have cast on set in five minutes, please.
27:09I feel like I need mass.
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, crew show.
27:19And for the people, crew show.
27:20Seth, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:49Involved...
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:59It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five, and you're helping with research.
28:05Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse's storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:27Hello?
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38You tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that, and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:45Let me do it.
30:50What a while.
30:57Let's go.
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:42Well,
31:46we don't make deals with the devil.
32:00Let's go.
32:01That's so cute.
32:02We chart a shop number.
32:04You gotta get the balance right with this stuff.
32:07It's more time consuming,
32:09but every stitch young can't be brand new.
32:12I'll sort the basics,
32:13because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:29It was my understanding
32:30that when I'm settled to my daughter,
32:32she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44And concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter,
32:59and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are built to survive.
33:22That's what Bicker told me
33:23when my parents tried.
33:26She said...
33:27She knew I was deafening
33:29because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:10Thirteen times?
34:12I'll win for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
35:10I wish you shouldn't have called us at night.
35:11Someone like that react to you, bashing her face in, I wonder.
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people,
35:24she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin,
35:28and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which,
35:32Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam
35:36now that he's a consultant.
35:37Why the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48Or what?
35:49The Late Late Show.
35:50Oh, my God.
35:52The Late Late Show.
35:53I love Patrick Hilton.
35:55I love Patrick Hilton.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't give it all the fusses.
36:05Fine.
36:05I love Patrick Hilton.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move a side, please?
36:16Uh, we don't have tickets
36:17because these are the competition numbers.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least
36:32held some high seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30-well.
36:42But you've yet to watch one episode of my show.
36:46Show's not funny.
36:47How would you know?
36:49We're just down there.
36:50Sorry.
36:52We're just down.
36:52We're just down there.
36:56We're back.
36:59We'll be back.
37:00Bye.
37:00We'll be back.
37:00It should be okay.
37:01We'll be back.
37:03Woo.
37:03Three, two, one.
37:54Three, two, one.
38:13One, two, one.
38:15Four, two, one.
38:29One, two, one.
38:31One, two, one.
38:33One, two, one.
38:33You are shitting me.
38:36Isn't that those three Belfast ages we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're one anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was.
39:06But then I realised it was the audience's attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable.
39:19And the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it, something like 10 million viewers tuned in to see you catch the elusive
39:38career killer in your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:49That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here.
40:17Look, look, Mummy's on TV.
40:20She really is.
40:21All right, lads, will you stop?
40:22Your mum's in Portugal.
40:29So, Saoirse Shaw, Patrick Keelty, Paddy, Patrick, Paddy Keelty, PK, Paddy, Mr. Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:48I guess, uh, I, lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
40:59Uh, films, news stories, uh, history, uh.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about it.
41:21Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:31When we were young, my, my friends and I, we did this pretty terrible thing.
41:37But only because we were, we were, uh, trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:58Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:03Tell us.
42:04Tell us.
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even, we don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:23Tell us.
42:27Tell us.
42:38Tell us.
42:42Tell us.
42:52She had it all along?
42:55She had it all along?
42:55I had it all along.
42:56She already knew the answer?
42:58She already knew the answer.
42:58Can I already know the answer?
43:00Of course you do.
43:02You've seen it.
43:04Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:16Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:27I've got it.
43:29Penny, it was actually a pretty challenging shoot.
43:32I assume.
43:32I had these sort of panic attacks, but I had someone talk.
43:35I really must have had some media training.
43:37Back at five. Don't go anywhere now.
43:40Roll it there.
43:45Big panic at work.
43:46Right. Hello. Let's go. We've got to get you.
43:48I saw Patrick.
43:50We all saw Patrick too.
43:52Keep going. Keep going.
43:53What is he like?
43:55Let's go. Come on.
43:58Jesus. Those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick.
44:09I love Patrick.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes. Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:45250197.
45:03Oh my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson. Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
46:23What do you want?
46:26What do you want?
46:27What do you want?
46:37Help!
46:37Yeet!
46:38Drake!
46:41Me!
46:57You keep going until I tell you to stop.
47:13You keep going.
47:13You keep going until...
47:19Oh!
47:23Los oots are still able to...
47:23Know so, all won't you?
47:27Don't getģ!
47:28The hell in the tournament...
47:29Don't get predict.
47:29Where the hell are you?
47:35Don't get rid of the...
47:39Hell's SCOTT ARE SO proved.
47:40The killer do you know?
47:41With respect!
47:42Video to the bob visible?
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