- 2 weeks ago
How To Get To Heaven From Belfast S01E07 [Full Movie] [Full Storyline]Full EP - Full
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00:00I don't know.
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50They told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother is what I actually said.
00:58Time to get in there?
00:59Mum, yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:18See ya.
01:44You should always keep your front door closed.
01:48You never know what might get in.
01:56I wanted to have this conversation in Portugal.
02:00But you left in such a hurry.
02:03My family, my husband and my daughter, they don't know.
02:11You mentioned that in your letter.
02:13And what did you tell them about why you were cutting your holidays short?
02:17I lied.
02:19I've got very good at that.
02:21I expect you have too.
02:24Hmm.
02:26Hasn't been easy.
02:28Tracking you down.
02:32I even found myself back there.
02:37Heavensvale.
02:39It's a ghost town now.
02:43No.
02:44Afterwards, everyone left.
02:46Well, not everyone.
02:50Your mother's still there.
02:52What?
02:54Well, thereabouts.
02:56She's very ill now.
02:58There's this place on the outskirts.
03:01I thought you might...
03:02What?
03:03Visit her?
03:04Yeah.
03:06Maybe not.
03:10We were just two little broken dolls, weren't we?
03:20I want you to have something.
03:23I've got one, too.
03:25It's a...
03:26It's a friendship bracelet.
03:30We were friends once.
03:34You didn't come all this way to give me a friendship bracelet.
03:40I have the most wonderful news.
03:45When I saw you in Portugal after all this time, I knew it was a message.
03:50I knew it was him.
03:52I knew he'd brought you back to me.
03:56Who?
03:57Please tell me you're not talking about God.
03:59After everything that happened.
04:02The signs, they were strange at first.
04:07Especially the photographs.
04:08And not just photographs.
04:11He comes to me in my dreams, appears in the faces of strangers.
04:14Who?
04:16Charles Sampson.
04:21You look frightened.
04:24This is fucking terrifying.
04:25It's beautiful.
04:27It's God's will.
04:28What is...
04:29What does he want?
04:31For Charles to be at peace.
04:33For us to seek redemption.
04:36And for his son to have the answers he deserves.
04:39He had a son.
04:41Did you know that?
04:44I shut it out completely.
04:46The idea that Charles was a person with a past.
04:50And when the vision started, I got curious.
04:53He's studying journalism.
04:56The son, Andrew.
04:59His name's Andrea.
05:03We need to tell him what happened.
05:13I'd like you to leave.
05:29We're being given an opportunity here.
05:32A gift.
05:33Great.
05:34You take it.
05:35Keep me out of it.
05:37But I don't know what happened to him afterwards.
05:39His body, I mean.
05:41Because I dealt with it.
05:43For you.
05:44Yeah?
05:45To protect you.
05:46You felt guilty.
05:49Because you were clever.
05:51And interesting.
05:52You were worth saving.
05:54And I wasn't.
05:56But it's okay.
05:58It's all okay.
05:59Now.
05:59Get out.
06:02I'm not going anywhere.
06:06I'm calling my husband.
06:09It's too late.
06:11I rang his son.
06:12I told him to come here.
06:16I'll deny it.
06:19I'll deny everything.
06:20I still have the tape.
06:24What?
06:25I kept it.
06:27Locked it away in a little box.
06:29Are you blackmailing me?
06:30I'm guiding you.
06:32Guiding you into the light as God wants me to.
06:36You need help.
06:37For everyone practicing evil hates the light.
06:39Lest his deeds should be exposed.
06:41But he becomes into the light.
06:44His deeds may be clearly seen.
06:46And may have been done.
06:48In God's name.
06:49Fuck.
06:51I'm on the phone.
06:52I'm not there.
06:54I'm not there.
06:55I'm somebody else.
06:56No.
06:58Oh.
07:02Oh.
07:04Oh.
07:05Oh.
07:06Oh.
07:10Oh.
07:12The sky.
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:36Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong.
08:42If anything's that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal. Donegal is weird.
08:52No offence.
08:55We need to get to Belfast.
08:57But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00For some dougal cards or phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver.
09:06Not a thickin' highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta?
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact?
09:33Whatever it was, it was big enough, insane enough to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55It feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03No, fuck it.
10:08Welcome to South Belfast.
10:10Very important police station.
10:12No more inquiries, please report to the front desk.
10:28Christ.
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:40We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck.
10:45In Derry.
10:46In Derry?
10:47It's very much a headquarters situation, I'm afraid, babes.
10:50Fuck!
10:54There's PhDs that are more straightforward.
10:56That's the same with any cross-border request.
10:58They make it so complicated.
11:00But you're happy to use our lads.
11:02That makes it easier.
11:03The guard's poking around up here at, um...
11:06They can get some people's backs up.
11:07I bet.
11:08And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:13Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:24Oh, my God.
11:32Hey.
11:34You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:41I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because...
11:52That mad bitch locked us in a tower.
11:54Like Rapunzel.
11:55Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got a shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital, it was being treated.
12:20Did you listen to it?
12:23No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Pryor's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognize this woman?
13:09Laura O'Hara.
13:13You're sure?
13:14That book there.
13:16Where'd you get that book?
13:18The FGM message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you've been killed.
13:25It feels sort of redundant now.
13:27So are we free to go or what's the crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:35Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:49Fuck, you know, sack this.
13:50Sit down.
13:51Feed the will not, you fucking fetus.
13:53Let's go.
13:53Please don't.
13:55Please.
13:56I'm just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:03You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:17Move.
14:20Go back, go back, go back, go back.
14:34We need to lose the car.
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:04I didn't know what it was, though.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:10Christ, you get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:16It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards,
15:25and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:32She won't use them.
15:38The window's closing,
15:40and Rosa decides to call us to dairy.
15:42Well, there's no precedent.
15:44Yeah, this is the first, babe.
15:45It's not an achievement.
15:46Rosa's priority should be getting that gear back
15:48and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:52Christ.
15:53Just such bad timing
15:55on the back of that whole other hollow blue.
15:58What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:02Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like,
16:10told someone that, babes.
16:11He backchatted me.
16:12You blew him up because he backchatted you.
16:14I blew him up because I didn't trust him.
16:16The backchatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Money.
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember.
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:53What?
16:53Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are...
17:02like, drawing attention to themselves.
17:05I can't think who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:29Hello?
17:32Where is this?
17:34Hello?
17:43Mom?
17:46I love you.
17:51Mommy?
18:10Cold?
18:12No, I'm fine.
18:14Oh, no, please, don't do that.
18:16It's fine.
18:17Fine. It's fine.
18:25Why didn't you tell me about Andrew?
18:30I don't know.
18:31I didn't give it much thought or it didn't seem relevant.
18:34Which?
18:35I don't know.
18:37Before I found you in Dublin, I went to the set of your show.
18:41Spoke to Seb.
18:42You spoke to Seb?
18:43Such a big machine.
18:46But it all starts in your head, doesn't it?
18:49I suppose.
18:50I was thinking about what you told me the first time I was there.
18:53About how you take bits and pieces from real life.
18:57Most shaders do.
18:58You never worry, the lines might get blurred.
19:00The lines?
19:00Between reality and story.
19:04Not really, no.
19:07If there's anything else you haven't told me, I'd do it now, Saoirse.
19:20I see it in there.
19:22I see it in there.
19:36Hello, Garda.
19:37Sorry?
19:38Oh, no, I'm not actually...
19:40Is Inspector O'Neill about?
19:42He borrowed the letter and we need it back.
19:44Mervyn's birthday.
19:46How you made Inspector so young with all memory?
19:48Inspector O'Neill, did you say?
19:50Owen, tell him the proposals with the superintendent now.
19:54What?
19:55The excavation proposal for the school grounds.
19:57It's with the boss now.
19:59It'll take him a while to go through it though,
20:01so we shouldn't hang about.
20:02Try and give him a call.
20:10What's keeping them?
20:14Dunno.
20:37What the fuck?
20:40Why would he pretend to be on?
20:43It's the only way you get permission to do it.
20:44Did he what?
20:46Excavate the school grounds.
20:47What the fuck?
20:48Keep moving.
20:49How does he know?
20:50Maybe.
20:51Those notebooks Andrew had.
20:54His father's notebooks.
20:55Maybe there was something in there.
20:56We could have found the body.
20:57Yes, that is now quite a real possibility.
20:59We're fucked.
20:59We didn't kill him.
21:00It doesn't matter.
21:01We were there.
21:02We moved him.
21:03We buried him.
21:03Our DNA's probably all fucking over him.
21:06Oh, but it's been so long.
21:07Twenty years.
21:08Well, DNA doesn't wash off.
21:10It's like Catholicism.
21:11Yeah, but we didn't do it granted it.
21:13They're not going to believe us.
21:14They're going to think we're trying to blame it on a dead woman.
21:17She's not dead though.
21:18I was just about to tell them that.
21:19We can't tell them that.
21:20Not now, don't you see?
21:21If we tell them that now, it's going to make us sound cornered and desperate and...
21:24Taxi!
21:25We can't tell them we didn't do it.
21:27We have to prove it.
21:29I'll be back soon.
21:30Meet you by the bridge in an hour.
21:31Jesus Christ!
21:34Where's she going?
21:55Oh, sweetheart.
21:59mum's alive
22:04what happened dad
22:07who died
22:08what did you do
22:10your mother has secrets
22:20I didn't want this person
22:22I was to infect the people I love
22:24what do we do now Margo
22:26I know someone who can help us
22:29I represent an organization
22:31that helps women
22:33that have nowhere else to turn
22:37allow me to explain the process
22:43I was just trying to protect you
22:45you think I didn't know something was wrong
22:49I was going insane
22:52I knew you were all lying to me
22:56I thought you did something to her daddy
23:00I didn't know who I could trust
23:06that's why I traced those friends first
23:10that's why I sent that message
23:16you sent an email
23:19I'm sorry
23:21hey
23:24it's okay
23:37can you wait here
23:38I need the top step
23:44me too
23:44Cal won't play ball at all
23:46it's been a fucking asshole
23:48excellent
23:48excellent
23:55you're back
23:58where the hell have you been
24:00hello
24:07what are you two doing here
24:08we're looking for you
24:09well we're worried sick
24:11yeah you seem beside yourself
24:12like nobody could get a hold of you
24:13we lost our phones
24:15you lost your phones
24:15so how
24:16what's going on girls
24:17nothing's going on
24:18something's going on
24:19the disappearing acts
24:20the secrecy
24:21I'm going to ask you a question girls
24:22and I want an honest answer
24:25yeah
24:26have you joined the IRA
24:27nobody does the IRA anymore mommy
24:29your cousin Mary did only last month
24:31Mary joined ISIS mommy
24:33what?
24:34oh no sorry
24:35not ISIS
24:35Bupa
24:36how can Mary afford that?
24:38look
24:38I had Saoirse's parents on the phone
24:39they're going to ring the police
24:40Saoirse is fine
24:41we'll call them
24:42we'll tell them she's fine
24:43and we will make some tea
24:45we have tea
24:46we'll make more
24:49what is going on Robin?
24:50what is the plan exactly?
24:52so she gave her that number
24:53the number from the lighthouse
24:54didn't she?
24:55she'll meet
24:56I'm going to find out
24:57who Greta was calling
25:03oh hello
25:05it's a nursing home
25:06hello are you still there?
25:08what should I ask?
25:10I think there's a problem
25:11the mother's name
25:12who was it?
25:14Nora O'Hara
25:15as for Nora O'Hara
25:16hello
25:17I'm very sorry
25:18I don't know what happened there
25:20could you put me through to Nora O'Hara please?
25:23oh I'm afraid Mrs. O'Hara's done terribly well at the moment
25:26can I help with anything?
25:27I'm just trying to get in touch with her daughter
25:29oh I see
25:30well I can pass on a message when she arrives if you like
25:36could a fox have dug up the body?
25:38can they do that?
25:39is that asking too much?
25:41oh god baby
25:42where have you been?
25:43have you got a...
25:44I don't want to talk about the fucking cow
25:45who are these guys?
25:47they're the writers
25:48what?
25:49I'm the writers
25:49the writer
25:50I'm the writer
25:51he asked us to hire them
25:52who didn't?
25:53you sent us an email?
25:54when?
25:57hi there
25:58this series is so fucking annoying
26:01I just almost fucked my laptop out a window
26:03I can't do it on my own anymore
26:05hire some fucking writers
26:06not shit ones
26:07Sasha
26:08kiss
26:09hmm
26:11yes I see
26:12well
26:12I was obviously a few margaretas down at that point
26:15it is such a pleasure to meet you
26:17I have been
26:19you don't have to do this thing
26:20yep
26:20okay
26:21that's just like Jesse
26:22he can't handle praise either
26:23he was just been on Jesse Armstrong's new show
26:26has she?
26:27he's such a genius
26:28yeah so I hear
26:29anyway
26:30we need to change the story strand
26:31like quickly
26:32like immediately
26:33what?
26:33which one?
26:34er yes
26:35yes this
26:35here
26:36when the kids
26:37bury a body in the school crimes
26:39we're filming this soon
26:40we should have filmed it already
26:42but we had to push it down the show
26:43I don't know
26:43it's getting pushed
26:44all the way out of the show
26:45that will have a huge knock on
26:47the entire second half of the series
26:49will need to be replotted
26:50we put our lunch order in 45 minutes ago
26:52but there's still no sign
26:54what's that got to do with anything?
26:56sorry I thought we were
26:56talking about things that were worrying us
26:58this is why Jesse maps everything out
27:00in such intricate detail
27:01I hear his catering's amazing
27:03oh he curates the menus himself
27:04he's across everything
27:05it's actually really tough
27:06to be that much of a perfectionist
27:08yeah poor old Jesse
27:09fucking Armstrong
27:10look we need a new idea
27:11any new idea
27:13we need to make this work
27:14otherwise
27:15what? what is it?
27:23otherwise it's never gonna go away
27:27session
27:29what are you doing?
27:30borrowing a card
27:31you're leaving?
27:32just come up with a new idea
27:34me?
27:35it'll be great
27:35I trust you
27:41Jesse would have stayed
27:44this isn't really my vibe
27:46well obviously
27:47it's like fashionable
27:48alright then
27:49look
27:49you'd do well
27:50to dress a bit more like me
27:51dar
27:52lesbians love me
27:53I'm gonna have to object
27:54to that statement
27:54on behalf of my people
27:56remember that
27:56that big gay
27:57street party thing
27:58we went to
27:59pride
27:59that woman
28:00that barrister
28:01she proposed to me
28:02she was quite drunk
28:02Robin
28:03she didn't propose to you
28:04I am not wearing this
28:06fine
28:06I'll get you something
28:07at gyms
28:15dear Jodie
28:16I'm truly sorry
28:17for how things turned out
28:19don't look for me again
28:20don't contact me again
28:22I want to move on
28:24please
28:25let me
28:26this might explain
28:27things better
28:28Greta
28:30of course
28:51she's headed there now
28:52are you sure
28:53that's what the woman
28:54in the nursing home said
28:55we finally smoked the bitch out
28:57she'll not know what's hit her
28:58I'm not taking the fall
28:59for something she did
29:00no sir fucking re
29:01I'm not going down
29:02for no one
29:03time to visit music
29:04asshole
29:04she's had about 17 coffees
29:07I remember
29:07worse off this book
29:08in Jodie's apartment
29:10and that letter
29:11we found with the box
29:12the one Greta sent Jodie
29:13it says
29:14this might explain
29:15things better
29:16okay so you think
29:17Greta sent it
29:18shit
29:19Jim
29:20where the hell
29:21have you gone now
29:22fuck calm down Jim
29:23you took my iPhone
29:25how do you know that
29:25because I'm calling you on it
29:27oh and thanks for
29:28ringing Saoirse's parents
29:29oh no wait
29:30who didn't
29:30you're out
29:31no daddy
29:33because they're here
29:35my parents are there
29:36ha it's the woman herself
29:38hi Saoirse love
29:39I hear you and the girls
29:41have joined the IRA
29:42so we didn't even know
29:43they were still in action
29:45listen Robin
29:46I don't know if you're
29:47having some sort of breakdown
29:48I'm not having a fucking breakdown
29:49Jesus I take a few days away
29:52at my France
29:52aren't you always sailing
29:53off to London
29:54to make the money
29:55we need to keep our family
29:57he's looked after the kids
29:58for the best part of a decade
29:59I said the rules Robin
30:00I keep our fucking family
30:01run run run
30:03look I know that love
30:05and I appreciate that
30:07all I'm asking
30:08is for one more day
30:09the nursing home's near Cork
30:10two more days
30:11do you think you could
30:12mind your own children
30:13for two days James
30:14of course
30:16all I'm asking
30:17I will be taking
30:17no further questions
30:18at this time
30:20ball bag
30:26the excavation request
30:27is being processed
30:28but even if we do
30:29get permission
30:30and nobody up here
30:31found out on
30:32you're not actually
30:33Inspector O'Neill
30:34right
30:34the area we're looking at
30:35well it's vast
30:36the skill grounds
30:37well we're thinking
30:38the caretaker's cottage though
30:39it's surrounded by woodland
30:41Andrew
30:41we might
30:43might get one shot
30:45at doing this
30:45we need to be more
30:46specific
30:49I've so little
30:50Liam
30:53I spent my whole life
30:55trying to shape
30:56what little I have
30:59trying to understand
31:00who he was
31:00I mean that's the only
31:02reason I'm studying
31:03journalism for Christ's sake
31:04I don't even know
31:05if I'm any good at it
31:07it feels like he's a
31:08character in a story
31:10everything about him
31:11is just so vain
31:13fragile
31:15I always thought
31:16that if I could just
31:17find him
31:21I don't know
31:22then I could make him
31:22real
31:26but that sounds so mad
31:28right
31:29we're all trying to make
31:30sense of something
31:32to find light
31:34in the dark
31:38hoping to write
31:39my balance out or wrong
31:42just that way
31:43you're helping me
31:43Liam
31:45or just a good deed
31:46that might undo a bad one
31:52what made you move
31:53to knock Dora
31:55something happened
31:56when you were working
31:56in Dublin
32:00you know what Andrew
32:01I think you'll make
32:02an excellent journalist
32:30welcome to
32:34we have an appointment
32:36at names please
32:38no sorry
32:38we're in the other book
32:39the other book
32:41the other book
32:43of course
32:44right
32:47I am so so sorry
32:49I'll sign this out
32:50of course
32:54it's such an honor
32:55to meet you
33:04come on
33:05we've been driving
33:05for ages
33:06I'm starving
33:07this story is fascinating
33:09so it's this young girl
33:10and she's trying to move on
33:12from this very traumatic event
33:13that's
33:14well it's just referred to
33:15as the big bad
33:17where the hell are we
33:19the big bad
33:19no signal
33:20no road signs
33:21are we lost
33:22I'm not even sure
33:23what kind of we're in anymore
33:24perfect
33:26let's ask you
33:41excuse me
33:42you were wondering
33:44if there was a hotel
33:45or a B&B nearby
33:46that you might recommend
33:47do I look like
33:48the tourist boat
33:50I'm sorry
33:50do I look like
33:52a fucking tourist boat
33:53well
33:55no
33:56you buy something
33:58and then
34:00we talk
34:01we were gonna buy something
34:06cheeky wee shit
34:07yeah
34:07anyway
34:08she
34:09the
34:10the writer
34:11she doesn't ever reveal
34:12what happened
34:13what the big bad
34:15actually was
34:19the argument
34:20the argument
34:20that she seems
34:20to be making
34:21is
34:22it's not relevant
34:24which is
34:24sort of the opposite
34:25of what you'd expect
34:26the thinking around trauma
34:27to be
34:27and this seems to be
34:28about making it
34:29distant
34:31dreamlike
34:33disassociating from it
34:46look at a motel
34:48down the road
34:49from here
34:49I didn't even know
34:50we had motels
34:51card
34:52oh card
34:53oh card
34:54please
34:58ah no
35:00shit
35:00wrong one
35:18hey
35:19yes
35:48sus
35:54Ladies. Ladies. I think that's all of us.
36:04So, as some of you probably already know, we've had an incident with one of our clients.
36:13They left before we'd completed the operation. There's a first for everything.
36:19I suppose.
36:21Rosa, before we get into that, there's another issue I'd like to discuss.
36:25But I'm sure it couldn't be quite as present.
36:28Oh, it is.
36:36Jackson?
36:37Yeah, Jackson.
36:40Jackson's left the building, I'm afraid. Apologies to anyone who was searching for him.
36:44I didn't mean to waste your time. I had a lot going on.
36:48Didn't get the chance to circle back, as they say.
36:54Why?
36:56He'd been exchanging confidential information for money.
37:00Putting clients at risk.
37:02Are you sure?
37:03I'm sure.
37:04She has receipts, babes.
37:06I see.
37:07We just need to make sure that he was the only one.
37:10Well, of course.
37:11We consider it a priority.
37:14And look, our AWOL client, I just want to reassure everyone that we will find her quickly and pull her
37:20into line.
37:21Toads, babes.
37:22No, it's not a matter of pulling her into line, Booker.
37:43Oh, good evening.
37:45My name is Norman.
37:48Can I help you?
37:49Norman?
37:50You own a motel, and your name is Norman?
37:53I don't own it.
37:54My father owns it.
37:55What's his name?
37:57Norman.
37:58Do either of you practice taxi journey?
38:02We just need a couple of rooms for the night.
38:08Do you know Heavensville?
38:10Kyle and Yao.
38:11I mean, that's a good bit further west.
38:13You made direct calls stopping here.
38:15I'm starting to question that.
38:17So you've heard the story, then?
38:19What story?
38:20Beautiful place, by all accounts.
38:23But sure, no one's lived there for decades.
38:25It's a ghost town.
38:26Why's that?
38:27Because they all got spooked.
38:29Spooked?
38:30A group of kids gathered in a little church one night.
38:34Then there was a fire.
38:36Most of them died.
38:39Eight of the poor little souls.
38:41Just doesn't bear thinking about.
38:44I mean, it destroyed that community.
38:46It wasn't deliberate.
38:47Oh, it was deliberate, all right, yeah.
38:51Who started?
38:53They say it was the devil himself.
39:01Here we are.
39:02Now, will you be wanting the minibar stocked?
39:05I think we're okay.
39:07We're very tired.
39:16Oh, I think the fuck's not.
39:18On second thoughts, we absolutely will be needing all the alcohol.
39:25She is out in the wild with sensitive information.
39:30What kind of message does that send to our other clients?
39:34Our more lucrative clients?
39:35This is a business.
39:37Rosa, when we started, it wasn't.
39:40It was a calling.
39:42We wanted to help vulnerable women.
39:45We wanted to help them escape from horrific circumstances.
39:50Now, we'll help anybody escape if they've enough money.
39:55Help abusive men escape justice if they have enough fucking money.
40:02Christ.
40:04The erosion.
40:08The erosion.
40:09You are so obsessed with the past.
40:15Times have changed.
40:20What fella's a fucking weirdo?
40:22I can't see anything about a fire in Heaven's Vale.
40:24No, you have to search the Irish name.
40:26What is it?
40:27Call you now.
40:28She's done that.
40:29Have you spelled it right?
40:30C-A-I.
40:32I've got the right place.
40:33It says, a small Irish-speaking community lived there to the late 90s.
40:37Jesus Christ.
40:38What is it?
40:39The book.
40:42Do you want to tell us what the fuck you're talking about?
40:48Come here, look at this.
40:53Okay, right.
40:54So, the first one.
40:56Heaven's Vale.
40:58Look at the second half of the author's name.
41:00Can Calier.
41:01Callier.
41:01That's so similar.
41:03Callier means Vale.
41:04What does Can Calier mean?
41:09Unveiled.
41:11Greta Unveiled.
41:14This book's about Greta girls?
41:18I made a contract with this woman.
41:22I promised to help her.
41:25Now, you're telling me that I have to kill her?
41:29It is but harsh, babes.
41:32Who brought the case to you?
41:35No, Rosa.
41:37I can't.
41:38You can't.
41:40This person helped me in the past in a professional capacity.
41:45Are they, uh, are they one of us?
41:47Well, no.
41:51Oh, I see.
41:53Uh, the adoptive mother.
41:56It's complicated.
41:57Yeah, it always is.
41:59Was she the only family member who saw you?
42:05No.
42:06Oh, dear.
42:07Oh, dear.
42:10Oh, dear.
42:15There must be another way.
42:17Booker.
42:19We need to erase the line completely.
42:25Anyone who knew about the case.
42:28Anyone who can identify you.
42:30Anyone who knows we exist.
42:33I have to protect the society.
42:37You cannot leave the process.
42:42Yes.
42:43So, is there anyone else we need to manage?
42:49So, the psychiatrist who wrote the doll complex, we're saying that's Margot Heaney?
42:53Mm-hmm.
42:54Yeah, I think so.
42:55And I think that is what Liam is circling as well.
42:58Oh, that means Greta was Margot's patient.
43:01Well, she adopted a patient.
43:02Sure isn't that lovely and healthy.
43:04Well, it's a big bad.
43:05It happened to Greta.
43:07Well, could it be connected to the fire in the church?
43:08So, we know that Jodie and Greta grew up in Heavensville.
43:15Jodie's body had burn marks.
43:16Did they both survive the fire?
43:18Did they know what happened?
43:19Or who caused it?
43:20Still thinking.
43:21Probably not the devil.
43:22Okay.
43:23We need to try and lay this out chronologically.
43:28This is such a good idea.
43:29It's a screenwriting trick.
43:31It's how we plan everything out.
43:32And all writers do this, even the big ones.
43:34Big ones?
43:35You know, like your ma'am, Jesse Armstrong.
43:38Why are you so class?
43:40Can you pass me some more paper?
43:46Heavensville is our inciting incident.
43:48What the fuck is this?
43:51Oh, God.
43:52Okay.
43:53You wrote about it?
43:54What?
43:55This burying the body in the school grounds.
43:57She used it in her stupid show.
43:58I wrote it ages ago, before any of this started.
44:01It's not even what happened.
44:03It's inspired by...
44:05Oh, my God.
44:06I've asked for it to be taken out.
44:07This is why they want to take up the grounds.
44:11Liam saw this.
44:12Seb sent those messages.
44:14About the scripts.
44:28What are you doing?
44:29Leaving?
44:30I can't.
44:31You can't leave.
44:34You stupid, selfish bitch.
44:38This is what you do.
44:40You like chaos.
44:42You surround yourself with it, but...
44:45I'm done.
44:47We're done.
44:54Darvon.
44:55Darvon.
44:57What did you expect, Saoirse?
44:59I don't know.
45:09Shit.
45:13First the envelopes.
45:14Those letters, and now this.
45:16Fuck knows what else she's done.
45:17She's been manipulating this whole thing all along.
45:20She's like a puppet on a string.
45:22Well, I think that would be us, the puppets on strings.
45:24I think she's more the puppet master.
45:30Hello?
45:33Robin?
45:36Who's there?
45:44Can I come in?
45:48Sure.
45:58The guy at the garage saw my ID, called the local station.
46:02Look, I know what you think.
46:03I don't even know what I think.
46:05You think we killed Charles Sampson?
46:08We didn't.
46:09Innocent people don't run.
46:11It's complicated.
46:12It'd be less complicated when we find his body.
46:15And I'm not going to rest until we find his body.
46:20I'd be slowed down a wee bit.
46:22She's a fucking insane, Darvon.
46:23You know, we need to start protecting ourselves here.
46:27Me and you.
46:28We need to start distancing ourselves.
46:32Fuck!
46:34Oh, my God.
46:37What was that?
46:39I don't know.
46:44He was dead when we got there that night.
46:46At the caretaker's cottage?
46:48Greta told us he attacked her.
46:50He'd been hanging around for weeks.
46:52She said he was an ex.
46:55She said his name was Jason Meadows.
46:57It was all lies.
47:00Everything she told us was a lie.
47:03And I think I sort of knew that.
47:06Wait.
47:07Come here.
47:10Come here.
47:16Turn around.
47:25Turn around.
47:29I knew I'd seen it before.
47:32Charles Samson drew that in his notebook yet.
47:34You'd never even spoken to him.
47:36We were kids when we got them.
47:38Greta convinced us to.
47:41Greta again?
47:42Yes.
47:43She's taken a lot of responsibility for a woman who wasn't here to defend herself.
47:49Greta's alive.
47:54What did you say?
47:55I know what it sounds like.
47:56Her body was in the morgue.
47:57Judy Pryor's body was.
48:03I can't see anything.
48:04We hit something, Robin.
48:05Well, then where is it?
48:13We're trying to find her.
48:15Greta.
48:18Trying to find out who the hell she actually was and what exactly we are caught up in here.
48:24Liam, I'm so sorry I've dragged you into all this.
48:27I really am.
48:30But all I was doing was trying to find out the truth.
48:37What do I do with this?
48:49What should I do now?
49:00Do whatever you want.
49:22Let's go.
49:23Let's go.
49:26Let's go.
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