00:28Transcribed by ESO, translated by —
00:58Transcribed by —
01:29Transcribed by —
01:59Transcribed by —
02:18Transcribed by —
02:20It's gotta be something bouncing off the... off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those Chatty Cathy's at the Forest Service.
02:28I hate those guys, always on the radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal. It's drifting.
02:37What is it, then?
02:44Looks like simple pulse width modulation. Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:55It's not the atomic clock. The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration, but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but bass four. Quaternary.
03:25Oh, this won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2? Chuck Berry?
03:48Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:58Megawatts? Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa. Bigger.
04:07You go to all that trouble to send a message.
04:10It's gotta be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption. Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
05:21The twin moons hung low and full.
05:24Two wine-green eyes peering over the horizon as if to steal a glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator looking for something, anything,
05:33that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all trace of the day's
05:47fight.
05:48With a languid nod,
05:52Lucasia bade him follow to her cabin.
05:55Little did this callow deckhand know that serving at his captain's pleasure might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her top coat tighter, fingering its coarse wool, as her thoughts flashed back to Rabanne.
06:22It had been he who first wrapped the coat around her, whispering in her ear,
06:26May this keep you warm in my absence, my shy.
06:32With that, Rabanne, proud, haughty Rabanne, mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him, leaving Mary a ripple.
06:58Attention, lovers of speculative historical romance literature, best-selling author Carol Sturka,
07:04will now sign her new novel, Bloodsong of Wiccaro, the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, Sandworks!
07:23Rabanne is alive, right?
07:26Maureen.
07:27You can read it.
07:28Why, well, tonight, I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:38If Rabanne doesn't come back, I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:52Bye.
07:53Thanks, Maureen.
07:55Good to see you.
07:56Hi.
07:56Hi, Oban.
07:57Lately, I can't take your ideas here.
08:01Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her.
08:12Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:22Hi.
08:23When Rabanne and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27Madovian Spicefruit.
08:28Which Lucasia is...
08:32Deathly allergic to.
08:33Oh, you guys want a picture too?
08:35Yes.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Hi.
08:42Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is an authentic petless, just like LeBan's.
08:49Okay.
08:49Careful, it's really sharp.
08:51Okay.
08:51So, three things.
08:52A, when finally are they going to make a Waikaro movie?
08:55Please tell me it'll be an actual theater, it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter, the Mercator would not possess a
09:10mizzenmast, so...
09:12Craig, I'm going to need you to put this back in the bag before the store manager sees it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one!
09:23Oh, I love you.
09:23Thank you guys so much.
09:25Thank you guys.
09:26See you at the next one.
09:26Happy weekend.
09:27All right.
09:28All right.
09:33Hi ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah.
09:38Thanks.
09:38Perfect.
09:40That was quite a send off.
09:41I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:46Haha.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered and all that.
10:36What did we do to deserve this?
10:38Uh, my 14-year-old son from Arch and Band.
10:43Oh, aren't you a good dad.
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening.
10:50Morning.
10:51Whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Things?
11:09Well, our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:28We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00Alright, cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:20I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:50Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh.
13:02What?
13:03He's absolutely got a heartbeat.
13:06Strong one.
13:06Just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I'd-
13:09Ow!
13:10God, oh shit.
13:11Oh no.
13:12You've gotta be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't-
13:18Yeah, it's through the glove.
13:19Oh shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:26I'm gonna call this in as soon as I catch him, okay?
13:40Uh-huh.
13:42Uh-huh.
13:43Uh-huh.
13:43That's right there.
13:45Right there.
13:51That's marked 3-36.
13:54And uh-
13:57Jen?
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:04Jen!
14:05Jen!
14:07I'm looking out right now.
14:09I got you.
14:11Okay, come on.
14:12I got you.
14:19Oh, my God.
14:22Jen, can you hear me?
14:23It's gonna be fine.
14:25You're gonna be alright.
14:27Come on. You're gonna be alright.
14:29You're gonna be alright. You hear me?
14:31Come on. Come on. Come on. Talk to me. Come on, Jen. Come on.
14:34Jen?
14:35You alright?
14:37Jen?
14:38Jen?
14:41I got you. I got you.
14:44Jen?
14:47Hey, Jen. Can you hear me?
14:50Jen, say something.
15:01Jen?
15:02Damn it.
15:03Are you kidding me?
15:18Really?
15:18Come on.
15:32Can you believe this thing?
15:36You got skinny arms.
15:37You think you could maybe, uh...
15:42Hey.
15:43I'm a baby.
16:25Yes?
16:43Yes?
19:27I'm gonna get some gum.
20:10Whoa, seriously? I had one Tito's in Salt Lake. That was like two hours ago.
20:39Dry Manhattan. And a Diet Pepsi. Thanks.
20:48We could take a cab home. Don't tell me you don't need a drink, because you need a drink.
20:53I don't need a drink. You need a drink.
20:55I don't need a drink. I call bullshit on that. I need sleep. That's what I need.
21:00Hey, cheers to the best tour yet.
21:04You leave me hanging here?
21:05I do not clean glasses with fucking Diet Pepsi.
21:08Best book tour. What is that? Is that like best stomach cancer?
21:13You endure it. You do not toast it.
21:15Oh, how I hate all those paying customers showering me with love and respect.
21:19And why do I have to make so much money? Where?
21:22How do you bear it?
21:32Bunch of dummies.
21:33Wow. It's a ship that sails on sand? Purple sand? That's brilliant. The world needed that.
21:43And the world needed yet another female character who spends all her time mooning over some fucking proud and haughty
21:49pirate.
21:50He's a corsair. Not a pirate.
21:53Mandovian spice fruit.
21:56Jesus, that... It's like a bad episode of Star Trek.
22:00All right, so how about you throw everybody a change-up?
22:01Hmm? Green sand? Is that a purple?
22:05Maybe it's time for your serious book.
22:09Why not? You've been plugging away on it for five years.
22:12Four and a half. Barely.
22:14Pardon me.
22:14So put it out already.
22:15I can't just...
22:18It needs polishing.
22:21Obviously. I mean, it does. Right?
22:22Okay. Take the next few months and polish.
22:25I'll work it out.
22:26I'll buy you some more time before your next Ycaro.
22:30Do you really think bitter chrysalis is that good?
22:34I think people will love it.
22:42You ever read, um, Finnegan's Wake?
22:44No.
22:46I tried, too.
22:48In grad school.
22:51It's probably great.
22:53I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figure...
23:03You make even one person happy?
23:06Maybe that's not art.
23:09It's something.
23:17To Rabanne.
23:19Proud, haughty Rabanne.
23:29Did you bring your cigarette?
23:31Since when do you smoke?
23:33Since now?
23:35Made my rest all the time.
23:37And I hope I see the country.
23:41And everybody's like to have what I've got.
23:44I've been pulling down this corner of my mind.
23:47It's what you find me here.
23:49That's my name.
23:56Are you trying to start a forest fire?
23:57Stop wasting my butane.
24:01Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah?
24:07On a plane, do you put your own oxygen mask on first?
24:13Oh, you're going to hear it.
24:15Houston Mom, 78, says about Blood Song.
24:18Best Waikaro ever!
24:19All caps.
24:20And, uh...
24:2316, 17!
24:25No!
24:25Exclamation points.
24:26Wow.
24:26Is that a new record?
24:27It's got to be.
24:28Spoiler alert.
24:29Rabanne is back.
24:30And yummier that ever.
24:31Yummier than ever.
24:32Think she means?
24:33Mm-mm.
24:34You better believe he's got my permission to come aboard.
24:37I'd walk his plank anytime.
24:39I'm sensing an auto-comotif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:53What?
24:55What do you think they're doing?
24:57What's what doing?
24:58The planes.
25:00Look.
25:03I don't know.
25:04What, is that weird?
25:05Yeah, it's weird, isn't it?
25:07All of them kind of parallel like that.
25:10Huh.
25:22Anybody else weigh in?
25:24That's all the usual suspects.
25:26Plus, a few new ones.
25:28Everybody loves it.
25:40You want to answer a few questions for them?
25:43What, now?
25:44No, no, no.
25:44Do one quick one.
25:45Let them know you're paying attention.
25:48Carol, my husband says Rabanne can be my hall pass, which I don't think is fair since Rabanne's not a
25:53real live person, although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Rabanne?
26:01That's hilarious.
26:05You want to tell the truth?
26:09Or do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16Nothing.
26:17What's wrong with him?
26:17Nothing.
26:18Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:22Hip it up.
26:25Just put George Clooney.
26:27It's safer.
26:34Shit!
26:36Shit!
26:50Oh.
26:56Buddy, you...
26:57You okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamn phone.
27:36Helen?
27:40Oh, my God.
27:43Helen?
27:44Helen?
27:46Helen?
27:51Help!
27:52Somebody help us!
27:54Help!
27:55I'm just hanging in there.
27:57Oh, hang in.
27:58Hang in there.
27:59Just hang in there.
28:07Oh, my, my, my!
28:11Oh, God.
28:25And...
28:29Oh, my god.
28:31Oh, my God.
28:35Oh, my God.
28:38Oh, my God.
28:41Oh, my God.
28:45Hollywood, you are right.
28:45Oh, my God.
28:45Oh, my God.
28:47Oh, my God.
28:47Oh, my God.
29:04Give me.
29:05Give me.
29:06Give me.
29:10No.
29:12Ah!
29:22I'm James.
29:24Please.
29:26Please.
29:27Please.
29:28Yes, yes, yes!
29:30Please.
29:30Please remain on the line.
29:32An operator will be moved shortly.
29:35Be afraid to be out.
29:36The code is moved.
29:37The number of 8-8-8-9-9-9-9-9-9-9-9-9-9-9-9-9-9
29:43-9-9-9-9-9-9-9-9.
30:20Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
30:25come on, come on.
30:34Fuck you.
30:35Fuck you.
30:36Fuck you.
30:36Fuck you.
30:37Fuck you.
30:41Fuck you.
30:42Fuck you!
30:52You better get out.
30:53Come on, get out.
30:54Get out!
30:59No!
31:00Fuck!
31:03Fuck it!
31:04Go!
31:20Move.
31:34Move!
31:50Move!
31:52Move!
31:55Move!
31:56Move!
31:57Fuck!
31:57Whoa!
31:58No!
32:02Oh, my God.
32:32Oh, thank God.
32:35Oh, thank God.
33:04Oh, my God.
33:28Oh, my God.
33:32Oh, my God.
34:13Oh, my God.
34:37Oh, my God.
34:49Oh, my God.
34:54Oh, my God.
34:55Oh, my God.
34:55Oh, my God.
34:57Oh, my God.
34:59Oh, my God.
35:00Oh, my God.
35:09Oh, my God.
35:21Oh, my God.
35:55Oh, my God.
36:05Oh, my God.
36:31Oh, my God.
36:38Oh, my God.
36:41Oh, my God.
37:13Oh, my God.
37:54Oh, my God.
38:14Oh, my God.
38:20Oh, my God.
38:29What?
38:33Oh, my God.
38:38Oh, my God.
39:08Oh, my God.
39:16Oh, my God.
39:31Oh, my God.
39:39Oh, my God.
39:53Oh, my God.
40:04Oh, my God.
40:25Oh, my God.
40:55Oh, my God.
40:57Oh, my God.
41:25Oh, my God.
41:28Oh, my God.
42:04Oh, my God.
42:15Oh, my God.
42:29Oh, my God.
42:31Oh, my God.
42:50Oh, my God.
43:06Oh, my God.
43:38Oh, my God.
44:05Oh, my God.
44:09Oh, my God.
44:47Oh, my God.
44:53Oh, my God.
45:20Oh, my God.
45:47Oh, my God.
46:18Oh, my God.
46:29Oh, my God.
47:03Oh, my God.
47:22Oh, my God.
48:10Oh, my God.
48:28Oh, my God.
49:10Oh, my God.
49:13Oh, my God.
49:23Oh, my God.
50:11Oh, my God.
50:22Oh, my God.
50:46Oh, my God.
51:23Oh, my God.
51:51Oh, my God.
52:24Oh, my God.
52:45Oh, my God.
53:23Oh, my God.
53:33Oh, my God.
54:03Oh, my God.
54:55Oh, my God.
54:58Oh, my God.
55:56Oh, my God.
55:58Oh, my God.
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