- 7 hours ago
The Crown S01E09 [Full Movie] [Full Storyline]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no, no, no, no, no.
00:02:13Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Oh.
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:17Who?
00:03:18Who?
00:03:19Who?
00:03:20Who?
00:03:23Who?
00:03:31Who?
00:03:33Who?
00:03:33Who?
00:03:34Who?
00:03:35Who?
00:03:47Who?
00:03:47Who?
00:04:09Liesbeth.
00:07:01What portrait?
00:07:03It's the official portrait commissioned by both houses.
00:07:06It's your present.
00:07:08Sutherland?
00:07:09Hmm.
00:07:11Never heard of him.
00:07:12He's got quite the reputation.
00:07:14He's a modernist.
00:07:15I'm sure I can trust a modernist with an English name.
00:07:19Give me a German modernist.
00:07:22Or an Italian.
00:07:24They're the ones who have to start all over again.
00:07:27Whatever would an Englishman want to change?
00:07:29Right.
00:07:50It's grand to be home again after so long an absence.
00:07:55The surgeon who operated on me told me yesterday that all was well.
00:08:00I'll need to have a further period of convalescence, put on some weight.
00:08:06There's nothing else to worry about.
00:08:09As I said, it's grand to be home again.
00:08:12Well, I look forward to being back at work just as soon as possible.
00:08:37Hello?
00:08:38Poor G.
00:08:40I hope I'm not disturbing.
00:08:42Goodness.
00:08:43Am I disturbing?
00:08:47No.
00:08:48Good.
00:08:49It's all real.
00:08:50I think we're making a mistake.
00:08:52I think we should lead from the start.
00:08:55And I think you're wrong.
00:08:57But we both know he doesn't hold up naturally.
00:08:59We tried holding him up against Darius before, and Darius won.
00:09:03That was the Guineas, which is a mile.
00:09:06This is the King George.
00:09:08A mile and a half.
00:09:11What will we do if he plays up before the race?
00:09:13He always plays up.
00:09:15That's who he is.
00:09:17You don't seem the slightest bit worried.
00:09:20Anything else?
00:09:22Well, can I just say one more time, for the record, I think we should start fast and run at
00:09:30a good clip.
00:09:33Noted.
00:09:34I am right sometimes, you know.
00:09:36Even you said yourself that I have good instincts.
00:09:39You do.
00:09:41I might well live to regret it.
00:09:44That and a good many other things.
00:09:47Oh, dear. Such as?
00:09:49Good night.
00:09:52Good night.
00:10:29Mr. Sutherland, Prime Minister.
00:10:31Good morning.
00:10:32How do you do?
00:10:33Good morning.
00:10:33Hello.
00:10:34How do you do?
00:10:34Good morning.
00:10:35How do you do, sir?
00:10:36It's an honor.
00:10:37I don't know.
00:10:37The honor is mine.
00:10:45So where do you want me?
00:10:52So, will we be engaged in flattery or reality?
00:10:57Are you going to paint me as a cherub or a bulldog?
00:11:01I imagine there are a great number of Mr. Churchills.
00:11:04Yes, indeed there are.
00:11:06Well, as you search for him perhaps I can implore you not to feel the need to be too accurate.
00:11:14Why?
00:11:15Accuracy is truth.
00:11:16No.
00:11:17For accuracy we have the camera.
00:11:20Painting is the higher art.
00:11:24I paint a bit myself, you know.
00:11:28Yes, sir, I know.
00:11:30And I never let accuracy get in the way of truth if I don't want it to.
00:11:34If I see some landscape I like and I wish there wasn't a factory in the background, I leave the
00:11:41factory out.
00:11:45So, Mr. Sutherland, tell me, I'm fascinated, what is your process?
00:11:54First I shall take some photographs.
00:11:57They'll be useful as reference when I get back to the studio.
00:12:00Then I shall do some charcoal sketches, studies of the head, hands, and then I'll work the sketches up.
00:12:09The actual painting will be done in my, uh, studio at home.
00:12:16Um, is this, do you mind?
00:12:18Perfect, all right, carry on.
00:12:22What pose are you thinking of?
00:12:27Seated.
00:12:31A good right standing, it might be more commanding.
00:12:36Dynamic.
00:12:38It might make me look younger.
00:12:42I thought the painting was supposed to celebrate reaching a certain age.
00:12:46Four score years, Winston.
00:12:48Yeah.
00:12:49I think seated is more senatorial.
00:12:52Oh, senatorial.
00:12:55What nonsense.
00:13:00Yes, I agree.
00:13:09Cigar or no cigar?
00:13:13No cigar.
00:13:15Garter rose or no garter rose?
00:13:17No finery.
00:13:18No grandiosity.
00:13:22Dressed merely as a parliamentarian.
00:13:26A prosaic.
00:13:32I liked him.
00:13:33Yes, I could tell.
00:13:35He was smith, blushing like a little girl.
00:13:38Well, he is rather a wow.
00:13:42A wow?
00:13:43Torn, handsome, saturnine.
00:13:47A bit of a Heathcliff.
00:13:48He wants total control.
00:13:50Well, any artist worth anything would insist on that.
00:13:53We don't really want to flatter her.
00:13:55Yes, I do.
00:13:56No, you don't.
00:13:58Besides, it's manifestly clear he's a fan.
00:14:00Oh, no, don't be silly.
00:14:02You can smell the socialism on him.
00:14:04Even the socialists acknowledge you saved the country.
00:14:07Well, through gritted teeth.
00:14:10I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:21I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:30I have the protective instincts of a loving wife, and I can tell you this one is not an assassin.
00:14:54It's so clever.
00:14:56I know, I know.
00:15:26I remember getting the phone call from your father when he was born by Hyperion out of Angelola.
00:15:33Yes, we gave him his first milk, remember?
00:15:37Watching him grow up, everyone thought his elder brother would be the star.
00:15:41Your clever papa always had an instinct for this one.
00:15:44The underdog.
00:15:45And he backed him.
00:15:47And an underdog became a star.
00:15:50Yes, it is his favourite horse.
00:15:54So, what's next, Rajan?
00:15:57Well, we've received an invitation to the Laurel International.
00:16:02America?
00:16:03Yes, next month.
00:16:05Well, he's what?
00:16:07Four?
00:16:08Already at the older end of the spectrum.
00:16:10Hmm.
00:16:11If you're asking my opinion.
00:16:12Well, that is why I asked for you today.
00:16:16My honest advice?
00:16:18I'd consider retiring him now.
00:16:20At the top of his game.
00:16:22The best middle-distance horse in Europe with a sky-high market value.
00:16:26Let him earn you some proper money as a stud.
00:16:30Well, I'm surprised to hear you turn down the opportunity of going to America.
00:16:36Why?
00:16:38Well, that's where your girlfriend's from, isn't it?
00:16:41FiancƩe.
00:16:43FiancƩe?
00:16:45Goodness.
00:16:46Hmm.
00:16:49Who is she?
00:16:51Money, I hope, so you can keep up the stables.
00:16:53Actually, she's a Portsman.
00:16:55Dear, so no money.
00:16:56Some money.
00:16:57But a horse mad.
00:16:59Well, she'd have to be.
00:17:03You'd approve, I think.
00:17:06Well, can I meet her?
00:17:07If you promise you won't scare her.
00:17:09Why would I scare her?
00:17:10You're the queen.
00:17:12Only some of the time.
00:17:13All the time.
00:17:14That makes you terrifying.
00:17:16And she's heard a lot about you.
00:17:19From whom?
00:17:20From me.
00:17:22Some of it nice, too.
00:17:47No?
00:17:48Come on.
00:18:01Oh.
00:18:03Oh!
00:18:03The one you let get away.
00:18:06What?!
00:18:07He's always carried a torch for you.
00:18:09What, she?
00:18:11That's nonsense.
00:18:13He told me himself.
00:18:15One night while in his cups.
00:18:18That doesn't count.
00:18:21When a man's had a drink, that's when the truth comes out.
00:18:24No, that's when the nonsense comes out.
00:18:26Besides, you have interests in common.
00:18:29Forces aren't an interest for you, they're a passion.
00:18:32A passion your husband doesn't share.
00:18:34He has other passions.
00:18:37So I hear.
00:19:05Good morning.
00:19:12The foreign secretary is here, sir.
00:19:14Shall I show him in?
00:19:16No.
00:19:18Not here.
00:19:32Sorry to keep you waking.
00:19:35As apposite as ever.
00:19:38I didn't mean it like that.
00:19:44There's ugliness in the air, Anthony.
00:19:48I have nothing of beauty to say.
00:19:50Then say what you must.
00:19:52Deposit your ugliness and go.
00:19:54I have more important things to do.
00:19:57I have more important things to do.
00:20:01Very well.
00:20:07At some point, every leader must ask himself whether by staying in office he is giving to the country or
00:20:18taking from it.
00:20:19Helping or harming or harming.
00:20:23And I would suggest that for some time now, you have been taking and harming.
00:20:31And therefore, I come to you, in the name of the party and of the country, for the very last
00:20:38time, Winston, to bid you to stand down.
00:20:42I will in good time, yeah, at the right time.
00:20:46The right time was nine years ago when you lost us the election.
00:20:49And I have since avenged that defeat by winning us the last election.
00:20:53I won us that, Winston!
00:20:55I won that!
00:21:02People voted conservative in the clear expectation that you would give way to me.
00:21:07Oh, that is such rubbish!
00:21:09They voted conservative because they couldn't stomach socialism!
00:21:13Inflation is out of control.
00:21:15And with every misjudgment, with every miscalculation, with every utterance you make,
00:21:23that appetite to return to the left is growing!
00:21:26Be careful, Anthony.
00:21:27Too much excitement is not good for one so soon after an operation.
00:21:31Spoken by a man who, only two months ago, was effectively dead.
00:21:35Which makes two of us.
00:21:37I have recovered.
00:21:38That's not what I hear.
00:21:40I hear you're a shadow of your former self.
00:21:44That when you walk, the pills rattle around inside of you.
00:21:48I have something that you'll never see again.
00:21:52A clean bill of health.
00:21:55A stallion said the same.
00:21:57He died wrothling on the floor!
00:22:01Mr. Sutherland is here.
00:22:04Hello, Anthony.
00:22:05Anthony was just leaving.
00:22:08Hello, Timmy.
00:22:11Yes, I was, uh...
00:22:15Just leaving.
00:22:17Here we are.
00:22:19Morning.
00:22:21Morning.
00:22:22This is my wife, Kathleen.
00:22:24She'll assist me sometime.
00:22:26I hope you don't mind.
00:22:27talking.
00:22:42Hello, my friend.
00:22:54Here we are.
00:22:55It's over here.
00:22:56I hope you don't mind.
00:22:56I am waiting for you to worry about the hospital.
00:22:57This is my wife.
00:22:59Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10But which kind?
00:23:144B or 6B or something.
00:23:16Not sure.
00:23:18It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:24I gave a heavyweight cotton.
00:23:25A cold-pressed, decal-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband
00:23:38complete in a year, Mrs Sutherland?
00:23:413 or 4.
00:23:44Would you care to guess
00:23:45how many I average?
00:23:4710?
00:23:5015?
00:23:5160!
00:23:53Of course.
00:23:54I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Not a major artist like your husband.
00:24:03Taking his time.
00:24:05Mm-hmm.
00:24:07Over here.
00:24:12Mm-hmm.
00:24:15Mm-hmm.
00:24:19Mm-hmm.
00:24:19Mm-hmm.
00:24:20Mm-hmm.
00:24:21Mm-hmm.
00:24:21Mm-hmm.
00:24:38I did a little reading about you, Mr Sutherland, after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah.
00:24:55But in your search for your metier,
00:24:57you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it,
00:25:05you'll never leave it, yes?
00:25:06Mm-hmm.
00:25:07Yeah.
00:25:07I quite understand.
00:25:27How is it, Mrs Sutherland?
00:25:32it has truth
00:25:35am i to be allowed a peek
00:25:37no
00:25:39why not
00:25:40i could give you advice
00:25:42after all i know this face
00:25:44better than you do
00:25:45if you've made the neck too thick
00:25:47or the arms too long i can tell you
00:25:50i find in general people have very little
00:25:52understanding of who they are
00:25:54one has to turn a blind eye
00:25:56to so much of oneself in order to get through life
00:25:58and you see it as your responsibility
00:25:59to bring all that out into the open
00:26:01certainly the good as well as the bad
00:26:03just concentrate on the good
00:26:05and all will be well
00:26:07you're not just painting me
00:26:09you know you're painting the prime minister
00:26:11of the united kingdom of great britain
00:26:14and northern ireland and everything that
00:26:15great office represents
00:26:17democracy freedom the highest ideals
00:26:20of government and leadership
00:26:22just remember that
00:26:34yes
00:26:35lord porchester
00:26:37your majesty
00:26:38thank you
00:26:40plug in
00:26:41porchy
00:26:43what a palaver
00:26:44what is
00:26:45getting through to you
00:26:47i picked up the phone to you
00:26:48just after nine this morning
00:26:50it's now gone midday
00:26:51oh don't exaggerate
00:26:53but yes i know
00:26:54it is infuriating
00:26:55fire away
00:26:56you asked me to come to some figures for you
00:26:58with regard to aureole
00:26:59although i'm numerically dyslexic
00:27:01runs in the family i'm afraid
00:27:03like the high forehead
00:27:04i have done the sums
00:27:06see if this helps you with your decision
00:27:07in the course of his lifetime as a racehorse
00:27:10aureole has made you just over forty thousand pounds
00:27:13goodness
00:27:15but if you were to put him out to stud he could make you far more
00:27:18he's a recognized champion with a top-notch pedigree
00:27:21you could stand him at warfelton's stud for top dollar
00:27:26well
00:27:28that's the decision then
00:27:30good
00:27:31and in the meantime
00:27:33i'll ask if i can get you a direct line
00:27:35to you
00:27:36yes to me
00:27:38why
00:27:38or is there anyone else you wanted to speak to here
00:27:42no
00:27:43good
00:27:47what is it
00:27:48top dollar
00:27:50i need numbers
00:27:52four hundred
00:27:53a pot
00:27:53a shot
00:27:56sorry i'm trying to find a less onomatopoeic express
00:27:58for what is ultimately
00:27:59i know what it is
00:28:00a shag
00:28:01a cover
00:28:02a cover
00:28:03yes that's the correct term
00:28:05for
00:28:07a horse hump
00:28:08yes
00:28:11so what might you earn then over the course of the year
00:28:14well
00:28:15in one year alone oriel might cover
00:28:17forty mares
00:28:20making about sixteen thousand pounds
00:28:22good for him
00:28:24in the course of his lifetime at the stud he might sire
00:28:26five hundred six hundred foals
00:28:29making me over two hundred thousand pounds
00:28:31creating an entire generation of offspring
00:28:34yes
00:28:36father to all the foals in our stables and any other stable that could afford him
00:28:40yes
00:28:42oh i see so in time
00:28:43every horse out there
00:28:45could somehow
00:28:46be related
00:28:48to oriel
00:28:49yes i suppose so
00:28:53like old man carnarvon
00:28:56who
00:28:58your friend porchy's father
00:29:00porchy
00:29:01no
00:29:02like i said
00:29:03his father
00:29:04yes they're both called porchy
00:29:06wasn't that the rumor
00:29:08what rumor
00:29:09oh
00:29:10that he'd had so many affairs
00:29:12an entire generation of british aristocrats was related to him
00:29:16an illegitimate porchy
00:29:19in every great house in the land
00:29:22high foreheads everywhere
00:29:25a numerical dyslexia
00:29:28what
00:29:29nothing
00:29:31what
00:29:32nothing
00:29:33nothing
00:29:37michael
00:29:38dear boy
00:29:44good night
00:29:46good night
00:29:50let me have a look here
00:29:53marvellous
00:29:53shall we
00:29:54come on
00:29:54you look beautiful
00:29:55mm-hm
00:30:08uh-huh
00:31:46Morning.
00:31:47Morning.
00:32:00Your wife this time.
00:32:03You know, I asked her not to come.
00:32:11Since this is to be our final session,
00:32:15they wanted us to be all alone.
00:32:21In silence, preferably.
00:32:22Yes, yes.
00:32:25I'll be a good boy.
00:32:33I quite understand the need for concentration.
00:32:37Painting the picture is like fighting a battle, a bloody battle.
00:32:42In the gladiatorial fight to the death, the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:16Are there any works that you're referring to in particular?
00:33:21I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond?
00:33:28Why the pond?
00:33:29It's just a pond.
00:33:31It's very much more than that, as borne out by the fact that you've returned to it again and again,
00:33:36more than 20 times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:40It eludes me.
00:33:43Well, perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water, the play of light, the trickery, and the fish down below.
00:33:59I think all our work is unintentionally revealing, and I found it especially so with your pond.
00:34:04Beneath the tranquility and the elegance and the light playing on the surface, I saw honesty and pain, terrible pain.
00:34:12The framing itself indicated to me that you wanted us to see something beneath all the muted colors deep down
00:34:22in the water.
00:34:25Terrible despair, hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:42Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:49Hmm.
00:34:50It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:56With all that gnarled and twisted wood, those great ugly dabs of black.
00:35:05I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was a very dark time.
00:35:18My son, John, passed away.
00:35:24It's two months.
00:35:30Oh, my.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:58You have five, yes?
00:36:01Four.
00:36:03Marigold was the fifth.
00:36:07She left us at age two years, nine months.
00:36:11Septicemia.
00:36:13I'm so sorry.
00:36:14I had no idea.
00:36:19We settled on the name Marigold on account of her wonderful golden curls.
00:36:27The most extraordinary color.
00:36:32Regretfully, though perhaps mercifully, I was not present when she died.
00:36:39When I came home,
00:36:42Clemmie roared like a wounded animal.
00:36:55We bought Chartwell a year after Marigold died.
00:37:03That was when I put in the...
00:37:08the pond.
00:37:21the pond.
00:37:37Here.
00:37:56It's a pleasure.
00:38:05I look forward to seeing it.
00:38:46Oh
00:38:50Hello
00:38:52Hello
00:38:53Shall we?
00:38:58Yes
00:39:00Given this is Oriel's debut
00:39:02We want to leave nothing to chance
00:39:03I've called up three different mayors
00:39:05Very rarely does a forced
00:39:07Trist make a fruitful trist
00:39:09One wants the perfect foe
00:39:11One needs to be prepared to wait for the perfect peril
00:39:13Shall we?
00:39:16Meet Neocracy
00:39:17The Aga Khan
00:39:18Recently retired with a good record as a winner
00:39:22Lovely temperament
00:39:24My only concern would be
00:39:26Is she perhaps a little too
00:39:27Special
00:39:29I worry that if we left least through to it
00:39:31Nothing would ever happen
00:39:33Which is why I've also called up Turkish blood
00:39:36As you can see
00:39:37An altogether different property
00:39:40Strong willful with a terrific track record
00:39:42Herself
00:39:43Really would be breeding the best with the best
00:39:45I'm sensing a bar
00:39:47Through memory your Oriel is something of a sensitive soul
00:39:51That hit him to be intimidated or come unstuck
00:39:54And faced a fiery warrior like this
00:39:56That's very considerate of your portrait
00:39:58Which is why I have a good feeling about our third candidate
00:40:00Feast your eyes on Temple Bar
00:40:03A hot thoroughbred with the winning streak herself
00:40:06A little on the young side perhaps
00:40:08Just three
00:40:10We don't mind that, do we?
00:40:12No
00:40:17Immediate engagement
00:40:18Yes
00:40:18I must say I do like this one
00:40:22What appears the feeling is mutual
00:40:24Oh
00:40:26Oh, well
00:40:28Oh
00:40:29Telegrams have been pouring into Dining Street today
00:40:32To wish Sir Winston Churchill
00:40:34A happy 80th birthday
00:40:36On this, the 30th of November
00:40:38They come from all parts of the globe
00:40:41Happy birthday
00:40:45That darling old pug
00:40:53Happy birthday
00:40:56Happy birthday
00:41:00Happy birthday
00:41:04Happy birthday
00:41:05Happy birthday
00:41:06Happy birthday
00:41:06Happy birthday
00:41:10Happy birthday
00:41:10Happy birthday
00:41:10Happy birthday
00:41:12Happy birthday
00:41:14Happy birthday
00:41:14Happy birthday
00:41:53Thank you, ma'am.
00:41:56Westminster Hall, silent witness of nearly a thousand years of history, was the scene of the birthday presentations to Sir
00:42:02Winston.
00:42:56I am deeply honoured to be here today.
00:43:01No politician has ever received such an honour before, and I am deeply grateful.
00:43:10I am aware, however, that after having served my country for 54 of my 80 years, resignation is a word
00:43:28that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it. The stage is set, and the audience is assembled all ready
00:43:42for a grand valediction.
00:43:46There's only one problem. The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:43:59Oh dear, he's playing with them all.
00:44:03When your political colleagues are kind enough to present you with a portrait by an ambitious modernist,
00:44:14one has to ask oneself, is it a gift, or is it a curse?
00:44:27Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved, that his portrait was not just of me, but of the office I
00:44:46represent, indeed, of our entire system of government.
00:44:52So, at long last, I look forward to unveiling this painting.
00:46:11Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting.
00:46:19It's a humiliation.
00:46:22How shall I paint him today?
00:46:25Ah!
00:46:26Sitting on a chair, producing a stool.
00:46:30A broken, sagging, pitiful creature, squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is, and I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the Joint Houses of Parliament as a sign of respect.
00:46:47But then they should have commissioned an artist who is respectful
00:46:50instead of a Judas wielding his murderous brush.
00:46:55Look at it!
00:46:55It is a betrayal of friendship.
00:46:59And an unpatriotic, treacherous, cowardly assault by the individualistic left.
00:47:06As regards the friendship?
00:47:07Clearly, there is none.
00:47:11I accepted this commission because I admired you,
00:47:14and I came through the experience admiring you even more.
00:47:16You make monsters of everyone you admire.
00:47:20It's not vindictive.
00:47:22It's art. It's not personal.
00:47:24Well, you are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact. Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me!
00:47:46It is, sir.
00:47:46It is not!
00:47:48It is cruel!
00:47:49Age is cruel!
00:47:51Age is cruel!
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:03I can't be blamed for what is, and I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something, then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:48:41Let's see.
00:48:41I think you should do.
00:48:50Let's see.
00:48:54Oh, my God.
00:49:22He's right.
00:49:25What?
00:49:27I am that man in the painting.
00:49:31Wretched and decaying.
00:49:34I cannot go on.
00:49:37You've said that before.
00:49:42And this time I mean it. I'm tired.
00:49:49You've had enough.
00:49:52I have, my love.
00:49:58This time I really have.
00:50:02Good.
00:50:03Good.
00:50:09Good.
00:50:23Good.
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were.
00:50:53One or two moments when I might have even hoped for it, too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all.
00:51:21And you wish for Mr. Eden to take over?
00:51:22I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two.
00:51:29He might even stop cursing me.
00:51:31Then he will be overwhelmed by a job in which no man can ever succeed,
00:51:36and curse me again for leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:50So, this is our last audience.
00:51:53No.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you.
00:52:18Which is why it's time for me to leave.
00:52:31No man, she's dead.
00:52:57I have nothing but not to know where he stops.
00:53:02She's dead.
00:53:06I don't know.
00:54:32Money.
00:54:34Dino Downing Street, oh God.
00:54:36Why not?
00:54:39Is she a look, do you think?
00:54:42I mean, if I were a stallion, would I fancy her?
00:54:46Attraction isn't so much about looks as smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see.
00:54:53Maybe.
00:54:55Come on.
00:54:56Come on, have a look.
00:55:03Rather like us, darling, when we were courting.
00:55:05Shh.
00:55:06Will you please?
00:55:08Be quiet.
00:55:10Yeah, look.
00:55:11Here we go.
00:55:17Hold her steady.
00:55:18Ready?
00:55:22All right.
00:55:24I say.
00:55:31Back off.
00:55:34Good guy.
00:55:37Good boy.
00:55:41Is that it?
00:55:442,000 guineas for that.
00:55:46As long as he's done what he needs to do, and it bears fruit, I don't mind.
00:55:50Well done, Portchey.
00:55:54Yes, indeed.
00:55:56Well done, Portchey.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:02Portchey, so he can call straight in.
00:56:04I know only because I tried to get one for Mike and was refused.
00:56:08Yes.
00:56:09On account of him not being a family member.
00:56:12Portchey is like family.
00:56:13Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:19Well, as long as you don't sit on him many times, too.
00:56:26Yes.
00:56:27That's it.
00:56:29Take the straight out.
00:56:31Oh.
00:56:34Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:39You all right?
00:56:43Mm.
00:57:08Can you leave us now, please?
00:57:10Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portchey is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration,
00:57:57the only person I have ever loved is you.
00:58:03And can you honestly look me in the eye and say the same?
00:58:17Can you?
00:58:26No.
00:58:32Pray silence for Her Majesty the Queen.
00:58:44My Lords, ladies and gentlemen, dear Winston and Lady Churchill.
00:58:56My confidence in Sir Anthony is complete.
00:59:01And I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he, or any of those successors who may one day follow
00:59:13him in office,
00:59:14will ever, for me, be able to hold the place of my first Prime Minister.
00:59:21To whom my husband and I owe so much.
00:59:26And for whose wise guidance during the early years of my reign,
00:59:30I shall always be so profoundly grateful.
00:59:40I will remember you always, your magnanimity, your courage at all times.
00:59:55And for your unfailing humour,
00:59:57founded in your unrivalled mastery of the English language.
01:00:04I take comfort from the fact that in losing my constitutional advisor,
01:00:13I gain a wise counsellor.
01:00:19To whom I shall look for help and support in the days which lie ahead.
01:00:33May there be many of them.
01:00:34May there be many of them.
01:00:36May there be many of them.
01:00:38May there be many of them.
01:00:44May there be many of them.
01:00:51Sure shallå her work against you.
01:00:52I believe you are.
01:00:52May there be many guild Hope,
01:00:56none of them walk into us next time.
01:00:56May there be many National Nicholas saying clouds of the evening.
01:00:56May there be many of them to go your way to see the Movie Museum.
01:00:56For all the Outtakes world of the world of the perspectivist Germany,
01:00:56May there be many of them,
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