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The Crown S02E04 [Full Movie] [Full Episodes]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47An sobie
00:03:59Than
00:04:07Don
00:04:09To
00:04:20Mummy said something interesting the other day.
00:04:23Hello.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:13All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37Took forever to get there.
00:05:39Mummy was a nightmare.
00:05:41Mercifully.
00:05:42They sent a helicopter to bring us back.
00:05:44Hmm.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:59What?
00:06:01To whom?
00:06:02Anything.
00:06:04Billy Wallace?
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:14So if I were to accept it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party
00:06:30for our tenth wedding anniversary,
00:06:32and you and Billy could use the occasion
00:06:35to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:43Well, that's settled, then.
00:06:46My pleasure. Good night, Margaret.
00:08:39Just above our heads. What's it doing up there?
00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:55Rather than the same way that a doctor examines a patient...
00:09:58They say that listening is important.
00:10:00This is really quite a simple...
00:10:01In any marriage.
00:10:03First try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19How are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:33How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:10:56No.
00:11:11I've got to get you down on the line.
00:11:11Yes, it is.
00:11:11You do.
00:11:12I'm...
00:11:13No.
00:11:31with a one two three flash oh quite magnificent thank you why does it always have to be Cecil
00:11:39beaten taking my official birthday portrait what's wrong with Cecil when it came out last year
00:11:45everyone said how pretty you look no they said how much I look like you well quite yeah Cecil does
00:11:53just one thing fairy tales yes but he does it so well and to me your royal highness little less
00:12:02chin and what do you think I asked my new lady-in-waiting here today your majesty to
00:12:11offer her opinion having at least one foot in the real world I think birthday portraits should
00:12:19evolve and mature with age like the subject show change in the character complexity reality
00:12:30no one wants complexity in reality from us do sit down people have enough of that in their own lives
00:12:40they want us to help them escape indeed your majesty imagine this if you will a young woman
00:12:49a commonplace creature she sits in her drab little scullery so much work to do so much washing up
00:12:57how she longs for comfort for hope and again one two three and flash she wants to believe her life
00:13:07has some meaning beyond chores she opens a magazine and she sees her royal highness's photograph
00:13:15for one glorious transforming moment she becomes a princess too she is lifted out of her miserable
00:13:24pitiful pitiful reality into a fantasy later she will step out of her house in a a new neckerchief perhaps
00:13:38for which she has saved oh she will hold her head up high she is renewed and all thanks to
00:13:47you
00:13:47your royal highness and to the ideal which you represent and now with a one two three and flash quite
00:14:11marvelous
00:14:11in the twenty or so years we've known the hapless miss-shapen crane that is billy wallace has any woman
00:14:27ever looked at him as an object of
00:14:29desire I mean even remotely certainly not then how can one begin to explain that
00:15:06ma'am lord blamford just telephoned to apologize and say that mr. wallace may be indisposed this
00:15:11evening they can't be indisposed we're announcing our engagement something about an injury rather
00:15:17a serious injury
00:15:40the royal highness the princess margaret
00:15:48billy it's all right simpson
00:16:01what's going on it's our announcement this evening unforeseen cirques i'm afraid
00:16:07rather a dust-up in the early hours are you drunk don't be like that i had to do something
00:16:14for the
00:16:14pain what happened wait till you hear your laugh till you spit your friend tenant rather took
00:16:21offense at something i did you came to blaze with colin i believe the word duel was mentioned
00:16:28a duel
00:16:30tenant issued the challenge a little childish in this day and age if you ask me but a
00:16:35duel is a duel so i stepped up to the mark
00:16:40that's what a gentleman does
00:16:47if i'm completely honest a little drink had been taken during the night
00:16:52but we faced the dawn with clear heads and strong hearts
00:16:58now tenant wanted to motor up to glen to get his father's old pistols
00:17:02would have been quite ridiculous much too far away so blamford offered his
00:17:06a duel is not just a test of marksmanship it's a test of character
00:17:14ten paces
00:17:17one
00:17:19two
00:17:21three
00:17:23four
00:17:24five
00:17:26six
00:17:28seven
00:17:29eight
00:17:31nine
00:17:33ten
00:17:37five
00:17:38fucker shot me in the leg bloody awful thing anyway i survived with a small flesh wound
00:17:46why was he angry with you it's the strangest thing but ever since word got out about our
00:17:52engagement i've found myself quite the center of attention it's as though every good-looking
00:17:57girl on earth's taken the news as a personal challenge i'm not used to the idea of being a
00:18:03a bow
00:18:04much less a catch seems to have gone to my head rather had a bit of a fumble at blenheim
00:18:12it was rather a beauty it was in pictures you know an actress
00:18:16anyway
00:18:17tenant got wind of it got very cross
00:18:27yes with reason
00:18:32a pathetic
00:18:33a pathetic
00:18:34a pathetic
00:18:36weak and contemptible fool
00:18:39i never even wanted to marry you
00:18:42you were only ever an act of charity
00:18:44or desperation
00:18:48and now you insult me
00:18:49you
00:18:51people like you don't get to insult people like me
00:18:53you get to be eternally grateful
00:18:58and you've quite the way with women
00:19:02take a look with this face
00:19:04a picture of disappointment and disgust
00:19:09this is the look that every woman you ever know will come to share
00:19:14this is what the next 40 years of your life will look like
00:19:25margaret
00:19:27margaret
00:19:42yes i'm sure she will thank you michael
00:19:55thank you
00:19:55thank you
00:19:55thank you
00:20:19all right all right settle down
00:20:21so on my recent tour of the pacific
00:20:24i was introduced to a man who said to me
00:20:27my wife is a doctor of philosophy and much more important than i am
00:20:34to which i could only reply
00:20:36ah yes sir we have that trouble in our family too
00:20:43you know when i imagined our marriage in the early days
00:20:46i imagined two people welded together into some sort of combined existence
00:20:53ten years
00:20:55ten years has taught me
00:20:57the secret of a successful marriage
00:21:00is actually to have different interests
00:21:03well different interests
00:21:05not not not entirely different
00:21:13it's a funny business
00:21:16one sees the whole of the other person
00:21:18you see even that part of them that they don't see themselves
00:21:20and presumably
00:21:23they see that hidden part of you
00:21:27one ends up knowing more about one's partner
00:21:31than they know about themselves
00:21:33and it can be pretty tough
00:21:36to keep quiet about it
00:21:37so you have to
00:21:38you have to come to an accommodation
00:21:41an arrangement
00:21:42a deal
00:21:45if you like
00:21:46to take the rough with the smooth
00:21:52the extraordinary thing is
00:21:56down there in the rough
00:21:58in the long reeds of difficulty
00:22:00and pain
00:22:04that is where you find the treasure
00:22:10so i would like to propose a toast
00:22:14in the name of love
00:22:18in the name of our beloved country
00:22:21in the name of steadfastness
00:22:24in the name of another ten
00:22:26marvellous years
00:22:30i give you
00:22:32my petty shoe
00:22:40lilibet
00:22:44elizabeth
00:22:47the queen
00:22:53the queen
00:22:55the queen
00:22:56the queen
00:22:56the queen
00:22:56the queen
00:27:04Good morning.
00:27:06Oh, darling, what a mess.
00:27:08It is the most beautiful day.
00:27:16I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:26I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But, of course, it's for you to decide.
00:27:53Bye.
00:28:12And with regards to Billy Wallace...
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning.
00:28:19Quite distraught.
00:28:20Then his mother.
00:28:21Then his grandma.
00:28:21I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:29I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic, but their lands are still intact.
00:28:41And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:46Someone suggested Prince Christian of Hanover.
00:28:49A descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips.
00:29:01Dealing with my mail.
00:29:04Do you suppose it might also include helping me climb over the wall to escape?
00:29:09I just can't bear it anymore.
00:29:11I'm having some people to dinner.
00:29:13Tonight.
00:29:16Not normal people.
00:29:18Yes, they're all normal.
00:29:21But in their own way, they're all quite exceptional, too.
00:29:24You can go.
00:29:25And possibly not deferential.
00:29:29That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36That none of them breeds horses, owns Lend, or knows my mother.
00:30:04All right, all of you.
00:30:07Hello.
00:30:09Everyone.
00:30:10I'd like you to say hello to our guest of honour.
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:19Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:27Here we have Dudley on the piano.
00:30:28Here.
00:30:31And this here is Shilpa.
00:30:33Oh, there's a dog.
00:30:36Oh, God, Jeremy.
00:30:42Uh, thank you.
00:30:43Thank you, ma'am.
00:30:48Oh, yeah...
00:30:48You're welcome, I'm welcome.
00:30:48You know that our designer's club...
00:30:50Woo!
00:30:52Oh, I was...
00:30:53You usually run with me, sir.
00:30:55Hold on.
00:30:56But I don't agree with that as fuck.
00:30:58But this is tonight.
00:30:59I feel it's been read the outside.
00:31:01You're disgusting.
00:31:02Please, please.
00:31:02I don't think you have to be a bit.
00:31:06I should be a bit.
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45You know what we've met?
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps it'll come to you.
00:31:52Now, where to begin?
00:31:55Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:13Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:04No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But the older gentleman beside her.
00:33:23Oh, no, no, no, no, I know who that one is.
00:33:24That's Don Betcham.
00:33:25The poet.
00:33:26Um.
00:33:29Books from boots and country lanes.
00:33:31Free speech, free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42And...
00:33:44Robert.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favor.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:32What, these are yours?
00:34:34Yes.
00:34:36Portraits.
00:34:37Hmm, I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:45Hmm, people.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:04Uh, it's all luck, really.
00:35:07It made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe.
00:35:24Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:28The facade is only useful as a mark-up or something one has to get behind or beyond.
00:35:34The surface is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide,
00:35:44that interests me.
00:35:49But you get so close.
00:35:52Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small light, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09And in the end, it's kind of like, well, it's an intrusion.
00:36:18Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio,
00:36:50you leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session,
00:36:56you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to.
00:37:04Listen.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to where nobody got up.
00:37:22Bowed.
00:37:23Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:29Those that did talk to me, did it with such indifference or nonchalance it verged on.
00:37:37Impertinence.
00:37:38There was this one in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:50Mike Cecil?
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So, what did she say?
00:38:19One, it is Welsh.
00:38:21Is that interesting?
00:38:23No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether, sure.
00:38:40But, I'm also not even curious to find out.
00:38:43What was number five?
00:38:45That was five.
00:38:47No, Margaret, that was four.
00:38:49It was all right.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:04For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like it.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:40:01Right.
00:40:07Wait, Dad.
00:40:13Back in a minute.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely.
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, though I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm un-cooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21I only perfectly will.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:08Jesus.
00:44:10I'm sorry, but, uh, Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:34Yes.
00:44:41But they're business with Peter Townsend.
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:17Easy to miss, too.
00:45:40Easy to miss, too.
00:45:40Good morning, Scott.
00:45:43Congratulations.
00:45:43It's all right now.
00:45:54Be, wait.
00:45:55The time will be finished,
00:45:55hold it away,
00:45:55let's go.
00:46:02Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:24Your place?
00:46:25Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So, this is...
00:46:53home.
00:46:56Oh, it's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:18Who's she?
00:47:23Friend.
00:47:24What kind of friend?
00:47:26A friend?
00:47:30This one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37What is she?
00:47:39Word here.
00:47:39It is not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:45Mm.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:11Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile.
00:48:17Get off.
00:48:20Oh, sorry.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01Now, keep a diamond to the purpose.
00:49:05Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:47Put it back.
00:49:52Right.
00:49:54Should we look at the photograph?
00:49:57Yes.
00:49:58, ha.
00:50:01Miss.
00:50:20Anybody mover?
00:50:20Yes.
00:50:21Let's go.
00:50:21Hey.
00:50:22Good.
00:50:22Let's go.
00:50:56Let's go.
00:51:13First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:09Here.
00:52:11Mm-hmm.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:20I'm not vain.
00:52:24You're insufferably vain.
00:52:30But now I see you're not queer.
00:52:34Then you're pushing us to fix her.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:57Mm-hmm.
00:53:00Yeah.
00:53:07We hang her up.
00:53:21What do you think?
00:53:27It's a Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50You.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:03You, um, you won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:21You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:27Thirdly.
00:54:27Come on, hmm...
00:54:42Amatlah berbangga menjadi tetamu di Istana Indah ini.
00:54:47We are most honored to have been guest in your Majesty Beautiful Home.
00:54:51Huh?
00:54:53Kite bun banyera istane istane indah.
00:55:04Haltai.
00:55:22Thank you so much.
00:55:24It would have been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:55:36And on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:46I can't see anyone but you.
00:56:50I can't see anyone but you.
00:56:54I can't see anyone but you.
00:56:58I can't see anyone but you.
00:57:01I can't see anyone but you.
00:57:02I can't see anyone but you.
00:57:04I can't see anyone but you.
00:57:04I can't see anyone but you.
00:57:05I can't see anyone but you.
00:57:06I can't see anyone but you.
00:57:07I can't see anyone but you.
00:57:07I can't see anyone but you.
00:57:07I can't see anyone but you.
00:57:08I can't see anyone but you.
00:57:08I can't see anyone but you.
00:57:11I can't see anyone but you.
00:57:15I can't see anyone but you.
00:57:16I don't know if it's cloudy or dry
00:57:22I only have eyes
00:57:28I don't know if it's cloudy
00:57:39The moon may be far from behind
00:57:48But I can't see a thing in the sky
00:57:55I only have eyes
00:58:04For you
00:58:15I don't know if
00:58:19We're in a garden
00:58:33Our arms are running
00:58:37Have a new
00:58:48You are here
00:58:51Good night
00:58:53Tonight
00:58:57Maybe millions of people
00:59:01Don't go by
00:59:03But they can't disappear
00:59:12From you
00:59:20And I only have eyes
00:59:29For you
00:59:33Oh, gracious
00:59:49Oh, la, la
01:00:19Ah
01:00:24There you are.
01:00:25Finally.
01:00:36How is that?
01:00:38What is it?
01:00:55It appears she's...
01:00:57Naked.
01:01:00Yes.
01:01:26It appears she's...
01:02:07It appears she's...
01:02:42It appears she's...
01:02:48It appears she's...
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