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The.Sandman.S01E08 [Full Movie] [High Quality]Full EP - Full
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Short filmTranscript
00:06To be continued...
00:31Who are you?
00:33You have somehow dreamed your way into an audience with Lord Morpheus.
00:38The King of Dreams.
00:40And now you must go.
00:42Lucienne.
00:43She shouldn't be here.
00:45No.
00:47But I should like her to stay.
00:51What is this place?
00:53You're in the dreaming.
00:55The place where people come when they sleep.
01:00So, I'm asleep right now.
01:02I'm dreaming.
01:03Yes.
01:04And I should like to know how it is you found me.
01:07I heard you talking about my brother.
01:10Is he here?
01:12No.
01:14Do you know where he is?
01:16No.
01:21But I think he might be with one of my missing nightmares.
01:27She's a nightmare?
01:30What would she want with Jed?
01:32I don't know.
01:34But I have a feeling it has something to do with you.
01:37Me?
01:39Why?
01:40What did I do?
01:41It is not what you did.
01:43It is what you are.
01:46I'm sorry.
01:47I don't understand any of this.
01:49No.
01:50Dream vortexes are largely incomprehensible.
01:54What's a dream vortex?
01:56You are.
01:58You see, once every few thousand years, a mortal is born with a dreaming ability so powerful,
02:05she can travel through the dreams of others.
02:08Apparently, all the way to my throne room.
02:11I was just looking for my brother.
02:13If you can find me in the dreaming, you can find your brother.
02:17No matter where Gold has hidden him.
02:20How?
02:21How do I do that?
02:23For now, keep looking for your brother in the waking world.
02:28Matthew will watch over you there.
02:30At your service, Rose.
02:33When he is with you, I am with you.
02:37Then tonight, when you sleep, you and I will go and search for Gold and your brother together.
02:44In your dreams.
02:47She's just a nightmare, right?
02:49She can't hurt him, can she?
03:11Which one of my enemies is it this time?
03:14Johnny Sorrow?
03:16The Phantom of the Fair?
03:17Or is Dr. Daft back from war?
03:26It's the Pied Piper.
03:28He appears to be using next-gen sonic technology to control all the area's children.
03:37This looks like a job for...
03:44The Sandman.
03:47Time I put the Pied Piper to bed.
04:10No sign of the Pied Pied Pied Pied.
04:12No sign of anyone.
04:15I'm afraid we're too late.
04:17They've all been kidnapped.
04:23Wait.
04:26Can you hear that?
04:28The Piper's tune.
04:30Can you hear where it's coming from?
04:34I can.
04:45Are you seeing this?
04:50I am.
04:51And I don't like what I'm seeing.
04:53Return to base, Sandman.
04:56Don't worry.
05:00I've got this.
05:08Rats!
05:12Get back here, Jed.
05:13Right now.
05:14There's too many of them!
05:19I'm trying, Jed.
05:20Hold on.
05:21Help!
05:21Jed!
05:23Jed!
05:24Jed!
05:24Oh!
05:26Oh!
05:26Oh!
05:27Oh!
05:27Oh!
05:28Oh!
05:30Oh!
05:31Oh!
05:39Oh!
06:00Aunt Cluice, Uncle Barnaby, I think I've been coming for a long time.
06:12Is anyone there?
06:16Don't.
06:21We can't just leave him down there.
06:23The second you open that door, he's going to run away again.
06:29He has to learn.
06:39Aunt Cluice?
06:46Is anyone there?
07:10Matthew?
07:25Unity, hi, it's Rose calling.
07:27How are you, darling?
07:29How was it with the foster agent?
07:31What was she all for?
07:33Well, she wouldn't tell us where Jed is.
07:35Oh, no, of course not.
07:37That would have made it far too easy.
07:39But she did tell us one thing.
07:41Apparently, Jed's foster parents
07:42were friends with my dad's.
07:44She told you quite a bit.
07:46Do you remember your father's friends?
07:49No, but if it's okay with you,
07:53I thought I'd stay longer and maybe...
07:54Of course, love. Of course, Rose.
07:57May I?
07:58Please.
08:00Unity, am I interrupting something?
08:03There is a lovely young journalist here
08:06who wants to interview me about the sleepy sickness.
08:09Unity?
08:10I keep telling him
08:12I slept through the entire thing.
08:15I'm hanging up now.
08:17Enjoy being famous.
08:20That was my great-granddaughter, Rose.
08:23Oh, is she in London?
08:25She was.
08:26Now she's back in the United States.
08:29In Florida.
08:30Really?
08:31What about's in Florida?
08:33A town called Cape Kennedy.
08:37You sound American to me.
08:39Have you been?
08:40Cape Kennedy.
08:42Now I'll have to visit.
08:57Did you figure out the printer?
08:59I did.
09:01What do you think?
09:03Oh.
09:05I think I want to help you put these up all over town.
09:08Really?
09:08Mm-hmm.
09:09Can I pay you for them?
09:10You already did.
09:11I overcharged you for the room.
09:12May I see?
09:15Morning!
09:16Oh my gosh, Rose.
09:19Oh, look at you guys.
09:21Can I have some?
09:21Uh, babe, what are you doing?
09:23Putting these up.
09:24Yeah, but we're out all day with Cindy.
09:26Well, Cindy can put some up too.
09:27She's our realtor.
09:28She's fabulous.
09:30Thank you guys.
09:34Zelda suggests we take some as well.
09:37We can all hit the streets together when Lada wakes up.
09:39She's still asleep?
09:49I just want to stay like this forever.
09:54I do too, but...
09:57What?
09:58You should be out.
10:00Living your actual life.
10:02Not having ghost sex with your dead husband.
10:05You're not a ghost.
10:07You're a dream.
10:10Yeah.
10:12I'm meaning to talk to you about that.
10:16If I were a dream,
10:19wouldn't I disappear when you wake up?
10:23Don't you?
10:24No.
10:25Then what do you do?
10:27I go to work.
10:28I cook.
10:30I work out.
10:30You go to work.
10:33Yeah.
10:35Doing what?
10:42I finally built our house.
10:45Can I show you?
11:05You built our house.
11:09Come on.
11:11I'll give you the tour.
11:32I did my best to follow your blueprints, but there were a few details I just couldn't remember.
11:37It's perfect.
11:44It's perfect.
11:45What's in there?
11:47Uh, that room's not quite finished yet.
12:02It's perfect.
12:06Why did you build this?
12:15Why did you build this?
12:19maybe it can come true.
12:21How?
12:23You have to stay with me.
12:26Here.
12:27In our house, the way we planned.
12:33Sweetie.
12:38You know eventually
12:39I have to wake up.
13:02You're awake.
13:04Yeah.
13:06You okay?
13:08Yeah?
13:10What are those?
13:13Is this a terrible idea?
13:19No, not at all.
13:21Because I was thinking
13:22we could put up a few near the foster agency
13:25just to let that woman know
13:26we're not giving up.
13:27No, I think she probably got that from yesterday.
13:30Was I that bad?
13:31Should I go there and apologize?
13:33No.
13:34But why don't you let me do that side of town?
13:42My lord, may I help?
13:44Is this everything we have on Rose Walker?
13:46And Jed Walker
13:47but I shouldn't think
13:49there's anything in those
13:50you don't already know.
13:51Except perhaps...
13:52Except perhaps why it is
13:53she was able to wander into my throne room.
13:55What do you think?
13:56Why did Golt target her brother
13:58and not her?
14:00Did you read about Unity Kincaid?
14:02The day you were imprisoned
14:04there were people all over the world
14:06who fell asleep
14:07and could not wake up.
14:09Unity Kincaid is the sole survivor
14:11of what they called
14:13the sleepy sickness.
14:15The day you returned
14:16she woke up.
14:19Rose Walker is her great-granddaughter.
14:24Which would seem to suggest
14:25that my absence caused
14:26the birth of a vortex.
14:28Is that not a possibility?
14:30Vortex is a naturally occurring phenomenon.
14:33No one knows where they happen
14:34not even I know
14:35but I do know they are not caused
14:36or created.
14:37They simply...
14:38happen.
14:40And this is all a coincidence
14:41and not an imminent threat.
14:44My instinct says no
14:45but
14:45tonight
14:46when Rose Walker sleeps
14:48I shall see it more clearly.
14:49May I?
14:51Of course.
14:54I've been trying to remember
14:55my dad's friends
14:56but
14:57I don't think he had any.
15:00He was a pretty unfriendly guy.
15:02Well, do you remember
15:03any golf buddies
15:04or
15:05drinking buddies
15:06or what else do
15:07married straight men
15:08with kids do?
15:10Well, if they're anything
15:11like my dad
15:12they have affairs.
15:14Oh.
15:15That's why your mom
15:16divorced them.
15:17That was just one reason.
15:20Well, maybe your dad
15:21didn't have friends.
15:21And that's why I thought
15:22we'd start with his neighbors.
15:24That was his house.
15:26Our house.
15:29The last time I saw Jed
15:31was
15:31right there.
15:33Seven years ago.
15:35You haven't seen him since?
15:38When my mom got a job
15:40in New Jersey
15:41my dad
15:42cut us off
15:42completely.
15:44Stopped paying alimony
15:46child support.
15:48He wouldn't let us see
15:49or even talk to Jed.
15:50Hmm.
15:59My mom sued.
16:01She never gave up
16:02but
16:03I
16:03went off to college.
16:08I haven't been
16:09a very good sister.
16:11Making up for it now though.
16:13I'm trying.
16:17Come in.
16:19Hi, Ms. Rubio.
16:22I'm Lida Hall.
16:23Rose Walker's friend.
16:25What can I do for you,
16:26Ms. Hall?
16:30I just wanted to come by
16:32and apologize for yesterday.
16:34I know your job
16:35is hard enough
16:36without having to deal
16:37with other people's
16:39grief.
16:41Because that's what it was.
16:42It wasn't you.
16:45Rose wanted to come by
16:46but...
16:47She
16:47is out looking
16:49for her brother.
16:55I think she really
16:56just wants to know
16:57if he's okay.
16:58I'm sure he is.
17:01Is there any way
17:02you could
17:03find out?
17:05Check up on him?
17:06You wouldn't have to tell us.
17:07I don't want to get you
17:08in trouble but
17:10do you do
17:11follow-up visits?
17:12We do.
17:14But I can't just...
17:16No.
17:16I understand.
17:19I'm sorry.
17:20That's really
17:21all I can hear to say.
17:25Thank you, Ms. Rubio
17:26for your time.
17:54A woman
17:55from the foster agency
17:56wants to come by.
17:58For what?
18:00To check on Jed.
18:01What?
18:02Why now
18:03all of a sudden?
18:06It's...
18:06They do that.
18:08It's a regular thing.
18:10What did you tell her?
18:13Well, I...
18:14I couldn't tell her no.
18:16I can.
18:18Call her back.
18:22Fine.
18:23I'll do it.
18:25You don't think
18:26that's gonna
18:27raise a red flag?
18:32If you don't
18:33want him here,
18:35we can give him back.
18:38I'm not giving back
18:39$800 a month.
18:44Get him up here.
18:46I'll talk to him.
18:46I'll make sure
18:47he doesn't run away again.
18:48No.
18:50I'll talk to him.
18:59Come on up, Jed.
19:04You're all right.
19:17The woman from the foster agency
19:19is coming to check up on you.
19:21If you're good,
19:23you can sleep in your own bed tonight.
19:27But if you embarrass us
19:29in front of this woman,
19:31I will take you back
19:32into the cellar.
19:34I will wire your hands
19:35to the pipes down there.
19:38And I will break
19:39every bone in your body.
19:43Do you understand me, Jed?
19:47Then go clean yourself up.
19:54Here.
19:55I'll fix you something to eat.
20:17I mean, I tried to escape.
20:20I went directly to New York
20:21after college
20:23to have a huge Broadway career
20:26before moving on
20:27to film and television,
20:28of course.
20:29Of course.
20:30But these days,
20:33if you're not already
20:34a film or television star,
20:35you can't even get a job
20:36on Broadway.
20:37So when my grandmother died
20:38and left me
20:40that ridiculous house,
20:41I came home.
20:44Do you miss New York?
20:46Well, that's what you say
20:47thought I would.
20:49I mean, New York's very hard.
20:50And this place is not so bad.
20:59I'm gonna put a few up
21:00over there.
21:02So if you maybe want to...
21:04Oh, yeah, absolutely.
21:04I'll catch up with you.
21:18Matthew, is that you?
21:24No, that's a crow.
21:28I'm a raven.
21:30Common mistake.
21:33You're real.
21:36Technically, I'm a dream,
21:37but sure.
21:40And is Morpheus watching?
21:41Right now?
21:43He is.
21:43I can feel him
21:44in the back of my head.
21:45It's the weirdest feeling.
21:47Fuck.
21:48Do you need him?
21:49No, but he said
21:51he'd be there tonight.
21:52When I fall asleep,
21:54he's gonna help me
21:54find my brother.
21:55That's the plan.
21:56And I'll be around
21:57till then if you need me.
22:00You got it, kid.
22:07This is Jed Walker.
22:08You know, if you see him
22:09or know anything about him,
22:10just text.
22:12Okay.
22:13Thanks.
22:14What have you got there?
22:17Hi.
22:19We're looking for a kid
22:20named Jed Walker.
22:21He would be about 12 now.
22:24Oh, how long has he been missing?
22:26Well, he's not actually missing.
22:27He's in foster care,
22:28but the agency
22:29won't tell us where.
22:31Would you like to get this?
22:32No, not at all.
22:34See you around?
22:36Yeah, I hope so.
22:40Friend of yours?
22:42No, but he took a flyer,
22:45so he might be calling.
22:47I'll give him your number.
22:49You're a good friend,
22:51Rose Walker.
22:55He's doing great in school.
22:59Helps out around the house.
23:02Never complains.
23:03I don't know what we'd do without him.
23:06Right, Barn?
23:09That's right.
23:10I'm so happy to hear that.
23:12You look good, Jed.
23:14You look happy.
23:16Thank you, ma'am.
23:20I wonder if I might have
23:21a moment alone with you both.
23:23It's just some admin updates.
23:28You want to go to your room, son?
23:42It's all pretty straightforward.
23:44I just need to update Jed's file
23:46with all his current information.
23:48His school, insurance,
23:50all the usual stuff.
23:52I guess he's still at
23:54Bacarlo Elementary.
23:55So good to see you,
23:56Miss Rubio.
24:04It's good to see you too, Jed.
24:28Hello.
24:29How can I help you?
24:31I have a question for you.
24:35Have you seen this boy?
24:41Your Aunt Clarice and I want you to know
24:42we were very impressed
24:46with the way you got this note
24:50into that lady's bag.
24:54I'm sorry.
24:56No, you're not.
25:02But you will be.
25:12I don't know.
25:40Where is everyone?
25:41Must have all gone to bed.
25:43There's not much to do.
25:44Keep Kennedy after dark.
25:47Or during the day for that matter.
25:50That's kind of what I like about it.
25:53I was thinking, maybe I should move back.
25:57Why?
25:58To do what?
26:00I don't know.
26:01You know, before my mom died, I was going to go to grad school and try to become a writer.
26:08But maybe it's like you and New York.
26:11God, I hope not.
26:13No, I mean, your life is here.
26:15You have this house, people who love you, you've got Dolly.
26:20Rose, do you think I want to be here?
26:24Cleaning up after Barbie and Ken.
26:28Don't get me wrong, I love them, they're great.
26:31But if Broadway called tomorrow, I would sell this fucking house.
26:37And I would never think about any of these people ever again.
26:43Go to grad school.
26:45Write a novel.
26:47About me.
26:49But do it now.
26:50While I'm still cute enough to play myself in the movie.
27:22Hold on, buddy.
27:24I'm on my way.
27:30Here she is, boy.
27:34Here she is, world.
27:39Here's...
27:40Rose!
27:43Rose!
27:46Rose and I!
27:50Life's delight!
27:53Play it, boys!
27:58You either got it or you ain't.
28:02Now, boys, I got it.
28:06You like it.
28:10Well, I got it!
28:15Okay, doll.
28:17Listen carefully.
28:19I'm only gonna say this once.
28:22This is not my real face.
28:36And this is not my real face, either.
28:49Hal, you're gonna have to come up here and help me.
28:52Mama's running out of hands.
29:00Rose?
29:12Rose?
29:14I'm having a relationship with a sentence.
29:29It was just one of those things.
29:32It was a jazz meeting that grew into something more important for both of us.
29:37Everybody knows about me and the sentence.
29:42And now, I have the pleasure of reading it into the Library of Congress.
29:52Rose?
29:56Rose?
30:14Rose?
30:15Please, open the door.
30:17Let me in the car.
30:18Barb, it's not funny anymore.
30:20Honey, just open the door.
30:22Barbie, open the door.
30:23It's not funny anymore.
30:25Let me in your car!
30:27Barb!
30:28Come on!
30:30I need you to get in the car!
30:32I need you to get in the car, please!
30:34Why is this happening?
30:36I thought we were looking for Jed.
30:37We are.
30:38Then why am I in my friend's dreams?
30:40Because you're drawing the dreams of others to you.
30:42Barbie, please!
30:44What'd I do?
30:45Just be careful not to lose yourself in them.
30:48Take a moment.
30:49Find your own path.
31:23I can hardly believe it.
31:26Here we are at last.
31:28The Arch of the Port Bantyne.
31:31Our journey has indeed been long, Miss Barbara.
31:34And many is the worthy companion we have found and lost along the way.
31:38So many lives lost, Martin Tenbones.
31:42Because of what?
31:44A confection of spun silver and rose quartz.
31:49The Port Bantyne is more than that lady.
31:52As you know, in your soul of souls.
32:02So, what is a dream, Vortex?
32:05What is it for?
32:06What does it do?
32:08I confess there are some questions to which even I do not have an answer.
32:13But I can tell you that a Vortex has the power to dream entire worlds.
32:18Or destroy them.
32:32Is that?
32:34Zelda.
32:36When she was your brother's age.
32:43Mommy and Daddy told me to go away, so here I am in the Old Bone Orchard.
32:48Nobody understands me.
32:50Nobody cares.
32:53Nobody understands but Chantel.
32:55Chantel comes along and shows me she's my soul sister.
33:03Me and her are gothic heroines.
33:05Secret brides of the faceless slaves of the nameless knight of the castle of Dread Desire.
33:14Is she lost?
33:15She's at home here.
33:17That is what most people seek when they dream.
33:22Home?
33:23Do you know where that is for Jed?
33:25She's dead.
34:18You know this place.
34:23That was our house growing up.
34:25Look.
34:27You've done it.
34:29You found your brother's dream.
34:33Now we find gold.
34:38He's not a member of my robes gallery.
34:45He's the most powerful foe we have ever faced.
34:50King of nightmares.
34:53He has come to take me away from you.
34:56I'm not about to let that happen.
34:59Thank you, sad man.
35:03This battle is mine to face.
35:07And mine alone.
35:09We'll see about that.
35:11Jed, Jed, come back, please!
35:14What's our next move?
35:15How do we find him?
35:25Oh, king of nightmares!
35:27Or I'll send you both to dreamland.
35:29Jed?
35:31I am the guardian of sleepers.
35:34I am lord of the dream domain.
35:37I am the sandman.
35:41You are the sandman.
35:43Is that what she told you?
35:47Where is she?
35:49Your master.
35:51Stay back!
35:52Jed, we're not here to hurt you.
36:00It's me you want.
36:02Not him.
36:05Oh, my God.
36:08Mom?
36:08That is not your mother, Rose.
36:14Rose?
36:18Is that you?
36:22I've been looking for you everywhere.
36:24Mom, it's Rose.
36:26She's all grown up.
36:28I'm sorry, Jed.
36:34Mom, what did you do to her?
36:37Jed, Jed, look at me.
36:39She is not our mom.
36:41Our mom is not here but I am and I need you to tell me where you are.
36:46I'm right here.
36:47No, Jeddy, this is a dream.
36:49When you wake up, where will you be?
36:51Look, did you write this?
36:54Uncle Barnaby said he's gonna break every bone in my body.
36:56Who's Barnaby?
36:57And Louise won't be able to stop him.
36:58Where are they, Jed?
36:59Where are Aunt Clarice and Uncle Barnaby?
37:01They're home.
37:03They're in homeland.
37:04Where is that?
37:05Where's homeland, Jed?
37:06Come, Gold.
37:07We must go.
37:14I'm sorry, Sandman.
37:19It's time to wake up, Jed.
37:20Wait, no!
37:21Goodbye, Rose Walker.
37:22Stop!
37:23Not yet, Jed.
37:24Tell me where you are.
37:25Rose?
37:27Rose?
37:29Rose!
37:46You expecting someone?
37:48No.
37:58Good morning.
37:59Good morning.
38:03You're making it very difficult for me to leave this morning.
38:07That was the plan.
38:09Just hear me out.
38:11You being here, in my dream, means something is different, something has shifted.
38:17So if you can choose to be here, maybe you can choose to stay.
38:23Maybe.
38:25Think about it.
38:26We can have the life we always wanted.
38:28Have a baby.
38:32Start a family.
38:36Light up.
38:39This is a dream.
38:44Anything is possible.
38:54Oh, my God.
38:57Oh, my God.
38:59What is happening?
39:00Oh, every being here.
39:03I don't think of the koscope showing up from me.
39:04You have two friends.
39:06What are you trying to do?
39:07I am.
39:15I need one where I need my sleep, and I need more Kansas City, but you can have 60 minutes.
39:45Lyda, I found him.
39:48I found Jed.
39:49What?
39:50I found Jed.
39:52Just a minute.
40:27I found Jed.
40:45Do you have any idea what his life is like in the waking world?
40:53Humans cannot live in dreams.
40:55As long as he stayed there, the child had no life.
40:58Nor the chance for one.
41:00The boy is being abused.
41:04He's suffering.
41:05You abused that suffering.
41:08To build a dreaming you could rule.
41:11I had no wish to rule.
41:16I merely wish to be a dream and not a nightmare.
41:20To inspire rather than to frighten.
41:23The choice is not yours to make.
41:27We do not choose to be created.
41:30Nor do we choose how we are made.
41:32That is true.
41:36But we can change.
41:37No.
41:39We are, each of us, born with responsibilities.
41:45Even I am not free to choose to be other than I am.
41:48Nor is anyone.
41:49If that were true,
41:52why did all the other dreams and nightmares choose to leave this place when you had gone away?
41:57Not all of us chose to leave.
42:00And nearly all have returned.
42:03Do you think they came back out of love?
42:08Or because they were afraid of what you would do to them if they did not?
42:14Because I'm not afraid.
42:21You should be.
42:27A nightmare's purpose is to reveal a dreamer's fears that they may face them.
42:35Perhaps a few thousand years in the darkness will reveal your fears.
42:51Better that.
42:54than to make others afraid.
43:00Even a nightmare can dream, my lord.
43:16You feel her punishment was unjust?
43:26I used to be something else.
43:30Before you made me your librarian.
43:34We all change, sir.
43:37Even you, perhaps, one day.
43:43Lucy and I realize that in my absence you were compelled to make decisions in my stead and...
43:49I am grateful to you.
43:52I am grateful to you.
43:52But I am back now.
43:57You may return to the library.
43:59You may return to the library.
44:01You may return to the library.
44:15You may return to the library.
44:51You may return to the library.
44:54But wait.
44:54But wait.
44:56I can come to my point.
44:57Because, of my conclude is done.
44:58They did a few programs on vacation.
45:02your sister sent me your sister rose
45:29ma'am you can't be here my little brother Jed he lives with them is he inside is he
45:33okay there was no one else inside just the two adult victims wherever your
45:40brother is he's not here
45:53so how do you know my sister I know
46:03but I'm really looking forward to meeting her
46:11yeah
46:11yeah
46:12yeah
46:15yeah
46:19yeah
46:26yeah
46:27yeah
46:28I said, you've got to seize up your day, yeah, make the most out of you, you've got to make
46:44the most, watch your knees when you pray, yeah, if you flex with my crew, oh, you know why?
46:54Cause they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:00ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:04ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:08ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:15ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:15ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:15ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:16ones, they're the big fat ones, they're the big fat ones, they're the big fat ones, they're the big fat
47:23and blow your house down
47:56One, two, three!
48:50One, two, three!
49:20One, two, three!
49:50One, two, three!
49:53One, two, three!
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