- 7 hours ago
The.Sandman.S01E11 [Full Movie] [Full Episodes]Full EP - Full
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00:00:09You
00:00:30Come to bed.
00:00:32Er, I'll be right there, love.
00:00:35Just putting the kitten in her basket.
00:00:40Leave the door open so she can get to the litter.
00:00:45Good night, Fluffle.
00:01:02It's tonight. Are you coming?
00:01:05Should be amusing, if nothing else.
00:01:07I can't get out.
00:01:09All the wall openings are closed.
00:01:12No, not all of them. Not there.
00:01:15The clear hole is partly opened.
00:01:16You can get out through there.
00:01:35Take your tail, little one. We mustn't miss this.
00:01:57Good jump. You just have to work on the landing.
00:02:00Come on. The night won't wait.
00:02:07What will she be like?
00:02:09Who knows? Not this cat.
00:02:16Well met, fellow night threaders.
00:02:18Hello. We're going to see her.
00:02:21Me too. Although, I can't see much point to it.
00:02:26Then why are you here?
00:02:28Hmm. Curiosity, perhaps?
00:02:34I want to hear what she has to say.
00:02:38So do we all, child. So do we all.
00:03:03Where is she?
00:03:05Where is she?
00:03:06Where is she?
00:03:20Where is she?
00:03:21Sisters, brothers, good hunting.
00:03:24Some of you have traveled far to hear my message today.
00:03:28Left your warm, comfortable places.
00:03:31And I hope, when I have finished, you will all share my dream.
00:03:37I was not always as you see me today.
00:03:44Once, like many of you, I lived in their world.
00:03:48And like you, I fooled myself.
00:03:53Oh, they fed me and gave me comfort.
00:03:56They served me.
00:03:58All they asked in return was my affection.
00:04:01No price at all, really.
00:04:27He was strong and fast.
00:04:30His claws and teeth were sharp as winter.
00:04:35He was my choice of lover.
00:04:38I never saw him again.
00:04:40But I did not forget him.
00:04:43I didn't remember my own mother, but I vowed I would be different.
00:04:47I would teach them how to wash, how to stalk silently, how to hunt.
00:04:53You knew she was in heat.
00:04:56Why didn't you keep her inside?
00:04:58I think they're kind of cute.
00:05:00Cute?
00:05:01She's a purebred registered blue point.
00:05:03He's a half-breed.
00:05:05They're not worth anything.
00:05:16What are you going to do with them?
00:05:18Don't worry.
00:05:19I'll take care of it.
00:05:23Paul!
00:05:49I felt them from afar in the dark as the cold water took them.
00:05:57Felt them thrash and claw sightlessly.
00:06:01Felt them call to me in their fear.
00:06:04And then they were gone.
00:06:14For God's sake, it's not as if she understands.
00:06:18I mean, look at her.
00:06:19She's probably relieved.
00:06:22Who'd want four screaming brats around?
00:06:25You're probably right.
00:06:28I just feel guilty.
00:06:31I knew then that I had lied to myself.
00:06:33That we were subordinate.
00:06:36While we lived with humanity, we could not call ourselves free.
00:06:40And so, I prayed.
00:06:43I prayed to the darkness, to the night.
00:06:46I prayed to the king of cats.
00:06:48He who walks amongst us.
00:06:50And we do not know him.
00:06:51And...
00:06:53I dreamed.
00:06:57I dreamed.
00:07:13I prayed to the king of cats.
00:07:18I knew.
00:07:21I knew.
00:07:26I knew.
00:07:38I knew.
00:07:39I knew.
00:07:40I knew.
00:07:40I knew.
00:07:40I knew.
00:07:40I knew.
00:07:41In the mountain, there is a cave.
00:07:43You'll find him there.
00:07:45But the way is hard.
00:07:49A little cat could come to much harm if she strays from the path.
00:07:55Cats walk their own paths.
00:08:07I walked through the wood of ghosts, where the dead and lost whispered to me.
00:08:15I heard my children calling me, but I walked forward.
00:08:28I walked through the cold places, where every step was pain, every movement, torment.
00:08:35I walked through the wetness that numbed my paws, drenched my fur.
00:08:41But still, I walked forward.
00:08:47I walked through the darkness, through the void, where everything was sucked from me, everything that makes me what I
00:08:54am.
00:08:55And even when I no longer knew why, I walked forward.
00:09:01After a time, myself returned to me, and I found myself at the mountain.
00:09:08I have come to see the cat of dreams.
00:09:12Why should we let you in?
00:09:15Why should he be disturbed for one such as you?
00:09:20A small mouth full of fair and bone. Barely a cat.
00:09:29I've come too far to be turned away.
00:09:31I will state my business to the one I came to see, and only to him.
00:09:35I am a cat. I keep my own counsel.
00:09:41Enter then, proud cat. But be warned. Dreams have a price.
00:09:54And I walked on.
00:10:15I am here.
00:10:17I am here.
00:10:26I am here.
00:10:26For revelation.
00:10:28I want to know.
00:10:30Why could they take my children from me?
00:10:33Why do we live as we do?
00:10:36I don't understand.
00:10:45A cat may look at a king, or so they say.
00:10:47Look into my eyes then, little sister.
00:10:51Look into my eyes.
00:11:02And in his eyes, I saw everything.
00:11:06I saw the truth.
00:11:07Our truth.
00:11:09And it transcended anything I had imagined.
00:11:13Many, many seasons ago.
00:11:16Cats truly ruled this world.
00:11:19We were larger then.
00:11:21Everything made for us.
00:11:23Humans were tiny creatures.
00:11:26No larger than we are now.
00:11:28They would groom us, feed us.
00:11:32When the moon shone full, we would hunt them.
00:11:37For they were more delightful to catch than even birds.
00:11:42Oh, the joy of those days I saw in his eyes.
00:11:46The game of cat and man.
00:11:51And then, one of the humans rose amongst them.
00:11:56Inspired by a dream, he told them.
00:12:00Dreams shape the world.
00:12:02Dreams create the world anew, every night.
00:12:05Do not dream the world the way it is now.
00:12:08Dream of a new world.
00:12:11A world where we are no longer hunted.
00:12:13No longer prey.
00:12:15A world we rule.
00:12:17If enough of us dream it, it will happen.
00:12:20Dreams shape the world.
00:12:26Words spread amongst the humans.
00:12:29But for a while, nothing happened.
00:12:33But then, one night, enough of them dreamed.
00:12:38It wasn't many, a thousand perhaps, no more.
00:12:41They dreamed.
00:12:42And the next day, things changed.
00:12:47We were prey to them.
00:12:49To dogs, their metal machines.
00:12:51We were tiny.
00:12:53And they were huge.
00:12:55So they changed the world?
00:12:57Made it like it is now?
00:12:59Not exactly.
00:13:00They dreamed the world so it was always the way it is now.
00:13:04There was never a world where cats were in.
00:13:06They changed it.
00:13:07From the beginning of all things to the end of time.
00:13:10It was ever thus.
00:13:13Do you understand now?
00:13:15Yes.
00:13:16Yes, I do.
00:13:17Then you know what your task must be.
00:13:19The burden you must bear.
00:13:22Are you strong enough?
00:13:24Yes.
00:13:25I...
00:13:26I hope so.
00:13:28Then wake, child.
00:13:31With my blessing.
00:13:40You see, I had seen the soft underbelly of what he had shown me.
00:13:47I left that night to spread the good news.
00:13:50And now I travel from place to place.
00:13:53I have preached to feral cats in empty places, shouting my message to the stars.
00:14:00I have whispered it to cats in alleyways.
00:14:03And wherever I have gone, my message is the same.
00:14:08Dream it.
00:14:09If enough of us dream, a bare thousand, we can dream a world where no cat suffers.
00:14:16Where no kittens die cold and alone.
00:14:18Where all cats are queens and kings of creation.
00:14:22That is my message.
00:14:28And I shall keep moving, repeating it until I die.
00:14:32Or until a thousand cats hear my words and believe them and dream.
00:14:40And we come again.
00:14:43To paradise.
00:14:54Mistress?
00:14:58I believe.
00:15:00Then there is hope, child.
00:15:12What's a mess?
00:15:15Well, she was amusing at least.
00:15:18I'll say that for her.
00:15:20Do you think it will happen like she said?
00:15:23I'd like to see anyone.
00:15:25Prophet, god or king.
00:15:26I'd persuade a thousand cats to do anything at the same time.
00:15:32The sun will rise soon.
00:15:35Let's get you home, little one.
00:15:40Oh, look, she's still asleep.
00:15:46I think she's dreaming.
00:15:48I wonder what cats dream about.
00:15:51The way she's twitching, she's probably hunting something.
00:15:54Oh, look at her.
00:15:56Isn't that cute?
00:15:57It is. It's really cute.
00:16:11You can't force a character to do something just because it's easier for you as a writer.
00:16:18The character has to come first.
00:16:22Everything else follows.
00:16:23Every plot twist, every line of dialogue, every fraught, meaningful silence.
00:16:37Any questions?
00:16:39Yeah.
00:16:40Could you tell us a bit about your process?
00:16:44Do you have any advice for those of us who are just starting out and finding it difficult to not
00:16:49hate every single thing I write?
00:16:54I am sad to report that I've been doing this for a very long time and it doesn't get any
00:17:03easier.
00:17:05But try not to be discouraged when it is difficult.
00:17:08My debut novel was rejected by seven publishers before it became a bestseller, so...
00:17:18Right. That's it for today.
00:17:21Oh, don't forget the assignment, the same event told from two characters, very different points of view.
00:17:34Did you get it?
00:17:36It took some doing, but...
00:17:40Yeah.
00:17:45It's, um...
00:17:47It's perfect. Thank you.
00:17:50You're welcome.
00:17:52I think it's admirable.
00:17:54How far a writer like you will go when it comes to research.
00:17:57Ah, well.
00:17:58It's handy to know a soon-to-be doctor.
00:18:02I actually wanted to be a writer, but my parents insisted I have something to fall back on.
00:18:08I still write when I have time, but...
00:18:10Your parents are very wise.
00:18:15You're better off.
00:18:17I promise.
00:18:21Uh, so, what do I owe you?
00:18:24Nothing.
00:18:25Stop, Nora.
00:18:26Honestly, it probably would have been incinerated anyway.
00:18:30Um, just don't tell anyone where you got it.
00:18:33I won't.
00:18:34I promise.
00:18:35And, um, if you wouldn't mind...
00:18:40Would you sign this for me?
00:18:44Of course.
00:18:49Any idea when the new book is coming out?
00:18:54Uh, no.
00:18:55But you will definitely be in the acknowledgements.
00:18:59Is it a sequel?
00:19:01Or something new?
00:19:04That would be telling.
00:19:35Who is it?
00:19:36Richard Maddox, to see Erasmus Frye.
00:19:41I'm in.
00:19:41Stream down.
00:19:50Are you alone?
00:19:53It's just me.
00:19:55I've got it.
00:19:56Well then, come in, dear boy.
00:19:59Come in.
00:20:15How are you, Richard?
00:20:18Have you written anything profound and stirring recently?
00:20:24You know I haven't, Mr. Frye.
00:20:26No.
00:20:27No.
00:20:30I haven't written a single word in a year.
00:20:32Nothing I haven't thrown away.
00:20:34Then I suggest you sit down, have a drink, and show me my present.
00:20:38Not necessarily in that order.
00:20:41Yeah.
00:20:56Oh, well done, dear boy.
00:21:00Oh, a genuine trichino berzovah.
00:21:07Do you know about these?
00:21:09They're generally removed from the stomachs of young women who are in the habit of ingesting
00:21:15their own hair.
00:21:16The Rapunzel syndrome, it's called.
00:21:21Bezovahs for once believed to possess mystic powers.
00:21:25They can remedy poison, make the sick well.
00:21:29Edward IV survived the effects of a poisoned wound, due solely to the possession of a Bezovah.
00:21:37Yes, I see.
00:21:39I'm lecturing again.
00:21:41An old writer with no one to talk to grows fond of the sound of his own voice.
00:21:48But I suppose you'd like your present now.
00:21:56I was 27, visiting Mount Helicon, researching yet another novel I was sure to abandon.
00:22:03This one steeped in Greek mythology, and while I was there, I discovered a trove of ancient
00:22:09texts about the muses, and how to control them using moly, sorcerer's garlic, and certain
00:22:19lost rituals.
00:22:21The hardest part was getting her back to England.
00:22:55What would you with me now, Erasmus?
00:22:58Am I to perform for your amusement?
00:23:02Is this man to be our audience?
00:23:05This is Richard Maddock.
00:23:08He's a novelist, or at least he's written one extremely successful first novel, but now
00:23:14he finds himself quite unable to write anything else.
00:23:18Richard, this is Calliope.
00:23:20Calliope, the youngest of the nine sisters, she was Homer's muse, so she ought to be good
00:23:25enough for you.
00:23:27Calliope, I'm giving you to Richard.
00:23:30You're his now.
00:23:33But you said that you would free me before you died.
00:23:37Put not your trust in princes, my dear, nor in an aging author who has never been what
00:23:43you might call a shining example when it came to keeping his word.
00:23:50What you promised.
00:23:52Writers are liars, my dear.
00:23:55Surely you've realized that by now.
00:24:01Oh, God.
00:24:02Don't worry.
00:24:04She can't run away.
00:24:05She's bound to you now, just as she was once bound to me.
00:24:10Then why keep her locked away?
00:24:12Because I couldn't bear to look at that pouty, aggrieved little face of hers all day.
00:24:18And neither will you, I assure you.
00:24:22I don't know if I can do this.
00:24:25Of course you can, dear boy.
00:24:38They say one ought to woo her kind.
00:24:42But I must say, I found force most efficacious.
00:24:52Now, don't be fooled.
00:24:54She's not human.
00:24:56She's thousands of years old.
00:24:58She was created for this.
00:24:59This is her purpose.
00:25:00To inspire men like us.
00:25:03After all, she gave me fame.
00:25:08Glory, novels, poems, plays.
00:25:12You'll see me.
00:25:14If that's true, why would you?
00:25:16My time is past.
00:25:18All my best work is out of print.
00:25:21Even muse inspired.
00:25:24Nobody reads Erasmus Fry anymore.
00:25:29Now, take the little cow away, Richard.
00:25:31I never want to see either of you again.
00:25:37However, if you ever happen to feel a spark of gratitude,
00:25:41you might persuade your publisher to bring
00:25:44Here Comes a Candle back into print.
00:25:48I was particularly proud of that one.
00:25:53Here Comes a Candle.
00:26:01Here comes a Candle.
00:26:33I, uh, I just need time to think about what to do.
00:26:41What is there to think about?
00:26:45I'm a goddess, a daughter of Zeus.
00:26:50I am not a possession to be kept and used and traded.
00:26:58You must set me free.
00:27:00You have only to say the words.
00:27:02I will, I promise, but, um, do you think you could help me first, inspire me, just for
00:27:18one book and then I will let you go, I swear I will.
00:27:24Writers are liars.
00:27:28Not all of us, just one book.
00:27:37Please.
00:27:44I choose with whom I share my gifts.
00:27:50Perhaps we both need time to think.
00:28:01Was it really?
00:28:07I'm sorry, so I gotta take a shot.
00:28:09I will try some brushes.
00:28:09It's good.
00:28:14I can't wait.
00:28:14I do not, I do not.
00:28:17I can't wait to see the people out.
00:28:20I do not have to worry.
00:28:23I do not have to worry.
00:28:23I do not have to worry.
00:29:53We can't articulate.
00:29:55Foddle our words.
00:29:57We couldn't pinpoint exactly what it was he did that we felt was so wrong.
00:30:01So yeah, Borgias, you're crazy.
00:30:16You seek to woo me with presents?
00:30:22Is this not how it's done?
00:30:25I think you know how it is done.
00:30:29An artist prays to the muses.
00:30:33He offers vows of service and devotion to the goddesses in exchange for divine inspiration.
00:30:40An artist does not hold a muse against her will.
00:30:44You gave Erasmus Frye what he wanted.
00:30:46I did not.
00:30:49He took it from me.
00:30:57I had returned to Mount Helicon.
00:31:00To the sacred springs.
00:31:03I lay my scroll upon the shore and I went bathing as I had always done.
00:31:11He found it there.
00:31:13He read it.
00:31:15And said...
00:31:16And said...
00:31:19Calliope, you may call me master.
00:31:22And then he burned my scroll, which bound me to him and now to you.
00:31:27Unless you say the words.
00:31:30That I may be as free as you are.
00:31:32You think I'm free?
00:31:38I got the advance for this book two years ago.
00:31:40I haven't even started it yet.
00:31:42I don't even know what it's about.
00:31:48I'm drowning, Calliope.
00:31:56Please.
00:31:57Please.
00:31:58Please.
00:31:59I am begging you.
00:32:03Ask me again.
00:32:05When I am free.
00:32:42you better be fucking writing i would be if you weren't calling to harass me
00:32:47your publishers just called to harass me
00:32:53i just need a couple of weeks
00:32:55ricky it's nine months overdue you're technically in breach
00:33:01i don't know what they want me to do harry these things take time
00:33:04ricky you've had time you've taken your time you've also taken their money
00:33:10i know now you have to give them something
00:33:15anything a chapter or they're going to cancel the deal and demand the advance back
00:33:20but anything i can do because you'll no longer be my client
00:33:27do you understand
00:33:31don't be fooled she's not human
00:33:34she's thousands of years old she was created for this
00:33:38this is her purpose to inspire men like us
00:33:48say something so i know you understand i understand
00:33:55i'll send you something
00:34:17kill i p
00:34:24you
00:34:57Gracious ladies, mother of the Kamen, hear my prayer.
00:35:03It is I, your daughter, Calliope, that calls you to deliver me from this place.
00:35:12Ladies of meditation, remembrance, and song, hearken to me.
00:35:20All right.
00:35:22Enough beautiful voice.
00:35:31We feel your pain, daughter, but we cannot help you.
00:35:34You were snared upon Helicon according to the mysteries.
00:35:37You are lawfully bound.
00:35:39But it is not just my mothers.
00:35:42Is there nothing you can do?
00:35:44No one who can intercede on my behalf?
00:35:47There are a few of the old powers who are willing or able to meddle in mortal affairs in these
00:35:52days, Calliope.
00:35:53Many gods have died, my daughter.
00:35:55Only the Endless never fade.
00:35:57And even they have been having a difficult time of late.
00:36:03Still, every little bit helps, as the old woman said when she pissed in the sea.
00:36:09The Endless, there's a thought.
00:36:13After all, the dream king and Calliope were close at one point.
00:36:17Not for long.
00:36:18And remember, sister self, they did not part on the best of terms.
00:36:23Still, she did bear his cup.
00:36:27That boy child who went to Hades for his lady love and died in Thrace, torn apart for his sacrilege.
00:36:35He had a beautiful voice, too.
00:36:39Orpheus.
00:36:41Dream king will never help me.
00:36:44Not after what I did to him.
00:36:46He hates me for that.
00:36:48And I despise him.
00:36:51I would not accept his help.
00:36:52Foolish child.
00:36:54Onerus is in no position to help you, even if you wished it.
00:36:58Which is unlikely.
00:37:00Like you, your former husband has been ensnared by mortals.
00:37:03He is immured beneath the ground.
00:37:06Leaving this realm gripped by sleeping sickness.
00:37:09And a plague of dreams and nightmares wreaking havoc.
00:37:12I am sorry, little one.
00:37:16No.
00:37:18Your prayers were wasted.
00:37:20There's nothing we can do for you.
00:37:23Please.
00:37:24And nothing you can do but hope.
00:37:28Please don't leave me here.
00:37:32I beg of you.
00:37:39We've got a nice little bidding war on our hands.
00:37:43Every major studio wants a piece of it.
00:37:45Film.
00:37:47Broadcast.
00:37:48Streaming.
00:37:48Uh, who's the frontrunner?
00:37:50Whoever lets him write and direct.
00:37:53They won't even let Joe Rowley write and direct.
00:37:55Joe Rowley needs a new agent.
00:37:57Tell her to call me.
00:37:59I will never understand how a work of genre fiction came to be nominated, let alone shortlisted.
00:38:05The committee felt not his new book has transcended genre.
00:38:09Have you read it?
00:38:10No.
00:38:11Of course not.
00:38:11Well, I have.
00:38:14And the reason I've written about an entirely different man.
00:38:17It's a gorgeous book.
00:38:20Quote, remarkable.
00:38:22I mean, the sheer richness of the material.
00:38:24Yes.
00:38:25Why has he gone and changed his name?
00:38:28How do you mean?
00:38:29From Richard to Rick.
00:38:30About the K.
00:38:32I think it probably speaks to the novel's theme of reinvention.
00:38:36I think it probably speaks to the author's pretension.
00:38:39Where were we?
00:38:41I was saying how much I loved your characterisation of Eileen.
00:38:45Oh.
00:38:45There aren't enough strong female characters in fiction.
00:38:48Not even fiction written by women.
00:38:50I agree.
00:38:52And I know it's fashionable at the moment to say that only women can write authentically about the female experience.
00:38:58But, uh, I do tend to regard myself as a feminist writer.
00:39:06And where does that voice come from in you?
00:39:10The female voice.
00:39:15From the women in my life.
00:39:17The male voice.
00:39:19The male voice.
00:39:33The male voice.
00:39:45The male voice.
00:39:47I'm shooting the movie version in Los Angeles.
00:39:49The studio have hired me a private jet,
00:39:51so we shouldn't have any trouble getting you into the country.
00:39:54And, er, who knows?
00:39:56Maybe we'll decide to stay in L.A.
00:40:02Maybe we will decide?
00:40:06Can you not allow yourself to enjoy our success?
00:40:11Even for a second,
00:40:13we are telling stories that move and inspire people.
00:40:21Isn't that what muses were made for?
00:40:24My sister goddesses and I were born.
00:40:26We were not made.
00:40:28Sorry, it's Larry.
00:40:30Did you talk to the studio?
00:40:37No, I need them to guarantee at the outset
00:40:40that cast and crew will be made up of at least 50% women
00:40:44and people of colour.
00:40:46And then we need to publicise it
00:40:48so they can't back out of it when it comes to hiring people.
00:41:01We're all in the movie.
00:41:10We're all in the movie.
00:41:11Are you fucking kidding me?
00:41:14No.
00:41:16No.
00:41:19I am making them so much more.
00:41:22What are they?
00:41:23I've, er, er,
00:42:05I call to you, Oniros, that you may hear me.
00:42:10Come to my aid when I say your name out loud.
00:42:19Morpheus?
00:42:21What does it mean?
00:42:24It is the name of the god of dreams.
00:42:32You're writing him a letter.
00:42:35Something like that.
00:42:56You're mine.
00:42:59By law.
00:43:02The god of dreams can't save you.
00:43:23Thank you for agreeing to do this interview at your home.
00:43:25Thank you for getting the word out about the new book.
00:43:27So, I thought I'd start by asking about your formative literary influences.
00:43:33Well, I wouldn't even be a writer if it wasn't for having read people like Shirley Jackson and Margaret Atwood
00:43:40and Octavia Rebutler.
00:43:42Having read Eagle Stones, the writer that came to mind was the late Erasmus Frye.
00:43:47Oh.
00:43:48Sorry, did you say the late Erasmus Frye?
00:43:51He's, um...
00:43:54He died?
00:43:56Last summer.
00:43:57Did you know him?
00:43:59I didn't know him.
00:44:01I, uh...
00:44:02We met on a couple of occasions.
00:44:03He was very kind about my work.
00:44:07He must have been almost 90.
00:44:09Did he, um...
00:44:11Did he die of old age?
00:44:13No.
00:44:15He actually poisoned himself.
00:44:18Apparently, the last thing he did was write a letter to his old publisher, begging them to bring one of
00:44:23his books back into print.
00:44:25Here comes a candle, I suppose.
00:44:27I think it was.
00:44:28How did you know?
00:44:31It was perhaps my favourite book when I was growing up.
00:44:35It was very moving, honest and...
00:44:41Strange.
00:44:45Poor old sod.
00:44:47It's a shame people stopped reading him.
00:44:49That his work fell out of fashion.
00:44:52Not that you'll have to worry about that.
00:44:54You're Richard Maddock.
00:44:56Oh, sorry.
00:44:56Rick Maddock.
00:44:59Right.
00:45:00Next question.
00:45:10You came...
00:45:14You called.
00:45:19They told me you had been in prison.
00:45:21Just like me.
00:45:23Not like you.
00:45:26My suffering was nothing compared to yours.
00:45:28Don't say that.
00:45:31Comparing our suffering only compounds it.
00:45:33It pains me to hear of your misfortune.
00:45:37I'm glad that you're free.
00:45:39I'm glad that you're free.
00:45:39You were bound here by the laws.
00:45:43I know that you cannot free me.
00:45:47Only he can do that, but perhaps you might inspire him to let me go.
00:45:56I will do all that and more.
00:46:00dream.
00:46:02He must be punished.
00:46:05How?
00:46:06What punishment could be enough?
00:46:09Even his death would not bring back what he has taken from me.
00:46:13He's nothing.
00:46:15He's just a man.
00:46:17I cannot allow him to go free.
00:46:19Why?
00:46:20Because I was once yours.
00:46:23Because he heard you.
00:46:28The last time I saw you, you said you would never speak to me again.
00:46:32I'm sorry.
00:46:33I...
00:46:36I...
00:46:36I...
00:46:36I...
00:46:36I did not know where else to turn.
00:46:38You misunderstand me.
00:46:42When I heard you call to me, even after all this time...
00:46:54Let me help you.
00:46:57Please.
00:47:00I owe you that much.
00:47:09What will you do to him?
00:47:27Who the fuck are you?
00:47:30Get out of my house.
00:47:32Be quiet.
00:47:34You are keeping a woman here against her will.
00:47:38I have come to request that you set her free.
00:47:42You have your mind?
00:47:44There's no woman here.
00:47:45I'm calling the police.
00:47:46Do you know who I am?
00:47:47I know precisely who and what you are, Richard Maddock.
00:47:55Are you going to call the police?
00:47:57No.
00:47:58I will not call any human agency.
00:48:02Just let her go.
00:48:03You don't understand.
00:48:04I need her.
00:48:05If I didn't have her, I wouldn't be able to write.
00:48:07I wouldn't have ideas.
00:48:08Look.
00:48:10I have money.
00:48:11Hold your tongue.
00:48:17She has been held captive for more than 60 years.
00:48:24Demeaned.
00:48:25Abused.
00:48:27Defiled.
00:48:28Then you will not set her free because you need ideas.
00:48:32Well.
00:48:34If it's ideas you want, then you shall have them.
00:48:38In abundance.
00:49:09What did you do to me?
00:49:13Are you giving me nightmares now?
00:49:18Tell me!
00:49:19I have done nothing to you, Richard Maddock.
00:49:24You have met Morpheus.
00:49:27Whom the Romans called the Shaper of Form.
00:49:30He was once my husband.
00:49:33And the father of my son.
00:49:36I didn't know you had a son.
00:49:38You know nothing about me.
00:49:41But it is too late to let any of that concern you now.
00:49:52And in the darkness, he thought about the story in every star.
00:50:02Like fireflies.
00:50:04Flicking.
00:50:07Fading.
00:50:08Fading.
00:50:09Fading.
00:50:10In the night.
00:50:21In the night.
00:50:25Any questions?
00:50:28Oh.
00:50:31The young woman in the third row.
00:50:37Your work spans so many genres.
00:50:41So many worlds.
00:50:42So many different kinds of characters.
00:50:45May I just ask, where does all that come from?
00:50:49For me, ideas don't come from anywhere.
00:50:57They're all around us.
00:50:59All the time.
00:51:00I could write an entire novel set at a book reading.
00:51:08There.
00:51:10Something had happened to the world outside.
00:51:14A holocaust.
00:51:16Of some kind.
00:51:17But the audience.
00:51:18Was same.
00:51:21As long as the author kept reading.
00:51:26Or a story about the fraternity of critics.
00:51:30In reality, a dark brethren linked by profane rites and blood vows.
00:51:37To destroy an author, they sacrifice a child and perform a critical mass.
00:51:47Or a city where the streets are paved with time.
00:51:51A train.
00:51:53Full of silent women.
00:51:55Driven by a blind man.
00:52:07Heads made of light.
00:52:08Sorry.
00:52:12Sorry.
00:52:13A weregoldfish.
00:52:15Who transforms into a wolf at full moon.
00:52:18A man who inherits a library card to the library of Alexandria.
00:52:25Two old women taking a weasel on holiday.
00:52:29Two old women taking a weasel on holiday.
00:52:35This is Stina, about silence, using the words dark, ragged, never, screaming, fire, kiss,
00:52:48It's an old man who wrote of the universe and kept it in a jam jar.
00:52:52A man who falls in love with a paper doll.
00:52:54Mr. Maddock, it's Nora.
00:52:56What's happened to your hands?
00:52:57I'm just having so many ideas.
00:52:59I didn't have a pen or any paper.
00:53:02I just used my hands.
00:53:08I said I needed the ideas, but they're coming too fast.
00:53:12We need to get him to the hospital.
00:53:14No.
00:53:14Please.
00:53:15Go to my house.
00:53:17There is a woman in a room upstairs.
00:53:21She's locked up in there.
00:53:24Tell her that she can go.
00:53:25That I free her.
00:53:27I don't understand.
00:53:29Take my keys.
00:53:30Let her out.
00:53:31Make her leave.
00:53:32Make her go away.
00:53:36I signed a book for you once, didn't I?
00:53:41Please.
00:53:44Okay.
00:53:45Okay, I'll go.
00:53:47Make it stop.
00:53:49Tell her I am sorry.
00:53:52Magical and alchemical traditions seen as a cargo cult.
00:53:56We'll meet you at the hospital.
00:53:57The sun setting over the path and a shark's teeth soup.
00:54:00A nightingale.
00:54:01A rose bush.
00:54:02And a black rubber dog collar.
00:54:22Hello?
00:54:26I got it going.
00:54:31What if I did help theatsu of Kevin?
00:54:37Matt.
00:54:37You're so quiet.
00:54:40You missed my door.
00:54:40You couldn't sell it all.
00:54:40Yeah.
00:54:54I did love you.
00:54:55I was just a nice phone call.
00:54:56But now.
00:54:59It's over.
00:55:10I merely answered your call.
00:55:15What will you do now?
00:55:20I think what I must do is to...
00:55:24try to make sure that this
00:55:27never happens to anyone else ever again.
00:55:30How?
00:55:32I do not know.
00:55:35By inspiring humanity to want better for themselves
00:55:38and each other.
00:55:41By rewriting the laws by which I was held.
00:55:44Laws that were written long ago
00:55:46and which my sisters and I had no say.
00:55:49I shall do the same in my realm.
00:55:53You have changed, Oneros.
00:55:56In the old days, you would have left me here to rot
00:55:58without turning a hair.
00:56:04Do you still hate me?
00:56:07For leaving you?
00:56:10For blaming you for what happened?
00:56:12No.
00:56:16I have learned much in recent times
00:56:20and
00:56:23no matter.
00:56:26I do not hate you.
00:56:34I think you should release the mortal now.
00:56:38He has set me free
00:56:40and without forgiveness,
00:56:41wounds will never heal.
00:56:42You would forgive him
00:56:44for what he has done?
00:56:46I would not forgive what he has done.
00:56:49But I must forgive the man.
00:56:51Not for him.
00:56:53for me.
00:56:56Will you free him?
00:56:59If that is what you wish,
00:57:03it shall be done.
00:57:13I'm back, Mr. Maddox.
00:57:16How are you feeling?
00:57:17I...
00:57:20I don't know anymore.
00:57:21I keep trying to think.
00:57:26I did what you asked.
00:57:27I went to your place.
00:57:29There was just...
00:57:31a book.
00:57:32There was something she said.
00:57:35The...
00:57:36paper of forms.
00:57:39There was a name.
00:57:40She wrote it down.
00:57:42I...
00:57:45I wish I could remember.
00:57:47It's so hard to...
00:57:50think all of a sudden.
00:57:53Is there anyone I should call?
00:57:55She's gone.
00:58:02And it's all gone with her.
00:58:05The idea...
00:58:06The...
00:58:06The stories...
00:58:11They were all hers.
00:58:14Whose?
00:58:15Who are you talking about?
00:58:23I have no...
00:58:25The idea.
00:58:32No idea.
00:58:39May I...
00:58:40visit you in the dream realm sometime?
00:58:44So that we may finally talk about our son.
00:58:50And...
00:58:51Grieve him properly?
00:58:55One day.
00:58:57Perhaps, but...
00:59:01I understand.
00:59:18Thank you, Moneros.
00:59:21I will not forget this.
00:59:25Fare you well.
00:59:31You fortune me with you.
00:59:37Goodbye, God.
00:59:39Goodbye, God.
00:59:48Goodbye, God.
00:59:51Goodbye, God.
00:59:53Goodbye, God.
01:00:01Goodbye, God.
01:00:04Goodbye, God.
01:00:05Goodbye, God.
01:00:05Goodbye, God.
01:00:05Goodbye, God.
01:00:05Goodbye, God.
01:00:05Goodbye, God.
01:00:07Goodbye, God.
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