- 9 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [Full Story]Full EP - Full
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00:28Transcription by CastingWords
00:45CastingWords
01:03CastingWords
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01:06CastingWords
01:15Oh, my God. She's done it.
01:18She's done it.
01:21My name's Margo. You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now. He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a vacant term.
01:46I said I knew you were watching.
01:50I'd like to keep working with this one.
01:53And the other child?
01:54Nothing I can do for the other child.
02:07No.
02:10I'm sorry.
02:17No.
02:19No.
02:23No.
02:25No.
02:27No.
02:30Marie.
02:32No.
02:40I love you.
03:02I love you.
03:33Oh, you were like seven stories up.
03:35It was a whole thing.
03:37You're scared.
03:38I get it.
03:39This is a really shit, really stressful time for you.
03:42But things don't have to get all, you know, like Greek.
03:47Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You dropped me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:07You got to burn them, I'm afraid.
04:09Mostly because it's like procedure, but also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:29Look how cute these wee cups are.
04:34I don't understand.
04:35If you have questions, when I land on the scene, everyone's full of this.
04:40I couldn't be dealing with that last night.
04:43So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had 52.
04:51I made an executive decision.
04:54Now, will you please just sit down and have some coffee and a wee tiny gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda, what are you doing, lovely?
05:43The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's, uh, it's our mother's ashes.
06:06Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:29Mm-hmm.
06:36Yeah.
06:45need a drink.
06:48Good-bye.
06:52Thanks.
06:53Bye.
06:54Bye.
07:09Hey, Saoirse, it's me, eh, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working at me.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry, I did it again there.
07:25I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it, or so she says, but she did tell me something, which was
07:37a bit...
07:38I don't believe this.
07:40Megan!
07:41Anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:45The author was a psychiatrist she admired.
07:48Greta Gankale.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:14We'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:29No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39She hated getting her hermit.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always gave her bad advice to seatbelt now.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:04Well, occurring for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:18So, so, so, skinless.
09:22Woo!
09:25You know you want to do it.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario,
09:37I should say I've had a few proseccals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of Cabin Group staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin, that is actually immoral.
10:23Absolutely cracker-looking, Omni, is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:48Hello.
10:49Hello.
10:50Good night, lads.
10:53Thank you, Draper.
10:54I'm leaving here.
10:55Now, Chris.
10:55Come on in.
10:56Come on in.
10:59That's it.
11:00Come on in.
11:19this person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the night of this month
11:41today greta died i've since learned as much yes that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything so well she would have been a
12:02teenager when he went missing around the same age as your daughter perhaps my daughter yes what do
12:09you know about my daughter well i i tried your house you went in but she was and i briefly
12:16leave
12:16my daughter out of this sorry i mean whatever this is you leave my daughter no i didn't even speak
12:20to
12:21her mother has just died my wife has just died i didn't i didn't mean and you come in here
12:27with this insane story it's not a story inspector o'neill it's a fact
12:34someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps
13:05i can wait
13:17yeah
13:20anything i can help with no
13:25no
13:26it's it's fine
13:36by a lowly prison walls i heard a young girl calling
13:46maybe it's time we talk to the guards maybe we should just tell them everything yeah but you
13:51see we can't tell them everything can we dare because there's some bits we need to keep to
13:54ourselves like some quite big criminally type bit oh that name guy he might help but my phone's
13:58worked oh shit my tea
14:00oh robin's works
14:02for fuck's sake jim i don't remember his number why's jim ringing me i don't know robin
14:07maybe because he's your husband and the father of your children hiya love how's things
14:12great chef all under control here
14:14right sweden darling how is portugal
14:18hey baby let the free birds lie
14:20yeah a lot of a lot of irish here
14:24in the name of i've got to go deal with this
14:26ryan we need to focus girls okay what do we actually know what are the facts okay so we know
14:31that this thing belongs to jody we know that jody and greta grew up together we know that they
14:36were connected what was the name of the town again come on tashban tashban that's right why are you
14:42talking about narnia what tashban it's from the chronicles of narnia yeah jack's reading it
14:48i forgot how messed up it is that lion is a nurse i i i i gotta go love okay
14:53right bye bye bye yeah love you bye
15:00jesus christ jesus christ he was right what are you talking about yeah they couldn't have come from
15:07tashban because tashban doesn't actually exist girls every single thing she told us was a lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself the truth is you don't
15:40have to do
15:41that much what's that thing they say about lying a good lie stays close to the truth like with your
15:48name i always think it's best to go for something that sounds similar that way when someone calls you
15:54or you have to sign something it's less of a leap like psychologically so i'm thinking
16:02grania grania i think it's suchy babes i honestly do you
16:06grania it's like an echo of the person you once were
16:10i like that like a ghost of yourself that's actually quite profound that's maybe
16:16it's not the surname we have less freedomless we have to work off a list that's been cleared
16:22i must have left it upstairs let me run and grab it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you it's just better
16:35safe than sorry type thing and i've been stung before people are like i just want to talk to my
16:41mother
16:41or sister or son or springer fucking spaniel just once just do you hear their voice
16:50like i get it babes but now you've thrown the whole operation and i'm starting to decide
16:55with whoever it is the one she did
16:59you're on the other side of things now i guess what's that well earlier you said that you were
17:05evaporated too all right yeah but i was so young how young 13
17:17yeah my parents they were both god i still help them find a better way of putting this
17:27like they were kind of murdered babes
17:31i'm so sorry you don't need to know all the details trust me it will kill the crack
17:38overnight my environment became well not the safest and bicker heard what happened and she decided to
17:48help me bicker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common what is well you were young too when that marco woman stepped up
18:11i mean
18:16you know about that you know what happened with my mother we know everything babes
18:44you know
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
19:59Go!
20:04Go!
20:05Go!
20:07Go!
20:08Go!
20:08Go!
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:39No!
20:59Thanks.
21:00Sure you take one?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:18What do you know, Donald?
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:41Okay.
21:42Okay.
21:43Well...
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh...
21:56I saw him lead you out.
21:58I saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But...
22:04Anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:20In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah.
22:30He interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl
22:39or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00That's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:10And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:51Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59It's okay.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends...
24:31If I die today...
24:35Then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53And they are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim gonna do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:04Just after the beep.
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit.
25:18She's tracking us.
25:21She's tagged us somehow.
25:22Why?
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin.
25:43Shh.
25:43Stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:54Shh.
25:56What's up?
26:16What's up?
26:22Come on.
26:24Come on.
26:25Come on.
26:25Come on.
26:26Come on.
26:26Come on.
26:27Come on.
26:27Come on.
26:28We're ready?
26:29For a fucking exorcism, maybe?
26:34She girls.
26:36Is she playing at night?
26:38Mike?
26:46Moving on to seat 32A.
26:49Let's have cars on set in five minutes, please.
27:08Last time.
27:10It looks like an eaten mass.
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crucial.
27:18People.
27:19Crucial.
27:20Tiff.
27:21I'm not sure if you remember me.
27:23I can't.
27:23I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32Aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're gonna have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:57She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
30:00All you have to do is come out here and hand me the box.
30:08Do that, and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:45Let me do it.
30:47No.
30:55Let me do it.
30:56All right!
30:59Let me do it.
31:02Oh.
31:28Why didn't you come inside?
31:31I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
31:58Oh, that's so cute.
32:02We chart a shop number.
32:04You've got to get the balance right with this stuff.
32:07It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:29It was my understanding that when I'm settled to my daughter, she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39I mean, it's a timeframe.
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A timeframe.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees.
32:57She's my daughter, and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:17Some people are built to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:27She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mass, babes.
33:40There was such a terrible mass.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:12I'll win for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:46She shouldn't have called us at that.
34:48Yeah, all right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea, but I'm thinking if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48For what?
35:49The Late Late Show.
35:50Oh, my God, the Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine, I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16We don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least held some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Ticket.
36:40Seen a lot of 30 Rock.
36:42But you've yet to watch one episode of my show.
36:46Show's not funny.
36:47How would you know?
36:49We're just down there.
36:50Sorry.
36:50Thanks.
36:51Thank you very much.
36:52Yeah, we're just down.
36:52We should be right there.
36:56Well, thank you.
37:00We should be okay.
37:02We're going live in three.
37:40Hello, good evening.
37:41Welcome to the Late Late Show.
37:43Thank you for our band, folks.
37:46Look at Jonathan there.
37:47Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
37:59Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16What a strange show.
38:20She plays Detective Emma Fierce
38:22and the smash hit multi-award-winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:33You are shitting me.
38:36Isn't that those three Belfast digits we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're on anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48You cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable,
39:19and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it,
39:32something like 10 million viewers tuned in
39:35to see you catch the elusive career killer in your own home?
39:41Actually, actually,
39:43a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise.
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here.
40:17Look.
40:18Look, Mummy's on TV.
40:20She really is.
40:21Oh, lads, will you stop?
40:22Your room's in Portugal.
40:24Oh, my God.
40:26Oh, my God.
40:27Oh, my God.
40:30Oh, my God.
40:31Oh, my God.
40:32Paddy.
40:33Paddy.
40:33Paddy.
40:34Paddy.
40:34Paddy.
40:34Paddy.
40:35Paddy.
40:35Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns.
40:48I guess lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, history.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of a matter of things that happen in real life, even.
41:18Let's talk about that.
41:20Talk about it.
41:21Give us an example.
41:22Well, oh, maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV is for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:58Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:03Tell us.
42:04Tell us.
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even, we don't even know why.
42:18If this were murder code and you were Emma, I mean, what would you do?
42:23Tell us.
42:27Tell us.
42:38Tell us.
42:42Tell us.
42:57Tell us.
43:01Tell us.
43:18Tell us.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk to me.
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:40Roll it there.
43:44Oh, please.
43:45Big panic at work.
43:46Right, hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick.
43:50He's saying we all saw Patrick.
43:52Keep going, keep going.
43:53What is he like?
43:54What is he like?
43:55Jesus Christ.
43:56Let's go.
43:56Come on.
43:57Come on.
43:58Jesus.
43:59Those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick, Katie.
44:09I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, two, five, zero, one, nine, seven.
45:04Oh, my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:54Step out of the car!
46:24What do you want?
46:24What do you want?
46:36Drain.
46:41Mate!
46:58You keep going, Dad, I tell you to stop.
47:14I tell you to stop.
47:47I tell you to stop.
48:33I tell you to stop.
48:53I tell you to stop.
49:23I tell you to stop.
49:42I tell you to stop.
49:44I tell you to stop.
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