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The.Sandman.S02E12 [Full Movie] [Hot 2026]Full EP - Full
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00:28Dear Sylvie,
00:32by the time you read this, I'll be dead.
00:52Gone.
00:54I know.
00:56You said we shouldn't talk for a while.
00:58But I didn't want you to think my death had anything to do with you.
01:04Or us.
01:07Truth is, the planet is dying, democracy is dead,
01:12and the human race is next.
01:14But not before we inflict as much damage on the planet and on each other as we possibly can.
01:23Hiya.
01:27Hiya.
01:29Hiya.
01:31You're not at the office?
01:34Neither are you.
01:35Who?
01:37Yeah, well, I'm playing truant today.
01:39Amelia's helping me.
01:41Oh, but if you're working, Saxon, we can...
01:43Or, or, you're on your way out to work in that cafe where you sometimes work?
01:49Huh?
01:51Yes.
01:51Yes.
01:52Yes.
01:52I was on my way out.
01:56Uh...
01:56Just one last email to send.
01:58Oh, I read your piece in The Guardian.
02:01The one about the climate crisis.
02:03What?
02:03They're all about the climate crisis.
02:04I found it very hopeful.
02:06You did?
02:07You did?
02:10Well, um...
02:11We'll leave you to work, but you're coming out with us tonight, yeah?
02:17Actually...
02:18Is that tonight?
02:20You promised.
02:21Yeah, but don't you just want to have a night in?
02:23That's what we ever have.
02:24Do you like my friends?
02:25I do, just not as much as I like you.
02:27Oh, my God.
02:27They already told Jackie that we're coming, all of us.
02:29You, me, and Sexton.
02:30Yeah, well, Jackie will understand.
02:32I'm not going to cancel on her.
02:33Look, can you blame me if I want to be alone with you?
02:35You're obsessed, man.
02:36Yeah, and whose boy is that?
02:38It can't just be the two of us in the way for that one time.
02:40It's not just the two of us in the way for that one time.
02:42It's not just the two of us in the way for that one time.
02:47Hi, Sylvie.
02:53Hiya, Sylvie.
02:55Hi, Sylvie.
02:59It's me.
03:01Um...
03:01I know that you said that we shouldn't talk for a while.
03:06But, uh, I needed you to know that what I'm about to do...
03:11It's got nothing to do with you.
03:17Oh, wow.
03:19Well, who...
03:20What threw you away?
03:24Oh.
03:36Oh.
03:42Oh.
03:42Oh.
03:43Oh.
03:45Oh.
03:45Oh.
03:47Oh.
03:47Oh.
03:47Oh.
03:48Oh.
03:49Oh.
04:00Well...
04:01Oh.
04:02Like...
04:06Oh.
04:08Oh.
04:08Oh.
04:15Oh yeah.
05:05Fuck.
05:14Hello?
05:17Someone there?
05:21Yeah?
05:25Hello?
05:32Are you all right?
05:33Yeah.
05:35I just can't seem to move.
05:39Oh, yeah, I see the problem.
05:42Do you think you could maybe...
05:45Oh, I don't know.
05:47Never moved your refrigerator before.
05:50Maybe.
05:51Just give it a good...
05:55Oh, look at that.
06:02Didn't expect to be doing that today.
06:04Here.
06:05Nice.
06:06Oh, no.
06:07Sorry.
06:08Sorry.
06:09I forgot.
06:09It's my day off.
06:16There you go.
06:18Oh.
06:18Oh.
06:18Oh.
06:19You good?
06:21Yeah.
06:22Wow, what were you doing down there?
06:24Nothing.
06:25I fell.
06:26Oh.
06:26Oh.
06:29Looking for these?
06:29Oh, yeah.
06:30They're...
06:31They're for my allergies.
06:35Oh.
06:35You're bleeding.
06:37Oh.
06:38No.
06:39You better come back to my place.
06:40What?
06:42I'm only a few minutes away.
06:43I've got plasters for that arm.
06:44And I might even fix a jacket for you.
06:46But after that, you're on your own.
06:49Come on.
06:51Oh.
06:52Oh.
07:05I can't get over this beautiful day.
07:09Listen.
07:10Do you hear that?
07:14I hear...
07:16Charving?
07:16Yes.
07:17That's what it is.
07:18Do you enjoy the sound of traffic?
07:20Well, isn't that why people live in London?
07:24Was that your rubbish back there?
07:26What?
07:26Were you flying to me?
07:27No.
07:28What?
07:28That's illegal.
07:29I would never do that.
07:30Then what were you doing?
07:32If you don't mind me asking.
07:35Thinking, I suppose.
07:38What about?
07:42How about how we've taken a perfectly good planet
07:45and turned it into a place to put all of our rubbish?
07:48I don't know.
07:50I quite like it.
07:52This is me.
07:57Come on, we'll get you sorted.
08:03It's very nice of you.
08:04Well, it's no harder to be nice to people than it is to be awful.
08:09And it's much more fun.
08:11Wow.
08:14That looks much better.
08:16Have you met the goldfish?
08:19Oh.
08:20The big orange one, that's slim.
08:23And the little yellow one, he's called Wandsworth.
08:28I would introduce you, but you haven't told me who you are yet.
08:32Sorry, Sexton Furnival.
08:35I blame my parents.
08:38I like it.
08:41Sexton Furnival.
08:42And you are?
08:45I am...
08:49Very good at sewing.
08:55Okay?
08:56Yeah, you are.
09:00Is that what you do?
09:01Are you in the fashion industry?
09:04No.
09:05Then what do you do?
09:08I...
09:10rescue journalists from illegal fly tips.
09:14Three sugars?
09:17Yeah, I...
09:19How did you know I'm a journalist?
09:21How many Sexton Furnivals do you think there are in the world?
09:26You read my column?
09:28When I have time off.
09:30Time off from what?
09:33Look, I tell you, but you won't believe me.
09:37Why not?
09:41Because...
09:45I'm deaf.
09:50You're deaf?
09:52Yeah.
09:54Okay.
09:55But you have nothing to worry about.
09:57Because...
09:58Today's my day off.
10:01Oh.
10:05Death is a day off.
10:07Just one.
10:08Every hundred years.
10:10Just to see what it's like to be human.
10:14Hmm.
10:16Death lives in Shoreditch.
10:18No.
10:19No, this place is just the universe's way of making me feel comfortable.
10:23Technically, right now, I'm only a few hours old.
10:27Of course.
10:32I should probably...
10:35Go.
10:36Thank you for the jacket.
10:38And the tea.
10:40And everything.
10:42Of course.
10:45Well, I'll see you again.
10:48You will?
10:51Sooner or later, I'll see everyone.
10:55Right.
10:57Okay, bye.
10:58Okay.
10:59Bye.
11:00Bye.
11:24Oh.
11:46Hello, me bonnie boy.
11:48You were with her, weren't ya?
11:50I can smell it on ya.
11:53Upsy-daisy.
11:54Do you just be the most understanding here?
11:56In my experience, broken bottles is sharp enough to make your face a lot less bonnie, bonnie boy.
12:02But look, if it's money you need...
12:04Button your lip and shut your face.
12:07You're going back inside, you're gonna knock on her door, you're gonna tell her it's you.
12:12Aren't ya?
12:15Hello.
12:17It's...
12:17It's Sexton.
12:19Furnival?
12:20Sexton.
12:24You're back.
12:25I didn't expect to see you so soon.
12:28Oh.
12:29It's you.
12:30That's right.
12:31It's me.
12:33Get in, bonnie boy.
12:43What?
12:44Leave Sexton out of this, mad Hetty.
12:45I'm not leaving him out of this.
12:47He's me bargaining thing, innit?
12:50And I've got a job for ya.
12:54Fine.
12:56What's the job?
12:59Take a seat, bonnie boy.
13:09I want you to find me soul for me.
13:12Your soul?
13:16Any idea where you lost it?
13:17I didn't lose it.
13:19Put the little bugger somewhere safe as houses I did somewhere.
13:24No one would find it.
13:25Especially not you.
13:27If you hide your soul from death, you never die.
13:31Well, she can't take it if she can't find it, can she?
13:34Let me get this straight.
13:35You've hidden your soul from me, and now you want me to go and find it for you.
13:40Will ya?
13:43I've tried ever so hard.
13:46I can't do it on my own.
13:55Any idea where you've hidden it?
13:57Hmm.
14:00My hat, I placed it in a duck egg.
14:04Inside a duck.
14:05Inside a well.
14:07In a castle, on an island, surrounded by a lake of fire.
14:11Guarded by a hundred dragons, each larger and more ferocious than the last.
14:18And maybe you didn't.
14:21It's been a long time, love.
14:25And, um...
14:26Sometimes me mind goes a bit too lally.
14:32Fine.
14:39I'll keep an eye out for you.
14:42Help yourself to whatever's in the fridge.
14:45There's tea and biscuits in the cupboard.
14:48Thanks, love.
14:54Why aren't you going to call the police?
14:56Why?
14:57Because there's a homicidal mad woman in your flat.
15:01You'd be mad too if you'd lost your soul.
15:03Oh, do you want anything?
15:05I've been so busy, so I forgot to eat.
15:08No, thank you.
15:09Yum.
15:10Hello.
15:11One, please.
15:13Chicken, lamb or veg?
15:15Veg.
15:16And what would you like on it?
15:18Whatever you've got.
15:19Chef's choice.
15:20All right.
15:21One veggie flatbread with the works.
15:24There was this Zen monk, right?
15:26And he orders one of these.
15:29Do you know what he says?
15:30Make me one with everything.
15:32You've heard that one, eh?
15:33Oh, I hadn't.
15:35Oh, that looks delicious.
15:37What do I owe you?
15:39Nothing.
15:39Keep your money.
15:40What?
15:41No.
15:42A beautiful woman with a healthy appetite.
15:44You make me feel glad to be alive.
15:47You enjoy that?
15:48This might be the best thing I've ever tasted.
15:50It's actually, you've got to try it.
15:51Oh, thank you.
15:52Hey, try it.
15:53Mmm.
15:55I think enough time has passed now that I'm allowed to go home.
15:58What do you mean?
16:00My flatmate and her girlfriend asked me to leave so they could...
16:04Have sex?
16:05Aw, that's sweet of you.
16:07I've no idea how long that's going to take.
16:09How long have we been together?
16:11Three weeks-ish.
16:12No, he might be out a while.
16:15Oh, taxi!
16:16What are you doing?
16:18I have an entire list of things I want to get done while I'm here.
16:21Like what?
16:22Mmm, like go to the opera.
16:25Or BFI.
16:26Oh, I want to get a chai in the queue at Dishun.
16:29And then a party.
16:30Then maybe an after party.
16:32Oh, and then I want to get a full English at the Regency Cafe.
16:36Oh, and I promise Mad Hattie I find her soul.
16:39How does that sound?
16:41Like too much for one week, let alone one night.
16:44Challenge accepted.
16:48Let's go.
16:50No.
16:52Why not?
16:54Because...
16:54I don't know you.
16:56And if you don't get in this cab, you never will.
16:59Where to, love?
17:02Sexton, where would you like to go?
17:05Home?
17:07Where's home?
17:08He can't go home.
17:09His roommates are having sex there.
17:11Nice.
17:11Yeah.
17:12Anywhere else you want to go?
17:14I...
17:15No idea.
17:17And that's the human condition, isn't it?
17:20Where would you like to take us?
17:21Me?
17:22Yeah.
17:23First place that pops into your mind.
17:26Well, I always like a bit of greenery.
17:29Can't see a drive through the park?
17:31That sounds perfect.
17:33Hop in.
17:35But what about the opera and the shooting?
17:38We'll get there.
17:40As my older brother would say, certain destinations are inevitable.
17:46After you.
18:05Can I ask you a question?
18:08Is it personal?
18:09Very.
18:10Good.
18:11Yeah, go on, pass.
18:13What is it you think makes life worth living?
18:19Well...
18:20My sister, Maggie...
18:23She thinks it's men.
18:26For me...
18:28It's at the end of my night shift.
18:31And the sun's just coming up.
18:34And I've got London all to myself.
18:37And just for a moment...
18:39Everything...
18:40Everything feels possible.
18:43Yeah.
18:45I love that.
18:47What about you, Sexton?
18:50What makes life worth living?
18:55That moment when your clubmate stops having sex and you get to go home.
19:00I asked you a serious question.
19:02I gave you a serious answer.
19:04You two deserve a night out.
19:06Oh, now that sounds like wisdom to me.
19:08What do you have in mind?
19:10Well, the Undercut Club's just down the road.
19:12The Undercut Club?
19:14Have you been?
19:15No, I've never had the pleasure.
19:16You're better off.
19:18Believe me.
19:19Have you been?
19:21My ex used to drag me there for 80s nights.
19:24And noughties nights.
19:26But never 90s nights.
19:29Is it fun?
19:31If you like that sort of thing.
19:33What, if you like fun?
19:34If you like crowds and overpriced drinks and drugged up wannabes cyberpunks who look like they've escaped from a bad
19:41movie.
19:42Okay, you're actually making me want to go now.
19:44You sold it to me. I'd go.
19:46Would you like to?
19:47I'd love to.
19:47I do.
19:48But I'm on the clock.
19:49So, I'd better drop you two there, yeah?
19:56Yes, please.
20:12What do I owe you?
20:14Nothing.
20:16It's a gift.
20:17Really?
20:21Say thank you, Sexton.
20:23Yeah.
20:25Eh, thank you.
20:26What?
20:27Is there a problem?
20:29Well, London taxi drivers don't generally give people free rides through the park at rush hour.
20:34Yeah, I know.
20:36But there's something about her.
20:37I like her.
20:40But if you're so bothered, that'll be 60 quid.
20:51Well?
20:52Thanks, now.
21:00You have a knack for never having to pay for anything. What's it like to live for free?
21:04Nobody lives free, Sexton.
21:07Especially not me.
21:09Now, I have 20 pounds and, ooh, two pence.
21:13Even if that's enough to get us in the club.
21:15I'll get you in.
21:16I'm not going.
21:17Why not?
21:19You scared you're going to see Sylvie?
21:23Sylvie?
21:24Your ex.
21:27How did you know she's called Sylvie?
21:29Because I know everyone.
21:31That's my job, remember?
21:34What I don't know is why you won't come in with me.
21:38Cuz, this is not my idea of fun.
21:43These are not my people.
21:45Sexton!
21:47What are you doing here?
21:49I thought you were having privacy with Amelia.
21:52Oh, we had a row instead. I messaged you.
21:55My phone died.
21:56What was the row about?
21:59Sorry, are you with Sexton?
22:02Yeah.
22:02No.
22:06I'm, um...
22:06Dee Dee.
22:08Billy, this is Dee Dee Dee.
22:10This is, er, my flatmate Billy.
22:14Pleasure.
22:15So, how did you two meet?
22:17Stop smiling, it's not like that.
22:19I found him on a flight tip.
22:20Oh, well, that does sound more like it.
22:22What was the row about with Amelia?
22:24Oh, sex.
22:25My girlfriend basically accused me of being a sex addict.
22:28What?
22:29She says I just want to spend all my time alone with her
22:33and I don't want to hang out with any of her friends.
22:35They're all inside waiting for me.
22:38She'll be so happy you're here.
22:40Oh, she might even forgive me.
22:41I'm not staying.
22:44He's scared he's gonna see Sylvie.
22:46He's dying to see Sylvie.
22:47No, I'm not.
22:54Is she here?
22:56Only one way to find out.
23:00And Amelia knows the guy on the door so we can get him for free.
23:03For free, you hear that?
23:05Come on, sex addicts, it's my lucky day.
23:08And yours?
23:13Fair one.
23:18You left family.
23:24You, left by a professional shoulder.
23:28We take a look.
23:33Just tomorrow.
23:35You, right?
23:38Yeah, yeah.
23:39Hey, we egg on, yes.
23:41Hey, hey, hey.
23:43Have the seatAHOPS.
23:43I am not here.
23:44Yes, last will and rule.
23:52Hey, I'm here, and look who I brought. Sexton, you came.
23:57Hey.
23:59See, isn't this nice?
24:01House on a night out together.
24:03Oh, this is Sexton's friend, DeeDee.
24:05This is Amelia, and that's Jackie.
24:09Wow.
24:09You both look stunning.
24:12Wow, those gloves are amazing.
24:14They're vintage.
24:15Ah, sexy.
24:17You collect vintage stuff, don't you?
24:20Really?
24:21What do you collect?
24:22Oh, paperbacks, typewriters, toys.
24:25Toys.
24:26Rocket ships, race cars.
24:29The toy collection is a modest one.
24:31That's a shame.
24:34Right, we need drinks.
24:37Uh, first round's on me.
24:38I'll come with you.
24:39No, you stay.
24:41I'll go.
25:01Sexton looks miserable.
25:04Sexton is miserable.
25:06And I can't even say it's Sylvie's fault.
25:09Sexton has a rather dark view of the world at the moment.
25:13Which is not entirely unjustified, given the world at the moment.
25:16And which a lot of people share.
25:19But you don't.
25:23Well, I did.
25:26But then I met Amelia.
25:30And I'm not saying she's the answer or anything.
25:32She's just a person.
25:34But...
25:35Sometimes a person is all it takes to make you feel better about it all, you know?
25:44I think people are wonderful.
25:47There's nothing like them.
25:52Are you looking for someone?
25:54Oh, is Sylvie here?
25:56Where?
25:57No, I was just asking.
25:59I'm sorry.
26:01Who's Sylvie?
26:03Sexton's eggs.
26:06Oh, well, if you've managed to stay friends with your ex, that says a lot about both of you.
26:10I'm not sure she'd consider me a friend.
26:13Oh, why?
26:14Did you break up with her?
26:16No.
26:18Oh.
26:20Uh...
26:20I'm sorry.
26:24Um...
26:24I'm going to go help with the drinks.
26:26Mm.
26:27We'll meet you there.
26:33Well, I'm glad you came.
26:37And sorry about earlier.
26:39Billie had no right to ask you to leave.
26:41She had every race.
26:43She wanted to be alone with you.
26:46Yeah.
26:47All she wants to do is shag a man.
26:49Amelia, I've known Billie since uni.
26:51She's never been interested in sex ever until she met you.
26:56Did she tell you to say that?
26:58She'd kill me for saying that.
26:59You cannot tell her.
27:07Oh, I got you a gin and tonic.
27:09That's okay.
27:12I thought we were fighting.
27:14Mm-mm.
27:14Sex has sorted me out, isn't it?
27:16I'm not.
27:18How much do you have for the drinks?
27:20Drinks are on the house.
27:24Oh.
27:26Oh.
27:28This is very kind of you.
27:31Oh, and you're in front of Sexton's.
27:33Hello, Theo.
27:34Sexton.
27:36And you are?
27:37This is my friend,
27:39Dee Dee.
27:41Theo is the...
27:44manager here?
27:45Our DJ, club promoter,
27:47and your host for the evening.
27:50Theo is friends with Sylvie.
27:53Got it.
27:54Thank you, Theo.
27:56Yeah, thanks, Theo.
27:57Thanks.
28:00Sexton.
28:02Your friend, Dee Dee.
28:04How long have you known her?
28:06I just met her a few hours ago.
28:08You brought a girl to a club that you met just a few hours ago.
28:13That doesn't sound like you, Sexton.
28:15You don't know me, Theo.
28:18Yeah.
28:19Just what Sylvie told me.
28:21Think about it, don't worry.
28:22Just, you know,
28:23she likes to have fun and you don't.
28:25Not your kind of fun.
28:26No, no.
28:27I don't do any of that shit.
28:29Really?
28:31So, you just make money
28:33encouraging other people to do it.
28:38Well,
28:39Sylvie will be very happy to hear
28:41that you've met someone.
28:43No.
28:44No, Dee Dee and I are not together.
28:46Well, in that case.
28:47What about your girlfriend?
28:48What about Natalie?
28:51You two still?
28:53Yeah.
28:53But Natalie does her thing.
28:56I do mine.
28:59Maybe that's why we're still together.
29:15I love this place.
29:17Well done.
29:27You all right?
29:28Sorry, I am.
29:30I was just admiring your ang.
29:35Egyptian, right?
29:38Symbol of death.
29:41The opposite, actually.
29:43Immortality.
29:44Right.
29:46Because the pharaohs all wanted to live forever, didn't they?
29:48Some of them did.
29:50Some of them knew better.
29:53Immortality's not all it's cracked up to be.
29:55I don't know about that.
29:59If you knew you were going to live forever,
30:00you could do whatever you want.
30:03You wouldn't have to be afraid of anything.
30:07Anyone.
30:11You don't need immortality for that, though, do you?
30:18Did section show you this used to be at the apartment store?
30:20The club?
30:21Yeah.
30:22Bed linens.
30:24Garden furniture.
30:26Kids toys.
30:27Also upstairs.
30:28You need to provide the parties.
30:30I can give you the tour.
30:32You feel like?
30:32Yeah.
30:34Maybe later.
30:34Sure.
30:39Do you want to dance?
30:42I'd love to, but...
30:45I came to Sexton, so...
30:47Ah, Sexton doesn't dance.
30:49At least not according to Sylvie.
30:53Shall we?
30:58Let's go!
31:06What is wrong with you?
31:07She likes you.
31:10She likes everyone.
31:12I can't work out whether she's being serious or not.
31:16She told me...
31:22She thinks she's death.
31:25What?
31:27She thinks she's the living incarnation of death.
31:32She told you that.
31:34Oh, she'll tell you if you ask her.
31:37She's not shy about it.
31:41Maybe I will.
31:42Someone needs to save her from D.A.
31:44Come dance with us.
31:46No.
31:48According to Sylvie, I don't dance.
31:51This is proven wrong.
31:52Don't say I'll sing to you.
31:56Don't laugh.
32:02Don't say I?
32:11Don't yell.
32:13Don't yell.
32:17Don't yell.
32:18Everything will be perfect
32:21Everything will be perfect
32:24Everything will be perfect
32:27Tonight and forever
32:30Are you not a joiner then?
32:40No, I've never been very good at that
32:43It takes practice
32:49I think I must be doing it wrong
32:53Everyone here seems to not notice or care
32:57The world is ending
33:01Well, maybe that's why they're here
33:10It just makes me want to give up
33:15You don't mean that
33:19Yeah, you're probably right
33:25May I offer another perspective?
33:28Are you going to try and cheer me up?
33:30I'm never the exact opposite
33:32Yeah, by all means
33:35So I had this friend who was abused by her father and a few of her father's friends
33:44Jesus
33:45This is here
33:46The family fiction was that she loved hunting and fishing
33:50Which is why he would take her away on these weekend trips with all his friends
33:55He was a posh barrister
33:57And one of the other men was a police inspector
33:59There was no one she could tell
34:03So one day
34:05She got one of her father's hunting knives
34:08Locked herself in the toilet
34:10Locked herself in the toilet
34:11And started to cut
34:15I know
34:16I'm sorry
34:20I'm only telling you this because
34:21When she woke up in the hospital
34:24Even with bandages all the way down her arms
34:27And her father just sitting there
34:31Terrified she would talk
34:33She was still glad to be alive
34:51So
34:53According to Theo
34:54This place used to be a department store
34:56He's invited us on a tour
34:58He's invited us?
35:00Or you?
35:02Me?
35:03But I'm inviting you
35:05He's got a girlfriend
35:06You know?
35:06She's called Natalie
35:08You two go
35:10I've got dancing to do
35:18Come on Theo's waiting
35:20Theo is not a good guy
35:22Well Sexton, do you really believe that there are good people and not good people in this world?
35:27I'm a reporter, I know for a fact that there are
35:29And I've heard things about Theo
35:30Who?
35:30Really? Such as?
35:32Ready for the tour?
35:36Yeah, you don't mind if Sexton comes too, do you?
35:41Not at all
35:44This way
36:03Well, this looks like a storeroom
36:07So this is where you host private parties?
36:10Well
36:12We're having one right now
36:15Ow!
36:16Theo, give it back!
36:16Get back!
36:18It's not a weapon
36:19It's a symbol
36:20It's a sigil
36:22Your sigil
36:24From now on I decide who lives and dies
36:27It doesn't work like that Theo
36:31You better hope it does
36:35Theo!
36:36Hey!
36:37Theo!
36:38Theo, let us stay in here
36:40Theo!
36:42Don't let me help!
36:43We can't hear you Sexton
36:44Ian
36:44I've been
37:04Did you tell him your death?
37:09I didn't have to.
37:14He summoned me here.
37:27So welcome, Mother.
37:40I'm so sorry, Sexton.
37:43It's not your fault.
37:46It is.
37:47You warned me, but I got cocky.
37:51I just thought it doesn't matter if something happens to me.
37:55That's what today's for.
37:58I didn't think I'd be hurting other people, too.
38:02You haven't hurt anyone.
38:08What about Mad Hattie?
38:11At this point, we'll never find our soul.
38:14I thought you were just humoring her.
38:17No, of course not.
38:19She's counting on me.
38:23And I only have a few hours left.
38:26Until what?
38:31Until my one day every hundred years is over.
38:41Ah, here we go.
38:44We'll get the door open with a little Obintheo's skull.
38:49Sexton, put that down.
38:51You could hurt him.
38:54You sure you're deaf?
38:56Doesn't mean I go around killing people.
38:59Doesn't it?
39:03There is such a thing as free will.
39:05People make choices.
39:08People don't choose to die.
39:12Normally, there's war.
39:14There's famine.
39:18Disease.
39:19I'm not saying it's not painful to be alive, but it's not always painful, is it?
39:31No.
39:37In fact, sometimes it's so nice that you forget that there's suffering everywhere.
39:48People with nothing struggling to survive, to keep their families alive.
39:55It never stops.
39:56No matter what I say or do or write.
40:00No matter how hard I try to make a difference.
40:02I don't.
40:02I can't.
40:03Which leads me to, why bother?
40:07Which leads me to, what's the point?
40:14I keep having to remember that you've only ever been human.
40:21So you don't know what it's like not to be able to feel these things.
40:32What it's like not to have free will.
40:36You don't have free will?
40:39My siblings and I have our duties.
40:43And we perform them.
40:50Except for one day.
40:54Every hundred years.
40:58A death takes a holiday.
41:02Spends it locked in a storeroom.
41:05Well.
41:07That's my fault for making plans in the first place.
41:10For having these expectations.
41:13Which makes it impossible to just enjoy what the day actually turns out to be.
41:23You'd think I would have learnt my lesson by now.
41:31What?
41:43Marbles.
41:53When Theo comes back, he'll slip on these, he'll fall non-fatally and we'll get away.
42:00Are you trying to save your life with those, or mine?
42:04Ideally.
42:05Both.
42:08What a difference a day makes.
42:12What do you mean?
42:15The sleeping pills.
42:17In your pocket.
42:19I'm not judging you.
42:22There is such thing as free will.
42:25And.
42:27Today you want to live.
42:34What the fuck are you doing?
42:37Were those meant for me?
42:46Where's my egg?
42:47The bottom of the Thames.
42:49Doesn't fucking work.
42:50Not the way you wanted it to.
42:52Well.
42:53Doesn't matter.
42:55Because I've got you.
42:57And you're coming with me.
42:58Theo, she's not that.
43:00I've told him.
43:01He doesn't believe me.
43:02Even if she was, you don't need her.
43:03You've got the power to kill.
43:05It's in your hands.
43:06I don't want her to kill anyone.
43:11I wanted to bring someone back.
43:18Natalie.
43:22Will you bring her back for me?
43:26I can't.
43:28It was my fault she died.
43:31No.
43:32It wasn't.
43:36Natalie overindulged one night.
43:39Theo, you did everything you could to try to save her.
43:44Including summoning me.
43:47You know one's going to believe that though, are they?
43:52They're all going to think I killed her and why wouldn't they?
43:57I'm going to spend the rest of my life in prison.
44:04I'm Bess.
44:06Will you take me like you took her?
44:08No, Theo.
44:09Listen.
44:09Theo, put the gondition.
44:11Shut the fuck up, Sixten.
44:12I know you think I killed her too.
44:13I don't.
44:14I swear.
44:14Theo, put the gondition.
44:15Just stay back!
44:27Theo, he's hit his head.
44:31Get help.
44:33Call an ambulance.
44:41Please bring her back to me.
44:45Once they're gone, it's too late.
44:49Are you taking me now?
44:52Not today.
44:56Today's my day off.
45:12I said he's going to be okay.
45:14Then he might have a concussion, so we'll keep him overnight.
45:17Thought maybe we could go and see him tomorrow?
45:21I won't be here.
45:25Right.
45:36Well, it wasn't the day I wanted, but it was probably the day I needed.
45:48And there's the proof.
45:50You like it?
45:52It's perfect.
45:54How much is it?
45:56For you?
45:57Ah, just give it to her.
46:00We all know you're going to.
46:03For you?
46:0530 quid.
46:0730 quid?
46:11Is it real silver?
46:1430 quid, love, you're lucky it's real metal.
46:16Well, how much for that?
46:19How much you got?
46:2220 pounds and two pence.
46:27I'll take the pounds.
46:29You keep the pence.
46:36I had a really good time today.
46:41You enjoyed being held captive at gunpoint?
46:45No.
46:48But it was part of the whole thing.
46:53And I wanted the whole thing.
46:57Speaking of which...
47:01For you.
47:03It's all I've got left.
47:07You never know when they'll come in handy.
47:09Hmm.
47:10Oh, and, uh...
47:16This is for Mad Hettie.
47:36Have a lovely day.
47:43Hey.
48:07It just goes so fast.
48:13You want to hang on to every second, and you give anything for just one.
48:33Please.
48:38Didi!
48:52Didi!
48:54Didi!
48:59She's dead, love.
49:00She's gone.
49:05You can't bring her back now.
49:14Didi!
49:14Didi!
49:17Didi!
49:21Didi!
49:22Didi!
49:24Didi!
49:43Didi!
49:43Didi!
49:43Didi!
49:45Didi!
49:45Didi!
49:45She only gets a day every hundred years.
49:48Doesn't ever get any easier.
49:52Didi!
49:53Didi!
49:54Didi!
49:54Didi!
49:59Didi!
50:00Didi!
50:00What-
50:08There you are.
50:11Oh.
50:13I knew she'd find you.
50:22Me soul.
50:25This was called Delia, me baby.
50:30I wasn't mad at you back then, of course.
50:33They called me Henrietta, and I lived in a fine house.
50:38Long time ago now.
50:41All gone.
50:46I suppose I'd better hide you again.
50:53If she'd stuck around, I could have asked her where to put it,
50:55but no one would think of looking.
51:01I give her time, naughty boy.
51:07Another hundred years, and she'll be back.
51:23A few minutes later, the paramedics came and took her a while.
51:32They thought it might have been a heart attack, but...
51:37What if she really was death?
51:44Not be nice, if death was someone.
51:49And not just pain and emptiness.
51:52Someone friendly, genuinely likes people,
51:57and is kind and funny.
52:07No idea.
52:30There's sex now, right?
52:30Um, we were in the house, and we thought we need to stop by.
52:33There's sex now, right?
52:34Oh, see if you're so...
52:36Um, we were in the house, and we thought we need to stop by.
52:38Um, we were worried, and Billy said you didn't make it home last night.
52:42I just wanted to make sure you were okay.
52:44After our chat.
52:47Yeah.
52:47I'm sorry we didn't get a chance to...
52:49Oh, no, no, no.
52:50It's fine.
52:51There were so many people.
52:58Uh...
52:58Well, I-I'm sure you're working.
53:03No, I...
53:07Do you...
53:08want a cup of tea?
53:10Yeah.
53:11Yeah, if you'd have time.
53:24Milk and sugar?
53:25Three sugars.
53:32So, that was it?
53:41Yeah.
53:43How was it?
53:45Ugh.
53:52It was wonderful.
53:54It was filled with people.
53:58I got to breathe, and eat, and dance.
54:03I only wish it didn't have to end like that.
54:07It always ends.
54:09That's what gives it value.
54:12When you get to be alive, even for a day...
54:18Well...
54:19It's really only one way to stop living.
54:23I suppose so.
54:27Was it worth it?
54:33I wish it could have gone on forever.
54:41Take my hand.
54:42Take my hand.
55:13Right when I laid eyes on you, I thought to myself, oh, could it be someone that's made just for
55:26me?
55:28Oh, I can't make this up, what if I fuck it up?
55:36Well, then I'm wrong. You're not the perfect someone made for me.
55:44Right when I laid eyes on you, I thought to myself, oh, could it be someone that's made just for
55:57me?
55:59Oh, I can't make this up, what if I fuck it up?
56:33Oh, I can't make this up.
56:42You
57:35You
58:05You
58:18You
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