- 2 days ago
Watch How to Get to Heaven from Belfast Season 1 Episode 5 online in HD on Dailymotion (2026).
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Short filmTranscript
00:28Transcription by CastingWords
00:58CastingWords
01:06CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true he won't come now he's never coming now
01:36he won't come yeah god you don't think you're clever he is a gun grab to a fake and term
01:45she says i said
01:47i knew you were watching i'd like to keep working with this one the other child nothing i can do
01:55for
01:55the other child
02:00so
02:04so
02:09so
02:14so
02:20so
02:28so
02:35so
02:43so
02:45so
02:49so
02:52so
03:22did you break
03:24that
03:25they do like an inventory babes i'm never going to hear the end of this
03:29my last woman she threw a fridge out of one door and we were like seven stories up it was
03:35a whole
03:35thing
03:37you're scared i get it this is a really shit really stressful time for you but things don't
03:43have to get all you know like greek
03:47who the fuck are you
03:52i'm phoenix i'm phoenix i'm your new best friend you drug me
03:59you undressed me
04:00uh-uh
04:01you're making it sound creepy
04:02you're making it sound creepy
04:03it is fucking creepy
04:04where are the clothes you had on
04:07gotta burn them i'm afraid mostly because it's like procedure but also well they're kind of horrific babes
04:15oh coffee's ready
04:18i want to talk to booker
04:20booker's gone babes
04:22when will she be back
04:23he won't see booker again
04:24i take things from here
04:25what
04:29look how cute these wee cops are
04:34i don't understand
04:35if you have questions when i land on the scene everyone's full of this
04:40i couldn't be dealing with that last night
04:42so you stuck a syringe in my neck
04:44i'm gonna move on from the syringe thing babes
04:47it was late you needed some sleep i had shit to do i made an executive decision
04:54now will you please just sit down and have some coffee and a wee tiny gold cup
05:03why should i trust you
05:09because there's no one else here
05:14yep we are 100% not making it off this flight of life
05:17what exactly is she gonna do to us in a confined space with loads of witnesses
05:20she seems to really want that box
05:22so as long as we have
05:24hang on where is that box
05:25i'm sorry ladies
05:27your overhead locker is a little stuffed
05:35the box is in that bag isn't it
05:37it is yeah
05:37for fuck's sake
05:41linda
05:42what are you doing lovely
05:43the uh locker was over capacity
05:45did it close
05:47yes
05:47then it's fine
05:49drink surely
05:50now
05:53sorry about that
05:54these agency stand-ins are always messing with procedure
05:56actually can i just grab something out of that really quick
06:00it's
06:01er
06:02it
06:04it's our mother's ashes
06:06yeah
06:07yeah
06:08of course lovely
06:13thank you
06:15right
06:15let's get used to your drink
06:17linda
06:18linda
06:18linda
06:19linda
06:31linda
06:46linda
06:47linda
07:10linda
07:12linda
07:13surface
07:14in case you were working at it.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens
07:20or if that looks a bit...
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it, or so she says,
07:35but she did tell me something, which was a bit...
07:38I don't believe this.
07:40Me again.
07:41Anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:45The author was a psychiatrist she admired, Greta Gancale.
07:49So she, Margot that is,
07:51she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book
08:01and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:13Ladies and gentlemen,
08:15we'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:36Why would we scatter her in the sea?
08:39Sure she hated getting her her wet.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure.
08:56I'll open the door to the cockpit now.
08:57Who the hell changed you, Linda?
08:59Al-Qaeda.
09:00You always gave her bad advice.
09:01Seatbelt.
09:02No.
09:02Well, you were always ripping the back out of my back down.
09:05Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality
09:10and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario,
09:37I should say I've had a few Prosecco's.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat up.
09:44If it wasn't for Dara's banana,
09:46we'd all be standing here dead now.
09:47Impersonating a member of Cabin Crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52And where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Amara bikini that cost me 300 quid.
10:21I'm sorry, Robin, that is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Come on.
10:48All right.
10:49How about you?
10:49All right, Pops.
10:53All right.
10:53Thank you, Jennifer.
10:54I'll go ahead, you.
10:54Yeah, yeah.
10:55Yeah.
10:55That's it.
10:56Of course.
10:58We'll do it.
11:02All right.
11:04We'll do it.
11:04Oh, let's go.
11:06Bye.
11:06Bye.
11:07Bye.
11:20this person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the ninth of this month
11:41did they greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything
12:00well she she would have been a teenager when he went missing
12:05around the same age as your daughter perhaps my daughter yes what do you know about my daughter
12:10well i i tried your house you went in but she was and i briefly leave my daughter out of
12:17this
12:17sorry i mean whatever this is you leave my daughter no i didn't even speak to her mother has just
12:21died my
12:22wife has just died i didn't i didn't mean and you come in here with this insane story it's not
12:29a story
12:31inspector o'neill it's a fact someone did call me and someone gave me your wife's name
12:48i know i have time for this
12:55i understand i apologize it's uh it's not the right time perhaps i can wait
13:17yeah
13:20anything i can help with no
13:24no it's it's fine
13:46maybe it's time we talk to the guards maybe we should just tell them everything
13:50yeah but you see we can't tell them everything can we dar there's some bits we need to keep to
13:54ourselves
13:54like some quite big criminally type bit oh that name daddy he might help
13:58but my phone's worked oh shit my tea
14:00oh grabbing's works
14:03fuck's sake jim i don't remember his number why is jim ringing me
14:06i don't know robin maybe because he's your husband and the father of your children
14:09hiya love how's things
14:12great shit all under control here
14:14ryan's leaving daddy how is portugal hey baby let the free birds fly
14:21yeah a lot of a lot of irish here
14:23what's up in the name of i've got to go deal with this
14:26ryan we need to focus girls okay what do we actually know what are the facts okay so we know
14:31that this
14:32thing belongs to jody we know that jody and gretta grew up together we know that they were
14:36connected what was the name of that tiny game uh come on tashban tashban that's right why are you
14:42talking about narnia what tashban it's from the chronicles of narnia yeah jack's reading it
14:48i forgot how messed up it is
14:49that lion is a freaking nurse i i i i gotta go love okay right bye bye bye bye yeah
14:55love you bye
15:00jesus christ what was it he was right what are you talking about yeah they couldn't have come from
15:07tashban because tashban doesn't actually exist girls every single thing she told us was a fucking lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself the truth is you don't
15:40have to
15:41do that much what's that thing they say about lying a good lie stays close to the truth like with
15:48your
15:48name i always think it's best to go for something that sounds similar that way when someone calls you
15:54or you have to sign something it's less of a leap like psychologically so i'm thinking
16:01grania grania i think it's suchy babes i honestly do you
16:06grania it's like an echo of the person you once were
16:10i like that like a ghost of yourself that's actually quite profound that's maybe
16:17that's not the surname we have less freedomless we have to work off a list that's been cleared
16:22i must have left it upstairs let me run and grab it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you
16:34it's just better safe than sorry type thing and i've been stung before people are like i just want to
16:40talk to my panel just once just to hear their voice and i'm like i get a bit but now
16:47you've
16:47done the whole operation and i'm starting to decide with whoever it is that wants you dead
16:55you're on the other side of things now i guess what's that well earlier you said that you were
17:00evaporated too oh right yeah but i was so young how young 13 yeah my parents they were both god
17:18i still
17:18help them find a better way of putting this like they were kind of murdered babes i'm so sorry you
17:28don't
17:28need to know all the details trust me it will kill the crack overnight my environment became
17:36well not the safest and bicker heard what happened and she decided to help me
17:45bicker saved me i owe her everything i guess that's why i'm here doing what i do
17:56that's something else we have in common
18:00what is well you were young too when that marco woman stepped up i mean
18:11you know about that you know what happened with my mother we know everything babes
18:37you know
18:52i'm
18:54Rob, you've got to kick the shit out of those doorway packers!
18:58Get out of the morning tonight!
19:04It's all St. Patrick's Theatre.
19:24For God's sake.
19:25I'm not even wearing green.
19:26It's supposed to bring you bad luck.
19:29Don't get it already.
19:32Run!
20:22She's grand!
20:23She's grand!
20:29Why does she do that?!
20:30She's here.
20:31Why did she do that?!
20:35Go, go, go!
20:36Go!
20:55thanks sure you don't want one? I'm grand. that's not very Irish are you? that's quite offensive.
21:00he's no crack. don't say crack. sorry. great man St. Patrick. single-handedly drove the English out of Ireland you
21:08know. no wait. not the English. snakes. wait you know Donald. you're quite upbeat for a fellow with a missing
21:16dad. went missing when I was a baby. settled into it.
21:24mmm would you like a straw? do you think I could ask one? no. so why all of these questions
21:33about my meeting with your boss? just curiosity really. okay well I don't trust him. really?
21:45I've seen you before. sorry? I called at Owen's house yesterday. I walked there. I saw him lead you out.
21:53saw you get in your car and drive away. you didn't see me. neither did he. but anyway.
22:00when I reached the door. there's no answer. for some reason he didn't want to speak to me. why don't
22:06you trust him? what makes you think I don't trust him?
22:10the fact that you're sitting here. alright fine. in the meantime let me show you this. so these are my
22:19father's old notebooks. I've been trying to decode them. decode?
22:24yeah. he interviewed paramilitary members. intelligence agents. when you said he was a journalist. he was an actual journalist.
22:30so. a few times he talks about what I thought was something like sad girl. or mournful woman.
22:36but then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:43do you know there are probably a hundred skills in Ireland with that name? yes. but then there's this.
22:50what does it mean? no idea. it feels religious. it's my instinct. anyway.
22:59I went to Greta's old school for a look. and there's this whole area of the grounds.
23:04it's just sort of abandoned now. and there's an old caretaker's cottage.
23:10this isn't all just a coincidence.
23:14Greta O'Neill was connected to my father.
23:19how did you find out that was Greta's old school?
23:21oh well. when I spoke to her friends. they mentioned it. and Greta.
23:25well. she'd have still been there the year that my father disappeared.
23:30did you say you spoke to her friends?
23:34hey.
23:35Saoirse.
23:36so uh.
23:37I just had a chat with Andrew.
23:39you remember Andrew?
23:40English lad.
23:41he uh.
23:41spoke to you about the fact that his father disappeared.
23:44about how he thinks Greta was involved.
23:46now.
23:46here's what I'm wondering.
23:48I'm wondering why you didn't mention any of this.
23:50I want you to call me back.
23:52I want you to tell me what the hell is going on here.
23:54fuck it.
23:54I'm coming to Belfast.
23:56see you at the studio.
24:22if this is how it ends.
24:25if I die today.
24:30then I want my conscience to be clear.
24:33you're not dying Saoirse.
24:36my head is banging.
24:37I might have some painkillers in my bum bag.
24:40okay.
24:40at some point we need to address the fact that you've started wearing a bum bag.
24:45now these are mums.
24:46they're prescription only.
24:48they are really strong.
24:50class.
24:50we need backup.
24:51I'm calling Jim.
24:52what's Jim gonna do that now bitch?
24:54I'll have Jim for breakfast.
24:56how's it going?
24:57you've reached Jim's phone.
24:58where the hell is he?
25:01he's gone out.
25:03who the hell does he think he is?
25:05wait you're tracking Jim.
25:06obviously.
25:07i haven't trusted him since the whole affair thing.
25:09there was no fucking affair thing.
25:12shit she's tracking us.
25:16she's tagged us somehow.
25:18it could be on her clothes and her hair.
25:21you know what that means.
25:22in her hair?
25:24she's on her way here.
25:37robin.
25:38stay beside that door.
25:39i don't want a priest walking in here and seeing my fandango.
25:42what's your fandango doing out?
25:43what?
25:43can everybody just keep their fandangos under wraps please?
25:50shh.
25:51listen.
26:09grab a weapon quick.
26:17come on.
26:19come on.
26:19come on.
26:20come on.
26:21come on.
26:22come on.
26:23come on.
26:24we ready?
26:24for a fucking exorcism maybe?
26:29where is she girls is she playing at night
26:41moving on to scene 32a let's have cast on set in five minutes please
27:08excuse me yeah i'm gonna have to see the brain excuse me scene 32a crew show people crew show
27:16i'm not sure if you remember me i can't i remember i'm looking for searsha i bet
27:23why would i know where she is well because you work together and also aren't you engaged well
27:28i'm sure you've seen a lot more of her than me recently what you think i don't know what's going
27:33on there's nothing going on look i don't mind you don't mind i'd just like to be involved
27:44involved i think you'll find i have a lot to offer in that department okay well you genuinely don't
27:49know what you're talking about and i'm kind of afraid to ask oh come off here it explains why
27:54she's been awol for days what does she's storylining season five and you're helping with research
28:01oh no pushing me out again so much for tv being collaborative listen boss um why are you in the
28:09wrong uniform no he's a guard we're shooting those scenes next week that's all location
28:12costume yeah this agent's in the wrong uniform no he's not i'm not an actor i'm a real person
28:16oh and actors aren't real people he's an actual guard okay he's helping searsha storyline season
28:20five really we're gonna have to swap out scene 15 this friend's not stopping anytime soon oh no
28:25could you just have her call me seb darling my car's here taking that god-awful
28:29telly interview love you darling what's 15 again exterior school bearing of the body
28:36okay fine hey ev sorry do you have a script can we get a move on people
28:51what is she playing at she knows we're in here
28:56sanctuary law she is obeying our right to claim sanctuary so long as we're in here she won't
29:03touch us so why the fuck would we leave
29:24hello i just want the box you've been swept up on something you deserve no part of
29:32i don't want to hurt you she tried to kill us the boat that was a warning if i really
29:38wanted you
29:39dead you would be i just want the box why what's in it what's all this got to do with
29:48grandma
29:49knowing that will infect you like a disease
29:52a fatal one all you have to do is come out here and hand me the box
30:03do that and i promise you will never see me again
30:10after a while you'll begin to question if any of this actually even happened
30:17if i ever actually existed
30:22what will it be
30:40let me do it
30:41let me do it
30:45let me do it
31:23Why didn't you come inside?
31:26I don't do business in God's house.
31:30I don't trust him.
31:32I see.
31:40Well, we don't make deals with the devil.
31:58I don't do business in God's house.
32:12Conditions we're dealing with.
32:14Will you travel with me?
32:16They'll send the midwife.
32:17The what?
32:18She delivers you to your new life.
32:21When?
32:23Soon.
32:24Too soon.
32:24It was my understanding that when I'm settled, my daughter, she could join me.
32:28Oh, come on, babes.
32:30I get that there's a lot to do.
32:32Well, that's one way to put it.
32:33I thought if I could get a sense of any of the timeframe.
32:34You're giving me cause for concern here, babes.
32:38You're concerning me.
32:39I'm concerned.
32:40You don't need to be.
32:41A timeframe.
32:42Just roughly.
32:42This is a very delicate procedure.
32:45I get that.
32:46With no guarantees.
32:48But if everything goes to plan-
32:49With no guarantees!
32:52She's my daughter, and she thinks I'm dead.
32:58What is in her best interests?
33:07You'll be okay.
33:10Will I?
33:12Some people are about to survive.
33:17That's what Bicker told me when my parents died.
33:21She said she knew I was deafening because I cleaned it all up.
33:27Most adults couldn't have managed that, she said.
33:32Cleaned what up?
33:33The mess, babes.
33:36There was such a terrible mess.
33:39They were stabbed, you see.
33:42Thirteen times between them.
33:45Oh, my God.
33:48It's fine, honestly.
33:51They wouldn't have known anything about it.
33:54What do you mean?
33:57They were fast asleep.
34:04Thirteen times.
34:06A wound for every miserable year.
34:11Oh, don't look so shocked.
34:14You recognized it in me.
34:16I saw it in you two.
34:18Before I'd read a word.
34:20It takes only no one, doesn't it, babes?
34:28You'll be okay.
34:30You'll survive.
34:32People like us always do.
34:41I guess you shouldn't call somebody.
34:43Yeah, all right, love.
34:44You okay?
34:52Exactly what part of the plan were you unclear on, Dara?
34:55I'm telling you, I was chilling.
34:57I was standing there, looking her right in the eyes, and it was like she had no soul.
35:02It was like you're in the presence of evil.
35:05Actual evil.
35:06How might someone like that react to you, bashing her face in, I wonder?
35:09She was never gonna let us walk away, Robin.
35:11She was lying.
35:13What's this cue for, exactly?
35:15No idea.
35:16But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:20Jesus, Robin.
35:21Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:25Oh, speaking of which, Seb's been trying to get you.
35:29He wants to know how many scripts to give Liam now that he's a consultant.
35:32What the fuck is he asking for scripts?
35:34He'll need them if he's a consultant.
35:35He's not a consultant, Dara.
35:38What is going on here?
35:40Uncle Easy News.
35:42Tickets?
35:43Or what?
35:44The Late Late Show.
35:45Oh, my God, The Late Late Show.
35:48I love Patrick Hilton.
35:50I love Patrick Hilton.
35:53Oh, yeah.
35:55I mean, I suppose he's good at what he does.
35:57I just don't get what all the fuss is.
36:00Fine, I love Patrick Hilton.
36:01D.
36:02Jesus.
36:04She can't kill us on live TV.
36:08Okay, can you guys move us out, please?
36:11Uh, we don't have tickets because these are the competition winners.
36:14What are you talking about?
36:16It should be on your list.
36:17Jesus, I emailed about this yesterday.
36:19What list are you working from?
36:22Who put you in the door?
36:23Cara.
36:24Ah, typical.
36:25Aye.
36:26Well, tell me that you at least have some house seats back.
36:29Yeah, of course, always.
36:30Right.
36:30So, shall we?
36:32Mmm.
36:34Tickets!
36:35I've seen a lot of 30 Rocks.
36:38But you've yet to watch one episode of my show.
36:41The show's not funny.
36:42How would you know?
36:44We're just down there.
36:45Sorry.
36:47We're just down there.
36:54You should be okay.
36:56We'll be back.
36:58Hungry...rators,
36:59relive. Oh!
37:00Steve.
37:01Uh...
37:07Oh!
37:08Yes!
37:09Uh...
37:35Hello, ladies.
37:36Welcome to the Lit Lit Show.
37:38Let's do it for our band, folks.
37:41Look at Jonathan there.
37:42Hey, would you ever turn that bollocks off?
37:47And happy St. Patrick's Day.
37:51He's here, he's here.
37:55Also on the show tonight, he went viral this week
37:58when he rescued a blind sheep stuck in the mud
38:01halfway up the Wicklow Mountains
38:03and carried it down on his back to safety.
38:06His name is Sean O'Kelly.
38:08Ah, couldn't man yourself, Sean.
38:11Where would you get it?
38:13What a strange show.
38:15She plays detective Emma Fierce
38:17in the smash hit multi-award winning television series Murder Code.
38:21Let's have a huge welcome for the one and only Marnie Mullins.
38:29You're shitting me.
38:31Isn't that those three Belfast ages we questioned?
38:35God, I think you're right.
38:36Are you sure?
38:37Sure, I'm sure.
38:39I'd recognise you weren't anywhere.
38:41This thing's still alive, right?
38:42Oh, God, yeah.
38:43You cannot whack it.
38:44Now, the show has such a huge following.
38:48Shall we all love a bit of Murder Code?
38:50Yeah!
38:52When you first read the scripts,
38:53did you know it was going to be such a massive hit?
38:55Do you know what, Paddy?
38:56Here we go.
38:57No.
38:58I actually struggled to see what the big deal was,
39:01but then I realised it was the audience's attachment
39:05to my character, Emma.
39:07My character, Emma.
39:09That was the big pull.
39:10So I made a few suggestions.
39:12Which I ignored.
39:12To make her relatable,
39:14and the scripts were definitely elevated after that.
39:19I mean, we did a lot of work on them.
39:20We.
39:21And after all that,
39:22I think we knew we'd made something truly special.
39:25Well, special is right.
39:26I mean, what was it,
39:27something like 10 million viewers tuned in
39:30to see you catch the elusive career killer
39:34in your own home?
39:36Actually, actually,
39:38a lot of that scene was improvised.
39:41That is it.
39:43That is it.
39:48Oh, my God.
39:51That's our writer, Saoirse Shaw.
39:55Surprise!
39:56Saoirse Shaw, writer of Murder Code.
40:00Ladies and gentlemen, let's get her down here!
40:12Look!
40:13Look, Mummy's on TV.
40:15She really is!
40:16Oh, lads, we'll just stop.
40:17Your mum's in Portugal.
40:18Oh, my God.
40:20Oh, my God.
40:22Oh, my God.
40:24Oh, my God.
40:26Oh, my God.
40:27Patty.
40:27Patty.
40:28Patrick.
40:28Patty.
40:29Patty.
40:29Patty.
40:30You take a breath.
40:31Yes.
40:33Jesus.
40:34Jesus.
40:35So, tell us, uh, tell us this.
40:37Where do you get your inspiration?
40:39All these complicated plots and twists and turns?
40:43I guess, uh, I...
40:44Lots of things inspire me.
40:47Books.
40:48Yeah, look, Seb, just calm down.
40:50I'm just loading up now.
40:51Give me a second.
40:53Yeah, got it.
40:55Films.
40:56News stories.
40:59Uh, history.
41:01Uh...
41:01Oh, what the fuck is she doing?
41:04How many of those bloody pills did she take?
41:07Oh, for God's sake.
41:08Uh, sort of, uh, uh, things that happen in real life.
41:12Even.
41:13Let's talk about that.
41:15Talk about?
41:15Give us an example.
41:17Well.
41:19Oh, maybe I shouldn't say that.
41:21Go on, I don't be a tease.
41:26When we were young, my friends and I, we did this pretty terrible thing.
41:32But only because we were, we were, uh, trying to protect someone.
41:38Go on.
41:39Oh, I'll get in trouble here.
41:40Sure, isn't that what live TV's for?
41:42Yeah!
41:45I think this is a bad idea, Patrick Gilday.
41:49Tell us.
41:51Tell us!
41:52Tell us!
41:53Tell us!
41:55Tell us!
41:56Tell us!
41:57Tell us!
42:00Well.
42:01Turns out the person we were trying to protect, she was...
42:05Lying.
42:08So now we've done this terrible thing, but we don't even...
42:11We don't even know why.
42:13If this were murder code, and you were Emma,
42:17I mean, what would you do?
42:19Well, I suppose...
42:22Well, I suppose...
42:24Well, I suppose Emma would realize that she's overlooked something small, something that she initially thought was insignificant.
42:34But it turns out...
42:38That it was the key to unlocking the case.
42:43The key to unlocking the box.
42:46Locking the box.
42:47Locking the box.
42:47She had it all alone.
42:50I had it all alone.
42:51She already knew the answer.
42:53I already know the answer.
42:54I already know.
42:55Of course you do.
42:57You've seen it.
42:59Where have you seen it?
43:00I don't know.
43:01Think.
43:08I don't remember.
43:10I can't remember.
43:11Picture.
43:12Picture.
43:12Picture.
43:13A painting.
43:14A painting.
43:15Picture of a painting.
43:23I've got it.
43:24Paddy, it was actually a pretty challenging shoot.
43:27I assume.
43:28I had these sort of panic attacks, but I had someone talk to me.
43:30I really must get her some media training.
43:32Back at five.
43:33Don't go anywhere now.
43:35Roll it down.
43:39Totally so good.
43:40Big fan of your work.
43:42Right.
43:42Hello.
43:42Let's go.
43:43We've got to get you.
43:43Let's go.
43:44I saw Patrick.
43:45He's being real.
43:45I saw Patrick.
43:47Keep going.
43:48Keep going.
43:48What does he like?
43:49What does he like?
43:50Jesus Christ.
43:51Let's go.
43:51Come on.
43:52Come on.
43:53Jesus.
43:54Seriously, those things could kill a horse.
43:56You're such a liability.
43:58I think I solved it.
44:00We solved it.
44:02Me and Patrick, Katie.
44:04I love Patrick, Katie.
44:11We already saw the answer.
44:14We had it right in front of us.
44:18What?
44:19Symbol in Portugal.
44:22Did you take a picture?
44:24Wait.
44:31Was there a number on it?
44:33Yes.
44:34Yes, there was a number.
44:35It's a date.
44:36I'll call it out.
44:37Um, two, five, zero, one, nine, seven.
44:59Oh, my God.
45:15What happened to her?
45:30What the hell is going on here, girls?
45:33It's actually quite difficult to know where to start.
45:36Charles Sampson.
45:37Start there.
45:38What do you know about Charles Sampson?
45:40Watch your eyes!
45:47Holy shit.
45:48Step out of the car.
45:50Step out of the car.
46:19What do you want?
46:21What do you want?
46:52You keep going there telling me to stop.
46:54What do you want?
47:24What do you want?
47:54What do you want?
48:24What do you want?
48:55What do you want?
49:23What do you want?
49:23What do you want?
49:36What do you want?
49:37What do you want?
49:37What do you want?
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