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The Crown S01E09 [Full Movie] [Watch Free Online]Full EP - Full
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00:00:11If your sweetheart sends a letter a good-bye,
00:00:26it's no secret.
00:00:29You feel the record.
00:00:33This way, by the way.
00:00:43The end of the bar.
00:00:49Hello.
00:00:50Hello, Porchy.
00:00:54Find the place all right now?
00:00:55Taxi driver, dear?
00:00:57Yes.
00:00:58Of course.
00:01:00Wonderful.
00:01:15Is it just me or is this place faintly ridiculous?
00:01:20Two of my great hates in life, fine dining in central London.
00:01:25I just thought it's the kind of special occasion place one came if one had a special question
00:01:31to ask.
00:01:43This moment I wish I were a poet, not a horse breeder.
00:01:55Will you marry me?
00:02:01Oh, poor G.
00:02:03That sounds like a no.
00:02:05No.
00:02:06No.
00:02:06It's not a no.
00:02:08No, no, no, no, no, no, no, no, no, no, no.
00:02:13Twelve no's.
00:02:14I would love to.
00:02:16On one condition.
00:02:19That you don't still hold a torch for her.
00:02:22Who?
00:02:25Oh.
00:02:27Her.
00:02:36I know how close you were and how close your families still are.
00:02:41It's true.
00:02:41She and I, we are close.
00:02:43I was close to her father.
00:02:45I am close to her sister.
00:02:46Our families are close.
00:02:48In many ways, and I speak as a breeder myself, it would have been a good match.
00:02:52Perfect match.
00:02:53I won't deny it.
00:02:56Except for the fact it was never on the cards.
00:03:03For her, there was only ever Philip.
00:03:17I won't deny it.
00:03:19I won't deny it.
00:03:20I won't deny it.
00:03:22I won't deny it.
00:03:23And for you?
00:03:32It was only you.
00:03:34People't deny it.
00:03:37They would deny it.
00:03:41ė¬¼ė” ė¤ crossing her in front is full.
00:03:46There was a case there incomplete line.
00:03:46reasoning from herray to the ear Š±Š°Š½ter.
00:03:49Who did not resonate across and mayor?
00:03:51Even if it was interesting with him, we could try the same way.
00:03:52Because she was even using the last couple to decide.
00:03:53Do not steal it.
00:03:53So she killed her.
00:03:55We could do it.
00:03:55And we could do it again and she killed her.
00:04:09A little bit.
00:04:29A little bit.
00:04:59A little bit.
00:05:29A little bit.
00:06:01A little bit.
00:06:27A little bit.
00:06:53A little bit.
00:07:12A little bit.
00:07:53A little bit.
00:08:11A little bit.
00:08:16A little bit.
00:08:43A little bit.
00:09:06A little bit.
00:09:15A little bit.
00:09:37A little bit.
00:09:44A little bit.
00:09:50A little bit.
00:10:11A little bit.
00:10:59A little bit.
00:11:00A little bit.
00:11:00A little bit.
00:11:11A little bit.
00:11:54A little bit.
00:12:37A little bit.
00:12:40A little bit.
00:12:50A little bit.
00:13:05A little bit.
00:13:24A little bit.
00:13:39A little bit.
00:13:45A little bit.
00:14:15A little bit.
00:14:41A little bit.
00:14:41A little bit.
00:14:42A little bit.
00:14:43A little bit.
00:14:51A little bit.
00:15:26A little bit.
00:15:44A little bit.
00:15:49A little bit.
00:16:15A little bit.
00:16:16A little bit.
00:16:17An honest advice.
00:16:18I'd consider retiring him now.
00:16:20The top of his game.
00:16:22The best middle distance horse in europe.
00:16:25With a sky high market value.
00:16:26let him earn you some proper money as a star I'm surprised to hear you turn down
00:16:33the opportunity of going to America why that's where your girlfriend's from
00:16:41isn't it fiance fiance fiance goodness who is she money I hope so you can keep
00:16:52about the stables actually she's a Portsman yeah so no money some money but horse mad
00:16:58well she'd have to be you to prove I think well can I meet her if you promise
00:17:08you won't scare her why would I scare her you're the Queen only some of the time
00:17:13all the time that makes you terrifying and she's heard a lot about you from whom
00:17:20from me some of it nice too
00:18:03the one you let get away what he was carried a torch for you
00:18:09what's she what's that nonsense he told me himself one night while in his cups
00:18:18that doesn't count
00:18:21when a man's had a drink that's when the truth comes out
00:18:24no that's when the nonsense comes out besides you have interests in common
00:18:29horses aren't an interest for you they're a passion
00:18:31passion your husband doesn't share
00:18:34he has other passions so I hear
00:19:12the foreign secretary is here sir shall I show him in no not here
00:19:32sorry to keep you waking as apposite as ever I didn't mean it like that
00:19:44there's ugliness in the air Anthony I have nothing of beauty to say
00:19:50then say what you must deposit your ugliness and go
00:19:54I have more important things to do
00:20:01very well
00:20:07at some point every leader must ask himself whether by staying in office
00:20:14he is giving to the country or taking from it
00:20:19helping or harming
00:20:23and I would suggest that for some time now
00:20:27you have been taking and harming and therefore I come to you in the name of
00:20:34the party and of the country for the very last time Winston
00:20:40to bid you to stand down
00:20:42I will in good time at the right time
00:20:45the right time was nine years ago when you lost us the election
00:20:49and I have since avenged that defeat by winning us the lost election
00:21:01people voted conservative in the clear expectation that you would give way to me
00:21:07that is such rubbish
00:21:08they voted conservative because they couldn't stomach socialism
00:21:12inflation is out of control
00:21:15and with every misjudgment with every miscalculation
00:21:20with every utterance you make
00:21:23that appetite to return to the left is growing
00:21:25be careful Anthony
00:21:27too much excitement is not good for one so soon after an operation
00:21:31spoken by a man who only two months ago was effectively dead
00:21:35which makes two of us
00:21:37I have recovered
00:21:38that's not what I hear
00:21:40I hear you're a shadow of your former self
00:21:44that when you walk the pills rattle around inside of you
00:21:47I have something that you will never see again
00:21:52a clean bill of health
00:21:55a Stalin said the same
00:21:57he died robbering on the floor
00:22:01Mr. Sutherland is here
00:22:03hello Anthony
00:22:05Anthony was just leaving
00:22:08hello Timmy
00:22:11yes I was
00:22:14just leaving
00:22:17here we are
00:22:18morning
00:22:21morning
00:22:21this is my wife Kathleen
00:22:23she assists me sometime
00:22:26hope you don't mind
00:22:27she assists me
00:22:28she assists me
00:22:34and I'll be
00:22:34she assists me
00:22:35and I'll be
00:22:36I'll be
00:22:36and I'll be
00:22:59Over here.
00:23:07What's that you're using?
00:23:09Pencil.
00:23:10Yeah, but which kind?
00:23:144B or 6B or something. I'm not sure.
00:23:18It's a 6B.
00:23:21And on what paper?
00:23:23Drawing paper.
00:23:23I paper heavyweight cotton.
00:23:26Cold-pressed, decal-edged,
00:23:28sized with gelatine.
00:23:36How many paintings has your husband complete in a year, Mrs Sutherland?
00:23:413 or 4.
00:23:44Would you care to guess how many I average?
00:23:4710?
00:23:4915?
00:23:5160!
00:23:53Of course, I'm just a hobbyist.
00:23:56An enthusiast.
00:23:58Of a major artist like your husband.
00:24:03Taking his time.
00:24:07Over here.
00:24:08No voice.
00:24:13Push.
00:24:38I did a little reading about you, Mr. Sutherland,
00:24:41after our last session.
00:24:44Did you?
00:24:44Yeah, quite interesting.
00:24:46From what I read, this is all very new to you, this portraiture.
00:24:51I don't think anyone starts out wanting to be a portraitist.
00:24:54Yeah, but in your search for your metier,
00:24:57you've tried a bit of everything.
00:24:59That's true.
00:25:02I came to painting quite late.
00:25:04But now that you've found it, you'll never leave it, yes?
00:25:07Yeah, I quite understand.
00:25:28How is it, Mrs. Sutherland?
00:25:32It has truth.
00:25:35Am I to be allowed a peek?
00:25:37No.
00:25:38Well, why not?
00:25:40I could give you advice.
00:25:42After all, I know this face better than you do.
00:25:46If you've made the neck too thick or the arms too long, I can tell you.
00:25:50I find in general people have very little understanding of who they are.
00:25:54One has to turn a blind eye to so much of oneself in order to get through life.
00:25:58And you see it as your responsibility to bring all that out into the open?
00:26:01Certainly, the good as well as the bad.
00:26:03Just concentrate on the good and all will be well.
00:26:07You're not just painting me, you know.
00:26:10You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
00:26:15and everything that great office represents.
00:26:17Democracy, freedom, the highest ideals of government and leadership.
00:26:22Just remember that.
00:26:35Yes?
00:26:36Lord Porchester, Your Majesty.
00:26:40Plug in.
00:26:42Porchy?
00:26:43What a palaver.
00:26:44What is it?
00:26:45Getting through to you.
00:26:47I picked up the phone to you just after nine this morning.
00:26:50It's now gone midday.
00:26:51Oh, don't exaggerate.
00:26:53But yes, I know, it is infuriating.
00:26:55Fire away.
00:26:56You asked me to come to some figures for you with regard to Oriole.
00:26:59Although I'm numerically dyslexic, runs in the family, I'm afraid, like the high forehead.
00:27:04Oh.
00:27:05I have done the sums.
00:27:06See if this helps you with your decision.
00:27:08In the course of his lifetime as a racehorse, Oriole has made you just over Ā£40,000.
00:27:14Goodness.
00:27:15But, if you were to put him out to stud, he could make you far more.
00:27:18He's a recognised champion with a top-notch pedigree.
00:27:21You could stand him at Wolferton's start for top dollar.
00:27:27Well, that's the decision then.
00:27:30Good.
00:27:31And in the meantime, I'll ask if I can get you a direct line.
00:27:36To you?
00:27:37Yes, to me.
00:27:38Why?
00:27:39Or is there anyone else you wanted to speak to here?
00:27:42No.
00:27:47What is it?
00:27:49Top dollar.
00:27:50I need numbers.
00:27:52400.
00:27:53A pot.
00:27:54A shot.
00:27:56Sorry, I'm trying to find a less automatic pick expressive.
00:27:58What is ultimately...
00:27:59I know what it is.
00:28:00A shag.
00:28:01A cover.
00:28:03A cover?
00:28:04Yes, that's the correct term.
00:28:07A horse hump.
00:28:09Yes.
00:28:12So what might you earn, then, over the course of the year?
00:28:15Well, in one year alone, Aurel might cover 40 mares, making about 16,000 pounds.
00:28:23Good for him.
00:28:24In the course of his lifetime at the stud, he might sire 500, 600 fowls, making me over 200,000
00:28:31pounds.
00:28:32Creating an entire generation of offspring?
00:28:34Yes.
00:28:35Father to all the fowls in our stables, and any other stable that could afford him.
00:28:40Yes.
00:28:42Oh, I see.
00:28:42So in time, every horse out there could somehow be related to Aurel.
00:28:50Yes, I suppose so.
00:28:53Like old man Carnarvon.
00:28:56Who?
00:28:58Your friend Porchy's father.
00:29:01Porchy?
00:29:01No.
00:29:02Like I said, his father.
00:29:04Yes, they're both called Porchy.
00:29:07Wasn't that the rumour?
00:29:08What rumour?
00:29:10Oh, that he'd had so many affairs.
00:29:13An entire generation of British aristocrats was related to him.
00:29:16An illegitimate Porchy.
00:29:19In every great house in the land.
00:29:23High foreheads everywhere.
00:29:27Enumerical dyslexia.
00:29:29What?
00:29:30Nothing.
00:29:31What?
00:29:32Nothing.
00:29:37Michael.
00:29:39Dear boy.
00:29:45Good night.
00:29:47Good night.
00:29:49Let me have a look here.
00:29:52Marvellous.
00:29:53Shall we?
00:29:54Come on.
00:29:54You look beautiful.
00:29:55Mm-hmm.
00:31:45How is it?
00:31:46Good morning.
00:31:47Good morning.
00:31:47Good morning.
00:31:48Good morning.
00:32:00You're a wife this time.
00:32:03You know, I asked her not to come.
00:32:11Since this is to be our final session,
00:32:14he wanted us to be all alone.
00:32:21In silence, preferably.
00:32:23Yes, yes.
00:32:25He'll be a good boy.
00:32:33I quite understand the need for concentration.
00:32:37Painting the picture is like fighting a battle,
00:32:41a bloody battle.
00:32:43In the gladiatorial fight to the death,
00:32:46the artist either wins or loses.
00:32:51Are you winning?
00:32:53I hope so.
00:32:56You think I'll like it?
00:32:58I think that's possibly too much to ask for.
00:33:02But I do take comfort from the fact that your own work
00:33:05is so honest and revealing.
00:33:08Oh.
00:33:10Thank you for the compliment.
00:33:17Are there any works that you're referring to in particular?
00:33:22I was thinking especially of the goldfish pond here at Chartma.
00:33:27The pond? Why the pond?
00:33:29It's just a pond.
00:33:30It's very much more than that,
00:33:33as borne out by the fact that you've returned to it again and again,
00:33:36more than twenty times.
00:33:37Well, yes, because it's such a technical challenge.
00:33:41It eludes me.
00:33:43Well, perhaps you elude yourself, sir.
00:33:45That's why it's more revealing than a self-portrait.
00:33:48Oh, that's nonsense.
00:33:50It's the water.
00:33:52The play of light.
00:33:55The trickery.
00:33:57The fish down below.
00:33:59I think all our work is unintentionally revealing,
00:34:02and I found it especially so with your pond.
00:34:04Beneath the tranquility and the elegance
00:34:06and the light playing on the surface,
00:34:08I saw honesty and pain, terrible pain.
00:34:12The framing itself indicated to me that you wanted us
00:34:16to see something beneath all the muted colors deep down in the water.
00:34:25Terrible despair.
00:34:27Hiding like a leviathan, like a sea monster.
00:34:31You saw all that?
00:34:34Yes, I did.
00:34:37Perhaps that says more about you than me.
00:34:39Mm-hmm.
00:34:42Perhaps.
00:34:46May I ask you a question, Mr. Sutherland?
00:34:50It's about one of your paintings.
00:34:53The one you call pastoral.
00:34:55With all that gnarled and twisted wood,
00:35:01those great ugly dabs of black,
00:35:05I found something malevolent in it.
00:35:10Where did that come from?
00:35:13Well, it's very perceptive.
00:35:15That was a very dark time.
00:35:18My son, John,
00:35:23passed away.
00:35:24It's two months.
00:35:30Oh, man.
00:35:32I am sorry.
00:35:39Yes, thank you.
00:35:59You have five, yes?
00:36:01Four.
00:36:04Marigold was the fifth.
00:36:07She left us at age...
00:36:10Two years, nine months.
00:36:12Septicemia.
00:36:13I'm so sorry. I had no idea.
00:36:18We settled on the name Marigold on account of her wonderful golden curls.
00:36:26The most extraordinary color.
00:36:32Regretfully, though perhaps mercifully, I was not present when she died.
00:36:39When I came home.
00:36:42Clemmie.
00:36:45Roared like a wounded animal.
00:36:54We bought chart, well, a year after Marigold died.
00:37:03That was when I put in...
00:37:08the pond.
00:37:36Here.
00:37:54Oh.
00:37:59It's a pleasure.
00:38:06I look forward to seeing it.
00:38:08I look forward to seeing it.
00:38:38Oh dear!
00:38:40Oh dear!
00:38:50Hello.
00:38:51Hello.
00:38:53Shall we?
00:38:55Yes.
00:39:00Given this is Oriel's debut, we want to leave nothing to chance.
00:39:04I've called up three different mayors.
00:39:06Very rarely does a forced tryst make a fruitful tryst.
00:39:10One wants the perfect fall.
00:39:11One needs to be prepared to wait for the perfect peril.
00:39:14Shall we?
00:39:16Meet Neocracy.
00:39:17Oh, the Aga Khan.
00:39:18Indeed.
00:39:19Yes.
00:39:20Recently retired, with a good record as a winner.
00:39:22Lovely temperament.
00:39:24My only concern would be, is she perhaps a little too...
00:39:28Special.
00:39:29I worry that if we left these two to it, nothing would ever happen.
00:39:33Which is why I've also called up Turkish blood.
00:39:36As you can see, an altogether different proposition.
00:39:39Indeed.
00:39:39Strong, willful, with a terrific track record herself.
00:39:43Really would be breeding the best with the best.
00:39:46I'm sensing a barge.
00:39:48Through memory, your Oriel is something of a sensitive soul.
00:39:51That hit him to be intimidated or come unstuck and faced a fiery warrior like this.
00:39:56That's very considerate of your portrait.
00:39:58Which is why I have a good feeling about our third candidate.
00:40:01Feast your eyes on Temple Bar.
00:40:03A hot thoroughbred with the winning streak herself.
00:40:06A little on the young side, perhaps.
00:40:09Just three.
00:40:10We don't mind that, do we?
00:40:17Immediate engagement.
00:40:18Yes.
00:40:19I must say, I do like this one.
00:40:21Mm-hmm.
00:40:23Would appear the feeling is mutual.
00:40:26Oh, love.
00:40:29Telegrams have been pouring into Dining Street today to wish to Winston Churchill a happy 80th birthday on this, the
00:40:3730th of November.
00:40:38They come from all parts of the globe.
00:40:41Oh, oh, oh, oh.
00:40:44Happy birthday, that darling old pug.
00:40:54Happy birthday to you.
00:40:58Happy birthday to you.
00:41:02Happy birthday to you.
00:41:07Happy birthday to you.
00:41:13Happy birthday to you.
00:41:16Happy birthday to you.
00:41:24Happy birthday to you.
00:41:29Happy birthday to you.
00:41:31Happy birthday to you.
00:41:31Happy birthday to you.
00:41:32Happy birthday to you.
00:41:34Happy birthday to you.
00:41:34Happy birthday to you.
00:41:36Happy birthday to you.
00:41:37Happy birthday to you.
00:41:37Happy birthday to you.
00:41:42Oh, is it time?
00:41:43It is time.
00:41:44Right.
00:41:53Go sit down, Michael.
00:41:54Thank you, Bob.
00:41:55Westminster Hall, silent witness of nearly a thousand years of history,
00:41:59was the scene of the birthday presentations to Sir Winston.
00:42:55I am deeply honoured to be here today.
00:43:01No politician has ever received such an honour before,
00:43:08and I am deeply grateful.
00:43:11I am aware, however,
00:43:14that after having served my country for 54 of my 80 years,
00:43:26resignation is a word that hangs in the air.
00:43:32And indeed, this is the perfect occasion for it.
00:43:36The stage is set,
00:43:39and the audience is assembled all ready for a grand valediction.
00:43:46There's only one problem.
00:43:48The lead actor has forgotten his life.
00:43:53And instead of standing down, he is taking an encore.
00:43:59My dear, he's playing with them all.
00:44:03When your political colleagues are kind enough
00:44:06to present you with a portrait by an ambitious modernist,
00:44:14one has to ask oneself,
00:44:16is it a gift or is it a curse?
00:44:27Mr. Sutherland, the artist and I spoke a great deal during my sittings.
00:44:35I reminded him of the stakes involved,
00:44:40that his portrait was not just of me,
00:44:43but of the office I represent, indeed,
00:44:48of our entire system of government.
00:44:50So, at long last,
00:44:55I look forward to unveiling this painting.
00:45:30The fine patriotic piece of modern art.
00:45:35Oh!
00:46:10Why are you here?
00:46:12I understand you've rejected the painting.
00:46:15I have.
00:46:16On what grounds?
00:46:17That is not a painting.
00:46:19It's a humiliation.
00:46:22How shall I paint him today?
00:46:25Ah!
00:46:26Sitting on a chair,
00:46:28producing a stool,
00:46:30a broken, sagging, pitiful creature,
00:46:33squeezing and squeezing.
00:46:36That's not how it's being seen.
00:46:37That is how it is.
00:46:39And I will not accept it.
00:46:41I don't think it's wise to reject it.
00:46:43It was commissioned by the members of the Joint Houses of Parliament
00:46:46as a sign of respect.
00:46:47Then they should have commissioned an artist who is respectful
00:46:50instead of a Judas wielding his murderous brush.
00:46:55Look at it!
00:46:56It is a betrayal of friendship
00:46:58and an unpatriotic, treacherous, cowardly assault
00:47:03by the individualistic left.
00:47:06As regards to the friendship?
00:47:07Clearly, there is none.
00:47:11I accepted this commission because I admired you
00:47:14and I came through the experience admiring you even more.
00:47:16You make monsters of everyone you admire?
00:47:20It's not vindictive.
00:47:22No.
00:47:23It's art.
00:47:23It's not personal.
00:47:24Well, you are a lost soul.
00:47:29A narcissist without direction or certainty.
00:47:32Please, sir.
00:47:34Don't overreact.
00:47:35Give it time.
00:47:36I showed the sketches to your wife throughout the process.
00:47:39She remarked on how accurate they were.
00:47:40That is the whole point.
00:47:42It is not a reasonably truthful image of me.
00:47:46It is, sir.
00:47:47It is not.
00:47:47It is cruel.
00:47:49Age is cruel.
00:47:57If you see decay, it's because there's decay.
00:47:59If you see frailty, it's because there's frailty.
00:48:04I can't be blamed for what is.
00:48:07And I refuse to hide and disguise what I see.
00:48:14If you're engaged in a fight with something,
00:48:17then it's not with me.
00:48:24It's with your own blindness.
00:48:37I think you should go.
00:48:52I think I should go.
00:49:07Here we go.
00:49:22he's right what i am that man in the painting
00:49:31wretched and decaying and i cannot go on i've said that before
00:49:43and this time i mean it i'm tired
00:49:49you've had enough
00:49:53i have my love
00:49:59this time i really have good
00:50:11so
00:50:47Of course, I knew it was coming.
00:50:50If I'm being frank, there were one or two moments when I might have even hoped for it, too.
00:50:57Prayed, no doubt.
00:51:06You really have been the most remarkable servant to your country.
00:51:09Thank you, ma'am.
00:51:10No, Winston.
00:51:12On behalf of us all, thank you.
00:51:20And you wish for Mr. Eden to take over?
00:51:23I do.
00:51:24Well, that will make him happy.
00:51:26For a day or two, he might even stop cursing me.
00:51:31Then he will be overwhelmed by a job in which no man can ever succeed and curse me again for
00:51:38leaving it to him.
00:51:41It might be an idea not to tell him that before he starts.
00:51:44No, ma'am.
00:51:50So, this is our last audience.
00:52:02Yes.
00:52:08However, will I cope without you?
00:52:11You will be fine, ma'am.
00:52:15I have nothing more to teach you, which is why it's time for me to leave.
00:52:30No matches, Tim.
00:52:34No matches, Tim.
00:52:34No matches, Tim.
00:52:47easy.
00:52:47And that's not true.
00:52:48It's not true.
00:52:48You may be fine.
00:52:51I'm sorry.
00:52:56No clue.
00:52:58It's not true.
00:52:59It's not true.
00:52:59It's true.
00:53:00It's not true.
00:53:04It's not true.
00:53:07It's not true.
00:53:11It's not true.
00:53:12You're up.
00:53:24You're up.
00:54:09I want something more personal for you.
00:54:16What about dinner?
00:54:18Here?
00:54:19Oh, Buckingham Palace?
00:54:20No, there.
00:54:21Downing Street?
00:54:22Yes.
00:54:23It would be quite the compliment.
00:54:25You and Philip go there for dinner.
00:54:28I'll ask Philip.
00:54:30No, you'll tell Philip money.
00:54:33Dinner?
00:54:34Downing Street?
00:54:35Oh, God.
00:54:36Why not?
00:54:39If you look at it, you think?
00:54:42I mean, if I were a stallion, would I fancy her?
00:54:46The attraction isn't so much about looks as smell.
00:54:50Oh, I see.
00:54:51Well, does she smell good?
00:54:52Well, we'll see, don't we?
00:54:55Come on.
00:54:56Come on, have a look.
00:55:03Rather like us, darling, when we were courting.
00:55:05Shh, will you please be quiet.
00:55:10Yeah, look, here we go.
00:55:12All right.
00:55:14You all right?
00:55:17Hold her steady.
00:55:19Ready?
00:55:23All right.
00:55:24I say.
00:55:41Is that it?
00:55:44It's 2,000 guineas for that.
00:55:46As long as he's done what he needs to do,
00:55:48and it bears fruit, I don't mind.
00:55:50Well done, Porchy.
00:55:54Yes, indeed.
00:55:56Well done, Porchy.
00:55:58I hear he's been given a direct line.
00:56:01Who?
00:56:01Porchy, so he can call straight in.
00:56:04I know only because I tried to get one for Mike
00:56:06and was refused.
00:56:08Yes.
00:56:09On account of him not being a family member.
00:56:12Porchy is like family.
00:56:13Is he?
00:56:15Yes.
00:56:16Part of the furniture.
00:56:20Well, as long as you don't sit on him many times, too.
00:56:34Well, that all seemed to go well.
00:56:35Yes, it did, isn't it?
00:56:39You all right?
00:56:42Mm-hmm.
00:56:48Mm-hmm.
00:57:08Can you leave us now, please?
00:57:11Yes, ma'am.
00:57:28I have nothing to hide from you.
00:57:31Nothing.
00:57:35Portia is a friend.
00:57:39And yes, there are those who would have preferred me to marry him.
00:57:43Indeed, marriage with him might have been easier.
00:57:48Might have even worked better than ours.
00:57:53But to everyone's regret and frustration,
00:57:57the only person I have ever loved is you.
00:58:03And can you honestly look me in the eye and say the same?
00:58:17Can you?
00:58:32Pray silence for Her Majesty the Queen.
00:58:44My lords, ladies and gentlemen, dear Winston and Lady Churchill.
00:58:56My confidence in Sir Antony is complete.
00:59:01And I know he will lead the country on to great achievements.
00:59:06But it would be useless to pretend that either he or any of those successors
00:59:11who may one day follow him in office
00:59:14will ever, for me, be able to hold the place of my first prime minister,
00:59:21to whom my husband and I owe so much,
00:59:26and for whose wise guidance during the early years of my reign,
00:59:31I shall always be so profoundly grateful.
00:59:40I will remember you always
00:59:43for your magnanimity,
00:59:46your courage at all times,
00:59:55and for your unfailing humour,
00:59:57founded in your unrivaled mastery of the English language.
01:00:05I take comfort from the fact
01:00:07that in losing my constitutional advisor,
01:00:13I gain a wise counsellor
01:00:19to whom I shall look for help and support
01:00:23in the days which lie ahead.
01:00:33May there be many of them.
01:00:34May there be many of them.
01:00:36The
01:00:37the
01:00:39the
01:00:40the
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