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How To Get To Heaven From Belfast S01E05 [Full Movie] [Trending]Full EP - Full
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00:28Transcription by CastingWords
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01:03CastingWords
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01:14CastingWords
01:15Oh my god, she's done it. She's done it. My name's Margo. You did very well. You're
01:24a very clever girl. She thinks she's stupid. That's not true. He won't come now. He's
01:35never coming now. Who won't come? Tia! God. You don't think you're clever? Yeah, it's
01:44a gungarev to a gfekinter. I said I knew you were watching. I'd like to keep working
01:52with this one. The other child? Nothing I can do for the other child.
02:17Huh?
02:23Oh, God.
03:15Oh, God.
03:19I won't clean up your place, yeah.
03:21Got my hair all in your face, yeah.
03:23Did you break that?
03:25They do like an inventory, babes.
03:27I'm never going to hear the end of this.
03:30My last woman, she threw a fridge out of one dome.
03:33We were like seven stories up.
03:35It was a whole thing.
03:37You're scared, I get it.
03:39This is a really shit, really stressful time for you, but things don't have to get all, you know, like,
03:45Greek.
03:47Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You drug me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Got to burn them, I'm afraid.
04:09Mostly because it's, like, procedure, but also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23You won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cops are.
04:34I don't understand.
04:35If you have questions, when I land on the scene, everyone's full of this.
04:40I couldn't be doing with that last night.
04:43So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had shit to do.
04:52I made an executive decision.
04:54Now, will you please just sit down and have some coffee and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us in a confined space?
05:20Oh, loads of witnesses.
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38Fuck's sake!
05:41Linda, what are you doing, lovely?
05:43The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks Cholly.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:00It's...
06:02It's...
06:03It's...
06:03It...
06:04It's our mother's ashes.
06:07Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:20Linda!
06:22Linda!
06:25Linda!
06:27Linda!
06:28Linda!
06:29Linda!
06:30Linda!
06:35Linda!
06:37Linda!
06:38Linda!
06:39Linda!
06:40Linda!
06:42Linda!
06:44Linda!
06:45Linda!
06:46Linda!
06:47Linda!
06:48Linda!
06:48Linda!
06:49Linda!
06:49Linda!
06:49Linda!
06:51Linda!
06:55Linda!
07:09Hey, Saoirse, it's me, eh, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working at me.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry I did it again there.
07:25I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie Poirier or so she says, but she did tell me something which was a
07:37bit...
07:38I don't believe this.
07:40Megan!
07:41Anyway, I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:46The author was a psychiatrist she admired.
07:48Greta Gancala.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:08How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:18Oh.
08:20Oh.
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39Sure she hated getting her hair wet.
08:40How would you know what she hated?
08:42You never saw her.
08:43You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Oh, sure.
08:56I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always gave her bad advice to seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:04Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality
09:10and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:14Get in.
09:18So, so, so, skinless.
09:22Woo!
09:25You know you want to do it.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario,
09:37I should say I've had a few proseccals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of Calvin Greenstaff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21I'm sorry, Robin, that is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:31Okay.
10:36Right.
10:37Come on.
10:48Hello.
10:49Hello.
10:50Good night, lads.
10:53Thank you, Draven.market
11:19This, uh, person who called this woman,
11:22um, she said, uh, Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41The day Greta died.
11:43I've since learned as much, yes.
11:47That's strange.
11:50So, did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You went in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out of it.
12:20No, I didn't even speak to her.
12:21My mother has just died.
12:22My wife has just died.
12:24I didn't mean...
12:24And you come in here with this insane story.
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48And I don't have time for this.
12:55I understand.
12:58I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I can help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:46Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can we, Dar?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminally-type bits.
13:56Oh, that man, yeah, he might help.
13:58Well, my phone's fucked.
13:59Oh, shit, my tea.
14:01Robin's works!
14:03For fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:15Ryan's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds fly!
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban.
14:44It's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a friggin' nurse.
14:52I've got to go, love, okay?
14:54Right, bye.
14:54Bye-bye-bye.
14:55Yeah, love you.
14:55Bye.
14:57Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fuckin' lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:45A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something,
15:56it's less of a leap, like, psychologically.
15:59So I'm thinking...
16:01Grainne!
16:02Grainne?
16:03I think it's suchy, babes.
16:04I honestly do.
16:06Grainne.
16:07It's like an echo of the person you once wear.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname, we have less, freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Got to take the hardware with me, I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:36And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking
16:45spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've thrown the whole operation, and I'm starting to decide.
16:55Well, whoever it is, the one she did.
16:59You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:11But I was so young.
17:13How young?
17:15Thirteen.
17:18Yeah, my parents.
17:20They were both.
17:22God, I still haven't found a better way of putting this.
17:27Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:53I owe her everything.
17:56I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that Marco woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother?
18:19We know everything, babes.
18:43I'm over.
18:44I'm over.
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:37Run!
19:40Run!
19:42Run!
19:48Run!
20:04Run!
20:08Run!
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:59Thanks.
21:00Sure you take one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08I'm sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:43Okay, well...
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me, neither did he.
22:03But anyway, when I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:20In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes, but then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct, anyway.
23:04I went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it and Greta, well, she'd have still been there the
23:32year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew, English lad.
23:45He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:51Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
23:59I'm coming to Belfast.
24:01See you at the studio.
24:30I want you to tell me what the hell is going on here.
24:35I don't want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:54Shh.
25:56What's up?
26:01Shh.
26:03Shh.
26:13Grab a weapon, quick.
26:28We're ready for a fucking exorcism, maybe?
26:35She, girls.
26:36She, girls.
26:36Is she playing at night?
26:47Moving on to scene 32A.
26:49Let's have cast on set in five minutes, please.
27:09Why does it look like an eating mess?
27:11It's terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crew show.
27:18And the people, crew show.
27:20So, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also, aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21No, and actors aren't real people.
28:22He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Bearing of the body.
28:41Okay, fine.
28:44Hey, Ed.
28:45Sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:27Hello?
29:29I just want the box.
29:32You've been swept up on something you deserve and no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
30:00All you have to do is come out here and hand me the box.
30:08Do that, and I promise, you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed, what'll it be?
30:45Let me do it.
31:00Let me do it.
31:28Why didn't you come inside?
31:29Why didn't you come inside?
31:31I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:42Well,
31:46we don't make deals with the devil.
31:58Oh, that's so cute.
32:02We chart a shop number.
32:04You gotta get the balance right with this stuff.
32:06It's more time consuming, but every stitch young can't be brand new.
32:16It's more time consuming.
32:40It calls for concern here, babes.
32:42You're concerning me.
32:44I'm concerned.
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51I get that.
32:51With no guarantees.
32:53But if everything goes to plan.
32:54With no guarantees.
32:57She's my daughter, and she thinks I'm dead.
33:02What is in her best interests?
33:12You'll be okay.
33:14You'll be okay.
33:15Will I?
33:17Some people are built to survive.
33:22That's what Bicker told me when my parents tried.
33:26She said she knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:57They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:12A wind for every miserable year.
34:16Oh, don't look so shocked.
34:19You recognized it in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:35You'll survive.
34:38People like us always do.
34:39You'll be okay.
34:46She shouldn't have called us at night.
34:48Yeah, all right, love.
34:49You okay?
34:50You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:10How might someone like that react to you bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea, but I'm thinking if we're hiding behind lots of people,
35:24she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work in television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37Why the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48For what?
35:49The Late Late Show.
35:50Oh my god, The Late Late Show.
35:53I love Patrick Hilton.
35:55I love Patrick Hilton.
35:58Oh yeah.
36:00I mean, I suppose he's cute at what he does.
36:02I just don't give it all the fusses.
36:05Fine, I love Patrick Hilton.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move aside, please?
36:16Uh, we don't have tickets because these are the competition members.
36:19What are you talking about?
36:21Should be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least have some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Tickets.
36:40Seen a lot of 30 Rocks.
36:43But you've yet to watch one episode of my show.
36:46Show's not funny.
36:47Hey, Regina.
36:49We're just down the end there.
36:50Sorry.
36:50Thanks.
36:51We're just down the end there.
36:59We'll be back.
37:00We'll be back.
37:00We should be okay.
37:01We'll be back.
37:02We're going live in three.
37:04Bye.
37:40Hello, good evening. Welcome to the Late Late Show.
37:43Thank you for our band, folks.
37:46Look at Jonathan there.
37:47Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
38:00Also on the show tonight, he went viral this week
38:03when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains
38:08and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:14Good man yourself, Sean.
38:16What a strange show.
38:20She plays Detective Emma Fierce
38:22in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:34Oh, shit, man.
38:36Isn't that those three Belfast agents we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're on anywhere.
38:45This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:50Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts,
38:58did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was,
39:06but then I realised it was the audience's attachment
39:10to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable,
39:20and the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that,
39:27I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in
39:35to see you catch the elusive carrier killer
39:39in your own home?
39:41Actually, actually,
39:43a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:04Ladies and gentlemen,
40:05let's get her down here.
40:17Look!
40:18Look, Mummy's on TV.
40:20She really is.
40:21Oh, lads, will you stop?
40:22Your mum's in Portugal.
40:29So, Saoirse?
40:31Patrick Kielty.
40:32Paddy.
40:33Patrick.
40:33Paddy Kielty.
40:34PK, Paddy, Mr. Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots
40:46and twists and turns.
40:48I guess, uh, I...
40:49Lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, uh, history, uh...
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even...
41:18Let's talk about that.
41:20Talk about...
41:20Give us an example.
41:23Well...
41:24Oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:28Oh!
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were, we were, uh, we were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah!
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us!
41:57Tell us!
41:59Tell us!
42:00Tell us!
42:01Tell us!
42:02Tell us!
42:02Tell us!
42:03Tell us!
42:05Well, turns out the person we were trying to protect, she was...
42:10lying.
42:13So now we've done this terrible thing, but we don't even...
42:16We don't even know why.
42:18If this were murder code, and you were Emma,
42:22I mean, what would you do?
42:25Well, I suppose...
42:27Well, I suppose Emma would realise that she's overlooked something...
42:33small or something that she initially thought was insignificant.
42:40But it turns out...
42:43That it was the key to unlocking the case.
42:48The key to unlocking the box.
42:51Blocks.
42:52She had it all along.
42:55I had it all along.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:16Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20Picture of a painting.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone...
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:40Roll it there.
43:44Oh, please.
43:45Big panic at work.
43:46Right, hello.
43:47Let's go.
43:48We've got to get you.
43:48I saw Patrick Keating.
43:50We also saw Patrick Keating.
43:52But keep going, keep going.
43:53What is he like?
43:54What is he like?
43:55Jesus Christ.
43:56Let's go.
43:56Come on.
43:57Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick Keating.
44:09I love Patrick Keating.
44:13Okay.
44:16We already saw the answer.
44:19We had it right in front of us.
44:23What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:42Um, two, five, zero, one, nine, seven.
45:04Oh, my God.
45:20What happened to her?
45:35What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:53Step out of the car!
45:56Step out of the car!
46:24What do you want?
46:27Help!
46:36Yeet, Drake!
46:41Me!
46:57You keep going there telling you to stop.
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