- 5 hours ago
Bridgerton S03 - Episode 4
Category
📺
TVTranscript
00:26Gracias por ver el video.
00:30Move more slowly.
00:31I must not rush as I am with a child.
00:33We did not know that for certain.
00:35I threw up all night.
00:36Is pregnancy sickness not associated with the morning?
00:39What is it?
00:40My housekeeper said that Varley said it was urgent.
00:42I was sleeping.
00:43Shh.
00:43Look.
00:44This has a corner.
00:47I have bought you a plant
00:50so that you might continue to enjoy nature
00:52from your windowsill.
00:54Thank you.
00:56What is it?
00:58Um.
00:59Why her?
01:01She must have blackmailed him.
01:02Or trapped him in a closet.
01:04She thinks she used a potion like the one Varley gave us.
01:07You know what she did?
01:08She used Colin Bridgerton's help.
01:10Many people do much worse to be connected to the Bridgertons.
01:13I shall have to pick up Mr. Bridgerton's mantle of assistance.
01:20Lord Dabling, my other daughters just happened to drop by and they wish to say good day.
01:27Good day.
01:30Good day.
01:33We're so pleased to have you.
01:35So often my Penelope is sat at that window reading and now here she is in the room and we
01:41have you to thank for that.
01:43Is that so?
01:44Is there a reason you like that window so much?
01:47Is the settee particularly comfortable?
01:49Not particularly.
01:51I suppose I mostly just enjoy the view.
01:55But I have grown rather tired of it.
01:58And I'm very glad to be here with you.
02:17Oh, I thought I might find you in here.
02:19I am found.
02:22We are expecting the Marquis Samadani to call on Francesca this morning.
02:26Can I count on your presence?
02:27I think it may be best if I absent myself from this round.
02:32Well, if I am there, I will surely eat all of the biscuits and leave none for the Marquis.
02:40Dear, at last night's ball, when you were asking about friendship and whether it can blossom into love,
02:47is there something you wished to discuss with me?
02:52That is kind of you, Mother.
02:54But it was purely a speculative question.
02:57I simply want the best for Francesca.
03:02I shall calm down later.
03:07Very well.
03:22Dearest gentle reader, a question.
03:26What is the primary force that guides us along our paths?
03:32You are my solicitor.
03:33Although whether you remain so depends on what you say next.
03:36I shall return when things in order.
03:44Are you here to overcharge me as well?
03:47I am not.
03:48I have come to call on you.
03:51Mr. Bridgerton, I do not wish to be called on.
03:56Is it our minds?
04:00Or our hearts?
04:03Your poor cousin says.
04:05Well, I ought not dispute it, for I have heard you claim so these past ten years.
04:16Splendid.
04:17But before you consume all the math in the room, you must tell us.
04:21To what do we owe the pleasure of your return to London?
04:25You must forgive me for performing for the room.
04:28Hmm.
04:29I am accustomed to the staff at my country estate being my only company.
04:33It is that very lack of society that has brought me back, not to mention a lack of ladies.
04:39Well, then all shall work out perfectly.
04:41I am occupied a good while, and thus you are free to meet with as many ladies as you might
04:50like.
04:51When heart and head are in conflict, every choice may feel like agony.
04:58One person in whom thought and feeling are united is Her Majesty Queen Charlotte.
05:05After their meeting at the Hawkins Ball, it seems the Queen's sparkler, Miss Francesca Bridgerton,
05:12may indeed be poised to become the new Marquis Samadani.
05:17She lavishes you with praise, Your Majesty.
05:20You can read from all the way back there.
05:22With much practice, anything is possible.
05:25Then I am pleased we are so well-practiced in hosting the most exquisite gatherings.
05:30We shall arrange one promptly.
05:33A celebration of our good standing.
05:35And a chance, perhaps, to secure our match for Miss Francesca?
05:43Step another pace backwards.
05:46You read me too well.
05:50Of course, whatever maketh our collective hearts swell may yet make them break.
05:57The season is still early and oft has a mind of its own.
06:02That is the cake.
06:03I believe it is called Mil Foy.
06:05Our cook has spoken with Lord Samadani's kitchen.
06:08This should be exactly to his standard.
06:11I hope we have not put our cook to too much trouble for nothing.
06:14Lord Samadani may not choose to call upon me.
06:16Oh, shh.
06:18There is a caller here.
06:20Yes, bring him in.
06:35Lord Samadani, welcome.
06:37Our cook has prepared some Mil Foy in anticipation of your arrival.
06:41Hyacinth, this is not Lord Samadani.
06:43Please forgive us for the error.
06:45The error is mine, I am certain.
06:47Lord Samadani, I am here to call upon one of your daughters, if I may.
06:55My daughter Francesca?
06:58Miss Francesca.
07:00John Sterling, Earl of Kilmartin.
07:03It is a pleasure to meet you.
07:05Pleasure is mine.
07:08Lord Kilmartin and I met briefly at the Hawkins Ball,
07:12but have not had the opportunity for a formal introduction.
07:16I see.
07:17May I join you a moment?
07:19I should like that.
07:20There.
07:23All right.
07:27There.
07:33There.
07:52¿Puedo hablar con él?
07:54Estoy en awe.
07:56Pensaba que tenía que usar sabiduría o disuade a suitor,
07:59pero simple silencio es más más efectivo.
08:01Tal vez están disfrutando de ellos.
08:03¿Puedo hablar con ellos si no hablan?
08:06Y viene a call sin haber una formal introducción.
08:11Hay otro callo aquí, señora.
08:15Lord Samadani, por Miss Francesca.
08:17Lady Bridgerton, good day.
08:19Good day, Lord Samadani.
08:20I shall fetch you a pastry.
08:23Mr. Bridgerton, Miss Bridgerton,
08:25and you must be Miss Hyacinth, I presume?
08:28How touching.
08:30Miss Francesca, it is a pleasure to see you.
08:35Good day, Lord Samadani.
08:39I do not believe we are known to each other, Lord...
08:41Kielmartin.
08:42But I was just leaving.
08:44I do not wish to interfere.
08:46Good day.
08:50Oh!
08:53Oh!
09:03And here's the third Lord to suggest that you must give up the club.
09:06Parece que cada miembro de la Torna ha tenido algo que decir en el tema, todo fuera de su preocupación.
09:13Su preocupación es insincere a lo mejor, pero si se ha hecho algo más en el que se fixate.
09:21¿Crees que yo debería hacer lo que ellos deberían?
09:24¿Debería todo lo que hemos construido?
09:27¿No es tú que decían que deberíamos disfrutar todo lo que tenemos ahora?
09:30¿Por qué te preocupar con un negocio que solo causará confusión?
09:35No, no es el que está confusión.
09:39Yo estoy en mi club.
09:56Yo estoy construyendo mi colección desde 1790, y pensé que es solo fitting que lo compartiera después de todos estos
10:03años.
10:04Gracias.
10:05Gracias.
10:18Gracias.
10:20Gracias.
10:37Gracias.
10:37Gracias.
10:48Gracias.
10:59Gracias.
11:05Gracias.
11:05Gracias.
11:05Gracias.
11:11Gracias.
11:12Gracias.
11:13Gracias.
11:14Gracias.
11:15Gracias.
11:27Gracias.
11:28Gracias.
11:35Gracias.
11:44Gracias.
11:46Gracias.
11:51Gracias.
11:53Gracias.
11:54Gracias.
11:57Gracias.
11:58Gracias.
12:09Gracias.
12:19Gracias.
12:21Gracias.
12:22Gracias.
12:25Gracias.
12:26Gracias.
12:26Gracias.
12:32Gracias.
12:33Gracias.
12:41Gracias.
12:45Gracias.
12:56Gracias.
12:58Gracias.
13:02Gracias.
13:05Gracias.
13:07Gracias.
13:15Gracias.
13:30Gracias.
13:35Gracias.
13:46Gracias.
13:47Gracias.
13:50Gracias.
13:55Gracias.
14:01Gracias.
14:03Gracias.
14:05Gracias.
14:06Gracias.
14:09Gracias.
14:14Gracias.
14:15Gracias.
14:27Gracias.
14:47Thank you.
14:49Thank you.
14:54You quite well?
14:55You appear...
14:56I'm afraid my enthusiasm is elsewhere this evening.
15:00So you would prefer to watch? You have already paid.
15:07Fine.
15:41If the Marquis asks you to dance a second time at the Queen's Ball, it is a clear declaration
15:46of interest.
15:46We shall see if he even asks me for a first dance this time.
15:50Something tells me he will. But if that interest is not shared...
15:57There is Lord Kilmartin. Do you know his family?
16:00Not well. They are rather reserved bunch known to keep to themselves. Are you interested
16:05in him?
16:07Good day, Lord Kilmartin.
16:09Yes, Francesca.
16:10Lady Bridgerton.
16:12You left quite abruptly the other morning.
16:15You had another caller.
16:20I hoped I might see you at the opening of Lord Fuller's collection yesterday.
16:24No. I do not often attend society events unless I am required to by the rules of good manners.
16:30I see.
16:32And so, are you stopping to speak with us just to be polite?
16:38Well, I believe you stopped me.
16:51Enjoyable music, yes?
16:54If I am being honest, no. The pace is too fickle. Just as you think you are starting to comprehend
17:02the melody, the song is over. A song like this would be far sweeter if it were played in three
17:05-fourths
17:06and one could, in fact, feel the music.
17:12That is helpful. If you'll excuse me.
17:25To answer your question, no. I'm not interested in him.
17:48A visitor for Miss Cowper, milady.
17:56Heloise.
17:57Cressida.
17:58Lady Cowper.
18:00What a welcoming home you have.
18:02It is like...
18:04a museum in here.
18:06It is calling out, Miss Bridgerton.
18:08And I should like to call on Miss Cowper a moment, if that is allowed.
18:21Is everything all right?
18:23I came to see that you are well. You did not seem yourself yesterday.
18:27Oh.
18:29I do not believe I have ever had a friend call to the house before.
18:33Truly?
18:33I cannot blame anyone.
18:36It is more like a...
18:38mausoleum in here.
18:39Isn't it?
18:44You all right?
18:47I was calling her.
18:48Certainly you are not clear enough.
18:51Miss Bridgerton.
18:52If I may speak to my daughter.
18:56Alone?
18:57Of course.
19:03You are not to be seen with that Bridgerton girl any longer.
19:09Do we have an understanding?
19:22Are you certain you cannot come with us to dinner tonight?
19:25Two thirds of the Lords have closed their accounts.
19:28I cannot afford to bring an outside bartender in until I solve this problem.
19:33Perhaps a new decorator or a cook.
19:39I am sure the answers will come to you.
19:41And then we will come to you later.
19:43And then we will come to you later.
19:45And then we will come to you later.
19:45Perhaps that might be a problem.
19:52On my grand tour, I encountered this Greek girl in the Balkans.
19:55My bear leader looked the other way while we became acquainted.
20:00For six months straight all over the peninsula.
20:05She sounds like the young woman who made my time in the French Quarter worth the length of the voyage.
20:10Much to offer upstairs.
20:12And I do not meet her mind.
20:18What about you, Bridgerton?
20:19You were gone for quite a while.
20:21I am sure the girls of summer made your trip quite fulfilling.
20:26I did tell you my story of the Contessa, did I not?
20:29Yes, but you did not give details.
20:31Well, a gentleman must keep some things to himself.
20:34Oh, come now.
20:35I do not see a gentleman amongst us.
20:38I concur with you there.
20:43Oh, forgive me.
20:45But it is tiring, is it not?
20:49The necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning.
20:55Do you not find it lonely?
21:09Ah.
21:15It's is pretty sick, isn't it?
21:21Just be .
21:26A woman could you Gucci for a long time and move with more perilousdrugs with a child or a child?
21:30Can't lose?
21:38Dude, that was a huge attack.
21:39Wonder Woman could have made an enormous investor who stood up late.
21:39Oh, sorry, that's fine.
21:39Ms. Featherington.
21:53Mama?
21:57Lord Dabling has requested my permission to propose.
22:03Did you give it?
22:04Of course I did.
22:06I mean, you have done very well.
22:10Do you know, I've heard that Lord Dabling has one of the largest homes in Mayfair,
22:1424 staff, a fleet of curricles,
22:17and he tells me he travels often,
22:19which means it will be up to you to manage his estate.
22:23Can you imagine the kind of influence that will give you,
22:26the kind of influence it will give all of us?
22:32Mama, I have not said yes yet.
22:34Well, of course you will.
22:35Well, his travelling does have its advantages.
22:39I do enjoy my privacy, but...
22:42But what?
22:47Penelope, you've spent your pin money changing your clothes,
22:50your hair, and it has had the desired effect.
22:53Lord Dabling is a bird in the hand,
22:55and a very fine bird at that.
22:57Do not become greedy in your success.
23:00What more could you want?
23:09Oh, do you want to tell me you're holding out for love?
23:13Oh, this is the very reason why I discourage you from reading.
23:17Love is make-believe.
23:19It's only in your storybooks.
23:21Do you know what is?
23:22Romantic.
23:24Security.
23:26Be smart, Penelope.
23:28And if you will not be,
23:30then I will be for you.
23:59You ready for me, miss?
24:00Yes.
24:13Your gloves, Mum.
24:14Thank you, Mrs. Wilson.
24:15Oh, Colin, everyone is in the carriage.
24:16Are you not dressed?
24:18No.
24:18I wanted to tell you,
24:20I should like to stay home tonight.
24:27Oh, you do not look well.
24:30Was it you I heard lumbering in the hallway late last night?
24:33I am well.
24:39You know, you have always been one of my most sensitive children,
24:45always aware of what others need,
24:47always trying to be helpful
24:50or offering a joke to lighten the mood.
24:52You so rarely put yourself first.
24:55I am proud of your sensitivity.
24:59But living to please others?
25:03I imagine it can be wearying at times.
25:06Painful, perhaps.
25:08So I do not blame you for putting on armor lately.
25:12But you must be careful
25:15that the armor does not rust
25:17and set so that you might never be able to take it off.
25:23My head is bottle-weary.
25:27Forgive me for lashing out.
25:31I should simply like to rest this evening.
25:34Hmm.
25:41It is only a shame
25:44that you might miss the fruits of your labors.
25:46I hear Penelope may be getting a proposal tonight.
25:50Lady Featherington will not stop telling anyone who will listen.
25:53Tonight?
25:56That was rather quick.
25:58Likely because of your help.
26:01Hmm.
26:03I do hope you feel better.
26:19Go!
26:21Go!
26:22Go!
26:23Go!
26:24Go!
26:25Go!
26:26Go!
26:26Go!
26:27Go!
26:28Go!
26:31Go!
27:01¡Gracias!
27:12Perhaps this little love play will inspire my lovers tonight.
28:01¡Gracias!
28:12¡Gracias!
28:19¡Gracias!
28:20¡Gracias!
28:29¡Mis Featherington!
28:31¡Lady Featherington!
28:32¡Good evening!
28:34¡Have you come to steal away my daughter for a dance, Lord Devling?
28:37¡I do believe she has at least one spot left on her dance card!
28:40¡Many, in fact!
28:41¡In that case, may I have the honor of taking one of your spots!
28:51¡Many, in that case!
29:07¡Lady Bridgerton!
29:08¡Lowd Anderson!
29:10¡Oh, thank you, but I have no appetite!
29:13¿Are you enjoying your evening?
29:15¡Oh, very much!
29:16I have not spent much time in Mayfair since the early days of my marriage.
29:21In the countryside, one can walk and look at trees and lounge about one's house.
29:27Enlighten me, however, does one pass the time here in the city.
29:30I'm afraid most of us spend our time meddling in the lives of our young people.
29:33At least that is my and your sister's favorite pastime.
29:36My sister likes to meddle.
29:38Well, in truth, her word does not do her justice.
29:40She molds society to her will, and she is rather good at it.
29:44You do not know that about her?
29:47We are...
29:50becoming reacquainted.
29:52And who is the target of her molding at the moment?
29:55My daughter, Francesca.
29:59Ah.
30:00I am not certain she has yet found that spark.
30:05Well, for what it is worth,
30:09sometimes a fire is slow to burn.
30:11My own marriage was not a love match,
30:14and admittedly not very passionate in the beginning.
30:17But I became very fond of her.
30:20We were happy until the day she died.
30:24I am so sorry for your loss.
30:29Maybe there is hope, then.
30:31Mm-hmm.
30:32I myself had a love match,
30:34so that is all I know.
30:41You have my deepest sympathies.
30:47But I am envious.
30:49You had the chance to experience a love match.
30:52That is something I myself have not given up on finding
30:55in my second act.
31:03It looks as if your sparkler is shining brightly for you.
31:08Indeed, she is.
31:10Even Lady Whistledown could not disagree
31:12with the brilliance of my match.
31:15Perhaps this has opened the door
31:17to a friendlier alliance
31:19between the gossiper and the crown.
31:21Well, I dare say it very much has.
31:27I am grateful to you
31:29for keeping me company.
31:31I did not want to miss another ball,
31:33but I also was not looking forward
31:35to coming here alone.
31:36Your husband should be here with you.
31:41Mr. Mondrich seems to be having a difficult time
31:44relinquishing our old life,
31:46no matter how hard I tug at him.
31:47He is quite attached to his bar.
31:51The Queen will not smile favorably
31:54on a man of rank working in a club.
31:57You must show Mr. Mondrich
32:00that this new life is worth his sacrifice.
32:05Past lives
32:06and dangerous places to revisit.
32:14Did you enjoy the ballet, Mr. Bridgerton?
32:17Very much.
32:18So much so,
32:19I wonder if I've missed my calling
32:20as a dancer.
32:21Oh!
32:27But, Lady Arnold,
32:29you must join us.
32:32Lord Fuller, Lady Fuller,
32:34pleasure seeing you both.
32:35Have you met Mr. Bridgerton?
32:37Indeed.
32:38Briefly?
32:39Quite so.
32:40It is a pleasure, though.
32:42We were just sharing our thoughts on the ballet.
32:44I must say,
32:46I do not know that the male dancer
32:48needed to be in such a state of undress.
32:50He certainly could have put on a shirt.
32:53Could not agree more.
32:54Nothing worse than a state of undress.
33:03Louise,
33:04here you are.
33:05I've been searching for you all evening.
33:07Should you not be careful talking to me?
33:10I am that Bridgerton girl,
33:12after all.
33:12You heard that.
33:15I apologise for my father.
33:17And I apologise that he is a bloody fool.
33:20Louise.
33:26If you need to keep your distance from me a while,
33:29I understand.
33:33No.
33:33My father will have to endure it.
33:36Besides,
33:37he is a fool.
33:41You are unlike many people,
33:42Louise.
33:44How is it you have the courage
33:45to be so different?
33:46It is not courage.
33:47I simply cannot understand
33:49why others do not see things
33:50the way I do.
33:51How do you see things exactly?
33:53Well,
33:56since you have asked.
33:57God.
34:16Get me.
34:33¡Suscríbete al canal!
34:57I do not know what you have heard, but I ask that you leave me out of your raking about
35:02town. I am not interested.
35:06I understand how my activities may appear rather rakish, but I assure you they are pure of heart.
35:13And is your heart located in your britches?
35:30Yes, Francesca.
35:34Lord Kilmartin.
35:36I am afraid I am rather parched from dancing with old Samadani. So much so that I do not feel
35:41much like talking.
35:42Is that not in fact our preferred form of communication?
35:50You must forgive me for rushing off abruptly last time you met. It is only that I wanted to get
35:55you this.
36:00I am not a man of many words. And the words I do have, I am afraid they are not
36:04very good. But I do believe in the power of a gesture.
36:11Miss Francesca, I bought you some lemonade.
36:15Forgive me, Lord Samadani. Mama, I am keen to return home early, if that is alright.
36:20Well, I...
36:24Let us find your brother and your sister first.
36:27Of course.
36:29Lord Samadani.
36:32Lord Kilmartin.
36:38What is happening?
36:39I believe Lord Samadani was fetching Miss Francesca lemonade.
36:43And now she is...
36:45Not drinking the lemonade.
36:47Precisely, Your Majesty.
36:49She is not drinking the lemonade.
36:57Perhaps it is for the best.
37:00Children do take up so much time and drain one's beauty.
37:05Of course we both have much to spare.
37:08Are you suggesting we give up?
37:09Ow, you're giving me a pain in my chest.
37:12Oh, no.
37:14Forgive me?
37:15In fact, I have been tender all week.
37:18Are you mocking me?
37:20My chest has been sore non-stop.
37:22And that is not dropsy of the pancreas.
37:25Mama said it is a clear pregnancy sign.
37:29Is it?
37:30Thank you, Bridget.
37:31Oh, man.
37:40Thank you, Bridgeton.
37:44Oh, man.
37:45Thank you.
37:45Here, here.
37:47Bridgeton.
37:48Passionably late.
37:49In truth, it is not worth it.
37:51Come out with us.
37:52Aunque esta vez vamos a beber a White's
37:55instead of that dreadful Mondritch bar.
37:57Excuse me.
38:05¿Está todo bien, Miss Featherington?
38:08Todo está bien.
38:09Estoy feliz de escuchar.
38:12¿Puedo pedir una pregunta, mi Lord?
38:14¿A nada?
38:16¿Considera cómo mucho más que viaja,
38:18me hace mucho sentido que se ve un práctico,
38:20pero...
38:22¿Puedo imaginar que, con el tiempo,
38:27la amor de un día se va?
38:30No sé.
38:32Sin embargo, mi trabajo tiene una gran parte de mi corazón,
38:35que puede ser difícil de tener más espacio.
38:38Pero,
38:39estoy muy feliz
38:41que eres una persona que parece que tiene una vida muy completa.
38:48Esa es una persona que se ve muy bien.
38:50Gracias por ver el día, Miss Featherington.
38:53¿Y puede imaginar todo el tiempo que se hubiera si no hubiera siempre pensar en el margen?
38:57El tiempo que hubiera que leer o intercambiar ideas o hacer algo que no es para el purpose de encarar
39:03a un margen.
39:04Es interesante, ¿no?
39:05No, lo he pensado que su hermano está caminando a Penelope y Lord Debling.
39:09¿Puedo ir a la vuelta?
39:11Oh, gracias.
39:11¿Puedo solo un momento?
39:16Parece que tú dos hay algo que resolver.
39:18So, she'll leave you to it.
39:24We shall return to this conversation another time, yes?
39:32Lord Debling, you are much too handsome for social ruin.
39:36I would be more than happy to finish your dance with you, if we need a partner.
39:48Colin, you are going to ruin things between me and Debling.
39:50Well, perhaps that is for the best.
39:51What do you mean?
39:53Penelope.
39:54You cannot marry him.
39:55You hardly know him.
39:56I know him well enough.
39:57And I think he's leaving.
39:59For three years.
39:59I know that already, Colin.
40:01It takes a year alone to get where he's going.
40:08They do seem upset, do they not?
40:10Eros and Psyche battling it out.
40:13What are you trying to say, Miss Calpa?
40:15Are they not old friends?
40:18The oldest of friends, really.
40:21Ever since the Featheringtons moved in across the street.
40:26Across the street from the Bridgerton house?
40:28Directly.
40:29I see.
40:31I've made my peace with what Lord Debling has to offer.
40:35I'm going to accept his proposal.
40:42Thank you for the dance, Miss Calpa.
40:49I said I would help you find a husband, but I cannot stand by.
40:51I want you to make a mistake.
40:53The only mistake was me ever asking for your help in the first place.
41:00Lord Debling!
41:02I'm so sorry we interrupted.
41:04I know the ball is ending, but shall we return to our conversation?
41:07Miss Featherington, why is it you sit at your drawing room window so often?
41:10I...
41:11All week I've watched you search for someone.
41:13I thought you might have had a falling out with Mr. Bridgerton.
41:17But now I suspect you may have been searching for him for a very different reason.
41:21For the same reason you prefer your drawing room window and the view it affords out towards the house across
41:26the square.
41:26I do not know of what you speak, I...
41:28I'm speaking of Mr. Bridgerton.
41:31And the feelings between the two of you.
41:35I can assure you, Colin Bridgerton would never, ever have feelings for me.
41:41It is laughable to think as much.
41:42We are friends.
41:43Nothing more.
41:44But would you like it to be more?
41:47I do not...
41:49That is not even...
41:52That is not a possibility.
41:53I did not ask if it was a possibility.
41:54I asked if you would like it to be.
42:02Miss Featherington, with the amount of time I will be gone,
42:06it is essential I make a match with someone whose affections are not already engaged elsewhere.
42:12Whatever it is you are searching for,
42:15I do hope you find it.
42:17Good evening.
42:23Where is he going?
42:25What have you done?
42:26That is your question.
42:29Not, am I well?
42:31Do I only matter to you if I have a Lord's engagement ring on my finger?
42:37Mama, I am pregnant.
42:39I think.
42:44Hello?
42:45Are you not excited?
42:55It is said that the heart is forever making the head its fool.
43:13Let us go.
43:17I will help you.
43:34Francesca.
43:36Lord Kilmartin.
43:38He had the music we heard earlier this week rearranged
43:41exactly as I imagined it.
43:51And when one chooses the heart
43:54over the head,
43:56often all reason
43:57goes out of the window.
44:00But the body has a way indeed
44:03of knowing most what it needs.
44:07And this author is not one to deny
44:10the age-old wisdom
44:12of a beating heart.
44:18Wait!
44:22Penelope!
44:25I do not wish to speak with you.
44:27Please!
44:31Let me in.
44:38Go, go, go!
44:44We will stop at Bridgerton House first.
44:50What do you want?
44:52Did Lord Devling propose?
44:55What business is that of yours?
44:56I need to know. Did he propose?
44:59It is odd.
45:02When I asked for your help in finding a husband,
45:04I did not realise that also meant you might try to deny me one as well.
45:07It is my business, because I care about you.
45:10You cannot marry that man.
45:12He will leave you, and he is too particular,
45:16and he is just not right for you, Ben.
45:20He did not propose.
45:23In fact, he rejected me because of you.
45:26Because the scene you caused led him to believe you had feelings for me.
45:29An idea so preposterous, I do not know what to do besides laugh.
45:33Now, will you please let us ride home in silence and leave me alone?
45:37I cannot.
45:37Please!
45:38I cannot.
45:42Because...
45:47What if I did have feelings for you?
45:50What?
45:55I have spent so long trying to feel less, trying to be the kind of man society expects me to
46:03be.
46:03And for a moment, I thought I had succeeded.
46:06But these past few weeks have been full of confounding feelings.
46:12Feelings like a total inability to stop thinking about you.
46:19Feelings like dreaming of you when I am asleep, and in fact, preferring sleep because that is where I might
46:23find you.
46:24A feeling that is like torture, but one which I cannot, will not, do not want to give up.
46:36Do not.
46:38Please.
46:38Do not say things that you do not mean.
46:40But I do mean it.
46:43It is everything I have wanted to say to you for weeks.
46:52No, no, no, no, no, no, no, no.
47:43No, no, no.
47:47No, no, no, no.
48:27No, no, no, no.
49:02No, no, no, no.
49:14No, no, no, no.
49:36No, no, no, no, no, no.
50:22What are you doing?
50:37What are you doing?
50:46What are you doing?
50:49What are you doing?
50:50What are you doing?
50:52What are you doing?
51:16What are you doing?
51:18What are you doing?
51:26What are you doing?
51:29What are you doing?
51:30What are you doing?
51:31What are you doing?
51:33What are you doing?
51:33What are you doing?
51:35What are you doing?
51:37What are you doing?
51:40What are you doing?
51:41What are you doing?
52:11¡Suscríbete al canal!
52:36¡Suscríbete al canal!
53:10¡Suscríbete al canal!
53:39¡Suscríbete al canal!
54:09¡Suscríbete al canal!
54:39¡Suscríbete al canal!
54:52¡Suscríbete al canal!
Comments