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00:00:10¡Suscríbete al canal!
00:00:36¡Suscríbete al canal!
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00:06:19I know I do not always say the right things, and then the things I do say, well, they are
00:06:26not always what you wish to hear.
00:06:27I'm only able to offer you what I know.
00:06:31However difficult forgiving someone may be, it is necessary to move forward.
00:06:37That is not up to me, Mama.
00:06:40The Duke is choosing to nurture some grudge against his father instead of allowing himself any kind of happiness.
00:06:48However am I supposed to forgive that?
00:06:51However are we supposed to move forward from there?
00:06:55Well, Grace, I do hope you're finding everything you need for Friday's ball.
00:07:01It will certainly be the event of the season.
00:07:06Of course, my young ladies will have to hear about the wondrous festivities the next day, seeing how they did
00:07:13not receive an invitation.
00:07:16Prudence, in particular, is in tears about it.
00:07:18Is she not, Mrs. Varley?
00:07:21Oh, absolute worship, not that one.
00:07:24Then perhaps you might explain to your young ladies, Lady Featherington, how they ended up in such an unfortunate situation,
00:07:29and who exactly put them there.
00:07:31Or perhaps we can make room.
00:07:35I certainly would have no problem extending my invitation, as I am sure all of us would like to forgive
00:07:41the errors of the past and move forward.
00:07:44Yes, Mama?
00:07:47That is what you wish.
00:07:49How long?
00:07:51Apologies, Mom.
00:07:52But it seems a carriage has arrived back at the house, and Mr. Crane is there.
00:07:58I beg your pardon, but did you say Crane?
00:08:02Would that be a Sir George Crane?
00:08:09Mr. Crane, how delightful to make your acquaintance.
00:08:12I had no idea a soldier such as yourself was coming to town.
00:08:16And, well, Miss Thompson has not received any correspondence from you in quite some time.
00:08:22Nor would I have expected her to, my lady.
00:08:25I beg your pardon?
00:08:26That man is not who you believe him to be, Lady Featherington.
00:08:29It is not George, but his brother, Sir Philip.
00:08:35I have come bearing grim news today.
00:08:39My brother George died on the battlefield several weeks ago.
00:08:47And, er...
00:08:49Marina.
00:08:51Marina, please, wait.
00:08:56He was writing to me.
00:08:59George.
00:09:01To tell me he loved me.
00:09:05To tell me we could run away together, and marry, and have our child.
00:09:13Sir Philip found this half-written letter amongst George's belongings after he, um...
00:09:22If it were not for your recent inquiries, Sir Philip never would have known I was here.
00:09:29And I never would have known George.
00:09:33He loved me.
00:09:37All this time he loved me.
00:09:43I fought him a villain when he was not.
00:09:53He had a perfectly reasonable explanation for not writing back to me.
00:10:02And I was wrong.
00:10:06And I was wrong.
00:10:28I need a dress for my sister's ball.
00:10:32You already have a dress for your sister's ball.
00:10:34I need another one.
00:10:36A young lady can never have too many dresses.
00:10:43Oh, perhaps this one would make me look quite in fashion.
00:10:47The eyes of the Featheringtons, I rather think.
00:10:50Unfortunate young ladies.
00:10:51They are still quite stung from Lady Whistledown's recent exposé.
00:10:55How I wish the author would write something flattering about them.
00:10:58Perhaps she will.
00:10:59What makes you say that?
00:11:01Because she knows what is good for her business and angering loyal customers is not good.
00:11:09No.
00:11:10No, it is not.
00:11:12Whether those loyal customers be Featheringtons or Bridgertons, even.
00:11:18Lady Whistledown might wish to examine what she writes about both.
00:11:21Indeed.
00:11:24I have heard people say that men, such as my brother, if you will,
00:11:29can withstand rumour and gossip.
00:11:32But I'm not always so sure.
00:11:37I know where you are here, Miss Eloise.
00:11:41You're very smart, and you care very much about the people in your life, as you should.
00:11:47But you must know, I have no intention of compromising anyone.
00:11:56That is good.
00:11:58Because the Queen is enraged, so whoever Whistledown is should be careful.
00:12:03I would hate her to be silenced before she has a chance to change her ways and make things right.
00:12:08I believe Whistledown is smart enough to take care of herself.
00:12:13Yes.
00:12:15She certainly is.
00:12:17Charming chatting with you, Madame Delacroix.
00:12:23Lock the door.
00:12:33Yes, that's right.
00:13:07Yo, Grace.
00:13:08No, Grace.
00:13:11Heading to Will's boxing match.
00:13:13Will you be accompanying me?
00:13:15No. I have much to do for the ball.
00:13:18But of course you should go and express your support.
00:13:24Simon.
00:13:28What did your father do to make you take that vow in the first place?
00:13:33We do not need to have this conversation.
00:13:35Do I not deserve an explanation as your wife?
00:13:37I deserve more than that indeed.
00:13:44You may not understand this now, but Daphne, you must know.
00:13:47I am doing this for your own good.
00:13:49I can decide for myself what is-
00:13:51You would be better off without me.
00:13:54Thank you, Grace.
00:14:11I am going to have the judge.
00:14:23I am going to have the judge.
00:14:37¡Suscríbete al canal!
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00:18:32I thank you for your offer Sir Philip
00:18:34but I believe you should now take your leave
00:18:40Very well
00:18:43I wish you all the best Miss Thompson
00:19:00What have you done?
00:19:02That was a perfectly acceptable proposal
00:19:06I am no longer with child Lady Featherington
00:19:09so it is neither necessary nor acceptable for me
00:19:13to participate in any more unwanted arrangements
00:19:15or disingenuous schemes
00:19:55I am no longer with child Lady Featherington
00:20:22I am no longer with child Lady Featherington
00:20:28I am no longer with child Lady Featherington
00:20:30I am no longer with child Lady Feather��
00:21:18No, no.
00:21:30No, no.
00:22:00No, no.
00:22:03No, no.
00:22:11No, no.
00:22:13No!
00:22:14No!
00:22:14No!
00:22:17No!
00:22:18No!
00:22:19No!
00:22:22No!
00:22:23No!
00:22:31Yes!
00:22:32No!
00:22:33No!
00:22:33No!
00:22:33No!
00:22:33No!
00:22:33No!
00:22:33No!
00:22:33No!
00:22:34No!
00:22:34No!
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00:22:35No!
00:22:35No!
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00:22:36No!
00:22:41No!
00:22:41No!
00:22:55No!
00:23:01No!
00:23:06No!
00:23:07No!
00:23:36No!
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00:24:02No!
00:24:07No!
00:24:09No!
00:24:09No!
00:24:22No!
00:24:24No!
00:24:37No!
00:24:39No!
00:24:39No!
00:24:39No!
00:24:39No!
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00:24:47No!
00:24:52No!
00:24:53No!
00:25:04No!
00:25:06No!
00:25:30No!
00:25:31No!
00:25:32No!
00:25:34No!
00:25:35No!
00:25:40No!
00:25:41No!
00:25:42No!
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00:25:51No!
00:25:52No!
00:26:01No!
00:26:02No!
00:26:03No!
00:26:04¿Cómo te hiciste?
00:26:05¿Has un tip?
00:26:06¿Qué tipo de tip?
00:26:07A buen tipo.
00:26:08¿Pero qué te hiciste?
00:26:09¡Portia!
00:26:10¡Portia!
00:26:11Y esta es solo la mitad de las ganancias.
00:26:14¿Pero qué es la otra mitad?
00:26:16Yo usé a pagar mi mano.
00:26:18No importa, porque esta es más que suficiente.
00:26:25¡Varley!
00:26:27Estamos a la moda, en la mañana.
00:26:30Los jóvenes tienen nuevas dresses después.
00:26:46¡Vamos!
00:26:47I thought you enjoyed breakfast in the morning room.
00:26:50I wish for different scenery today.
00:26:53I can go, if you would like.
00:26:55No.
00:26:56You've already begun.
00:27:26I'm going to Bridgeton House this morning.
00:27:28Dear Francesca has returned from Bath.
00:27:32It seems my entire family is gathering.
00:27:36Would you care to join me?
00:27:39I must admit, my brothers will think it odd if you do not.
00:27:45Yes.
00:27:48Yes.
00:27:48Yes, I shall join you.
00:27:57Yes.
00:27:58I shall join you.
00:28:03Sister!
00:28:05Enichesca.
00:28:06Welcome home.
00:28:07It is so wonderful to see you.
00:28:09And you, your grace.
00:28:11I thought four brothers enough, but returning to five is quite nice.
00:28:14Simon!
00:28:15When will I be able to visit Cliveden?
00:28:17I sent him to allow the Duke to find this seat before you trouble him.
00:28:19You are welcome to visit at any time.
00:28:24Come, show me what you've been learning all summer, sister.
00:28:27I do not share my food.
00:28:29You are not to do what you did the other morning ever again.
00:28:31Do you understand it, Louise?
00:28:33No.
00:28:33You mean visiting my new acquaintance, Madame Delacroix.
00:28:35She's not your...
00:28:35I was wrong about her, brother.
00:28:37She's wonderful.
00:28:37You have nothing to worry about.
00:28:38I was not worried about anything.
00:28:40Not worried about what?
00:28:44I...
00:28:46I have a friendship with Genevieve Delacroix.
00:28:52The...
00:28:53Modeste.
00:29:01Good for you, brother.
00:29:03You deserve contentment.
00:29:04We all do.
00:29:05If the lady contributes to that, then I'm happy for you.
00:29:07Your piano forte is quite interesting.
00:29:10Join me, brother.
00:29:11Yes.
00:29:12Pardon, why not a song?
00:29:13If I must.
00:29:14Whatever is in those candies.
00:29:16Now we are fed, let mother bound
00:29:18And let the catch and toast go round
00:29:22And then the catch
00:29:23And then the catch
00:29:25And then the catch
00:29:37And then the catch
00:29:38And then the catch
00:29:39And then the catch
00:29:39And then the catch
00:29:40And then the catch
00:29:40And then the catch
00:29:41And then the catch
00:29:41And then the catch
00:29:41And then the catch
00:29:42And then the catch
00:29:43And then the catch
00:29:44And then the catch
00:29:44And then the catch
00:29:46And then the catch
00:29:49And then the catch
00:29:52And then the catch
00:29:53Y ella va a printar algo en tu familia favor, Penn.
00:29:56Ella me dijo que.
00:29:57Bueno, eso es un gran gran esfuerzo para running dos negocios.
00:30:00Pero ambos deberían aspirar a ser como ella.
00:30:03Unmarried, earning su propio dinero.
00:30:04Mira, estoy feliz que encontré ella, pero no creo que nunca sea como ella.
00:30:10¿Y no hay una duchess para una hermana?
00:30:12Que hace lograr la vida que desea todo el más fácil.
00:30:15La historia de mi familia es una historia completamente diferente,
00:30:19que no va a cambiar en el futuro.
00:30:25Let the catch and let the catch and let the catch and toast go round.
00:30:33¿Qué es así?
00:30:35¿Cómo many horses do you have?
00:30:37¿Muchas I have an extra one?
00:30:38¿Your horses are the prettiest?
00:30:40¿Qué es así?
00:30:40I do believe the Duke has had enough.
00:30:42¿What a pony do?
00:30:43Oh, I cannot fathom.
00:30:49Now, here's the tricky one.
00:30:57You do realise it is only made of paper.
00:31:00Is it?
00:31:09Oh, astonishing, Madame de la Croix.
00:31:12Well, because you were able to pay in advance this time,
00:31:15and since I happen to have some fabrics no one else seemed to want,
00:31:19there are two others just like it, Lady Fetherington.
00:31:23Mine will have to be taken in, of course.
00:31:25Mine's perfect, and mine is yellow.
00:31:28Is it, young ladies?
00:31:29Everything works out in the end.
00:31:32Oh, and Philippa,
00:31:33perhaps Mr Finch might even reconsider his proposal,
00:31:36now that you have your dowry again.
00:31:40Again?
00:31:40Yeah.
00:31:41Oh, did I lose it somewhere the first time?
00:31:58Miss Thompson?
00:32:00What is it?
00:32:04I believe I need a doctor.
00:32:07The final ball of any season
00:32:09is distinguished by one of two things,
00:32:12anticipation or dread.
00:32:45The final ball of any season
00:32:45Those who have been successful in the year's marriage market
00:32:48look forward to flaunting their perfect, joyous unions.
00:32:54Others shudder
00:32:55at the thought of spending one last night
00:32:59before the discerning eyes of the ton.
00:33:04As they know indeed just what the evening signifies,
00:33:09that their time is officially up.
00:33:15So does that mean...
00:33:16You truly believed a tea would rectify the situation, madam?
00:33:21As if that ever works.
00:33:25And yet, to those who may still find themselves
00:33:28out of both choices and hope,
00:33:31fear not.
00:33:32For who knows when and where
00:33:35one's fortunes may change.
00:33:36He was completely in his cups.
00:33:42I'd wait if the both of you were.
00:33:44Well, I would take her, but...
00:33:54Well, we must pass.
00:33:56I should prepare for my show.
00:33:58And you...
00:33:59Well, I believe there is a bull somewhere
00:34:03requiring your presence.
00:34:05The last one, yes?
00:34:06Of the season.
00:34:09Though, unfortunately,
00:34:11not the last of mine.
00:34:12Does that mean you'll dance tonight, my lord?
00:34:16Perhaps the cordial?
00:34:19Oh, do not tell me you shall find some young lady
00:34:22to lead in a waltz all evening.
00:34:23I shall not be anywhere near that dance floor.
00:34:29At least not if I have a say in it.
00:34:30Now, wherever is the fun in the house.
00:34:41I shall come with me.
00:34:45Tonight.
00:34:48Sienna, I am a Viscount.
00:34:50My sister is now a Duchess,
00:34:52and the Duke, my brother-in-law.
00:34:55There is no-one that would dare say a thing.
00:34:59No, not to you.
00:35:01This is preposterous
00:35:04and fantastical.
00:35:07And you know it.
00:35:08I want you there by my side.
00:35:14Come with me.
00:35:17Come with me.
00:35:20Come with me.
00:35:24Come with me.
00:35:26Come with me.
00:35:27Come with me.
00:35:31Come with me.
00:35:39Come with me.
00:35:41Come with me.
00:35:42Come with me.
00:35:42Come with me.
00:35:42Come with me.
00:35:42Come with me.
00:35:42Come with me.
00:35:43Come with me.
00:35:45Come with me.
00:35:48Come with me.
00:35:52A good likeness.
00:35:54Indeed.
00:35:56Mr Granville did seem to admit the grey hair or two I surely gained from the emotions of the past
00:36:00few weeks.
00:36:04Perhaps a few wrinkles, too.
00:36:06Oh, you wound me.
00:36:10We should discuss the order of events this evening.
00:36:13Naturally.
00:36:14I think it wise for us to engage in three dances, would you say?
00:36:19Two.
00:36:20It is our ball, Your Grace.
00:36:22I do fear two dances may leave our guests terribly, but unexcited.
00:36:27Much better than the opposite, I rather think.
00:36:28Leaving them overly excited and terribly unruly.
00:36:30Two dances, at most.
00:36:41You were wonderful today.
00:36:44With Gregory and Hyacinth.
00:36:47They adore you.
00:36:51Children always have done.
00:36:53It still does not mean I want any of my own.
00:36:58Of course.
00:37:01Your graces, your guests are arising.
00:37:10One last dance it is.
00:37:11One last dance it is.
00:37:15One last dance it is.
00:37:16One last dance it is.
00:37:34One last dance it is.
00:37:35One last dance it is.
00:37:36One last dance it is.
00:37:36One last dance it is.
00:37:36One last dance it is.
00:37:38One last dance it is.
00:37:39One last dance it is.
00:37:50Gracias.
00:38:12Gracias.
00:38:13Perhaps you should like to meet a picture.
00:38:18Dearest, you must see this as a rehearsal.
00:38:22Until you are officially out, you need not feel so strange tonight.
00:38:26It's as if I shall feel anything but the inability to breathe in this corset.
00:38:29That's my dearest.
00:38:34For someone who hates ball gowns, you look exquisite in one.
00:38:40Yeah.
00:38:44If you wish to go up to the library for the rest of the evening, I shall not say a
00:38:47word.
00:38:48Nor shall I blame you.
00:38:51I'm merely glad you came.
00:38:55Yes.
00:38:58I suppose I should thank you.
00:39:01Whatever for?
00:39:03For being so perfect.
00:39:05So I do not have to be.
00:39:20Thank you.
00:39:23Thank you.
00:39:25Thank you.
00:39:38Personally.
00:39:40Circumstances change, ladies.
00:39:42Sometimes overnight.
00:39:43We hear your husband secured himself away the other day.
00:39:46Where is he?
00:39:47Still out celebrating?
00:39:48One circumstance that is most likely not changed, I imagine.
00:39:58Someone special in here for me, I presume?
00:40:00Only the best for you, my lord.
00:40:08Featherington.
00:40:11Join us.
00:40:14Next week.
00:40:21Here we go, I have a trip.
00:40:32There's a trip.
00:40:33We have a trip.
00:40:34We'll be right back and see you in the next place.
00:40:35It's a trip.
00:40:36Good day.
00:40:36We are.
00:40:39Let's go.
00:40:44¿Enjoying your evening?
00:40:44¿What?
00:40:46¿Are you enjoying your evening?
00:40:49Yes, I just came from the dance floor.
00:40:51I did not see you.
00:40:53I was in the back of the dance floor.
00:40:56It was quite crowded, so...
00:40:59Colin.
00:41:03I owe you an apology.
00:41:05I did not see it at first,
00:41:06but I know you were only trying to prevent me
00:41:08from heartache with Miss Thompson,
00:41:09and I was a fool.
00:41:13You were not a fool.
00:41:14You merely believed yourself in love.
00:41:16One should never apologise for that.
00:41:19One finds oneself in such an incredible position
00:41:21and, well, one should declare it
00:41:25assuredly,
00:41:26fervently,
00:41:28loudly.
00:41:32Colin, I wish to tell you something.
00:41:34I have something I wish to tell you as well,
00:41:35and...
00:41:39I'm leaving.
00:41:41First thing tomorrow morning,
00:41:43I'll begin my tour.
00:41:44I'm to start in the Mediterranean.
00:41:46It was actually you who inspired me.
00:41:49You kept reminding me how much I longed for travel.
00:41:53Oh, um,
00:41:54what was it you wished to say?
00:41:55I don't remember.
00:41:57Should we dance?
00:41:58No, um,
00:41:59I'm...
00:42:00all danced out for the night.
00:42:02Colin.
00:42:04Good luck on your tour.
00:42:14Penn.
00:42:14Penn.
00:42:14Look, the Queen.
00:42:15She is here.
00:42:17Now is my chance to find out her plans
00:42:18for Whistledale.
00:42:21Penn, is everything all right?
00:42:23I'm entirely all right.
00:42:26Queen, go over.
00:42:28You miss your chance.
00:42:36One does not approach Her Majesty.
00:42:40I require an audience.
00:42:41Oh, well, in that case, no.
00:42:46I only wish to thank her
00:42:47for the opportunity to investigate
00:42:49Ms. Llan on her behalf.
00:42:50I imagine she must be coming close
00:42:52to unmasking the author's identity.
00:42:54Especially now she has engaged
00:42:56such esteemed counsel.
00:42:58You have no idea.
00:43:00We shall unmask her this very night.
00:43:03Of course.
00:43:04Of course you shall.
00:43:06That team of Bow Street Runners,
00:43:07that was all your brilliance, was it not?
00:43:09Well.
00:43:10Her Majesty is lucky to have you.
00:43:12A man of such talent, such...
00:43:14genius.
00:43:16We worked out that Whistledown delivers her missus
00:43:19to Apprentice Press on Lombard Street.
00:43:21Or when the rest of society is distracted
00:43:23by big events, like this one.
00:43:25It is how she operates.
00:43:26She will be seized there tonight.
00:43:29Brimsley.
00:43:30I need you.
00:43:35Brother, you must see to Genevieve.
00:43:37I'm sure she stays home tonight.
00:43:38Not now.
00:43:53I need you to take me somewhere straight away.
00:43:55Miss Eloise.
00:43:55I have pin money.
00:43:57A great deal of it.
00:44:01Thank you.
00:44:26Oh.
00:44:28Apologies.
00:44:29My Lord.
00:44:35Give me a moment, my love,
00:44:36and I shall return upstairs.
00:44:52I thought about coming with you tonight.
00:44:55I envisioned myself in your arm.
00:45:00Dancing the entire night away.
00:45:04But my imagination was the furthest I could allow myself to go.
00:45:08Sienna, what are you doing?
00:45:09What am I doing?
00:45:11What am I...
00:45:14I am doing the very thing I have always done.
00:45:18I am looking out for myself.
00:45:21I am ensuring my own future.
00:45:24Because I know...
00:45:27In my heart...
00:45:30I know that there is no one else who ever will.
00:45:35I tried.
00:45:38I tried.
00:45:39You must know.
00:45:39I...
00:45:40I tried.
00:45:42What I know
00:45:42is that you are lost.
00:45:46And I cannot allow you to set me adrift as well.
00:45:56You need to let me go.
00:46:02I know I've been unfair.
00:46:04Let me go.
00:46:10I am comfortable.
00:46:13I am content.
00:46:15That gentleman upstairs...
00:46:17He sees me for who I am.
00:46:21Unlike you,
00:46:23he does not wish for me to don some ridiculous gown
00:46:26and go with him to some absurd ball.
00:46:31He does not wish for me to change.
00:46:37And neither do I.
00:46:44You need to let me go.
00:46:55You're right.
00:46:59I'm sorry, Sienna.
00:47:04I'm so sorry.
00:47:18I'm so sorry.
00:47:49I really must get back to the party.
00:47:50Wait a moment.
00:47:51I'm so sorry.
00:48:11No, no, no, no, no.
00:48:41No, no, no, no.
00:49:11No, no, no, no.
00:49:15No, no, no, no.
00:49:15Neither it appears your ability to somehow hear every piece of gossip that transpires in this town.
00:49:20When will you accept it?
00:49:21I know.
00:49:26Pride, your grace.
00:49:28It will cost you everything and leave you with nothing.
00:49:32You must not allow it to happen to you, too.
00:49:44Is it different for them, men, to know whether they are in love?
00:49:52Everything else seems different to them.
00:49:57We agreed to one dance tonight.
00:49:59A waltz.
00:50:05I miss dancing with your father.
00:50:09The very last time I danced was with him.
00:50:12The ball.
00:50:14There were peacocks present, I believe, real ones.
00:50:23I suppose I miss everything about him, really.
00:50:25The two of you loved each other so very much.
00:50:29It is a rarity, I've come to realize.
00:50:31But that is not to say it was without its trials.
00:50:35Your father and I faced many difficulties indeed, but we overcame them.
00:50:40We made a decision early on to do so.
00:50:43Mama, I do not think...
00:50:45We chose to love each other every single day.
00:50:50It is a choice, dear.
00:50:53One that is never too late to make.
00:50:57I may never be able to see your father again.
00:51:02I may wake every morning and touch the pillow he used to lay his head.
00:51:10But knowing that the two of us made the choice to love and to do all that we could...
00:51:18Well, I cannot tell you how much peace and comfort that brings to me.
00:51:27I wish there was something wrong.
00:51:29I wish I could do this.
00:51:31You are a Bridget.
00:51:33There is nothing you cannot do.
00:51:50I wish I could do this, ain't fur
00:51:53Nothing I will say anything you cannot block in this world though I have looking way too much.
00:51:59I think we of nothing nothing but...
00:51:59Well never we are left, lie too這些 ama!!!
00:52:37Gracias por ver el video.
00:52:52Gracias por ver el video.
00:53:37Gracias por ver el video.
00:54:03Gracias por ver el video.
00:54:13Gracias.
00:57:29Gracias.
00:58:39Gracias.
00:58:47Gracias.
00:58:56Gracias.
00:59:06Gracias.
00:59:19Gracias.
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01:00:03Gracias.
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01:01:14Gracias.
01:01:47Gracias.
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01:01:51Gracias.
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01:02:19Gracias.
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01:02:28Gracias.
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01:03:18Gracias.
01:03:26Gracias.
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01:03:41Gracias.
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01:03:56Gracias.
01:04:00Gracias.
01:04:10Gracias.
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01:04:29Gracias.
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01:04:43Gracias.
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01:05:00Gracias.
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01:05:50Gracias.
01:05:54Gracias.
01:06:25Gracias.
01:06:40Gracias.
01:06:43Gracias.
01:06:50Gracias.
01:07:30Gracias.
01:07:47Do you wish to hold him?
01:08:08No, you must think of the name.
01:08:11Whatever it is, I believe it must begin with the letter A.
01:08:19We do have fun traditions, do we not?
01:08:21We certainly do, Margaret.
01:08:36No, we don't, we don't have a feeling of what we do, we do, we don't, we do, we, don't
01:08:45we, we, don't we?
01:08:45We must not be afraid of the letter A.
01:08:46That, that's the final last election of the letter A.
01:08:55The key of John which is the finalthroat A.
01:08:56Gracias.
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