- 1 day ago
follow us on :
https://linktr.ee/myTVChannel
https://linktr.ee/myTVChannel
Category
📺
TVTranscript
00:28The Lone Ranger
00:42THE END
01:27THE END
01:34THE END
01:36THE END
01:39THE END
01:55THE END
02:08THE END
02:14THE END
02:17THE END
02:19THE END
02:25THE END
03:04THE END
03:07THE END
03:17THE END
03:20THE END
03:23THE END
03:41THE END
03:42THE END
03:42THE END
03:48THE END
04:12THE END
04:12THE END
04:14THE END
04:14THE END
04:14THE END
04:14THE END
04:14THE END
04:15THE END
04:15THE END
04:30THE END
04:32THE END
04:32THE END
04:34THE END
04:38THE END
04:46THE END
04:49THE END
04:51THE END
04:52THE END
04:54THE END
04:54THE END
05:05THE END
05:06THE END
05:08THE END
05:08THE END
05:09THE END
05:09THE END
05:09THE END
05:16THE END
05:18THE END
05:20THE END
05:32THE END
05:34THE END
05:36THE END
05:39THE END
05:40Jim, stand up a minute.
05:46There you are.
05:48Oh, I'm all thumbs this morning.
05:51There.
05:52Now, don't you go reading that book when you get to the church, for goodness sake.
05:59You'll miss a Lucy?
06:01Aye, she's a good lass, our Christine.
06:05It's high time she married and settled down, started a family.
06:09Many a lass our age has got them growing up and going to school.
06:12Well, David seems a right nice young man, I must say.
06:15So nicely spoken. Such good manners.
06:17He's educated, is David. Educated.
06:20Well, you've both got plenty to be proud of, I think.
06:22Daughter a school teacher, a son a draftsman, and another one doing very well at school.
06:29What does Jim want to be, did you say, Lucy?
06:32A doctor? Oh, he's going to study medicine.
06:36Well, a collier can do some of his friends nowadays, and not before time at all.
06:40Arthur, what are you doing with that pine pot on a day like this?
06:44If I'm having a drink of tea, I'm having a drink of tea.
06:46I suppose you'd like to take that with you to reception.
06:49I would.
06:50Well, it'll be Victor's turn next, I suppose.
06:54Oh, give him a chance. He's not 21 yet.
06:57He's not caught in as far as I know.
07:00Young men don't tell the mothers everything you know, Lucy.
07:02Hey.
07:30I think we've got a lot of fun, you know, I probably don't know if you've got better,
07:45Cars are here. Come on, Dr. Kildare.
07:49Now, Jim, think on. At the church, you show the bride's guests to the left and the groom's to the
07:54right.
07:55Perhaps not to have it written down.
07:56Don't be so sarky. And don't keep me waiting. We haven't got a lot of time.
07:59Oh, sarky yourself. Get on with you.
08:02On the earth, they're here.
08:07Just do a little bit.
08:12There's a girl. You look beautiful.
08:17Hey, you look grand.
08:20Here. Right, here.
08:22What's that for?
08:23Get it on. It's parked the outside.
08:25Dad, I can't. Oh.
08:26You can leave it in the car.
08:28Yes, but it's sensible.
08:29Right, are you ready?
08:32I'm ready.
08:34Well, go on up the door, then.
08:38Bye.
12:55I saw a rather good French film over the holiday.
13:00Oh, yeah.
13:02Gervais, based on a novel by Zola.
13:04Do you know his work at all?
13:06Zola?
13:07I always thought it was a card game like Canasta.
13:10Thanks.
13:11He was very outspoken for his time.
13:14His books were banned in this country.
13:15Sexy, eh?
13:16I think direct is a better word.
13:19This picture in French, then?
13:20Yes, but subtitle for those who don't speak the language.
13:23Well, I don't mind a foreign film, providing there's a bit of tit on the show.
13:27Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
14:00You're not making much progress with this, are you?
14:02I, er, I ran into a couple of snags, Mr. Hassop, and had to redo some calculations.
14:07Yes, well, don't waste any more time.
14:23You don't need to know French to understand that superstructure.
14:28You don't need a high national certificate in mechanical engineering, are they?
14:37You're depraved young swine at nine o'clock in the morning and all.
14:41Swine yourself, mate.
14:55Put your tongue away. She's spoken for.
14:58She isn't, is she?
14:59That got you, didn't it?
15:00I don't know.
15:02Have you made a move yet, or are you still just looking?
15:04I've never even passed the time of day with her till this morning.
15:07Which reminds me, I left me wallet at home.
15:09Can you lend us half a dollar till tomorrow?
15:16Yeah.
15:22Yeah.
15:29Once I had a secret boat that lived within the house.
15:34Shut up, will you?
15:35Yeah.
15:46Five more bites, please.
15:48These are nice.
15:49Wish I'd bought one of the fish.
15:51Yeah, you don't know till you've tasted though, do you?
15:53It's like beer.
15:54Or women, for that matter.
15:56Hi, Chip.
15:58What's up with the director's campaign, then?
16:00Hello, Woody Ladd.
16:01How you doing?
16:01How's it look?
16:03Jeez, how'd you do that?
16:04That bird.
16:06Ooh, them thighs.
16:08Nah, I had an argument with a drilling machine.
16:10Hospital job?
16:11Yeah, I've just been back there now.
16:13I reckon Bandage will be off by tomorrow.
16:16The worst you drawing office types can do, I'd hack me stab yourselves with a pencil, eh?
16:19Now then, Willie, don't let bitterness creep in.
16:22Here, this is Jimmy Slave, Willie Lomas.
16:24I do.
16:25Here, how is it you're not away on your honeymoon, anyway?
16:28Honeymoon?
16:29I heard you got wedded over Christmas.
16:31Me?
16:33Wasn't there a wedding at your house?
16:36Me sister Elaine, brain-hour Christine.
16:39Well, don't get mad with me.
16:41I'm only telling you what I heard.
16:42Yeah, well, you heard wrong.
16:43Married at my age.
16:45Think I've got no more sense?
16:46That's what these little things do.
16:48Well, not to me.
16:49So the next rumour you here, you scotch it.
16:51Just think of all them lasses who'd iron themselves to sleep, eh?
16:54What a shame.
16:56See you later, then.
16:57See you, Willie.
16:59Old mate of yours?
17:01Elementary school.
17:03Not too much against a draftsman, has he?
17:05Ah, Willie just likes to talk.
17:08Married me.
17:10It's not as if you really fancied anybody, is it?
17:14Now, don't you start.
17:15Well, I can't believe in you.
17:17You're not.
17:21It's not as if you're a man.
17:21You're not.
17:22You're not.
17:22You're not.
17:22Yeah.
17:26You're not.
17:28You're not.
17:38I'm not.
17:40You're not.
17:45You stopping on?
17:47It's been a while.
17:48I want to crack this job before it cracks me.
17:50See you then.
17:51Yeah, so long, Jimmy.
17:52Nobody to see what a good boy you are, Brownie.
17:54Passage's gone home early.
17:55Get lost, Lewis.
17:56Manners, Brownie. Manners.
17:57Hey, you give me that lift all night.
18:00Yeah, come in, Albert.
18:05Sweet dreams, Brownie.
18:08And up yours, Lewis.
18:33Who is it?
18:34I wondered if there'd still be anybody here.
18:38Only little me.
18:40Did you want something?
18:41I've run out of sticky tape.
18:43Hang on.
18:51Here we are.
18:52Thanks.
18:54I think some people haven't got homes to go to the time they start getting the poster.
18:58You've got one of them, have you?
18:59Have I got one?
19:00Leslie Felton.
19:02Not that you can blame him, I suppose, with a wife like he's got.
19:04What's wrong with his wife?
19:05She keeps him under the thumb, puts all he earns on her back and then nags him for keeping
19:09her paw.
19:10Right fashion plate she is, but common as muck underneath.
19:13Don't tell me you didn't know her, but everybody did.
19:16Well, the mail's gone now.
19:18Just have to put this in downtown.
19:20Are you going down now?
19:21Yeah.
19:22If you can hang on a minute, I'll ride down with you.
19:24Beg your fare.
19:25Aren't you working over?
19:27Nah, just putting in an extra ten minutes.
19:32What do you get up to in your spare time?
19:34Well, the pictures.
19:36Dancing sometimes at weekends.
19:38Nothing very exciting.
19:39What about you?
19:41Same here, really.
19:45I was going to ask...
19:46Sorry.
19:46No, you go on.
19:47I was going to ask you if you'd seen that new Dice Day picture they're all talking about.
19:51The pyjama game?
19:53No.
19:54I, uh...
19:55I was thinking of going this week.
19:57So was I.
19:58Ends on Saturday.
20:00Who'd you go with?
20:01Well, a friend.
20:02Or with my mother, if it's something special.
20:05Why don't we, uh...
20:07Why don't we go together?
20:09Oh, when?
20:10Tomorrow, if you like.
20:12Tomorrow's New Year's Eve.
20:13I'm going to a party.
20:14Oh, yeah.
20:15What about the day after?
20:17Fine.
20:27Follow me and you won't fall over anything.
20:29Give us your hand.
20:37That's a date, then?
20:38Yeah.
20:53You
21:11Jim
21:12You know that tie you wore for our Chris's wedding
21:15Hmm, are you listening to me?
21:17What do you want?
21:18That tie you wore for our Chris's wedding
21:19What about it?
21:20Can I borrow it?
21:27Nice tie
21:29Want to flog it?
21:31You want?
21:32You want to sell the tie
21:34Chris gave it to me
21:35You'll never wear it
21:37I'll give you two bob for it
21:41I'll tell you what
21:43You can wear it when you want
21:44That threepence of time
21:45And you owe me threepence for tonight
21:47Why do I open me big mouth?
21:49I've only got a bobbing change
21:50Come on, hand it over
21:52You've got three more times to your credit now
21:55You're wasting your time
21:56Thinking of medicine, laddie
21:57You want to stand on market?
21:58You'll be a millionaire before you're 30
22:01What are you doing now, anyway?
22:03Math's own work
22:05School's still on holiday
22:06Yeah, special work El Carto's gave me
22:10Said I needed it
22:11Do you?
22:13For my looks of this, I must do
22:16I think the book's wrong
22:17I've never met one yet
22:20Let's see
22:25Try putting that last equation
22:26The other way up
22:30Gosh
22:31Fancy me not seeing that
22:32Yeah, it's not seeing things like that
22:34It makes you fail exams
22:34All right, big head
22:36Hey, have you got some scent on?
22:38It's aftershave
22:39Oh, you're pong like a ten bob o
22:41Yeah
22:42Where'd you learn talk like that?
22:43Same school as you
22:44I only hope she likes it better than I do
22:46Who?
22:47Bridgette Bardot?
22:48Who else?
22:49Get your nose down
22:50And don't be so cheeky
23:06I was thankful we didn't have to queue
23:08I hate queuing, don't you?
23:10Picture queues have gone now
23:12Everybody's at home watching television
23:13Oh, I love watching telly, don't you?
23:15Well, it depends what's on
23:16Monday night at the London Palladium
23:17We never miss that
23:19Beat the clock when the ordinary people come on
23:21And play all those daft games
23:22Good laughter, you cried sometimes
23:25And have you noticed how many honeymooners they get?
23:28Your sister and her husband went to London, didn't they?
23:30Yeah
23:31It'd be a laugh if they'd come on, wouldn't it?
23:33It'd be a surprise anyway
23:36Here we are
23:38Is this it?
23:39This is it
23:41Any more at home like you?
23:43No, only little me
23:47Well
23:49I'm sorry you didn't like the picture
23:51Oh, I liked it
23:52That's okay then
23:55Anyway
23:57I'm glad we came out together
23:58You're not disappointed then?
24:02Can you come back next week?
24:03What?
24:05Oh, I see
24:08What about the weekend?
24:09If you like
24:10Don't say so if you don't want to
24:11No, that's all right
24:13Saturday night
24:14Okay
24:18Well, I...
24:19I was going to ask you
24:20Yeah?
24:22What your perfume is?
24:24Evening in Paris
24:27Chance to be a fine thing
24:28Well, what about yourself?
24:30I don't get you
24:31I've been catching whiffs of it all evening
24:34Oh
24:35It's not too much, is it?
24:37Oh, no
24:38I like a man to smell nice
24:40That's all right then
24:42I'd better be going in
24:44Okay then
24:44See you tomorrow
24:45Yeah, see you tomorrow
24:51Hey
24:53Happy New Year
24:55Thanks
24:55Same to you
25:12They send a green van for people as do that, you know
25:15Hey, do what?
25:16Sit about grinning to themselves
25:19Oh, go on
25:20Get your breakfast eaten
25:21Or you'll be late for the shop
25:23You don't want to upset Mr Van Hyten
25:26After that Christmas bonus he gave you
25:28I don't want to upset him anyway
25:29And I'm watching the Times
25:30I don't fuss
25:31Oh, fuss your ear roll for you, young man
25:33If you talk back to me
25:34Big as you are
25:36You don't think you're trying to do too much, do you?
25:39What with?
25:40Oh, with five days a week at Whittaker's
25:42And Saturday's in shop
25:43I enjoy the shop
25:44It makes a change
25:45It'll do our Victor Noah
25:46Mixing with somebody like Mr Van Hyten
25:48Oh, I've nothing against Mr Van Hyten, Arthur
25:52They chucked bricks through his fellowship window
25:54In 1914, war broke out
25:56Here in Cressley, would you believe
25:58Couldn't tell a Dutchman from a German
26:00No, no other arse from their elbows, some of them
26:02Yes, we know all about that, Arthur
26:05We don't want pit talk in the house, thank you
26:08Still makes me boil when I think about you
26:11You know Mr Van Hyten had to have a uniform on his back
26:13Before they sat his party
26:14He was on our side
26:16How's he keeping these days?
26:17Well, he's no spring chicken, you know
26:19He's a bit older than me, I know
26:22We saw some things together, Mr Van Hyten and me
26:25Things you don't forget
26:28We've been friends ever since
26:29Not pals, exactly
26:30After all, he's a gentleman
26:32I've never claimed out at Seoul
26:35Remember me to him, will you?
26:37He always asks after you
26:38Does he?
26:39Every week, never misses
26:40Hey, that's nice of him, isn't it?
26:44All right, I'm awake
26:47Oh, I'm going straight out from the shop
26:48So I shan't be back for my tea
26:49So long
26:50Hey, what do you mean you won't be back for your tea?
26:52What are you going to do then, after?
27:06You're changed
27:08Thank you
27:11I think you'll enjoy those records
27:13The Bush performances are classics
27:14They won't be surpassed for some time
27:16If ever
27:17It was a wireless broadcast of Opus 131 that set me off
27:20Ah, the last flowering of a great genius
27:23Wonderful
27:24Allow me
27:36All right
27:37That it then, Henry
27:39That's it
27:40You got rid of some stuff this week, haven't you?
27:43I wish I thought it could last
27:44Last? What are you talking about? Business is booming
27:46Full employment and business is booming
27:50It's a fool's paradise, lad
27:52Don't say I didn't warn you when the crash comes
27:54Henry, we'll go in the doll together
27:56Doll?
27:58You ask your dad about the doll, well
28:01Good night, Mr. Van Riten
28:02Good night, Henry
28:05What are you smiling at, Victor?
28:08You better sell out and put your money in green grocery, Mr. Van Riten
28:11Why's that?
28:12Henry says we're all living in a fool's paradise
28:15Ah, Henry says
28:16Our backyard economist
28:21It's time those young people were going
28:23I'll see you
28:31I'll see you
28:32Come in off, can I run a bit longer?
28:34Come on, let's be having you
28:35Oh, come on
28:40Sorry
28:40Good night
28:41Good night
28:41Good night
28:44Good night
28:45Good night
28:45Good night
28:54Oh, Victor
28:55Before you go
28:56Your wages
28:58Thanks
28:59Oh, thank you
29:00I don't know what I'd do without you on a Saturday
29:02I enjoy it
29:04Oh, don't worry about those records
29:07I'll see you those on Monday
29:08I don't mind, Mr. Van Riten
29:09Another quarter of an hour will do it
29:10And I'm not in a hurry
29:11As you wish
29:16I brought my friend
29:17I hope you don't mind
29:19No, no
29:20This is Dorothy
29:21Dorothy, this is Vic
29:22Hello
29:23Do you know a girl called Mary Fitzpatrick?
29:26Yeah, I know her
29:27You don't know me, though, do you?
29:29I've never seen you before that I know of
29:31I know you, though
29:32And I know Mary Fitzpatrick
29:35Give her my love when you see her
29:37You used to give it to her yourself at one time, didn't you?
29:40Me and Mary Fitzpatrick?
29:41I don't know what you're talking about
29:43I hardly know her
29:43That's not what I...
29:44Where shall we go, then?
29:45There's a good picture on at the Regal
29:46We saw that the other night
29:47We were going for a walk tonight
29:49It stopped raining anyway
29:51Which way shall we go, then?
30:06I didn't know they'd moved
30:07Yeah, his father's making money and over this, by all accounts
30:11Proper stuck-up Ralph Wilson is nowadays
30:15Ooh, isn't that a bonny wedding dress?
30:18It's the same with me as he always was when I see him
30:21Oh, well, he would be with you
30:23Why me especially?
30:24Well, I mean, after the time of the tennis club dance
30:26When you and him were locked in the changing room
30:28And nobody could get in
30:29You know very well it was Harry Norris who did that
30:31He had the key all the time
30:33Oh, I know, but I'm talking about what went on inside
30:36He didn't seem so bothered about getting out so quick, either of you
30:39Well, it's just what everybody wanted, wasn't it, for us to make a fuss?
30:42Everybody except Ralph Wilson
30:44I think he put Harry Norris up to it in the best place
30:47Well, he didn't get anything out of it if he did
30:49That's not what he said after
30:51I heard some of the things he told the lads
30:54What kind of things?
30:56Better tell you later
30:57I thought you knew
31:00I don't know why you have to bring all that up
31:01I'm sure Vic isn't interested in old gossip
31:03Oh, I don't know
31:05You're everybody's best friend, aren't you?
31:08What do you mean by that?
31:09You know what I mean
31:09First off, you try and make something out about me
31:11And now it's Ingrid
31:12Who do you think you are, anyway?
31:14And all things about you you won't want spreading about
31:17You don't know anything about me that nobody else knows
31:20And if you're thinking of making something up
31:21You better think again or else
31:22Or else what?
31:23Or else I'll take your knickers down and slap your bloody arse
31:25I'm pretty nobody did it before
31:27You lay a finger on me and I'll have the police, aren't you?
31:30After you've wiped the grin off your face
31:32What do you mean by that?
31:33I mean any bloke that laid a finger on you would deserve a medal
31:35You'd have to have a bag over your head
31:36Before anybody took you into a tennis club changing room
31:38Why, you rock...
31:41You shouldn't have said that
31:43Oh, what the hell, she asked for it
31:45Look, she's going
31:46Good riddance
31:47I can't leave her now
31:49After what she tried to make out about you
31:51Well, she didn't mean anything
31:52It's just her way
31:53You don't know her
31:54I don't want to know her
31:55I've seen enough of her
31:56I shall have to run after her
31:57As you like
31:59I'll see you at work on Monday
32:00Yeah, I'm usually there
32:01Well, goodnight
32:03Goodnight
32:04Goodnight
32:08That's all my telling you anyway
32:36Further to our last meeting
32:38I suggest that we make
32:40Further inquiries
32:41I didn't spot you at the Halley concert
32:43At the town hall on Saturday, did I?
32:45Not me, mate
32:46I'll just go back in the jungle at night
32:48And swing in the trees
32:50I thought it couldn't have been you
32:52You don't know what you missed
32:54Beethoven 7
32:54Marvelous
32:55Oh, yeah
32:56The apotheosis of the dance
32:58You what?
32:59That's what Wagner called it
33:00The apotheosis of the dance
33:03Tragic to think that he never heard
33:04The biggest part of his own music
33:06Who didn't?
33:07Beethoven
33:07Did he snuff at young or something?
33:09He was afflicted with deafness
33:11Well, how could he compose music
33:13If he was deaf?
33:14It was all there in his mind
33:15All he had to do was to write it down
33:16Without hearing it?
33:18Of course
33:19Musician of the first rank
33:20Has only to see the music
33:22To hear it in his mind
33:22Composer no need to actually hear the music
33:24To put it down on paper
33:25Is that right?
33:27First class musician can read a score
33:28As easily as the average person reads a book
33:30So he's only himself to blame
33:32If anybody plays the wrong note, eh?
33:33Exactly
33:34In fact, some musicians so despair
33:36Of hearing the perfect performance
33:37Of a favourite work
33:38They give up listening to music altogether
33:39And read scores instead
33:41Like playing with yourself
33:42Because you can't find the perfect woman
33:47Deaf composers
33:47He'll be talking about blind painters
33:49Yeah, and I suppose he'll be talking about
33:51Idle draftsmen
33:51If you don't crack on with this job
33:53Though you know
33:54You're holding me up
33:54I'm nearly finished
33:57All right
33:58I'll take some dimensions
33:59To be going on
34:16You want to get your mind off a bird, young brownie
34:19And onto your work
34:19What are you talking about?
34:20There's a time and place for everything
34:22Like minding your own business?
34:24I'll make it my business
34:25If these figures aren't right
34:27Cook your own work up if you like
34:28But not mine
34:42I'll make it my lens
34:43I'll make it my nose
34:43Do you think I won't extraordinary
34:45I'll make it my nose
34:46I don't even know
34:47But the sexy girl
34:47Can't talk so far
34:48You can'tantis
34:49If you're singing
34:49What about your life
34:49And you're right
34:49Give a mic
34:50Just like
34:50And it's good
35:15finish this today will you do me best mr. Rasset make sure your best is good enough
35:27some say good old Hasset others know the blighter did you ever wish I hadn't joined we ladder the
35:34creme de la creme we spin mighty schemes while our less fortunate brethren sweat and toil on
35:40the shop floor you do make it sound interesting
35:56call me what do you want come here a minute will you look I can't do any more prints before
36:01dinner
36:01shut up and come here what's up you know who that is don't you no is she I thought you
36:07knew everybody
36:07she works in typists what's she like bloody hell she's dark hair dresses neat good figure you know
36:15I don't yet I think so give this to her will you what's it worth a gob full of black
36:21eyes if you
36:21don't watch out a tanner a cig two cigs you're on a light you young uns bloody mercenary
36:33don't take all day about it and don't go bowling it down the office now back then
36:46so
36:47What the hell is that?
36:48What the hell is that?
36:50Come on.
37:17Let's go.
37:50Aaron Tosh, what are you up to?
37:52Hello, Willie.
37:54Didn't you turn up, then?
37:56Didn't who turn up?
37:57That tart you were waiting for?
37:59Who says I was waiting for a tart?
38:01I've been talking to a bloke down the street for the past five minutes
38:04before I came over to you.
38:05I saw you pacing up and down, looking at your watch over time.
38:09OK, then I was waiting for the bing.
38:11And she didn't turn up?
38:12Well, it's not the first time it's happened.
38:14It's the bloody last time it'll happen to me, I'll tell you.
38:16Have you been out with her before, have you?
38:18Yeah, twice. Only I don't really count last time.
38:21Why's that?
38:21She brought a mate with her. Would you believe it? Brought a mate?
38:25He should have come round for me.
38:26I'd have looked after her for you.
38:28He wouldn't have thanked me for this one, Willie.
38:30Feet like fiddle cases, mouth like a crack in a pie.
38:32You went back for more, all the same.
38:34Well, I wanted to sort of test it out, like, find out where I stood.
38:37So now you know.
38:39Yeah, I do.
38:41You, er, you never had much of a chance to get out either, I expect.
38:44What, what would a mate have been there?
38:46I wouldn't have tried anyway, not with this one.
38:49Why not?
38:50She's different.
38:51Different? What do you mean?
38:53I mean, she's a decent bird, Willie.
38:54Ah, decent enough to leave you standing on a straight corner, you mean.
38:58Maybe she got held up or something.
38:59Ah, maybe she dropped dead after a tea, you know.
39:01Oh, belt up, will you, Willie?
39:03Come on, big lad, I'll take you for a pint.
39:06Let your Uncle Willie give you some advice.
39:36Let your Uncle Willie give you some advice.
39:41Take, for example, the traditional open markets that stretch up and down the land.
39:46We went on a Saturday afternoon shopping excursion
39:48in one of the most picturesque and famous markets in London, the Portobello...
39:52Hello.
39:53Where have you been?
39:55Pictures.
39:56Who, where?
39:57Willie Lomas.
39:58Oh, do I know him?
40:00I went to school with him.
40:02At grammar school?
40:03Elementary.
40:04Oh.
40:07Well, can't you sit down properly?
40:09No, I think I'll go straight up.
40:12Did you get some tea?
40:13Yeah.
40:14What about your supper?
40:16I had some fish and chips.
40:18You're going straight up, then, are you?
40:19Yeah, we had a busy day.
40:21Yeah, you've not forgotten we're all going to our Christine's fast tea tomorrow, have you?
40:25No, I've not forgotten.
40:27Good night, then.
40:28Good night, then.
40:29Good night, then.
40:40Vic?
40:41Is that you?
40:44What's up?
40:47Uh, I've got something for you.
40:55Where'd you get this?
40:57Found it in the hall, behind the front door, when I came to bed.
41:01Somebody must have pushed it through while watching telly.
41:04There's no stamper address on it.
41:06Have me mum and dad seen this?
41:07No.
41:08I came straight up.
41:11I, uh...
41:12Well, I wouldn't say it were a man's own writing, would you?
41:15Thanks, kid.
41:16I'll remember you're in me will for this.
41:17A bum and a cat would be better.
41:21Here's half a crown towards that bike speedo you're after.
41:23Oh, blimey, thanks.
41:24Hey, just keep this to yourself, eh?
41:26Oh, mum's the word.
41:27That's the ticket.
41:35Dear Vic,
41:36my cousin decided to catch a later train
41:38and I went into Leeds with her to see her off.
41:40The train was late
41:41and it was after half past seven when I got back to Cresley.
41:44I went to where we'd arranged to meet,
41:45but of course you'd gone.
41:47I wondered what on earth you could be thinking of me,
41:49so I thought I'd better write this letter and explain
41:50or you wouldn't be on speaking terms by Monday.
41:53I'll be at the same place tomorrow night if you can manage it.
41:55If you don't come by 7.15, I'll know you can't get Love, Ingrid.
42:14Do you mind?
42:16Sorry.
42:22Yes, very nice, David, lad.
42:24Very nice.
42:25Yeah, you've put some work in.
42:27You could have asked me to give you a hand.
42:29I mean, I can hang a roll of wallpaper, you know.
42:31Well, Chris wanted this all finished before you saw it.
42:33Yeah, well, it's a credit to you both.
42:36Aye.
42:37And anything of interest, Vic?
42:39There's a Raymond Chandler here I haven't read.
42:40Is that the kind of thing you like?
42:42Oh, I usually go to the library once a week
42:43and pick up anything that takes my fancy.
42:45Usually thrillers or war books.
42:47Why don't you write a war story, David?
42:49You've had some adventures, haven't you?
42:51If I could write a war story as good as that,
42:53it might be worth having a go.
42:55For whom the bell tolls?
42:57Yeah, I've seen a picture of that.
42:59Gary Cooper and Ingrid Bergman.
43:00It was good.
43:01You can borrow it if you like.
43:02Thanks.
43:02It looks advised now, it's fading out.
43:05Strikes me he was all right as a war leader.
43:06Not much cop in peacetime.
43:08It's like Churchill.
43:12Is your tongue hanging out?
43:13It'll soon be ready.
43:14Chris, you won't mind if I beat her off
43:16about half past six, will you?
43:18She'll be mortally offended,
43:20unless it's something important.
43:21Top priority.
43:23I wouldn't have gone out tonight,
43:24only there was a bit of a mix-up
43:25and now I really have to.
43:26What's her name?
43:28Oh, you don't know her.
43:30I shall know her a bit better
43:31if you tell me what they call her.
43:32You do know, I suppose.
43:34Of course I do.
43:35They call her Ingrid Rufflow.
43:37Here, you won't tell me mother, will you?
43:39You know how she is.
43:41I mean, I'll tell her myself sometimes.
43:43You know.
43:45I know.
43:46Come on out of it.
43:48We don't want men fluttering up the place.
43:51How are we doing, love?
43:52We're nearly ready, aren't we?
43:53All about.
43:54Oh, if you wouldn't mind mushing the tea.
43:55Right, you are.
43:57I've warmed the pot.
43:59Good.
44:00There we go.
44:02Oh, my God.
44:06Come on.
44:07Come on.
44:08Come on.
44:18Come on.
44:23Go on.
44:49What did you think when I didn't turn up?
44:51I didn't know what to think, really.
44:52You didn't think I'd deliberately stood you up, did you?
44:55It has been known, you know.
44:56Well, you don't know me very well if you think I could do a thing like that.
44:59Well, I don't, do I?
45:00We've only been out twice and you can't really count last time.
45:03I didn't want Dorothy to come, you know.
45:05Only she sometimes pops over and stays to tea.
45:08But when she came last week, I couldn't explain to her we were out the house
45:11and then I couldn't get rid of her without offending her.
45:13She's like that.
45:14She got it into her head that she was coming to have a look at you
45:16and I couldn't stop her.
45:18She said she'd only stay five minutes and then go.
45:20Well, that couple with last time, I just thought we'd had it.
45:24And it wasn't that way at all.
45:26It's a good job I wrote that note.
45:27I don't know what might have happened if I hadn't.
45:29I can tell you what would have happened.
45:31I shouldn't have bothered you anymore.
45:35Are you all right?
45:37It's a silly uncle of mine.
45:39Sometimes lets me down like that.
45:41Would it have bothered you if I nested out again?
45:44What do you think?
45:47Let's sit down a minute over there.
45:52Are you all right?
45:54We'll be in a minute.
46:08I suppose I shouldn't wear such high heels.
46:11I can't stand flat heels.
46:12They don't do a thing for your legs.
46:19What on earth have you got in your pocket?
46:22Oh, it's a book.
46:24For whom the bell tolls.
46:26Have you read it?
46:27Heavens no, I don't read books.
46:29We get three magazines a week
46:30and I can hardly get through them for the telly and other things.
46:33They made a picture of it.
46:35Gary Cooper and Ingrid Bergman.
46:37That's who I'm called after.
46:38Ingrid Bergman.
46:40Escape to Happiness is my mother's favourite film.
46:43It's all about this famous violinist
46:45who meets this girl on an island
46:46and falls in love with her.
46:48And he's married and has to leave her in the end.
46:50Very sad.
46:51That was Leslie Howard.
46:53Violinist, I mean.
46:54If I'd been a boy, I'd have been called Leslie.
46:57And my mother didn't care for it as a girl's name,
46:59so that's why I'm Ingrid.
47:00I thought it was a queer name for an English girl.
47:02I don't think it's queer.
47:03I like it.
47:04I didn't mean queer that way.
47:06I meant, well, unusual.
47:08Would you rather I always call Mary or Barbara or something like that?
47:12Dorothy.
47:12That's a name I've always liked.
47:14Go on with you.
47:16I like you just the way you are.
47:18Do you, Vic? Honest?
47:20Honest.
47:37It's rotten sometimes, being a girl.
47:40I suppose you'd really thought I didn't want to see you again.
47:43I had to take an ages to let you see I did.
47:45That Dorothy.
47:46She nearly messed it all up.
47:48Well, it's because she's not attractive herself.
47:50I mean, let's face it, she isn't, is she?
47:52You didn't find her attractive, did you?
47:55I find you attractive.
47:57Do you?
47:58Shall I show you again?
48:02Prince!
48:03Come on out of there.
48:05Thanks.
48:08Come on.
48:08Poof, poof, poof, poof, poof, poof.
Comments