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00:11The
00:12ingenious method of tunneling from a disused lady's lavatory into a bank has given this case
00:17considerable notoriety. But clearly, your apprehension proves that crime does not pay.
00:24I am convinced that you were one of the prime organizers of this sordid robbery and find
00:29no reason for leniency. Therefore, George William Squires, I sentence you to imprisonment for
00:3415 years. Take him down.
01:28I am convinced that you were one of the prime organizers of this sordid robbery.
01:29.
01:29.
01:29.
01:29.
01:29.
01:29.
01:29.
01:30.
01:31.
02:03All right, what's up?
02:05It's all right, I'm a friend.
02:06I don't know you.
02:08But I know someone you know.
02:11Look, I'm sorry, I've got to be back at the studio.
02:14George.
02:41Look, whoever you are, do you mind explaining?
02:47Lounge, all the very best, no expense spared.
02:49I'm sure you'll be very happy here.
02:50Booze?
02:50What are you to do with George?
02:53Please answer, who are you?
02:55One of your own.
02:57Place to lay your weary head.
03:00You'll be all right in here.
03:02Ice-spitting, level grill, all ready for the fatty calf.
03:05Oh, Christ.
03:06What more could you want?
03:07An answer.
03:09Don't do that.
03:10In a bit of property like this, nobody gets sussed, know what I mean?
03:13There could be a judge living on the other end of the hall.
03:15The face what owns this.
03:17You don't have no cause to worry if he comes funny.
03:21Shish kebab.
03:26You're a knockout.
03:27Who are you?
03:29Gordon.
03:29Why am I here?
03:30You've got to stick around.
03:31Look, nobody tells me what to do.
03:32I don't have to.
03:33Yeah, I know.
03:33You got the vote.
03:34Terrific.
03:35For a couple of days.
03:37Are you staying here?
03:39I should be so lucky.
03:41Well, then I warn you, the minute you turn your back, I shall leave.
03:43I hope so.
03:45I hope everything you do is going to be very normal, my old darling.
03:47You come.
03:48You go.
03:50I'll be watching.
03:51So you better be normal.
03:53You've got to work.
03:54Normal for what?
03:55So the nothing you do will bring any suspicion on you, nor nobody.
04:01Okay?
04:03Nobody likes hurt and nobody, Franker.
04:08Right.
04:08The only thing you haven't got in here is food.
04:10What does George fancy?
04:11Patty?
04:12Muscles?
04:13George is coming here.
04:14Trying to take away?
04:14Is he going to this?
04:15What are baby sparrows?
04:16What he don't like, Franker?
04:18He's an empty room.
04:20No booze.
04:21No food.
04:22No bird.
04:23It reminds him.
04:25Look, he's in hell.
04:26I only saw him a month ago.
04:27Then he didn't know his appeal was on, did he?
04:30Why didn't he tell me?
04:34He's in London.
04:36With all his mates.
04:37They're all on appeal.
04:39Nah, you look really great.
04:42Why didn't he tell me?
04:44He has, my old darling.
04:46One lodger.
04:47George William Squires from Hull.
04:49Up for appeal in the morning.
04:51His property.
05:00One yellow metal watch.
05:02Gold, gov.
05:03One yellow metal ring with stone.
05:06Diamond ring.
05:07It's a living.
05:11One cigarette lighter.
05:13Gold.
05:14One key ring.
05:16Three keys.
05:18One leather wallet.
05:21Three five-pound notes.
05:24Club cards.
05:27One photograph.
05:30My mate's here then, gov.
05:31Hey, you, George.
05:33Monty!
05:33All right, sign that.
05:42Right, lock him up, Mr. Penton.
05:44Okay.
05:47Hey, what about that one?
05:48We're both on the same appeal.
05:50Thank you very much.
05:52Get in.
05:53Why can't we go up to our Peters?
05:54You wait for the doctor.
05:56At what time's he in?
05:57Six.
05:59They're all in, Arnold.
06:01The last two models were delivered a couple of minutes ago.
06:04Thought you'd like to know.
06:05All right.
06:07Oh, was the lady satisfied?
06:09Oh, yeah.
06:10She's all right.
06:12Good.
06:13See ya.
06:13Be lucky.
06:19Jenny, when Norman Fatterfield gets back with that Cresta,
06:23tell him I want to meet with him at Gordon at seven tonight.
06:26He knows where.
06:28Will you do that?
06:29Yeah.
06:33What you thinking, Jenny?
06:34Nothing.
06:35Nobody thinks of nothing.
06:37I do nothing, honest.
06:39Then don't sound frightened.
06:40Look, I don't know what's going on, but...
06:42I think something's going to go wrong.
06:55Nothing goes wrong when you're riding on the bit of luck we're on to.
06:58You do as you're told, nothing'll go wrong.
07:04Anyway, you don't know anything, do you?
07:11Nothing.
07:15All right, doctor's here.
07:16Move.
07:30All right, over there.
07:34Line-ups.
07:35Holden.
07:37Smedley.
07:38Coins.
07:39Spires.
07:40Parkin.
07:45Go on, Grumble.
07:48Lock out.
07:49All right, cut the chat.
07:50First one.
07:51Bolden.
07:58Get my message?
07:59Yeah, is it?
08:00Yeah, it's on.
08:07Spendley.
08:07All right, let it get, Bolden.
08:14Come on, Wim.
08:15Try and get threed up, then we can talk, right?
08:17We don't look so bloody pleased.
08:19You're in the neck.
08:20How many?
08:20All of us, the lot, Wim.
08:23Cough twice and ask for them back.
08:27Yeah, old Eddie's taken a long time.
08:29Yeah, they're looking for his chest.
08:30He left it in his saddlebags.
08:32All right, all right.
08:35All right, over there, Smedley.
08:37Points?
08:38Cough, cough.
08:46All right, Georgie, we're getting sprung.
08:48Yeah, we're riding on a good bit of luck.
08:49Beautiful.
08:50She's doing all right.
08:51You know me, mate.
08:52Right, over there, clean kit.
08:53Fires.
08:54Yes, Doc?
08:55You all right?
08:57Yeah.
08:59You look fit.
09:03Okay.
09:08All right, squire's over there.
09:10Park it.
09:13Three hours for seven words.
09:15Up the national elf.
09:16Cut it.
09:25Hello, George.
09:26Hello, Martin.
09:27You look happy.
09:28So would you be, if you'd been dub dubbing that boxy box for the past three hours, wouldn't
09:32you?
09:32All depends who you're with.
09:33Get out.
09:34I've got a nice clean lot for you, George.
09:37Look at that fruit.
09:38Keep close.
09:39What if we don't?
09:40We will.
09:42Three blankets, one pot.
09:43Park it over there.
09:44Two sheets, cutlery, knife and spoon, one airbrush.
09:49At least you need that.
09:50Comb, a toothbrush, nail brush, shaving brush, and razor no blade.
09:55Thank you very much.
09:56Anytime.
09:57Cool.
10:00Get that move on, Glaceprook.
10:02Whittaker.
10:03Here, gov.
10:05Hey, do us a favor.
10:06Put me up with my mate here.
10:08We both up on the same appeal.
10:13We've got things to discuss.
10:40We've got things to discuss.
10:41So, we've got things to discuss.
11:43So you are in, my old darling.
11:45Just checking.
12:15Yes, sir.
12:19Eddie.
12:24Listen.
12:26I don't know what I'm thinking.
12:28Honest.
12:28Then listen.
12:33We got one chance or no chance at all.
12:40The bit of luck was Arnold getting their roots.
12:43How'd he get them?
12:44It cost a lot.
12:46So, could be a lot of our garbage.
12:49A trap.
12:49If it is, some poor old Mr. Plod's in for it.
12:54They get very uncomfortable about bottlenecks around the law courts early in the morning.
12:59They must reckon that all the chaps are going to stage hold-ups in ticks and hats in all that
13:03traffic.
13:08So, we ain't got a monkey's chance with the appeal.
13:12It'll only take two days.
13:15One morning, a coach will go around the Aldwych.
13:19Then the next day, I'll go around the back way.
13:23Under Hope and underpass.
13:26And what he does, we'll be out.
13:41Listen.
13:48Look at this, Eddie.
13:50What's the first thing we do when we get into a filthy carton house?
13:55We make our beds.
13:57Good as gold.
14:00We're already fitting in.
14:02Touching the old fall off.
14:03No groans, you know what I mean?
14:06After a tenth stretch, we'll be walking out of the office, looking for some warm hole to try in.
14:10We want to be in the more chance than that.
14:12Three score and ten, Eddie.
14:14You've seen the mugs, Eddie.
14:16A fat lot of good next time, then.
14:19If you...
14:19No.
14:21We, Eddie.
14:22George.
14:23If you do an escape out of the underpass, you're trapped.
14:27You can only run into the city.
14:29The law grows on trees, then.
14:30Right.
14:31So Mr. Flood must reckon.
14:34If this little lot of villains want to escape, they'll do it going south, right?
14:37And we go north.
14:38And nobody.
14:39Nobody, Eddie.
14:41They said they're putting extra security on us.
14:44We're just another case.
14:55Look, George.
14:58I only got a sixth, didn't I, for ringing the cars.
15:00That's all I've done.
15:01And you've got a wife and family.
15:03Yeah.
15:03So's Bernie.
15:05So's some of the others.
15:08Bernie likes his, Julie.
15:10I like her.
15:11I fancy women.
15:13I don't like being deprived of women.
15:16Or kids.
15:19I can...
15:21I can face a four, George.
15:25You ought to read books, Eddie.
15:27They reckon five years in a boob can kill a man, you know that?
15:31So, you let your hair fall out, mate.
15:35You salute everything that moves so you won't offend that body.
15:42You'll end up so flat.
15:45You'll all love this.
15:50You'll all love it so much.
15:53You'll end up wasted, Eddie.
15:56And Margot and that little boy?
15:59You won't see them.
16:00You won't want them.
16:03You want this.
16:05Now, you don't deserve that, Eddie.
16:08Nobody does.
16:10That's why some books want it to keep hanging.
16:13It's quicker death.
16:16Know what I mean, Ed?
16:19Eddie.
16:20Life's a fitter.
16:31Tom.
16:31What for?
16:33I don't want no more bother.
16:36When they're in the underpass, the law can't use their radios.
16:40It's them and us.
16:42Oh, that's all right.
16:43We're all number one.
16:46We're all jacked in the land.
16:48After all, we're not a firm anymore.
16:51We're just a bunch of cons.
16:53It's not that.
16:54Then what is it?
16:55I've had enough.
16:59Bother.
17:01Aggravation.
17:02People.
17:06Look at that light, Eddie.
17:09When you're flat on your back, my old son, that's all you see.
17:13When you think of all the bang-ups, you're left looking at it.
17:17Or you can count the bricks.
17:19But you don't, do you?
17:21You put it off.
17:24The sheer meal of counting them.
17:27You keep it.
17:29You save it.
17:31It's something to do in how many years' time?
17:37You can't see nothing.
17:40It's all noises.
17:48You can't see.
17:51Only hear.
17:53Every day, every week, for four years.
17:57It's 1,460 days.
18:01Me, Bernie, we got 3,650, Eddie.
18:16It might be tonight morning, Eddie.
18:21We're going.
18:23And you're coming, my old son.
18:26Because we're leaving nobody behind.
18:49George.
18:52Yeah, Eddie?
18:56Nothing.
19:12All right.
19:14Don't worry.
19:17You two over there.
19:21Here we go, then.
19:22The last time tree's gone.
19:24I doubt if he'll do us any favours, but I'll do with his sentiments.
19:31Charlie.
19:33Charlie.
19:34The coach is about 400 yards from the Elephant.
19:37I'd have to go.
19:38Get in position around some George's service.
19:40I'd definitely have a bucket in the road.
19:42Casual.
19:43Very cool.
19:44All right.
19:45All right.
19:53I keep going.
19:53I can't wait for it, my son-no-no-no.
19:55I'll go for it.
19:56You may not even have to go for it.
19:57I'll go for it.
20:11I've got to go.
20:12I'm going for it.
20:12I'm going for it.
20:17What's your love.
21:35Turn right, you bugger.
21:38Turn right!
21:39Turn right, you bugger.
21:46Shit!
21:47Turn right, you bugger.
22:21Turn right, you bugger.
22:38Oh, thank you, my lord.
22:40Is your, uh, Mr. Matthews ready?
22:42What if this Burke Matthews convinces him?
22:44I mean, we don't need the escape, we'll get off.
22:46You put your trust in higher things, Bernie.
22:48You ever heard of a judge reverse the decision of a brother judge?
22:51You must be dreaming.
22:54There's money involved, mate.
22:56You stick to your own kind, they do.
22:57Your lordship's...
22:59They've just got to do it tomorrow.
23:00They will.
23:02I do know.
23:14You look diabolical with your mouth full.
23:17Arnold, the motor's re-ringed ready again.
23:19Look at it like we've got to run through.
23:20Rehears...
23:21Yes?
23:22Mr. Epton.
23:29Your keys.
23:36How'd you know he was here?
23:38I'm you, that's why I'm here.
23:39How did you know, Franca?
23:41George might buy a drink for everybody in London when he can,
23:44but he hasn't got many friends.
23:45Do you want to know the reason?
23:46Yes.
23:48Um, I remembered that Jenny worked for you.
23:51And let's face it, Gordon looks the type who drives other people's cars.
24:06Cup of tea?
24:13Yeah.
24:14It's a little world.
24:15I don't want to see George.
24:16I reckon George knows that.
24:18How?
24:18That's why I asked her to make sure you...
24:21Look.
24:22All he'll want when he splits from the others is a safe flop.
24:25On me?
24:26I mean a place to flop, not a person.
24:28Look, I don't want to be used any longer, not by George or by you.
24:30I want my own life.
24:31For God's sake, I've only got one.
24:32All of them.
24:33They'll all need somewhere to go.
24:34They won't be able to go.
24:35They won't be able to go home because the old will be around her house just like rabbits.
24:37You've given him somewhere to go.
24:41Better take your keys, Franklin.
24:44There's a lot of dough bound up in what we're doing.
24:48How do you come, Mr. Matthews, to have evidence to offer to this court?
24:52I read about it.
24:53I was reading my daily newspaper about this crime and about the sentences.
24:58Any particular reason why you were reading about this case?
25:02No, Your Lordship.
25:03It's just that I read everything.
25:07Well, the account I read contained photographs of the men involved.
25:11And I was sure, as positive, that I recognized one of them.
25:15I'd never seen him before.
25:17Before the trial, that is.
25:19But I'm sure I saw him on that Saturday night,
25:21when they were supposed to be raiding the bank.
25:24Or inside it, of course.
25:26I contacted the court and I was put in touch with Mr. Percival.
25:30Where did you see this person?
25:32Getting out of a car.
25:33Near the Blue Dragoon.
25:35Leslie Street.
25:36Why are you so sure of this, Mr. Matthews?
25:39There were four men.
25:41Very inebriated.
25:43Very obstreperous.
25:44In fact, they formed a guard of honor for me to walk under.
25:48This archway consisted of highly provocative finger salutes.
25:53The pavement is quite narrow and I was compelled to walk under the arch.
25:56And you recognized their faces?
25:59One, yes.
26:00In the dark?
26:01Well, Leslie Street is adequately lit.
26:04Is the person whose face you recognized here in court?
26:07Yes.
26:08That gentleman.
26:11Are you sure of this, Mr. Matthews?
26:14One is insulted to one's face.
26:15There's little chance of not being sure.
26:17What time exactly did you suffer at the hands of these four men?
26:21About five past eleven.
26:23And after the incident, what happened then?
26:26Well, I walked on to the station.
26:27Where did the four men you saw go?
26:29I've no idea.
26:30I see.
26:31Thank you, Mr. Matthews.
26:38Why didn't you come forward before, Mr. Matthews?
26:40Well, I didn't know anything about it.
26:42But you read everything.
26:43But the photographs were not published until after the trial.
26:46Are you aware, Mr. Matthews, that part of the defense plea at the trial was that four of the accused,
26:51Bernard Owens, George Squires, William Whittaker, and Montgomery Parkin, claimed that they made for the Blue Dragoon on the night
26:59in question,
27:00decided not to enter it, and then proceeded back to the East End?
27:04No.
27:07It's just that I read everything, sir?
27:10Well, not every piece of cross-examination is included in the newspaper reports.
27:13But you will accept, will you not, that your story fits so beautifully, perfectly, supplying the missing link in their
27:21defense?
27:21No.
27:22No what, Mr. Matthews?
27:24Oh, I was aware, if I came forward freely, that I should be regarded, possibly by some, as a liar.
27:30Why should you think that?
27:31Yes.
27:32My 23 years, satisfactory service as a civil servant is not, sir, the result of habitual lying.
27:39In fact, the opposite.
27:41Well, why should I?
27:42Unless it was a feeling that some injustice was being done.
27:46Why should I want to get involved in a mucky, sordid story of a bank robbery?
27:53Indeed.
27:55It needs a powerful motive for someone to bear false witness.
27:59Yes.
27:59Does any such motive exist in your case?
28:02No.
28:05Do you know anyone personally connected with this case?
28:08No, sir.
28:09I do not.
28:09No one?
28:11Well, only Mr. Percival, in an official sense.
28:25I reckon old Percival has done his best, George.
28:27It's what he's paid for.
28:31Well, he reckons he can get us off.
28:36A man travelled down from Jerusalem to Leytonstone and fell among thieves.
28:43Not gangsters.
28:47I never ran a razor up and down an open archery just for knives.
28:52No, thieves, that's not.
28:56I'm a thief.
29:05Well, even if we wanted to, we couldn't slip a message to Arnold and stop the spring, could we?
29:09No.
29:13Why should I give the law a break?
29:16If it don't return a favour?
29:19I'm too busy living, Bernie.
29:21Why should I have to wait and see whether his lordship's had a good breakfast?
29:27Tomorrow we'll both be lunching in different buildings.
29:56Come on.
29:58Come on.
30:01Come on.
30:21Come on.
30:25Come on.
31:26I hope the firm manages it.
31:30Don't worry.
31:33Play well.
31:42Right.
31:45Right.
32:17Okay, Jim.
32:33Let's go.
32:36Let's go.
32:38Come on, down.
32:46Come on, George.
32:50Come on, George.
33:00Come on, George.
33:08No, George, no.
33:09All right.
33:14Leave him!
33:15You bloody idiot!
33:17Come on!
33:19Come on!
33:21Come on!
33:24Come on!
33:36Come on!
33:37Come on!
33:40Come on!
33:42Come on!
34:01Come on!
34:02Come on!
34:10Come on!
34:12Come on!
34:12George!
34:13Come on!
34:15Come on!
34:34Come on!
34:38Come on!
34:41Come on!
34:43Come on!
34:44Come on!
35:18Come on!
35:25Come on!
35:25Come on!
35:29Come on!
35:32Come on!
35:53Come on!
36:01Come on!
36:05Come on!
36:07Come on!
36:25Come on!
36:29Come on!
36:32Come on!
36:39Come on!
36:46Come on!
36:47George, please.
36:49Oh, yes.
36:51Bernie.
36:58Hold it, Bernie.
37:05Thanks.
37:08What did Bernie say?
37:10If you don't want to know about me, why bother you how to buy him?
37:14Where's his safe flop?
37:20Touch me.
37:22Why?
37:22Touch me.
37:25No.
37:27I know what'll happen.
37:29There'll be a resolve I made with us faulted bits.
37:32Oh, you know I can't.
37:34I'm me, Franco.
37:36People might not like very much what they see, but I'm me.
37:39It's in neon lights a mile high.
37:41This man is guilty.
37:43If he's standing by a bank, he's robbing it.
37:46If he's playing football with a kid, he's interfering.
37:49If he's sitting in a bloody police car, he's had up for squatting.
37:52I was 14 when I took a bottle of milk.
37:55Two years, prove he.
37:57They wanted a wall, they're getting a wall.
37:59Oh, that makes me a camp for that.
38:00When I was in the boob, I read this play about a salesman.
38:03A failure, a nothing, right?
38:05There was a description about him.
38:07Attention must also be paid to such a man.
38:11Well, me also, Franco, or leave me alone.
38:15I frighten you.
38:16I know I do.
38:18And it hurts.
38:21But why?
38:28It's all down to a game, Franco.
38:30Easy come, easy go.
38:32Games need facts.
38:34Now, Bernie just phoned to say...
38:35In my game, you'd get killed by echoes.
38:37You can't afford to give all the facts ever.
38:39I don't trust a wide, wide world.
38:42That's why you frighten me.
38:44I don't know who, why, or what you are.
38:47That's part of me charm.
38:48I'm me.
38:49And I'm me.
38:51You're like a...
38:54Chameleon.
38:55A joker.
38:58It can't be a game.
39:02Two...
39:04Other people matter.
39:05Other people matter.
39:09Oh, no good at all.
39:13It's like...
39:14It's like trying to catch a shadow or something.
39:19I'm duller.
39:23Perhaps I'm more selfish.
39:27All I know is if I shut my eyes, you go away.
39:30But while you're here, I can't.
39:31You've seen it.
39:32You open the door.
39:34And I don't walk out.
39:37Thanks.
39:40And you say you know.
39:43I thought you didn't.
39:48And I sat there waiting with those prison wives.
39:53Girls.
39:55Their knees tight together.
39:59Thin.
40:01Bright like...
40:02Like sparrows.
40:04Smoking.
40:07Waiting for their half-hour scraps over a table.
40:11They looked at me.
40:14Unlined.
40:16In good clothes.
40:20And their kids.
40:23I hated you.
40:25I hated you.
40:26God believe me, I hated you.
40:29And to hear your name called out.
40:33Visitor for squires.
40:37And what happens?
40:40You touch me.
40:44And the period, anyway.
40:48It's good.
40:51You want me in and out the neck like a bloody postman.
40:54I know.
41:02If you knew what I felt, why did Arnold Hepton bring me here?
41:07Yeah, well...
41:08Before I got my dear John, I reckoned I'd dodge out and sort it out.
41:12Oh, God.
41:12You just don't listen, do you?
41:13It's because I listen I get things done.
41:15Then answer me.
41:16Maybe it's because I don't want to hear what I'm hearing.
41:19And you're not selfish?
41:23No.
41:26Then let me go.
41:29Oh, look at us.
41:33We're lock and key.
41:35We're like good chess.
41:37We click.
41:39You don't let go of the thing you need, no kid does.
41:44When I first saw you...
41:45You're getting serious.
41:46It's what you want.
41:48God, the game's been good.
41:54It was...
41:57You were something I couldn't get.
42:01So I got you.
42:04Off the top of the tree.
42:07And you let me.
42:11Yes.
42:13And why?
42:17I needed somebody.
42:20Anybody.
42:23Gods were good to me.
42:29Why did you want me?
42:32Well, look at you.
42:35You're beautiful.
42:37Don't make me hate you.
42:46Help me for one night, Franca.
42:52I'm a poor Oscar.
43:02What are you going to do?
43:04Seat first.
43:06Why first of all?
43:08You cut my dough.
43:10I'll come out for two things.
43:11The money and you.
43:13What are you going to do?
43:15What are you going to do?
43:17Supposing I let you go.
43:20Go on.
43:22The working peck.
43:25And how you despise them.
43:27I'm a business man.
43:30And why?
43:33I want to.
43:39I like it.
43:48And I'd get in the way.
43:53Yes.
43:57Made a mistake then, didn't you?
43:59If I stayed with you, I'd be making a lot of mistakes.
44:03Think positive.
44:05You're always on the gloomy side.
44:08That's why I don't want to be anymore.
44:14You'll end up like my old man's bird.
44:19I'm bitterly ashamed of him, your lordship.
44:37There started the meteoric rise of yours truly, to the bottom rung of the ladder.
44:41I'm bitterly ashamed of him, your lordship.
44:46There started the meteoric rise of yours truly, to the bottom rung of the ladder.
44:57There's nothing good about being asked where your fella is.
45:02He's inside.
45:05You what?
45:07What's wrong? I couldn't say I've got no fella.
45:09You told the people you work with I was in a boob?
45:11The studio.
45:12Did you?
45:13Yes.
45:14How many? When?
45:16I don't know.
45:17It was my self-defense.
45:19If I said I'd got no fella, I'd be open to offer them.
45:20Don't slum with words. I like you because your words are different.
45:23Look, nobody plays games with a woman whose fella's inside, you know.
45:25Who knows?
45:26Facts, remember?
45:27You don't tell me things, I bloody well have to to you.
45:30Frankie.
45:30Look, I work for my living.
45:32How the hell do you think I've got time off assignments even to visit you?
45:34It was the best way, being honest.
45:36You wanted me waiting right.
45:37That's how I waited.
45:38That's how I haven't been playing games.
45:39I'm putting a damn place.
45:40Hey!
45:40Why?
45:41The old people ain't daft.
45:42They know about you, they know about me.
45:44They're looking for me and they might do it through you.
45:45So we've got to know those nothings.
45:47I don't have some change.
45:48No, it's not harmless.
45:49It don't matter if they have it, ain't talking.
45:51Not the chaps, Frank.
45:52Her face is from your side.
45:53No, no, no, no.
45:54What about Purtis Gold, right?
45:56What does it matter?
45:56Well, it's a bad smell about Purtis, but I'll sort that out tomorrow.
46:02You can't go out.
46:03It's a big problem.
46:05But I don't want no more.
46:07And while I'm out there, you'll be in here, thinking.
46:13Oh, please don't go!
46:17When I come back, we'll move.
46:21Fast.
46:22I promise.
46:24I don't want to stay.
46:29No chances, Franka.
46:32And no capture.
46:34No think.
46:37No kidding.
46:39Believe me, it's a fact.
46:47Hello, Pears.
46:49Hello, George.
47:00She ought to be an actor, mate.
47:02No surprise.
47:04Harvey Percival is a thespian.
47:06I've all knew the police have been round.
47:08And what did they say?
47:10They asked some very disturbing questions.
47:12Of course, naturally, I knew nothing about your whereabouts.
47:14I convinced them.
47:15You're not paid to look guilty, mate.
47:17Well, why should I need to, a fellow?
47:18I didn't even know you were going to be sprung.
47:21Not until Bernard Owens telephoned.
47:22I was just on my way to court.
47:24You're jabbering.
47:25So I'm in the clear.
47:27You hand over 50 grand, mate, then you're in the clear.
47:31Purse.
47:32Yeah.
47:33As I explained to Bernard, that'll take quite a...
47:36As soon as Bernard telephoned, I knew you'd be round for money.
47:42Look, who are you?
47:43So you drew the whole lot out.
47:45You don't understand.
47:46No.
47:47But that'd be naive, old fellow.
47:48Even if I could cash the money, any police check,
47:50I'd have them round here like the Inquisition.
47:52What the hell do you think you're doing?
47:54You mean you've done nothing?
47:55If you'd stayed in court, there was an even chance you could have...
47:57Your sentences reduced.
47:58You've done nothing.
47:59For heaven's sake, I've got a civil servant to perjure himself
48:01in a court of law for you.
48:03That cost ingenuity, time and money.
48:05We lodged 50 grand with you for investment.
48:07And what have you done?
48:09Invested it?
48:09And as a shareholder, what's my return?
48:13George, my dear fellow, I must explain.
48:18Yeah.
48:20Explain.
48:21Don't mind me.
48:27What are you doing?
48:28I don't know yet.
48:29Keep talking.
48:30Your money of burners went into Australian mines.
48:33I've got these contacts from all the English-speaking countries in the world
48:35and most of the other ones as well.
48:37I've got this solicitor friend in Sydney.
48:38I can't put a UK.
48:40Well, no, it didn't exactly come by the information, honestly.
48:42That's fine.
48:43No, it's straight.
48:44He saw the geologist's report on these mines, you see.
48:47It cost him 2,000 pounds just to take a look at it.
48:49But what went wrong?
48:50Well, nothing.
48:51That's what I'm saying.
48:52Do you have to...
48:53Oh.
48:55All we've got to do now is just sit tight and wait for things to happen.
48:58And what does that mean?
48:59Time?
49:00I haven't got.
49:01Yeah, well...
49:02We put our money...
49:03You put ours?
49:05Yeah.
49:06Yeah.
49:07In it, £1.40.
49:09Then it went up to £2.15.
49:11Then it started to slide.
49:14What are they now?
49:1715p.
49:21You've lost 90% of the value.
49:24You have to be a genius to manage that.
49:27What went wrong was market confidence, you see.
49:29And the geologist's report hasn't been published yet.
49:32They're obviously...
49:33We're obviously waiting for a better market before we let the news out, you see.
49:36Then all we've got to do is make a big killing.
49:43When's the killing?
49:45I'm not sure.
49:46This year.
49:48Or next.
49:51Give us the rest.
49:53What?
49:54Cash the rest of the shares?
49:55Well, 40,000 of them.
49:56That'll bring the price down to 5p per stock.
49:58In there!
49:59Oh, don't keep cash on the premises.
50:01Do it!
50:01For God's sake, do it!
50:08You ought to be dead.
50:11So do like I say.
50:36How much?
50:394,000.
51:0115 years.
51:07You're lucky you fell among thieves, mate.
51:10Not gangsters.
51:14Very lucky.
51:17But as I said to Franca, easy come, easy go.
51:24Well, I'm glad you take such a reasonable.
51:27I'll give Bernie his half.
51:31And a photo.
51:37For purse.
51:39George.
51:40I'll be waiting.
51:42No matter how long.
52:06Run, George.
52:07Run!
52:07Run!
52:33See you, mate.
52:34I Should've left next.
52:34Ah!
52:41Death Fabulous.εςuptideyvite?
52:41synth-alarm? You all right?
52:42All right? OK?
52:51Okay.
53:01Goodnight.
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