- 2 hours ago
Pluribus.S01E01 [Full Movie] [Vertical Drama]Full EP - Full
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Short filmTranscript
00:28Transcribed by —
00:57So, let's go.
01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:44You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops.
01:54Then starts over.
01:55It repeats every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's got to be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Well, maybe it's those chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on their radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:35It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:54It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration, but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but bass four.
03:24Quaternary.
03:25Oh.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2?
03:47Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:57Megawatts?
03:59Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's got to be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:19Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:58It's not quaternary.
04:59It's not quaternary.
04:59It's not quaternary.
05:00It's not quaternary.
05:02It's not quaternary.
05:06It's not quaternary.
05:10It's not quaternary.
05:12It's not quaternary.
05:13It's not quaternary.
05:15It's not quaternary.
05:15It's not quaternary.
05:17It's not quaternary.
05:18It's not quaternary.
05:18It's not quaternary.
05:19It's not quaternary.
05:19It's not quaternary.
05:19It's not quaternary.
05:21The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal a
05:27glimpse into Acacia's soul. She paced the blood-soaked decks of the Mercator looking for
05:32something, anything, that might take her mind off Rabanne. Ascending the foc'sle, her gaze lingered
05:39over a bare-chested young sailor. On hands and knees, he scrubbed, his sinewy forearms stretched
05:45taut as he washed away all trace of the day's fight. With a languid nod, Lucasia bade him
05:53follow to her cabin. Little did this callow deckhand know that serving at his captain's pleasure
05:58might take on such sweet meaning. Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast. Once again, she was alone. She pulled
06:17her topcoat tighter, fingering its coarse wool as her thoughts flashed back to Rabanne. It
06:22had been he who first wrapped the coat around her, whispering in her ear, may this keep you
06:28warm in my absence, my sherry. With that, Rabanne, proud, haughty Rabanne, mounted the plank
06:38and leaped from sight. The amaranth and slipstand closed over him, leaving Mary a ripple.
06:57Attention, lovers of speculative historical romance literature, best-selling author Carol
07:03Sterka will now sign her new novel, Bloodsong of Wickero, the fourth book in her Wins of Wickero
07:09trilogy. Waikaro, please, the twins of Waikaro. And Bloodsong is the best yet. God, are you
07:17in for a treat. Let's go, Sangwux!
07:23Rabanne is alive, right? Maureen. You couldn't read it. Why, well, tonight, I've already unplugged
07:30the phone. Just, no, Rabanne's not on the cover. No, he's not. Yeah, he's never not been on
07:37the cover, Carol. If Rabanne doesn't come back, I'm done.
07:46Page 218.
07:49Page 218.
07:51Okay. Okay. Bye. Thanks, Maureen. Hi.
07:56Hi. Hi, Olga.
07:57Lately, I can't take your idea.
07:59It's Christine.
08:01Hi, Ben.
08:05Love it.
08:07Happy reading.
08:08This is Nikki with her pillow.
08:11Nikki with her. Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:22When Rabanne and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27Adobe and Spicefruit.
08:28Which Lucasia is definitely allergic to.
08:33Oh, you guys want a picture of my Chris?
08:39Thank you so much.
08:40Hi, Tonya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is an authentic cutlass, just like Le Bon's.
08:49Careful, it's really sharp.
08:51Okay, so three things.
08:52A, when finally are they going to make a Waikaro movie?
08:55Please tell me it'll be in actual theaters, not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:02Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter,
09:09the Mercator would not possess a mizzenmast, so.
09:12Craig, I'm going to need you to put this back in the bag before the store manager sees it.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:23Oh, I love you.
09:23Thank you guys so much.
09:25Thank you guys.
09:26We'll see you the next one.
09:26Happy weekend.
09:28All right, all right.
09:33Hi ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah, thanks.
09:38Uh, perfect.
09:40That was quite a send-off.
09:41I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:46Uh huh.
09:49Okay?
09:50I don't know.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered and all that.
10:36What did we do to deserve this?
10:38Ah, my 14-year-old son from Arch and Van.
10:43Oh, aren't you a good dad.
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Thanks?
11:07Well, our team's fairly certain we've got a sequence that encodes for a lysogenic virus,
11:13but after eight whole months of animal testing.
11:15Macaques, rabbits, mice.
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way, we got bupkis.
11:28We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:13What do you figure happened there?
12:20I don't know.
12:22I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:50Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh, what?
13:04He's absolutely got a heartbeat.
13:06Strong one, just bam, bam, bam.
13:07It's weird, if I didn't know any better, I'd...
13:09Oh, God, oh, shit.
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't...
13:18Yeah, it's through the glove.
13:19Shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:26I'm going to call this in as soon as I catch him, okay?
13:29Okay.
13:41Uh-huh.
13:43Uh-huh.
13:43Uh-huh.
13:43Let's see right there.
13:45Right there.
13:46Right there.
13:52Yeah.
13:52That's marked 336.
13:54And, uh...
13:57Jen?
13:58No, no, no, no, no, no, no, no, no, no, no, no, no.
14:02Talk to me, Jen.
14:03Jen!
14:04Jen!
14:05Jen!
14:05Jen!
14:05Jen!
14:07Okay, all right, now.
14:09I got you.
14:11Okay, come on.
14:12I got you.
14:18I got you.
14:18Oh, God.
14:22Jen, can you hear me?
14:23It's gonna be fine.
14:25You're gonna be all right.
14:27Come on.
14:28You're gonna be all right.
14:29You're gonna be all right.
14:30You're gonna be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Don't talk to me so long, Jen.
14:33Come on.
14:34Jen!
14:35You all right?
14:37Jen?
14:38Just say something.
14:40Jen!
14:41I got you.
14:42I got you.
14:44Jen?
14:47Hey, hey, hey, hey, Jen.
14:48Can you hear me?
14:50Jen, just say something.
14:51Fuck.
15:01Oh, damn it.
15:03Are you kidding me?
15:09You
15:16Don't really.
15:32can you believe this thing
15:36you got skinny arms
15:37you think you could maybe
15:42hey
15:56you
16:25yes
16:26yes
16:51yes
16:57yes
16:58yes
17:00yes
17:00yes
17:00yes
17:05yes
17:17yes
17:20yes
17:26yes
17:30yes
17:31yes
17:34yes
17:35yes
17:35yes
17:35yes
17:35yes
17:35yes
17:36yes
17:38yes
17:38yes
17:38yes
17:39yes
17:39yes
19:21I'm going to get some gum.
20:10Whoa, seriously?
20:11I had one Tito's in Salt Lake.
20:14That was like two hours ago.
20:38Dry Manhattan and a Diet Pepsi.
20:44Thanks.
20:48We could take a cab home.
20:50Don't tell me you don't need a drink, because you need a drink.
20:53I don't need a drink.
20:53You need a drink.
20:55You don't need a drink.
20:56I call bullshit on that.
20:58I need sleep.
20:59That's what I need.
21:00Hey, cheers to the best tour yet.
21:04You can leave me hanging here.
21:05I do not clean buses with fucking Diet Pepsi.
21:08Best book tour.
21:10What is that?
21:11Is that like best stomach cancer?
21:13You endure it.
21:14You do not toast it.
21:15Oh, how I hate all those paying customers showering me with love and respect.
21:18And why do I have to make so much money?
21:20Where?
21:22How do you bear it?
21:32Bunch of dummies.
21:34Wow.
21:35It's a ship that sails on sand?
21:38Purple sand?
21:39That is, uh, that's brilliant.
21:41The world needed that.
21:43And the world needed yet another female character who spends all her time mooning over some fucking
21:48proud and haughty pirate.
21:50He's a Corsair, not a pirate.
21:52Mm.
21:53Nandovian Spice Fruit.
21:56Jesus, that, it's like a bad episode of Star Trek.
22:00All right, so how about you throw everybody a change-up?
22:01Hmm?
22:02Green sand?
22:03Is that a purple?
22:05Maybe it's time for your serious book.
22:09Why not?
22:09You've been plugging away on it for five years.
22:12Four and a half, barely.
22:14Pardon me.
22:14So put it out already.
22:15I can't just...
22:18It needs polishing.
22:21Obviously, I mean, it does, right?
22:22Okay, take the next few months and polish.
22:25I'll work it out.
22:26I'll buy you some more time before your next Ycaro.
22:30You really think bitter chrysalis is that good?
22:34I think people will love it.
22:42You ever read, um, Finnegan's Wake?
22:44No.
22:45I tried to.
22:47I tried to.
22:49Yeah.
22:51It's probably great.
22:53I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figure you make even one person happy.
23:06Maybe that's not art.
23:09It's something.
23:11It's something.
23:16To Ravon.
23:19Proud, haughty Ravon.
23:29Did you bring your cigarette?
23:31Since when do you smoke?
23:33Since now?
23:56You're trying to start a forest fire?
23:57Stop wasting my butane.
24:00Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah?
24:07On a plane, do you put your own oxygen mask on first?
24:13Ooh.
24:14You didn't hear it.
24:15Houston Mom, 78, says about Blood Song.
24:18Best Ycaro ever.
24:19All caps.
24:20And, uh...
24:2416, 17.
24:24No.
24:25Exclamation points.
24:26Wow.
24:26Is that a new record?
24:27It's gotta be.
24:27Spoiler alert.
24:29Ravon is back.
24:30And yummier than ever.
24:31Yummier than ever.
24:32Think she means?
24:33Mm-mm.
24:34You better believe he's got my permission to come aboard.
24:37I'd walk his plank anytime.
24:39I'm sensing a nautical motif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:54What do you think they're doing?
24:57What's what doing?
24:58The planes.
25:00Look.
25:03I don't know.
25:04What, is that weird?
25:05Yeah, it's weird, isn't it?
25:07All of them kind of parallel like that.
25:10Huh.
25:22Anybody else weigh in?
25:24That's all the usual suspects, plus a few new ones.
25:28Everybody loves it.
25:40Do you want to answer a few questions for them?
25:43What, now?
25:44No, no, no.
25:45Do one quick one.
25:45Let them know you're paying attention.
25:48Carol, my husband says Ravon can be my hall pass, which I don't think is fair, since Ravon's
25:53not a real live person, although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Ravon?
26:01That's hilarious.
26:05You want to tell the truth?
26:09Or do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16What's wrong with him?
26:17Nothing.
26:18Just, I mean, how about a hot Brazilian soccer player, someone with dreadlocks?
26:22Hip it up.
26:22Just, put George Clooney.
26:27It's safer.
26:34Shit!
26:36Oh.
26:56Buddy, you, you okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen, stop looking at the goddamn phone!
27:25Oh, my God, Helen!
27:44Helen?
27:46Oh, my God, Helen!
27:51Help!
27:52Help!
27:53Somebody help us!
27:54Help!
27:55Just hang in there.
27:57Hang in there.
27:59Just hang in there.
28:07Oh, my, my, my!
28:11Oh, my, my, my!
28:22I can only help.
28:24Oh, my, my, my.
28:34Oh, my, my.
28:35Oh, my, my, my!
28:42Oh, my, my, my, my.
28:43Oh, my.
28:54Oh, my God.
29:04Oh, my God.
29:11Oh, my God.
29:22Please, please.
29:27Yes! Yes! Yes!
29:29Yes!
29:30Shit!
30:20Come on, come on.
30:22Come on, come on, come on.
30:33Fuck you.
30:35Fuck you.
30:36Fuck you!
30:52Okay. You better get out. Come on, get out. Get out!
30:59No! Fuck!
31:04Fuck it! Go!
31:05No!
31:21Move!
31:47No!
31:50No!
31:52No!
31:53No!
31:55No!
31:55No!
31:57No!
32:02No!
32:32Oh, thank God.
32:35Oh, thank God.
33:06Oh, my God.
33:08Oh, my God.
33:13Oh, my God.
33:16Oh, my God.
33:23Let's go.
34:00Wake up.
34:04Dr. Nguyen, I've made you wake up.
34:09Please wake up.
34:10Dr. Nguyen, wake up.
34:15Please wake up.
34:17Dr. Nguyen, wake up.
34:23Dr. Nguyen, wake up.
34:27Dr. Nguyen, wake up.
34:28Dr. Nguyen, wake up.
34:28Dr. Nguyen, wake up.
34:29Dr. Nguyen, wake up.
34:31Dr. Nguyen, wake up.
34:34Dr. Nguyen, wake up.
34:38Dr. Nguyen, wake up.
34:40Dr. Nguyen, wake up.
34:42Dr. Nguyen, wake up.
34:42Dr. Nguyen, wake up.
34:43Dr. Nguyen, wake up.
34:54I'm sorry, I'm sorry, I'm sorry!
35:19I'm sorry, I'm sorry!
35:25Helen?
35:27Helen?
35:28Helen!
35:31Helen!
35:37Hi.
35:39Baby.
35:56No, no, no, no, no.
36:12I'm sorry.
36:23I'm sorry.
36:26Okay.
36:31Come on.
36:37Please help me.
36:39No, no, no. God, no.
36:41Come on.
36:42Please.
36:43Please help me.
36:56Please help me.
37:25No.
37:27No.
37:34No.
37:36Just.
37:37No.
37:39No.
37:41No.
37:43No.
37:43No.
38:16Hey.
38:20Hey.
38:29What? What is happening?
38:49Hey. Hey. Go sir. Touch her.
38:51You put her down. Put her down.
38:53Get out. Go away.
38:59What the hell is wrong with you people?
39:02We just want to help Carol.
39:05Come on.
39:11We just want to help you.
39:30And wait.
39:30No!
40:08No!
40:15No!
40:16No!
40:17No!
40:22No!
40:24No!
40:24No!
40:25No!
40:34No!
40:35No!
40:38No!
40:40No!
40:42No!
40:43No!
40:58Oh, my God.
41:27No, no, no, no, no.
42:02No, no, no, no.
42:29Oh, Christ, no.
42:48Come on, come on, come on.
42:49Come on, come on, please.
42:52Come on, come on, come on.
43:06There's a spare key.
43:10We can show you.
43:11No, no, Scott, don't, don't, don't, don't come any closer.
43:14We don't mean to scare you, Carol.
43:17You're in no danger.
43:18We really do want to help.
43:20Remember, April 2016, the last time you got locked out?
43:25Well, you put a spare key under the flower pot.
43:28The one on the right.
43:30Back there.
43:38There you go.
43:46Leave me alone.
43:48Please.
43:49Sure, Carol.
43:51Just give us a couple of minutes to clear out.
43:58Oh, yeah.
44:05Come on.
44:07Oh, my God.
44:13Oh, my God.
44:30We're very sorry for your loss.
45:14I'm sorry.
45:17Oh, my God.
45:47Oh, my God.
46:18Oh, my God.
47:03Oh, my God.
47:04Oh, my God.
47:06Oh, my God.
47:43Oh, my God.
47:47Oh, my God.
48:06Oh, my God.
48:14Oh, my God.
48:20Oh, my God.
48:26Oh, my God.
48:32Oh, my God.
48:45Oh, my God.
48:57Oh, my God.
49:15Oh, my God.
49:18Oh, my God.
49:37Oh, my God.
49:42Oh, my God.
49:48Oh, my God.
49:50Oh, my God.
49:55Oh, my God.
50:23Oh, my God.
50:27Oh, my God.
50:29Oh, my God.
50:45Oh, my God.
50:46Oh, my God.
50:46Oh, my God.
50:50Oh, my God.
50:54No, absolutely not.
50:57We couldn't do that if we wanted to.
50:59Who is we? Why is everybody suddenly we?
51:01You know, we could continue this after you've had a good night's sleep.
51:04Who is we?
51:06We is us. Just us.
51:09Who the fuck is us?
51:10Us. There are no aliens. None on this planet.
51:14We are, however, beneficiaries of extraterrestrial technology.
51:20Fourteen months ago, astronomers discovered a radio signal from 600 light years away.
51:25There's no telling how long it's been repeating, maybe throughout all of human existence.
51:30This signal, it's made up of four tones, representing guanine, uracil, adenine, and cytosine.
51:39It's a recipe, it turns out, for a nucleotide sequence, RNA.
51:46Scientists have created this sequence in a lab.
51:49It is not a living thing, per se.
51:51It is more akin to a virus.
51:53Though it's not that exactly, either.
51:56It's kind of a psychic glue capable of binding us all together.
52:03Okay.
52:05So if you're not aliens, who am I talking to right now? Who are you?
52:10This particular individual, this is Davis Taffler, Undersecretary of Agriculture for Farm Production and Conservation.
52:19But you are currently talking to every person on Earth, including Davis Taffler.
52:26We're all one.
52:27How does that work?
52:29We don't know exactly. It just does.
52:34Can I talk to the President?
52:35That individual passed away this evening, unfortunately, along with quite a few senior members of the United States government.
52:43Davis Taffler happened to be nearby and intact, and he was wearing a suit.
52:49So...
52:51So you're in charge now, the Undersecretary of...
52:54No, nobody's in charge, or everybody's in charge.
52:58Really, there's no such thing anymore.
52:59But there has got to be others like me.
53:02Your situation is a rare one.
53:05There appear to be 11 other individuals like yourself.
53:08In Albuquerque?
53:10No, in the world.
53:12We have reached out to them.
53:14Like you, they are disoriented, understandably.
53:19Rest assured, Carol, we will figure out what makes you different.
53:24Figure it out? Why?
53:26So we can fix it.
53:28So you can join us.
53:32Oh, God.
53:37Carol?
53:38You still there?
53:42You...
53:44You said my life was my own.
53:46It is.
53:47One hundred percent.
53:51So what happens when I say no?
53:53Carol?
53:55Carol?
53:56Once you understand how wonderful this is...
54:01Carol?
54:19Hi! You've reached 505-796-6933.
54:24We're on the French Riviera drinking champagne.
54:27We are not here in our sweatpants screening your call.
54:29Make it a good one.
54:32Carol? Hello?
54:34It's us.
54:36Hello?
54:38We're sorry we upset you, Carol.
54:40We only want to make you happy.
54:42Shut up! Shut up! Shut up! Shut up! Shut up!
54:56You're right!
54:59I'm sorry I'm sorry.
55:02Okay?
55:03You're right.
55:03You're right.
55:03I'm sorry, I'm sorry.
55:08I'm sorry.
55:13This is my name.
55:14I'm sorry.
55:15Oh
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