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Young Sherlock S01E04 [Full Movie] [Trending]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait.
02:29Run!
02:33Sherlock!
02:35Oh, my God.
02:37Oh, my God.
02:41Oh, my God.
02:42Oh, my God.
02:45Oh, my God.
02:46Oh, my God.
02:48Shall we take the floor?
02:54Now, I never was very good at this.
02:57You did try to teach me.
03:00You always had two left feet.
03:02Still do.
03:03One, two, three.
03:04One, two, three.
03:06One, two, three.
03:07One, two, three.
03:08Look at me, Mother.
03:09Just us.
03:11You, me, and the music.
03:17No!
03:50I see how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:38One, two, three.
04:39Right here now, I'm waiting for so long, for so bad, to take me, to take me over.
04:51Please, please, please, I've forgotten.
04:59Now, we shall only, should be forgotten.
05:07Now, we shall only, should be forgotten.
05:08How it's disappeared.
05:19You've got an appointment, Princess.
05:42Two bushels.
05:44What?
05:45You're white.
05:46Just approximate.
05:48For the drop.
05:50Because if the rope's too short, then your neck won't snap, and then you'll be left slowly choking.
05:55It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
05:59Einstein, I'd guess.
06:01Seven foot, ten inch drop.
06:03Did you know that the first account of execution by hanging is in Homer's odyssey?
06:08No, I did not know that, sir.
06:09Fascinating.
06:10Is this supposed to intimidate me?
06:12No, it's supposed to kill you.
06:13I know about British justice.
06:16You're not allowed to play both judge and executioner.
06:19Shall we go?
06:25In five.
06:28In four.
06:29Are you counting down?
06:30Why are you killing my scientists?
06:33In three.
06:35Handler.
06:37I work through a handler.
06:40And he works for?
06:41Not my place to ask.
06:43Only my place to light the fuse and walk away.
06:45In two.
06:47I receive instructions.
06:49I'm a hired gun.
06:50That is all.
06:52Then you're of no further use to me.
06:53In one.
06:54What the hell are you doing?
06:56I think you'll find I don't answer to you, Mycroft.
06:58We don't torture prisoners, sir.
07:01There are rules.
07:02Protocol.
07:03This woman is trying to destroy me, and I will have my satisfaction.
07:08And you have every right, sir.
07:10Every right.
07:11But consider this, if you would.
07:14You're out of favor with the foreign secretary, are you not?
07:17Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
07:22May I remind you, she is our only link to whoever is killing your scientists, sir.
07:31I was merely endeavoring to loosen her lips.
07:33But we are Englishmen.
07:35It has to mean something.
07:37And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
07:41Your absurd sense of fair play.
07:48Loosen the ropes.
07:53Loosen the ropes.
08:26Alas, pour me on.
08:29I'm in here for a shift.
09:00I'm afraid there's...
09:01There's going to have to be some changes around here.
09:05I'm needed abroad.
09:07On an expedition.
09:08Bycroft.
09:09I've arranged a government clerkship for you in London.
09:14Thank you, Father.
09:16Sherlock.
09:19I know you're not going to want to hear this, but your mother and I think it's best if you
09:24went to boarding school.
09:30I don't want to leave.
09:35Be strong, my boy.
09:48mother
09:50my hair
09:52oh
09:54oh you brought me home
10:11you're safe now
10:25yes let's get you sat down and i'll light the fire
10:27oh no mother mother this is james james moriarty he's a friend of mine
10:32hello
10:33oh i'm so glad
10:35darling charlotte never had any friends
10:38oh really
10:41well it's a pleasure to meet you mrs holmes
10:44darling
10:46can you hear that music
10:48oh that sound
10:53that's you
11:04you
11:05be
11:05oh beatrice
11:08oh my darling
11:29why are you running away from me
11:33bee
11:34where are you running off to
11:38i want to crown you
11:41i want to crown you
11:43come
11:50beatrice
11:51bee
11:53beatrice
11:55perhaps
11:57perhaps we should sit down for a moment mother
12:01all right
12:01let's uh let's take a seat
12:15she is absolutely exhausted
12:17will you like her she needs warmth rest and food
12:20yes
12:20charlotte where is your father in all of this
12:23this shouldn't all be on your shoulders
12:25he's in vienna
12:26he's a busy man
12:27it's all right
12:28i'm here
12:30and i'm dealing with this
12:32what
12:32by breaking her over to the asylum
12:36they were recording her in there james
12:38they were listening to every single word she said
12:40i had no choice
12:40and shuan knew about
12:42there's a man with a bird's claw
12:43he's coming back for me
12:46how did she know
12:51charlotte
12:54mother
12:57mother
13:01mother
13:18mother
13:19mother
13:20mother
13:20mother
13:20mother
13:20mother
13:20mother
13:20mother
13:20mother
13:20mother
13:21mother
13:22mother
13:22mother
13:22mother
13:31mother
13:36mother
13:36mother
13:37mother
13:41mother
13:41mother
13:42mother
13:42mother
13:51let's get you warm and dry stop right there you are not taking a master Holmes
14:02Crowell I do apologize I heard the commotion yes
14:07Mrs. Holmes Mr. Crowell it's so delightful to see you are you too Mrs. Holmes we
14:12weren't expecting you or we would have had the house ready tell me does dr.
14:17Maltby still live in the village but he does yes would you fetch him please how
14:21is mrs. Crowell oh she's well thank you right away please Crowell I rather need
14:24his help yeah of course
14:32for your head
14:40what trouble is she's worth the electric shock has clearly fried your faculties
14:46Philpott no Cordelia Holmes no money I rather like money do you follow
14:59find her and quickly as you wish sir
15:15razor talons sharp as knives so vivid sweetheart there is nothing you can do he is coming back
15:28for me the man with the bird's claw who is it you're talking about Mrs. Holmes
15:34right stand by please let's um not grab a patient
15:40hello Cordelia
15:43can't tell you how pleased I am to see you again even in such circumstances but don't you worry we're
15:48going to get you brighter's reign do you know what she was prescribed at the asylum
15:54alkaloids I believe oh right yes well she's obviously suffering from withdrawals
15:58perhaps I could give you something else something to clear the fog a little it's all right mother
16:03he's not like the others he's here to help you right Cordelia want you to take
16:08two of these with some water please
16:13here we go down the hatch
16:20your mother's in trouble
16:21Sherlock she'll get better yes I believe that she will but that's not what I'm referring to
16:27she knows about those recordings now we don't know whether she's responsible for them
16:30but either way this does connect your mother to the murders in Oxford
16:35so how can we say that she's safe here we can't the man with the bird's claw you have no
16:41idea what she means
16:46my mind is blank
16:49well then maybe it's not a person hmm bird's claw it's a phrase or a place or a thing
17:02perhaps it's some sort of crest the bird's claw good good so who's crest someone at the asylum or
17:11someone at Oxford
17:16sure
17:17Sherlock
17:19I've got nothing
17:23perhaps I was wrong words I never thought I'd hear you say
17:26no perhaps I was wrong about the crest perhaps it's some other sort of symbol
17:31the answers to many of life's problems lie at the bottom of the glass
17:39the best thing in nature
17:43for drowning your sorrows
17:48are raising your joy
18:00God knows
18:02God knows
18:04if lightning
18:05don't do
18:06were made from the thunder of
18:09whiskey
18:20I've seen it somewhere, where am I seeing it?
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane?
18:42Yes.
18:43Has a bird's claw.
18:45All right.
18:47Bravo.
18:49So if I am correct, if it is Malik, what's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:07James, I thought you'd be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crow.
19:12That's very, very thoughtful, but we need to pop into town for a few hours, so I'll need you to
19:16look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:38Thank you, Mrs. Crow.
19:39Thank you, Malcolm.
19:40Thank you, Mrs. Crow.
19:42Stolen.
19:45Poor road.
19:46Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a power cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:07Well, what is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29Can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane, the man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance.
20:50She's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolishly.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:18And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a halfwit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malik has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malik now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:17Yeah.
22:22Ten minutes with Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:35Mr. Patton!
22:37Who are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very, uh, I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very intense.
23:00Hmm.
23:03How was he like, as a small boy?
23:07Well, growing up in the same house.
23:12Yes, I can only imagine.
23:18No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the foreign office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:31That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please, take the royal throne.
23:50Thank you, princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw.
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house?
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand,
25:18want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here
25:40until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why am I through to be at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file
25:51to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala,
26:07I didn't see him.
26:08All of the other professors were there
26:09at the table except him.
26:11Yes, but...
26:14He left.
26:22But Her Majesty's Empire...
26:24Don't take the Empire for granted.
26:28Remain.
26:29Live to regret it.
26:30Sharing your speech, sir.
26:32I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fellow had bladder issues.
26:38Were you given an exact time
26:39to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit
26:44on that point.
26:45Unless Malick had a conveniently
26:47life-saving desire to urinate,
26:49I think it fair to say
26:51he knew the bomb would go off at age.
26:52If he is in this safe house, sir,
26:54and if he is indeed working
26:55against your interests,
26:57wouldn't you rather know?
27:00Let's go, counsellor.
27:02Front and back doors are sealed
27:04with plate metal.
27:05Baths on the windows
27:06half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side
27:10at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose
27:13who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell
27:21and you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance
27:43it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:50I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:04The code is Hydras.
28:07Seventeen stars in the southern sky.
28:36I don't trust you.
28:47All yours.
28:53Don't force my hand.
28:57Right.
28:59Come on.
29:02No, thank you.
29:05Malick.
29:07Malick.
29:19Malick.
29:22Malick.
29:24Come here, come here, come here, come here, come here, come here, come here, come here, let me go!
29:30Don't be angry at you!
29:33Your Highness.
29:35May I present to you the real Princess Shua?
29:40Your Highness Sir Bucephalus Hodge, I only wish that our first meeting had been under more salubrious circumstances.
29:47Trust me when I tell you that I have spent no expense in my search for you.
29:51Roche, send a wire immediately to the Foreign Secretary.
29:55Roche, be sure to tell him I found her.
30:00Yes, sir.
30:00This is where I saw Professor Malik listening.
30:08Sherlock?
30:10Your mother.
30:12All of her recordings.
30:26I had a little pony.
30:28His name was Dapple Grey.
30:30I lent him to a lady to ride a mile.
30:33She ripped him and she slashed him.
30:36And she ripped him.
30:37The greatest!
30:38No!
30:40No!
30:41No!
30:41No!
30:43No!
30:44No!
30:45No!
30:46No!
30:47No!
30:48No!
30:52I'm so sorry.
30:55Why would anybody want to do this?
30:58While you were detained by these nefarious individuals, did you by any chance happen to see...
31:07this man?
31:09No.
31:10You see, I knew he would never have been embroiled in this unsavory business, Mycroft.
31:15You see, unlike you, Professor Malik understands the meaning of loyalty.
31:18Yes.
31:19You recognize his name?
31:21Yes, they mentioned him.
31:22Perhaps you misheard.
31:23I did not.
31:24Only yesterday they talked of visiting him.
31:27Your Highness, did they say where?
31:30At Abdon.
31:31Behind the locks.
31:34That's all I heard.
31:40Sherlock, all of these are transcripts of the recordings.
31:44Her entire life is laid out in here.
31:48This is a record of her visitors, myself, my brother, my father.
31:55There's a Lawson Jaggers, a lawyer.
31:58Is that someone you know?
31:59No.
32:00When did Jaggers' last visit?
32:03Friday, August 11th, 10 o'clock.
32:06Sherlock, that page has been torn out of the transcriptions.
32:09August 11th, 10 o'clock.
32:12Yes.
32:20Mr. Jaggers here to see you.
32:24Mrs. Holmes.
32:27Very charming to see you again.
32:28I'll leave you two to talk.
32:32Hmm.
32:34New rooms I see.
32:36Very nice.
32:38Now, perhaps we might continue with our previous matter.
32:42Yes.
32:43Yes.
32:45Yes.
32:46Yes.
32:46Yes.
32:46Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:47Yes.
32:48Yes.
32:48Yes.
32:49Yes.
32:49Yes.
32:52Yes.
32:52It's been scratched.
32:53The cylinder.
32:54It's sabotaged.
32:55Someone must have been rather keen to make sure we don't find out what's on them.
32:59Ah.
33:00Sherlock.
33:00What's all this?
33:02Yes.
33:04Yes.
33:06Yes.
33:06Yes.
33:06Yes.
33:06Yes.
33:18Well, why would someone do this to us, Sherlock?
33:21We are working on that.
33:22We have a lead on the potential whereabouts of Professor Malick.
33:26Um, obviously, Hodge wants to pursue it himself, but...
33:30No, you find Professor Malick.
33:32Right.
33:32You find out why he's been doing this, Mycroft.
33:34You have my word.
33:35And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
33:39our mother.
33:40Wait, who's there?
33:40Where is she?
33:42Suano.
33:44Not the hell her real name is, was she?
33:50She was here just a moment ago.
33:52Tell me, Holmes, if she's escaped, you'll be held personally responsible.
33:55Well, I have men and all the doors.
33:56There's no way she could have got out.
33:58How could she have possibly slipped?
33:59Wait.
34:01I say, consider yourself my hunting hound.
34:05Don't bring her back.
34:22This is why she brought us here.
34:24You're an idiot, Holmes.
34:26She duped you.
34:26Get out of the way!
34:30Hey!
34:31Stop!
34:35Come on!
34:36Out of the way!
34:39Come on!
34:40Come on!
34:48Stop right there!
34:49out of the way!
35:19abdon on the map she said behind the locks now could it be somewhere on the canal would abdon be
35:26the name of the boat we keep a register of boats and vessels somewhere but where is o'shea we
35:30hasn't reported back yet sir this is becoming a bloody fiasco find professor malik damn it man
35:36thinks he can betray me or rip his bloody head off might i ask exactly what the princess said sir
35:40she said they were meeting professor malik at abdon behind the locks abdon and senon
35:49they're ancient catholic martyrs if i may there's a ruined medieval abbey not far from oxford it was
35:57once dedicated to them behind the locks the locks of marion an old relic believed to have been kept
36:04at the abbey according to legend it was the hair of mary mother of jesus well i never really how
36:11did
36:11you know this my father encouraged me to read sir why don't you know this micro oh a little
36:19scratchy or my esoteric christian martyrs sir hmm where is this ruined abbey there sir she wants
36:29making a good habit of beating you nonsense as a matter of fact i think you'll find i helped her
36:35to regain her liberty i see so you knew about the passenger you knew she was going to escape i
36:41simply
36:42decided the world was a more interesting place with her in it what a lot of shite
36:55uh
36:56last of juggers i swear
37:08smells interesting
37:21Are you all ready?
37:27There's more than one way to skin a cat, James.
37:30Well, this is how I like to skin my cats.
37:52Oh, dear Lord, Mr. Larson Jaggles, Esquire.
37:57This is how it's not charming to see you.
38:04Is that blood?
38:08It's a sign of a struggle.
38:11He got in the scrap.
38:17So someone erases his conversations with my mother.
38:21And then he finds himself unceremoniously erased.
38:23A rather convenient suicide, don't you think?
38:28Diaries.
38:29I tell you what business he had with your mother.
38:31I am going to report this.
38:33To the police?
38:34Yes.
38:35And do their jobs for them.
38:36Because I have been suspected of murder before,
38:39and I would rather it didn't happen again.
38:41Seneca says the problem with this life is not that it's short.
38:45It's that we wasted an awful lot of a dick in a boat.
38:50Oh, my God's work.
39:00Oh, my God's work.
39:20I'd like to report a death Lawson Jaggers solicitor for Alba Lane and you are
39:28Sherlock Holmes Holmes we have a wire for you Sherlock Sherlock Sherlock Sherlock Sherlock Sherlock Sherlock
39:57Amanda Selì‚° she requires help she needs to be somewhere she can be cared for I'm so sorry
40:04Sherlock I was only gone for a moment don't you worry Crow they won't be taking her anyway
40:07I believe you'll find I have jurisdiction over her mind I believe you'll find I have
40:13jurisdiction over this
40:21Is the double-barreled 12-bore hammer gone not persuasive enough for you?
40:27Let her go.
40:29We're only acting in her best interests.
40:34You knew, didn't you?
40:36You knew about the recordings about Professor Malick.
40:40Why did he do it?
40:42We'll have to ask him.
40:43I was merely paid to look the other way.
40:47I am so sorry, mother.
40:50I am so sorry.
40:51I never loved you.
40:53Can I respectfully suggest that you'll fuck off?
41:13Right.
41:14Move up.
41:17You're quite sure this is the place?
41:19Quite sure, sir.
41:28Mr. Stroud, I wanted on the record that I was the one who blew this case wide open.
41:32Yes, of course, sir.
41:36I think I saw movement by the church, sir.
41:46I wish to be the one to apprehend him.
41:48Very good, sir.
42:17I think you love to work for me.
42:19By the way, I'll fall.
42:41What do you do, Percephalus?
42:43Kishore Malik.
42:45Oh, it's true.
42:47Oh, my very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't quote the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, will be forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:56Take your hand out of your pocket, man.
44:10Hodge.
44:11Hodge!
44:16Hodge!
44:17Right, stand out!
44:18Man, it can't have gone far!
44:21Hodge!
44:22Hodge!
44:23Has he been shot?
44:26There's, there's, there's no blood.
44:30There's no bullet hole, nothing.
44:33Serbiussepolis?
44:34Oh.
44:37He's not, he's not breathing.
44:43He's dead.
44:50Guns and hot tuddies.
44:52Jesus, you're a woman after my own heart, Mrs. Crow.
44:56Mrs. Crow, thank you.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:07Oh, James.
45:10It was such a tonic.
45:13So what now?
45:17We're still no closer to figuring out why you were involved in any of it.
45:23The likelyest explanation is always discipline.
45:27He's coming back.
45:28I was merely paid to look the other way.
45:41Done.
45:47Sherlock, my boy, I heard you had a spot of bother.
45:55There's a man going round, taking names, and he decides who to free and who to blame.
46:05Everybody will be treated all the same.
46:10There will be a golden ladder reaching down when the man comes around.
46:22The hairs on your arm will stand up.
46:27The hairs on your arm will stand up at the terror in each sip and in each suck.
46:32Will you partake of that last offered cup or disappear into the potter's ground?
46:43When the man comes around.
46:47When the man comes around.
46:48The whirlwind is in the thorn tree.
47:16And I heard a voice in the midst of the four beasts.
47:19I saw him.
47:20שה
47:21he
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