- 3 hours ago
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00:10¡Suscríbete al canal!
00:29Did. Sounds like something pretty bad.
00:32I hope he never finds you.
00:33Police department, Jane Miller.
00:35Why does this place look so familiar?
00:37Who owns this apartment?
00:38Same company who owns Oliver Kennedy's apartment.
00:40Elliot Burhane.
00:41Elliot does more for me than I deserve.
00:43Don't forget who he really is.
00:44That family can't make you complicit in their cover-up.
00:47Just stay out of it.
00:48Mr. Burhane's wife recently passed in an accident.
00:51We are sure it was an accident.
00:52What are you trying to say?
00:53I want you to try these and get your anxiety under better control.
00:56Dan, he knows me.
00:57You pay him to know you.
00:59I'm right here, and you won't let me.
01:01You know, the whole point of trust is taking a risk
01:04and saying the things that you don't want to say.
01:07It's telling you to keep it locked up inside.
01:48How did you sleep?
01:51Not as good as you did, I think.
01:54Yeah.
01:55What did you dream about? Do you remember?
01:58Uh, no.
02:00You.
02:01Oh, really?
02:03No.
02:04I don't remember.
02:07No.
02:08Oh, yeah, yeah.
02:22Yeah.
02:22Oh, yeah.
02:26Yeah.
02:32Yeah.
02:44No, no, no, no.
03:17I was wondering where that was.
03:19I stole it from your drug drawer, and I was saving it for a very special occasion, but
03:24I thought today, I don't know, St. Patrick's Day, Boston, it qualifies.
03:32Organic panic, psychedelic chocolate will melt your mind.
03:38One, square relaxation, two, disinhibition, three, introspection, four, revelation.
03:48I don't know, I feel like we should be trying for revelation.
03:53Have you ever done it before, psilocybin?
03:57Oh, um, a couple of times.
04:00I don't know, I feel like it's good for opening the mind a little bit, and, uh, loosening up
04:07some boundaries.
04:09Come on, we can be psychonauts together.
04:13We'll launch into the deep space of our brain and see what we find.
04:19Um, I usually microdose.
04:21Yeah, but, I mean, if we're going to do it, we should really do it, right?
04:28Go on.
04:29Don't you want to revelate with me?
04:31That's not a word.
04:36Fuck it.
04:37Fine.
04:40Cheers.
04:42Cheers.
04:52Where are you, Jane Miller?
04:56Why don't you ask Elliot Berhain?
04:58He was her landlord.
05:00Oh, because Elliot Berhain isn't speaking to the police.
05:05Hey, maybe I could be like a middleman.
05:07You know, just smooth things over.
05:09We'll call you if we need you.
05:11Get him out of here.
05:13See you later, man.
05:13Okay.
05:14All right.
05:14All right, I got you.
05:16But look, if you need anything, you know where to find him?
05:18Yes, sir, we do.
05:21You know, he's right.
05:22We would be further ahead if we hadn't lost Berhain as a witness.
05:25We don't need him to tell us that she didn't move out.
05:27All her shit's still here.
05:29What we need to do, maybe we should call CSR and get the text in here before we romp and
05:34tromp all over the place.
05:36This could be a secondary scene.
05:37Could be primary.
05:40He could have killed her here, brought her back to his place to melt her down.
05:45What?
05:46That theory has some issues.
05:50You have issues.
06:06You know, what?
06:52I'm going to be honest, I have to tell you something.
06:53I think I feel a revelation coming on.
06:55Now, what do you have to reveal?
06:58Um...
07:01Yeah, it's good. I've seen it, though. I've seen it before.
07:03Yeah, but they haven't seen it. It's going to spread the wealth.
07:23I'm going to the world.
07:27I'm going to the world.
07:30Oh, God!
07:30I'm going to the world.
07:32I'm going to the world.
07:38That's indeed so you check those out.
07:40Oh, God!
07:41Oh, God!
07:58¡Gracias!
08:20¡Gracias!
08:21¡Gracias!
08:25¡Gracias!
08:27¡Gracias!
08:31¡Gracias!
08:33¡Gracias!
08:33¡Oh, my God! ¡You're so pretty!
08:36¡Gracias!
08:39¡Gracias!
08:42¡Gracias!
08:44¡Gracias!
08:45¡Everbody wants to be so bad right now!
08:47¡I'm a very lucky man!
08:49Yeah, I know. They're all really jealous.
08:59Alright. Let's go here.
09:05We made so many friends!
09:12Morning.
09:13You ready?
09:14I'm gonna start soon, but I gotta stop and get those eye drops.
09:17Who's driving?
09:18Liz is picking us up.
09:23What if your dad is there with...
09:24What's her face?
09:26He hasn't been there in years.
09:27Why'd he show up now?
09:29Just to piss me off?
09:32Look, fuck him, okay?
09:34We don't care.
09:38Well, alright.
09:39I'm gonna change.
09:40His skirt looks cheap, and it wasn't.
09:43You look fine, Ma.
09:44Beautiful.
09:45I love you.
09:54Holy fucking shit.
10:00Look at this, but ugly thing.
10:03Looks like a lady.
10:07Carl, come in here.
10:08I'm just getting started out here.
10:09No, I mean it.
10:10You really wanna see this.
10:11Okay, I will.
10:21Can I help you?
10:25Licka's not dead.
10:28I'm a freelance reporter.
10:31I'm working on a story about Oliver St. Ledger and the context of his extended family.
10:36Yeah, so what was the angle here?
10:37Killer rich kid?
10:38Pays his way out of justice?
10:40Where is he now?
10:41Sort of things?
10:42Something like that, yes.
10:43In 16 years, Oliver's never spoken to the press.
10:47It's giving him a chance to speak for himself.
10:49Yeah.
10:50Now, I saw your car in the garage, so I'm gonna assume that interview didn't go too well.
10:56He's a psychopath.
10:59Still waiting for a windshield, so...
11:01No, I never got my interview.
11:03Why did you think that the best way to get the interview was to drop off an anonymous letter?
11:09I dropped two anonymous letters, actually.
11:11Oh, even better.
11:12There was no way he'd say yes to an interview.
11:15But if he felt like the grace period of his anonymity was coming to an end,
11:19he might be more susceptible to my suggestion that he control the narrative himself.
11:24See, I call that poking the bear.
11:26Pretty unorthodox.
11:28Did you go to journalism school, Ms. Miller?
11:29I don't know which one of you I find more offensive.
11:32Yes.
11:33Yes, I got my masters at BU.
11:35Is that where you learned to employ paranoia as a professional strategist?
11:38It's not paranoia.
11:39It's allowing the subject to speak their truth.
11:41And how'd that work out for you and that Fiat?
11:44Better my windshield than my face.
11:45Oh, yeah.
11:46But you do have a point.
11:47You ever meet his girlfriend?
11:49Yeah.
11:50A couple times.
11:52Her name was Ciara.
11:55Ciara...
11:55I don't know.
11:56She didn't say.
11:58She's very pretty.
12:01With dark hair.
12:03With strangest eyes.
12:04It's like she sees through you.
12:07Which is ironic, considering their whole relationship was a lie.
12:11She's a con artist.
12:15Why would you say that?
12:16She was after him for his money.
12:19I don't blame her.
12:20Why else would you date him?
12:21I don't know.
12:22Maybe she...
12:24Found him attractive.
12:27Intelligent, funny, good sex.
12:29I don't know why people date each other.
12:31Regardless.
12:32She knew who he was and she stayed with him.
12:37But he didn't know she knew.
12:40It's like they were living in this warped, double lie.
12:45A fugitive.
12:47A con artist.
12:49Obsessed with each other.
12:52I'm not sure which one of them was more demented.
12:57I don't know.
12:58Gotta take this.
13:00Hold that thought, please.
13:04Connelly.
13:05See the news?
13:06Yeah, I'm sitting there at home on my ass watching TV like you told me to.
13:09They are really out to get us today.
13:11I don't want to waste your time, but...
13:13Linus Finch?
13:14Get a chance to talk to Lee?
13:16Yeah.
13:17Yeah, yeah.
13:18She explained it all to me.
13:20Remember that case a couple months back?
13:23Albanian kid?
13:2550 gallon drum and the shitty alibi?
13:27I remember the shitty alibi.
13:29Well, it turns out, Finch was a witness.
13:33And he agreed to talk, but he didn't want to come in, so...
13:36I should have met him at the zoo.
13:39That's all you got from her?
13:41What else you want?
13:42Thought it'd be a better story.
13:44But if that's it, I'll take it.
13:46By the way, this ought to make you happy.
13:50That claptrap who got her hands on your weapon has 36 unpaid parking tickets
13:53and skipped jury duty.
13:55So we put out a warrant.
14:02Did I lose you?
14:04Uh, no, Sarge.
14:07I'm still here.
14:10Do you think there's a world where Oliver found out Ciara knew his secret?
14:16And he killed her for it?
14:17Yeah.
14:18I do.
14:20He's clearly invested in his lies.
14:23And you know about his boss's wife.
14:29Um...
14:29Alison Meadows. I know she died a few weeks ago.
14:31The ME ruled it an accident.
14:33It wasn't an accident.
14:36Pretty sure he killed her too.
14:37Thank you.
14:47Is this where we're going?
14:49Huh? Yeah, it could be.
14:50Uh, you want a drink? I could just drink.
14:54I don't know if, like, a crowded bar full of fucking leprechauns is where I want to trip my balls
14:59off.
14:59You know what I mean?
15:00You don't feel it yet?
15:01No. Yeah, I am feeling it.
15:04Uh, okay, so what else is fun?
15:05We could, uh, stand on the edge of the Grand Canyon maybe, or we could look at each other in
15:11the mirror, or we could stare directly into the sun.
15:15I feel like these are bad ideas.
15:19Hey! Who's here?
15:22Fuck. Fuck.
15:23Hey, Elliot!
15:24Or am I the last idiot you expected to see here? Huh?
15:28Uh, yeah. No, uh, sorry. No. Uh, this is, uh, Ciara. You know Ciara. Ciara was.
15:33Hi, Elliot. I love your little hat.
15:36Oh, thank you.
15:37Hey, you want to grab a drink?
15:39No, no, no, no. I think, I think it's too crowded.
15:41Oh, no, no. Come on. Come on. Just one. We've got a table. Huh?
15:44You can be wallflowers later.
15:46Fuck.
15:47I'm so sorry.
15:55I think it's starting to kick in a little bit too hard.
15:57Yeah, come on too.
15:58If it makes you feel any better, I think your boss is definitely ahead of you.
16:01Hey, honey. Look who I ran into.
16:04Huh?
16:07Hi.
16:08Hi, Allison. Hi.
16:10This is our friend Jane, and, uh, this is Ciara.
16:16Hi. It's so nice to meet you.
16:19You too. Uh, Elliot's told me so much about you.
16:23Ciara, did you say?
16:24Yeah, exactly. You look familiar.
16:28That's so funny, because I was just about to say that you look familiar.
16:31I think I've seen you where I'm staying. At the crossings.
16:36You're staying at the crossings.
16:38Yeah, just temporarily. I'm here for work, and Elliot was kind enough to let me squat in one of the
16:42unit scenes.
16:44Oliver's in the other one.
16:47So, uh, how do you guys all know each other?
16:49We met after this big forgery scandal at the museum a few years ago.
16:55She saved our acquisition staff from buying a fake Basquiat.
17:00Ah.
17:01That's good.
17:03So you, uh, you work at the museum?
17:06She's a reporter.
17:09Hey, uh, Ollie, uh, go get us another picture, would you?
17:14Elliot, honey, you're not the boss here. Go help him.
17:18No, that's okay, that's okay. I think, uh, I think we're gonna go, right?
17:21Okay, let me stay for one drink.
17:25Uh, why, will you just grab me whatever you think?
17:28Yeah.
17:31Thank you.
17:42Are you okay?
17:46Yeah.
17:47Why do you ask?
17:48Your boyfriend isn't who you think he is.
17:51Oliver Kennedy isn't his real name.
17:53He's dangerous, and I know this isn't the, the time or place to talk about it, but...
18:02He killed someone.
18:04I know.
18:08What? I...
18:10How can you be with him? I, I don't understand.
18:13No one's asking you to.
18:20All I was told was Jane needed a place to stay.
18:23She's, uh, researching a story.
18:25The story's me, Elliot. I'm the fucking story.
18:28Hey, hey, hey. Come on.
18:29No, she's stalking me?
18:30In my home? On the street? At the gym?
18:38Right now, she's talking to Ciara, and she's probably fucking talking about me.
18:43Fuck.
18:46Ollie, if you want to build a real relationship, you're gonna have to tell her sometime.
18:53Yeah, well, I did that last time, and it didn't go so well.
18:59When Allison told me that he was here in Boston working for Elliot, I came to tell the story about
19:03the murder he committed in Narragansett.
19:05And the massive cover-up. His family is just as fucked up as he is.
19:11He's been evading responsibility for years.
19:14I'm trying to give him the chance to change that by telling his story in his own words, but...
19:20I was not interested.
19:23Maybe you could tell him to talk to me.
19:25Are you trying to get her killed?
19:28You know, you're not the first girl to get caught up in this.
19:31No, he had a serious girlfriend in London, Lucy Hargrove.
19:35They dated for almost a year.
19:38I found her in Wales. Tried to get her to talk.
19:41She completely shut me down.
19:43Because she's terrified.
19:45Oliver told Elliot he was planning to propose.
19:49That he wanted her to know the truth.
19:51So, he told her everything.
19:54And she freaked out.
19:56She ran for her life, and he was devastated.
19:59But...
20:00What did he expect?
20:02He told her everything.
20:04About the murder.
20:06He killed his classmate at Bridgefield Prep.
20:10Paul Sparling.
20:13Why?
20:14What did he tell you?
20:28Stop looking over there.
20:30You look like you're losing them.
20:38Hey, come on. Listen to me.
20:41Really.
20:42I didn't know what was happening here.
20:44And I know Allison has treated you unfairly in the past, but I agree this costs a lot.
20:50I will talk to Jane, myself, and tell her to back off.
20:55And if she doesn't like it, she can leave.
21:00You know, the reason I asked you to come here to Boston is because I promised your father, before he
21:06died, that I'd always keep an eye on him.
21:11Protect you.
21:12So, when I tell you I got your back, I mean it.
21:22I just want you to be happy.
21:28I'm sorry.
21:30It's okay.
21:31It's okay?
21:32Hey, it's all right. Elliot.
21:52What the fuck is this?
21:53What's it look like?
21:55A hundred grams can't be right, Meg.
21:57But it is.
21:59I promise.
22:00This is insane.
22:01The Narrow River Memorial Fund?
22:03Wait, you really think the St. Ledger's are just gonna, what, consider it a contribution or something?
22:08This is like a drop in the bucket to him, Shyla.
22:10He has so much money, he's not gonna care. He's not even gonna notice.
22:13He's been in hiding for so long. He goes by Oliver Kennedy now. And he has no life.
22:19What are you talking about? How do you even know that?
22:23Because I know him now.
22:25What do you mean, know him?
22:27Because I met him. Because I know him now. Okay?
22:32And by the way, he's not what you think.
22:35He's exactly what I think he is.
22:41I'm gonna puke. Mom's gonna die.
22:44Don't tell mom, dude. I'm gonna tell mom. Because I'm the one who got this money.
22:48You stole it.
22:50No. I earned it.
22:52Oh yeah?
22:52By doing what, Meg? Are you fucking a killer?
22:57Yeah. I am.
22:59And I'm also living in the city. And I'm day drinking with people who went to college.
23:03Instead of working my ass off, I'm at a fucking Denny's.
23:07Or whatever it is you're doing now.
23:08I'm on my way to fucking church to pray that you go to hell.
23:28I should've known. The money. It all makes so much sense.
23:40I should've known. The money. It all makes so much sense.
23:43I want you to get what you want.
23:47But I want me to get what I want too.
23:50I need a reputable source.
23:52On the record.
23:54Oliver himself would've been my preference.
23:57And that's not going to happen.
24:00But I'm more than willing to settle for you.
24:03I fell in love.
24:05With the narrow river killer.
24:08I had no idea who he was.
24:10And when I found out, it was too late.
24:14He'll be famous.
24:16First my story. Then the book.
24:19The podcast. Then the movie.
24:23Everyone will love you.
24:26She's so beautiful.
24:28She's so strong.
24:30For sharing her drama.
24:33This is an opportunity for you to reinvent your life.
24:36On your own terms.
24:38It's the best one you're ever going to get.
24:41But if that doesn't appeal to you, I will call the police.
24:45And you will go to prison for embezzling from the richest, most psychotic family in America.
24:56You're bad at your job.
25:00Okay.
25:03But your skin is nice.
25:06I try.
25:12Off the record.
25:14I fell in love.
25:16With the narrow river killer.
25:20But he didn't tell me anything.
25:23Because I knew so much already.
25:26I knew every city.
25:28I knew every alias.
25:30I knew his social security number.
25:32I knew his mother's maiden name.
25:34And today, he's going to tell me what happened that day that Paul Sparling died.
25:43And what he does, I promise, I am never going to tell you.
25:53Who are you?
25:54Who's on the road?
26:07Who's on the road?
26:09Who's on the road?
26:15Hey, I think it's time to call it.
26:18Ahora?
26:20Baby, estoy en un viaje.
26:21Tenemos que ir, por favor.
26:25¿Qué pasa?
26:26Stop, stop, stop.
26:29You told Jane Oliver was here, didn't you?
26:33You made this whole mess.
26:35She said she was in a career slope.
26:37She needed a story.
26:40Are you kidding me?
26:42How could you do this?
26:43The world deserves to know.
26:45And I don't care
26:47that he's your godson
26:49or how much you
26:51fucking loved
26:53his fucking father.
26:55Okay, this was not your path, Mick.
26:57It wasn't yours either.
27:00Okay, I've told you
27:02and told you
27:04over and over
27:06how uncomfortable
27:08I am with this entitled
27:10asshole in our lives
27:12and you never listened.
27:15You just
27:17dismissed my concern
27:18like I'm a child.
27:20You're not a child.
27:22Which is why I expect you
27:24to find some nuance.
27:26Some compassion here.
27:28He made a mistake.
27:29It wasn't a mistake, Elliot.
27:31I've made plenty of those.
27:33Okay, I cheated on my driver's test.
27:36I fucked my roommate's brother
27:38but I have never
27:40killed anyone.
27:41And if I did,
27:43I wouldn't expect
27:45the pathetic BFF
27:48of my billionaire daddy
27:50to help me cover my tracks.
27:54You really are an ugly drunk.
28:30What did that woman say to you?
28:36I think you know.
28:39I don't know.
28:41I don't know, so please
28:42you have to tell me.
28:47You wanna go outside?
28:57Shit.
29:13I don't know.
29:14He was staring at Allison the whole time
29:16making her so uncomfortable
29:17like he was on drugs.
29:18I think they both were.
29:21You know, he was fucked up
29:22when he killed that kid
29:23in high school too.
29:27Where's your partner?
29:29He's still on the call.
29:30Um, listen, I don't discount your concern
29:33over your friend's death
29:34but my job is to investigate
29:37the incident that occurred here.
29:38Inspector Reardon, I need to speak to you for a minute.
29:41Wait right here.
29:45Hey.
29:56Is that Russo on the phone?
29:57Yeah, yeah, it's all good.
29:59Check this out.
30:00What the hell?
30:00Is she some kind of bank robber?
30:04Did she pull the alarm?
30:07She's the lobby goblin.
30:09She's like, look.
30:14This is the coat.
30:16Oh, hey.
30:17Did you see the stalker girl?
30:18Oh, I saw it.
30:20Look at this.
30:23This is the crime scene.
30:25Yeah.
30:25She took a picture of a dead body.
30:27What the fuck kind of shit is that?
30:30Explains why she didn't return my calls.
30:33She is telling a very morbid story here.
30:36Yes, she is.
30:37And people like that shit for some reason.
30:39Okay, we've got the false alarm,
30:42misprison of felony.
30:43Beanie.
30:44I'm calling it burglary.
30:46Burglary.
30:47We like burglary.
30:49Okay, this is big.
30:50I'm gonna tell CSR.
30:54You're right.
30:54People do like morbid stories.
30:56Yeah, I know.
30:57And it's like, it's my job,
30:58but I do not like that shit.
31:00Oh, yeah?
31:00Well, we can't all be porn addicts like you.
31:03Have you ever taken a picture of your titties
31:04and sent them to somebody?
31:06Once.
31:08On a...
31:10on a Xerox machine.
31:12This was before or after 9-11?
31:15On the day of, that's how I remember it.
31:19I don't know.
31:20I don't know.
31:22I don't know.
31:22Hey, um...
31:26What did you say to Russo?
31:28Oh, I just told her that Linus Finch was one of our witnesses
31:31on that Albanian case last year.
31:33Okay.
31:38Thanks, I really didn't...
31:39Da-da-da-da.
31:41Hmm?
31:43Right?
31:45God, I forgot all about the Albanian.
31:48That was a blip.
31:49Yeah.
31:50Pass me how I remember.
31:53Does it involve a copier?
31:56I don't wanna know.
31:57Hmm?
32:04The ground is moving.
32:05Can you feel...
32:05Can you feel it?
32:07Don't look at the ground.
32:08Why don't you look at me?
32:09I can't...
32:09I can't look...
32:10I can't look at you.
32:11I can't talk to you.
32:12I can't tell you.
32:13I can't tell you...
32:13Yes, you can.
32:14Yes, you can.
32:15You know why?
32:15Because we need to get past this, okay?
32:19So, if...
32:19If you don't wanna go, maybe I go.
32:21I can go first.
32:22No.
32:22No, I don't want...
32:23I don't want...
32:24Because if you say something...
32:25I don't...
32:26Because if I tell you...
32:28If I tell you...
32:30Then...
32:32Then what?
32:32What'll happen if you tell me?
32:34What'll happen?
32:35Hey.
32:35You'll hate...
32:36You'll hate me.
32:36I'm not gonna hate you.
32:37You're gonna hate me.
32:38Oliver.
32:38Oliver.
32:39I'm not gonna hate you.
32:41I'm not gonna hate you.
32:45Yes, you will.
32:47You'll hate me and then you will leave.
32:49And I can't...
32:50I don't want that.
32:51And I...
32:51Whatever you have to say to me, don't say to me.
32:54Just...
32:54Just don't say it.
32:55And then we can just keep it...
32:56The same...
32:57As it is.
32:58I can't...
33:12Okay.
33:12Come here.
33:13Come here.
33:15Hey.
33:16Look at me.
33:17Okay?
33:19Breathe.
33:20Let's breathe, okay?
33:27Okay.
33:29It's okay.
33:30Stay with me.
33:31You're okay.
33:35You're okay.
33:39You're okay.
33:42You're okay.
33:43You're okay.
33:46You're okay.
33:51It's okay.
33:57Can you hear me?
33:58What?
34:05I forget.
34:13It's okay.
34:15Okay.
34:15My name is not Ciara.
34:18My name is Megan.
34:22And we did not meet on accident.
34:29I came here
34:32To find you
34:33On purpose
34:35To take what you owe me
34:38And my family
34:43Because I thought I knew what happened
34:45In that river
34:46But I don't know, maybe I don't
34:50And
34:50I grew up believing
34:52That you were a monster
34:54And now I don't know that either
34:57Maybe you're not
34:58I don't know
35:00I can't tell
35:07But if you could have
35:10If you could have just been honest with me
35:15If we could have
35:18Talked about it
35:21I really
35:22I really think
35:23That I would have found a way to understand you
35:28I really do
35:31Somewhere
35:34This became really real for me
35:36This was real for me
35:47And I think I wanted to believe
35:50I think I wanted us
35:54I wanted us
35:56To work
35:59Somehow
35:59I don't know
36:02I thought we could work
36:04But now
36:05I see
36:07I know
36:08We can't
36:08I know we can't
36:15And that's really sad
36:25Because
36:25Because
36:29I
36:29I really
36:33Could have loved you
36:41I really wanted to love you
37:10I know
37:27¡Suscríbete al canal!
37:42¡Suscríbete al canal!
38:40¡Suscríbete al canal!
39:03¡Suscríbete al canal!
39:06¡Suscríbete al canal!
39:16¡Suscríbete al canal!
39:50¡Suscríbete al canal!
39:59¡Suscríbete al canal!
40:07¡Suscríbete al canal!
40:10¡Suscríbete al canal!
40:15¡Suscríbete al canal!
40:18¡Suscríbete al canal!
40:38¡Suscríbete al canal!
40:41¡Suscríbete al canal!
40:47¡Suscríbete al canal!
41:04¡Suscríbete al canal!
41:18¡Suscríbete al canal!
41:24¡Suscríbete al canal!
41:33¡Suscríbete al canal!
41:54¡Suscríbete al canal!
41:56¡Suscríbete al canal!
42:03¡Suscríbete al canal!
42:29¡Suscríbete al canal!
42:38¡Suscríbete al canal!
42:48¡Suscríbete al canal!
42:50¡Suscríbete al canal!
42:57¡Suscríbete al canal!
42:58¡Suscríbete al canal!
43:00¡Suscríbete al canal!
43:01¡Suscríbete al canal!
43:02¡Suscríbete al canal!
43:03¡Suscríbete al canal!
43:03¡Suscríbete al canal!
43:04¡Suscríbete al canal!
43:04¡Suscríbete al canal!
43:05¡Suscríbete al canal!
43:06¡Suscríbete al canal!
44:14¿Where do you wanna go?
44:16Nowhere.
44:51Dr. Pipole.
44:52First of all, I was very happy to hear that this case was in your very capable hands.
44:56What is the timeframe that we can expect?
44:59The prelim will be in early next week.
45:01Oh, I don't have a week, doc. Please.
45:04I've rarely seen this level of disarticulation.
45:06There's little I can do to rush the process.
45:08Okay, okay, okay, but based on what you see,
45:12is there anything you can give me?
45:20Based on the partial skull master process
45:22and comparison between second and fourth digits
45:25on the articulated hand,
45:26I can draw a fairly certain conclusion
45:29the victim is...
45:31male.
45:55I'll tell you the truth.
46:22I'll tell you the truth.
46:25No, no, no.
47:24No, no, no.
47:54No, no, no.
48:22No, no.
48:52No, no.
49:22No, no.
49:52No, no.
49:55No, no.
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